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Everett Sifuentes height 5'3" waist 36" inseam 29" collar 16" sleeve 29" shoe 7 us Feature Film The Chameleon Chameleon Films LLC Jean-Paul Solome The Beacon Beacon The Movie LLC Michael Stokes Exit Speed Hellhounds, LLC Scott Ziehl Kings of the Picture Place LLC Andrew Jones Evening Guilty Gilty LLC Gabriel Folse Elvis & Annabelle Quested/Schatz Will Geiger Mexican Sunrise Red J Films Rowdy Stovall The Quiet Burnt Orange Prod. Jamie Babbit When Zachary Beaver Came to Axium/Amy Robinson John Schultz Town Warner Bros/Q Selena Gregory Nava Prod/Esparza/Katz Night Game Trans World Entertainment Peter Masterson Cotton Candy NBC/Rance Howard Ron Howard Code of Josey Multi/Tacar Prod. Michael Parks Wales Five Days from Epic Prod. George Peppard Home Deep in the Heart Warner Bros/Kestel Film Tony Garnet Getting Even AGA Prod. Dwight H. Little Europe American Caged Fear Bobby Houston Entertainment Televison Friday Night Lights Direct TV/NBC Walker Texas Ranger Borderline Cannon Television Mike Vejar Legend Amadea Film Tony Mordente Flashback Amadea Film Michael Preece Jacob's Ladder Amadea Film Michael Preece In the Name of Twenty Century Fox Bill D'Elia Love Dangerous Curves TPT/hemisphere/Group/CBS Michael Preece 13 East Scomi/TVP Scoey Mitchell Unsolved Cosgrove Meurer Prod Myesteries Jamie Kennedy WB Television Experiment Commercial Anheuser-Bush Dally Lyle Metzdorf Inc Atomico Directorz Mccann-Erickson/NY Bates USA DDB Needham Worldwide Millenium Pictures Bates Southwest Duncan & Asso. Murphy-Main & Asso Pinpoint Ideas & BBDO/Worldwide Focus Solu. Berman Film Frames Per Second Publicies Best of the Bunch Gleason/Caliese/Asso. Publiese Creative Bromley, Aguilar Gotham Inc The Richards Group Asso Campbell Ewald Grey Advertising Temerlin Mcclain Cartel Creativo GSD & M VML Advertixing Cultura Hal Rainey & Partners Inc Young & Rubican Crystal Video Prod KJS Marketing Wild Child Inc Industrial Action Systems Holiday Inn Pearle Optical American Media Half Note Music Sears Boy Scouts of IBM St. Paul Hospital America Corporate Magic Kawasaki Temerlin Mcclain Country Clubs of Loomis Agency Trinity Inc America Hilton Hotels Motorola Verizon Print American Airlines D-Squared Studios McAliter Photo AT&T Dan Sellars Photography Magnetek Motor Borden Milk Dallas Cowboys M & M Boy Scouts of Dart NCNB America Chuck Untersee Dell Pet Milk CoActiv Partner Hussey Photography Pete Lacker CRSA/Longhorn John Katz Photo Park Street Village Pfizer.

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ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
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The Flyleaf, 1996
The Flyleaf Friends of Fondren Library Vol. 46, No. 4 Summer 1996 Keeping a Journal A LETTER TO THE FRIENDS sorely missed. We have been insured that she is available to advise or help in any way when she is Dear Friends of Fondren Library, not traveling or enjoying some well deserved free We begin the 1996-97 acadeniic year with time. The Board of Directors was pleased to ac- great pleasure as we welcome the new Vice Provost knowledge with great affection Betty's service at the and University Librarian, Charles Henry. Dr. Henry recent Annual Meeting with the purchase m her met with the Friends of Fondren Library Board of honor of three books to be housed in the Axson Directors at our May meeting and we look forward Collection in the Woodson Research Center. Betty to working closely with liis office. will be difficult to replace and we are working At this time one year ago, I reported to our directly with Dr. Henry to name the new Executive membership that the library endowment had passed Director of the Friends in the next few months. the one million doUar mark. Today, I am very On behalf of the Board of Directors I wish to pleased to report that our endowment exceeds $1.3 acknowledge departing Board Members Karen mOlion thanks to the continuing efforts of the Board, Rogers, Oliver Pennington, Bettie Carrell, Jan a generous membership, and a supportive commu- Domenico and Joan Ryan. Their collective energy, nity at large. The organization continues to enjoy a creativity, enthusiasm and commitment to the very healthy membership of 1,300.
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Selected Correspondence from the Horton Foote
SELECTED CORRESPONDENCE FROM THE HORTON FOOTE COLLECTION, 1912-1991 by SUSAN CHRISTENSEN Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 ACKNOWLEDGEMENTS I would like to thank Horton Foote for his generosity in granting me permission to include transcriptions of his family members’ correspondence in my dissertation. I would also like to thank his daughter Hallie for her kind assistance. I have been fortunate to have the opportunity to work with Dr. Laurin Porter, my supervising professor, an extraordinary teacher, a remarkable scholar, and a generous and thoughtful person. During my graduate studies, her wisdom has inspired me and her encouragement has sustained me. I would like to extend my heartfelt appreciation to the members of my graduate committee, Dr. Desirée Henderson and Dr. Neill Matheson, and also to Dr. Wendy Faris and Dr. Thomas Porter, for their kindness and their work on my behalf. I am grateful to Dr. Russell Martin III, the director of the DeGolyer Library at Southern Methodist University, and his staff, who assisted me during the many months I spent conducting archival research. Finally, and most importantly, I would like to thank my husband Robert for his unwavering support and love. July 16, 2008 ii ABSTRACT SELECTED CORRESPONDENCE FROM THE HORTON FOOTE COLLECTION, 1912-1991 Susan Christensen, Ph.D. The University of Texas at Arlington, 2008 Supervising Professor: Laurin Porter This dissertation includes a discussion of archival research and editorial procedures employed in the study, introductory essays on the private correspondence of the family of Horton Foote, and transcriptions of one hundred letters selected from the personal correspondence in the Horton Foote Collection reposited in the DeGolyer Library at Southern Methodist University in Dallas, Texas, with extensive annotations and ancillary materials.
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Musical Theatre Production Repertoire
ASU LYRIC OPERA THEATRE - MUSICAL THEATRE REPERTOIRE Show Title Creative Team Year(s) Performed 25th Annual Putnam County Spelling Bee, The Composer(s): William Finn 2010 Lyricist(s): William Finn Book Writer(s): Rachel Sheinkin A Funny Thing Happened on the Way to the Forum Composer(s): Stephen Sondheim 1969, 78, 89 Lyricist(s): Stephen Sondheim Book Writer(s): Burt Shevelove, Larry Gelbart A Little Night Music Composer(s): Stephen Sondheim 1987, 99 Lyricist(s): Stephen Sondheim Book Writer(s): Hugh Wheeler A...My Name is Alice Composer(s): Various 1991, 98 Lyricist(s): Various Book Writer(s): Joan Silver & Julianne Boyd And the World Goes 'Round Composer(s): John Kander 1994, 2008 Lyricist(s): Fred Ebb Book Writer(s): Revue Anything Goes Composer(s): Cole Porter 2005 Lyricist(s): Cole Porter Book Writer(s): Guy Bolton, P.G. Wodehouse archy and mehitabel Composer(s): George Kleinsinger 1966, 74 Lyricist(s): Joe Darion Book Writer(s): Joe Darion, Don Marquis Assassins Composer(s): Stephen Sondheim 2007 Lyricist(s): Stephen Sondheim Book Writer(s): John Weidman Bat Boy: The Musical Composer(s): Laurence O'Keefe 2012 Lyricist(s): Laurence O'Keefe Book Writer(s): Keythe Farley, Brian Flemming Berlin to Broadway with Kurt Weill Composer(s): Kurt Weill 1977 Lyricist(s): Various Book Writer(s): Gene Lerner Best Little Whorehouse in Texas, The Composer(s): Carol Hall 2011 Lyricist(s): Carol Hall Book Writer(s): Larry L. King, Peter Masterson Boyfriend, The Composer(s): Sandy Wilson 1967, 98, 2005 Lyricist(s): Sandy Wilson Book Writer(s): Sandy
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KELVIN R. TRAHAN Hair Stylist IATSE 706 & 798
KELVIN R. TRAHAN Hair Stylist IATSE 706 & 798 FILM KNIVES OUT Department Head FilmNation Entertainment Director: Rian Johnson GEMENI MAN Department Head Jerry Bruckheimer Director: Ang Lee Cast: Mary Elizabeth Winstead, Clive Owen BUMBLEBEE Department Head Allspark Pictures Director: Travis Knight Cast: Hailee Steinfeld OPHELIA Department Head/ Covert Media Personal Hairstylist to Naomi Watts and Clive Owen Director: Claire McCarthy SUBURBICON Personal Hair Stylist to Matt Damon Black Bear Pictures Director: George Clooney THE KILLING OF A SACRED DEER Department Head/ Element Pictures Personal Hair Stylist to Nicole Kidman and Colin Farrell Director: Yorgos Lanthimos Cast: Nicole Kidman, Colin Farrell BABY DRIVER Department Head TriStar Pictures Director: Edgar Wright Cast: Ansel Elgort, Lily James, Jon Hamm BILLY LYNN’S LONG HALFTIME WALK Department Head Bona Film Group Director: Ang Lee Cast: Kristen Stewart, Garrett Hedlund, Joe Alwyn, Makenzie Leigh, Mason Lee TRUMBO Department Head Bleecker Street Films Director: Jay Roach Cast: Bryan Cranston, Helen Mirren, Diane Lane TRIPLE NINE Department Head Worldview Entertainment Director: John Hillcoat Cast: Chiwetel Ejiofor, Casey Affleck, Woody Harrelsen, Aaron Paul Gal Gadot, Clifton Collins ENDLESS LOVE Department Head Bluegrass Films Director: Shana Feste Cast: Alex Pettyfer, Gabriella Wilde, Bruce Greenwood, Rhys Wakefield THE MILTON AGENCY Kelvin R. Trahan 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 & 798 [email protected] www.miltonagency.com Page 1 of 6 SABOTAGE Department Head Open Road Films (II) Director: David Ayer Cast: Arnold Schwarzenegger, Sam Worthington, Mireille Enos, Terrance Howard, Joe Manganiello 42 Department Head Open Road Films (II) Director: Brian Helgeland Cast: Christopher Meloni, Chadwick Boseman, Nicole Beharie ARGO Department Head Warner Bros.
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FORTY-SIXTH STREET THEATER (Originally Chanin's Forty-Sixth Street Theater), 226-236 West 46Th Street, Manhattan
Landmarks Preservation Commission November 17, 1987; Designation List 196 LP-1333 FORTY-SIXTH STREET THEATER (originally Chanin's Forty-Sixth Street Theater), 226-236 West 46th Street, Manhattan. Built 1924; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1017, Lot 48. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Forty-Sixth Street Theater and the proposed designation of the related Landmark Site (Item No. 29). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Forty-Sixth Street Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Forty-Sixth Street was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district.
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Performing Arts Collection Coll2007.016
http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Finding aid prepared by ONE National Gay and Lesbian Archives staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2007 Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Title: Performing Arts collection Identifier/Call Number: Coll2007.016 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 63.75 linear feet Date (bulk): Bulk, 1980-2000 Date (inclusive): 1937-2012 Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. General Physical Description note: 51 records storage boxes creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Publication Rights Researchers wishing to publish materials must obtain permission in writing from ONE National Gay and Lesbian Archives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. Note that ONE National Gay and Lesbian Archives can grant copyright clearance only for those materials for which we hold the copyright.
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Liquor, Lust, and Lies Under Sagebrush Skies by Larry K. Brown
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Winter 1998 Review of The Hog Ranches of Wyoming: Liquor, Lust, and Lies Under Sagebrush Skies By Larry K. Brown Rebecca Howard University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Howard, Rebecca, "Review of The Hog Ranches of Wyoming: Liquor, Lust, and Lies Under Sagebrush Skies By Larry K. Brown" (1998). Great Plains Quarterly. 2080. https://digitalcommons.unl.edu/greatplainsquarterly/2080 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. BOOK REVIEWS 67 The Hog Ranches of Wyoming: Liquor, Lust, and Lies Under Sagebrush Skies. By Larry K. Brown. Glendo, Wyoming: High Plains Press, 1995. Photographs, index. xiii + 127 pp. $9.95 paper. In The Best Little Whorehouse in Texas by Larry L. King and Peter Masterson, the titled place of ill-repute was nicknamed the Chicken Ranch. In Wyoming locals referred to such places as Hog Ranches. Established to supply wine, women, and song to military outposts in the nineteenth century, the history of the Hog Ranches has received little attention until now. It is the story of these dens which Larry K. Brown pursues here. The book has the cover of a dime store novel and a title that draws immediate attention.
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Double Features References
DOUBLE FEATURES BIG IDEAS IN FILM Reference List DOUBLE FEATURES BIG IDEAS IN FILM Reference List Yossarian Is Alive and Well in the Mexican Desert 4 Nora Ephron Countercultural Architecture and Dramatic Structure 6 David Mamet Shooting to Kill (selection) 7 Christine Vachon Laugh, Cry, Believe: Spielbergization and Its Discontents 10 J. Hoberman In the Blink of an Eye (selection) 15 Walter Murch “One Hang, We All Hang”: High Plains Drifter 16 Richard Hutson Lynch on Lynch (selection) 18 Chris Rodley, interview with David Lynch John Wayne: A Love Song 19 Joan Didion Nonstop Action: Why Hollywood’s Aging Heroes Won’t Give Up the Gun 20 Adam Mars-Jones Willing 23 Lorrie Moore The contents of this packet include proprietary trademarks and copyrighted materials, and may be used or quoted only with permission and appropriate credit to the Great Books Foundation. DOUBLE FEATURES Furiosa: The Virago of Mad Max: Fury Road 24 Jess Zimmerman Scary Movies 25 Kim Addonizio Skyshot 26 Manuel Muñoz Edward Hopper’s New York Movie 27 Joseph Stanton Why We Crave Horror Movies 28 Stephen King Matinée 32 Robert Coover The Last Movie 33 Rachel Hadas Some Months After My Father’s Death 34 Sheryl St. Germain The Birds (selection) 35 Camille Paglia Your Childhood Entertainment Is Not Sacred 37 Nathan Rabin Pygmalion’s Ghost: Female AI and Technological Dream Girls 38 Angelica Jade Bastién The Solace of Preparing Fried Foods and Other Quaint Remembrances from 1960s Mississippi: Thoughts on The Help 39 Roxane Gay Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth (selection) 40 A.
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Performing Arts Collection Coll2007.016
http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California 90007 (213) 821-2771 [email protected] Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Performing Arts collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2007.016 Physical Description: 81 Linear Feet78 archive cartons, 2 flat boxes Date (inclusive): 1937-2012 Date (bulk): bulk Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
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To Download Our 2018-2019 Season Brochure
SPECIAL EVENTS EXPERIENCE A FULLER MOON SEASON 2018/2019 Take advantage of our special programs and enhance your theatre experience! PAID PAID STANDARD STANDARD PRESORTED PRESORTED US POSTAGE US US POSTAGE US PERMIT #3924 OPENING NIGHT SPECIALS: Join us as we celebrate each opening night, com- PERMIT #3924 SAN FRANCISCO, CA FRANCISCO, SAN FOLLIES plete with complimentary champagne, wine, and hors d’oeuvres. (Series D) CA FRANCISCO, SAN DISCUSSION SUNDAYS: After the performance, experience a fun and informa- IN CONCERT tive talkback with the cast and crew. (Series E & K) THE FUTURE DIRECTOR DAREN A.C. CAROLLO STUDENT MATINEES: Patrons under 18 and college students with a valid ID can MUSIC DIRECTOR see a show for $15! For kids, there will be an intermission contest, a post-show DANIEL THOMAS Q&A, an autograph session with the cast, and much more. (Series I) IS ANOTHER CHOREOGRAPHER RICK WALLACE SIZEABLE DISCOUNTS FOR SUBSCRIBERS 35 AND UNDER: If you’re age 35 or younger, you can purchase a subscription for up to 50% off, seeing live theatre ALCAZAR THEATRE, almost as cheaply as a movie. (All series except A, B, & C) SEPTEMBER 7 & 8, 2018 8PM VIP SUBSCRIPTIONS: Receive the white-glove treatment with a VIP subscrip- tion! You’ll have the best seats, unlimited beverages including beer and wine, be At once a love letter to the classic musi- GOLDEN the very first to receive notice on special events, and pay no exchange fees ever! cals of the 1930s and a reflection on the loss of innocence, Follies is a true the- (All series except A, B, & C) atrical event.
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To Our Guest Directors, Designers and Stage Managers
To our guest directors, designers and stage managers, Welcome! We are delighted that you have chosen to be a part of our 31st Season. We are looking forward to a year full of new challenges, rewards, and friendships. We hope to make your time with us enjoyable and productive, and to this end we have provided you with this informational packet. Please take the time to browse the packet and learn a bit about us. Included in your handbook are production calendar(s), contacts (as current) for your production’s artistic team, information about the shops and the design deadlines, and much more. Please take the time to review our prelim and final design deadline materials requirements. Please contact the production office, or the respective production department head(s) for the most current drawings, inventories and information as this info is updated more often than our handbook. We will all have to work hard to realize your vision within a tight and conservative financial structure. We have had to cut back after our 30th Anniversary season with it’s $1 million dollar supplemental gift to budgets that are more reflective of the new normal of these leaner times. Last season our average show budget was over $160,000. This year the average is less than $100,000. Please consider yourself forewarned that we want your help. We need you to adhere to design deadlines, return those phone calls and emails as soon as you can, in order that we get the most bang for the buck. Sometimes we start a little early in order make the best use of our labor resources.
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