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Balade Dans La Galaxie Beastie Boys » OWNI, News, Augmented
BALADE DANS LA GALAXIE BEASTIE BOYS LE 11 MAI 2011 GWEN BOUL Le 2 mai, le très attendu nouvel album des Beastie Boys, "Hot Sauce Comittee pt.2" est sorti. Pour l'occasion, nous vous proposons de replonger dans la galaxie du trio New Yorkais. Hot Sauce Committee part 2, le nouvel album des Beastie Boys, est enfin sorti. Le groupe avait plusieurs fois reporté la sortie de l’album. Après une sortie déjà décalée en 2009 pour cause de Crabe qui s’invitait dans la gorge d’Adam Yauch, alias MCA, le groupe refaisait le coup en 2010. « Pas avant 2011 les amis ! ». Promesse finalement tenue avec un disque qui réjouit les fans. C’est l’occasion pour OWNImusic de republier la petite balade dans la galaxie Beastie Boys, balade guidée par Gwen de Centrifugue. Un univers gigantesque, aux astres multiples et empli d’univers parallèles. Décollage. Les grands champs gravitationnels Débutons notre périple cosmique par ceux qui ont modelé cette galaxie : les inspirateurs et les producteurs. LEE SCRATCH PERRY Le producteur incontournable dans l’histoire du reagge et du dub. Celui-ci fit une apparition remarquée sur Hello Nasty avec le morceau Dr Lee PhD . Une association débutée lors d’une première partie des Beastie assurée par Lee Perry, à l’occasion d’une tournée au Japon en 1996. Mais l’influence est plus ancienne et remonte à l’EP Cooky Puss en 1983, qui comportait les morceaux dub-reggae Beastie Revolution et Bonus Batter Edit : et l’on retrouve également un sample de Dub Revolution sur Ill Communication. -
Juliet Ouyoung 917-528-9764
Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
On Using Movies to Inform Conscious Aging Courses
On Using Movies to inform Conscious Aging Courses Over the past 4 years I have taught nine, eight-week Conscious Aging courses at Sydney University’s Centre for Continuing Education in Australia. In 2010, I attended the first International Sage-ing Conference in Denver, CO, where Judy Steiert (CSL) gave an inspiring presentation on using movies to inform the Sage-ing materials. I was hooked. Having taught a number of 8-week courses (2 hours/week) without the use of movies, I came home to Australia and designed a course around 8 movies. I extended each class to 3 hours, to allow the time to watch a movie each week and leave some time for discussion. Using movies is a powerful tool for illustrating Sage-ing themes and allows students to really ‘get’, with an emotional catharsis, the importance of the various processes described as necessary in the sage-ing journey. Students find it much easier to discuss and relate to the topics, when they’re portrayed in the lives of characters in a film, than having to find examples in their own experience. It gives them extra time and space to locate the emotions and events and do the required harvesting and healing work in their own lives. Fiction, speaks to deep truths in ourselves. By addressing universal themes, it also allows us to see that we are not alone; it points to the communion of all people and by holding up a mirror to our shared humanity, allows us to see ourselves more clearly. I have found using movies to illustrate and guide the discussion and exploration of the Sage-ing process extremely rewarding and wanted to share some information about the movies I have used with Sage- ing International members. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
ANNETTE BENING Miramar College a Star Is Born at Mesa College
WITH EXCELLENCE SAN DIEGO COMMUNITY COLLEGE DISTRICT FALL 2018 City College Mesa College ANNETTE BENING Miramar College A Star is Born at Mesa College Continuing Education Story on page 06 CHANCELLOR’S MESSAGE KEEPING THE PROMISE On September 20, we made great strides in the Now in its third year of operation, the San Diego ongoing fundraising campaign for the San Diego Promise has grown from 186 students in 2016 to Promise in a special gala event, which was headlined more than 2,100 students today who meet the criteria by Mesa College alumna and film and theatre star of being first-time, full-time students taking 12 or Annette Bening. The event was a resounding success, more units. These students benefit from the waiver of raising over $200,000, which was $100,000 more than tuition and fees, and also are provided textbook grants the goal, with all proceeds benefiting students in the in recognition of the fact that textbooks can be more Promise program. This funding has been added to the expensive than the cost of enrollment. $820,000 that has been raised thus far. We are deeply This unprecedented opportunity is possible in grateful to Ms. Bening for her devotion to our efforts large part because of donors, both large and small, to serve community college students. She has given throughout the San Diego region, including hundreds a great boost to the second phase of our fundraising of San Diego Community College District employees campaign. who contribute through the payroll deduction option. Although the first year of the San Diego Promise is now financed through state funding provided under Assembly Bill 19, the second year of the San Diego Promise program and the additional benefits are funded entirely through philanthropy. -
26Th Annual Austin Film Festival & Writers
BADGES & PASSES EVERYONE FEELS LIKE 26TH ANNUAL LIMITED-TIME SAVINGS UP TO $50 IF A STAR IN AUSTIN PAID AUSTIN FILM FESTIVAL & YOU BUY BEFORE SEPTEMBER 20, 2019 US POSTAGE AUSTIN, TEXAS PERMIT NO. 1986 Always a top travel destination, Austin’s creative charm and quirky vibe create NON PROFIT ORG For a more detailed description of each Badge WRITERS CONFERENCE level, please visit austinfilmfestival.com. the perfect environment for this one-of-a-kind film festival. From its world-famous FILM PASS LONE STAR BADGE WEEKEND BADGE CONFERENCE BADGE PRODUCERS BADGE Congress Bridge bats to local brews over a breezy fall sunset, there are endless Before September 20, 2019 $65 $150 $275 $425 $650 OCTOBER 24 – 31, 2019 reasons Austin makes every “Best Place for…” list. COST Walk-Up $75 $150 $325 $475 $695 All Eight Days of Film 3 3 3 3 3 TEXAS-SIZED DISCOUNTS We’ve coordinated special budget-friendly Script Readings 3 3 3 3 3 deals for our Badgeholders to many of Priority Access to Films “AFF WAS (Admitted before Film Passes & GA) 3 3 3 3 Austin’s most popular hotels: INDELIBLE, A Exhibit Hall 3 3 3 3 CONFERENCE HEADQUARTERS TRUE REMINDER OF THE CORE All Panels on Thursday, October 24 3 3 The Driskill Hotel – $336 InterContinental Stephen F. Austin – $329 PASSION THAT All Panels on Friday, October 25 3 3 DREW ME TO THIS All Panels on Saturday, October 26 3 3 3 3 STAY LESS THAN 2 MILES AWAY WORLD…I CAME FILMS AND PANELS All Panels on Sunday, October 27 3 3 3 FROM THE CONFERENCE HOME WITH A La Quinta by Wyndham Austin Capitol – $209 RENEWED RIGOR Access -
CORY Mccrum ABDO 818.752.9450 – Home 818.625.3883 – Mobile
CORY McCRUM ABDO 818.752.9450 – Home 818.625.3883 – Mobile July 2009 POST PRODUCTION SUPERVISOR Independent Feature Zanuck Productions – “GET LOW” Film November Dean Zanuck, 2009 Dir: Aaron Producer Schneider Richard Rothschild, Line Producer K5 International & Sony Picture Classics June 2009 POST PRODUCTION PRODUCER ASC & PGA Camera Revelations Assessment Entertainment Camera Assessment Series Collaboration & Assessment for Lori McCreary CEO Digital and Film Cameras November ASSOCIATE PRODUCER LifeTime Movie For Sony Television 2008 – “Georgia O’Keeffe” Television April 2009 Dir: Bob Balaban October POST PRODUCTION SUPERVISOR Independent Animals Are People 2008 – “Magic” Feature Film Too, Inc. November Dir: Robert Davi 2008 October ASSOCIATE PRODUCER Feature Film Yari Film Group 2007 – “The Lonely Maiden” Dir: Peter Hewitt August 2008 November POST PRODUCTION SUPERVISOR Feature Film Yari Film Group 2007 – “Real Men Cry” Dir: Brian Goodman August 2008 Cory McCrum Page 2 December ASSOCIATE PRODUCER HBO Movie HBO Films 2006 – “Bernard and Doris” December Dir: Bob Balaban 2007 2007 POST PRODUCTION SUPERVISOR Feature Film Good Looking Ink “Mysterious” Productions Dir: Stewart Raffill 2005 – POST PRODUCTION SUPERVISOR Feature Film Mandate Films, December “Stranger Than Fiction” Distribution – Sony 2006 Dir: Marc Forster Pictures 2004 – POST PRODUCTION SUPERVISOR Feature Film Stay, Inc. 2005 “STAY” New Regency Dir: Marc Forster Distribution – 20 th Century Fox 2003 POST PRODUCTION SUPERVISOR Feature Film Bad Santa “Bad Santa” Productions, Dir: -
Traffic (2000): La Drogadicción Vista Desde La Bioética
TRAFFIC (2000): LA DROGADICCIÓN VISTA DESDE LA BIOÉTICA JUAN ENRIQUE REDONDO CANTUESO CÓRDOBA (España) , JUNIO 2010 FICHA TÉCNICA Año de producción: 2000 País: Alemania, EE.UU. Dirección: Steven Soderbergh Intérpretes: Michael Douglas, Benicio del Toro, Luis Guzmán, Dennis Quaid, Catherine Zeta-Jones, Don Cheadle, Erika Christensen, Albert Finney, Miguel Ferrer, Amy Irving, Topher Grace, Clifton Collins Jr., Benjamin Bratt, James Brolin Guión: Stephen Gaghan Música: Cliff Martínez Fotografía: Steven Soderbergh Duración: 147 min. Público apropiado: Jóvenes-adultos Género: Thriller LA PELÍCULA Como iré tratando de exponer, TRAFFIC no es la enésima película que trata el drama de las drogas. No. Es una película especial en la que se muestra este escabroso tema no solo desde el punto de vista de la policía o de los implicados sino desde todos los ámbitos y generaciones de nuestra sociedad; nos enseña desde dentro el circo político, la acción y corrupción policial, la incidencia en la juventud-adolescencia, la difícil relación padres-hijos, la ausencia de valores donde solo prima el poseer más que el ser… Presentadas las tres historias de forma paralela, pretende captar más la atención del espectador y potenciar su concentración. La fotografía juega un papel fundamental para contextualizar en todo momento a personajes y lugares, gracias a combinaciones de color y contrastes (por ejemplo, cuando la acción se desarrolla en México el color de la imagen es sepia con tonos quemados). Se nos van mostrando tres historias paralelas que van encontrando puntos de unión a medida que avanza la película. La primera de ellas está ambientada en México y comienza con la incautación de un cargamento de droga por parte de dos detectives de Tijuana (el jefe de ellos es Javier Rodríguez, interpretado por Benicio del Toro), que pretenden salir de una espiral de corrupción e inmoralidad. -
Michael Grace / Tapeop Behind the Gear
was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio.