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Traffic (2000): La Drogadicción Vista Desde La Bioética
TRAFFIC (2000): LA DROGADICCIÓN VISTA DESDE LA BIOÉTICA JUAN ENRIQUE REDONDO CANTUESO CÓRDOBA (España) , JUNIO 2010 FICHA TÉCNICA Año de producción: 2000 País: Alemania, EE.UU. Dirección: Steven Soderbergh Intérpretes: Michael Douglas, Benicio del Toro, Luis Guzmán, Dennis Quaid, Catherine Zeta-Jones, Don Cheadle, Erika Christensen, Albert Finney, Miguel Ferrer, Amy Irving, Topher Grace, Clifton Collins Jr., Benjamin Bratt, James Brolin Guión: Stephen Gaghan Música: Cliff Martínez Fotografía: Steven Soderbergh Duración: 147 min. Público apropiado: Jóvenes-adultos Género: Thriller LA PELÍCULA Como iré tratando de exponer, TRAFFIC no es la enésima película que trata el drama de las drogas. No. Es una película especial en la que se muestra este escabroso tema no solo desde el punto de vista de la policía o de los implicados sino desde todos los ámbitos y generaciones de nuestra sociedad; nos enseña desde dentro el circo político, la acción y corrupción policial, la incidencia en la juventud-adolescencia, la difícil relación padres-hijos, la ausencia de valores donde solo prima el poseer más que el ser… Presentadas las tres historias de forma paralela, pretende captar más la atención del espectador y potenciar su concentración. La fotografía juega un papel fundamental para contextualizar en todo momento a personajes y lugares, gracias a combinaciones de color y contrastes (por ejemplo, cuando la acción se desarrolla en México el color de la imagen es sepia con tonos quemados). Se nos van mostrando tres historias paralelas que van encontrando puntos de unión a medida que avanza la película. La primera de ellas está ambientada en México y comienza con la incautación de un cargamento de droga por parte de dos detectives de Tijuana (el jefe de ellos es Javier Rodríguez, interpretado por Benicio del Toro), que pretenden salir de una espiral de corrupción e inmoralidad. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations. -
Morality, Metanarratives, and Mea Culpa: Postmodern Problems in Law & Order Thesis Submitted to the Graduate Program in Popu
Morality, Metanarratives, and Mea Culpa: Postmodern Problems in Law & Order Thesis Submitted to the Graduate Program in Popular Culture Brock University In Fulfillment ofthe Requirements For the Degree of Master ofArts in Popular Culture Andrea Braithwaite May 2003 © Andrea Braithwaite 2003 Table Of Contents Chapter One: Introduction - In Limine (At the Threshold) 1-20 Chapter Two: Ad Hoc Postmodemism 21-38 Chapter Three: Genre - 'Two Separate Yet Equally Important Groups' 39-85 Chapter Four: Narrative - 'These Are Their Stories' 86-123 Chapter Five: Conclusion - Ex Post Facto (After the Fact) 124-137 Appendix - Law & Order's Various Award Received 138 Works Cited 139-144 Vide0 graphy 145 1 Chapter One: Introduction - In Limine (At the Threshold) In the criminaljustice system, the people are represented by two separate yet equally important groups: the police who investigate crime, and the district attorneys who prosecute the offenders. These are their stories. So begins each episode ofLaw & Order, NBC's long running police and legal television drama. What follows this solemn incantation is an hour-long investigation ofthe concepts ofcrime and justice, which both police and lawyers are struggling not just to achieve but to define. The premise of I Law & Order is simple, and the same structure underlies almost every episode: in the first half the detectives investigate a crime and eventually apprehend their suspect, after which the plot moves to criminal court, where the district attorneys juggle the legal system to try and convict the accused. Yet despite the formulaic nature ofthe program, its continued popularity is impressive; now in its thirteenth season, Law & Order has been renewed through May 2005, which will make it televisiol1'S longest running police series and second-longest running dramatic series. -
Bulletin De Programmes Du Samedi 26 Juin Au Vendredi 2 Juillet 2010
26 BULLETIN DE PROGRAMMES DU SAMEDI 26 JUIN AU VENDREDI 2 JUILLET 2010 DIFFUSION EN 16/9 SAMEDI 26 JUIN 2010 07:40 SOUS LE SOLEIL 18:50 100% PHENOMENES ! série française émission présentée par Cécile de Ménibus Avec Adeline BLONDIEAU (Caroline), Bénédicte DEL- Vous êtes persuadé d'être le sosie d'une célébrité ? MAS (Laure), Tonya KINZINGER (Jessica) Vous pensez être le chanteur du prochain tube de l'été ? Vous êtes persuadé d'être l'inventeur de 08:40 PARIS PALACE l'année ? Vous pensez qu'il n'y a que vous qui sachiez téléfilm français d’Alain BONNOT faire ça et que votre don est aussi unique qu'inutile Avec Grace DE CAPITANI (Victoire), François-Eric alors, vous êtes le candidat idéal de 100 % phé- GENDRON (George Dervin), Sarah GRAPPIN (Anne- nomènes ! Laure) Pour ce nouveau numéro, ce sont 18 concurrents, répartis en 6 catégories, qui vont se disputer le titre 10:30 LES BLEUS, PREMIERS PAS DANS LA de " Phénomène de la soirée ". Qu'ils soient sosies de POLICE Michael Jackson, qu'ils aient un don particulier ou série française qu'ils soient l'inventeur de l'année, chaque candidat Avec Clémentine CELARIE (Commissaire Nicole va vous surprendre et vous amuser... à sa manière ! Mercier), Nicolas GOB (Kévin Laporte), Mhamed Toujours avec beaucoup d'humour et d'autodérision, AREZKI (Lyes Beloumi), Elodie YUNG (Laura Maurier), Cécile de Ménibus présente ce nouveau numéro de Luc THUILLIET (Capitaine Franchard) 100 % phénomènes ! A ses côtés, un jury inégalable : - JEUX DANGEREUX Elodie Gossuin, Xavier Anthony et Benjamin Bove qui - ALERTE ENLEVEMENT désigneront le vainqueur de cette nouvelle édition de 100 % phénomènes ! 12:30 SOUS LE SOLEIL série française Avec Bénédicte DELMAS (Laure), Tonya KINZINGER (Jessica), Adeline BLONDIEAU (Caroline) 13:30 NUMB3RS série américaine Avec Rob MORROW (Don Eppes), David KRUMHOLTZ (Charlie Eppes), Judd HIRSCH (Alan Eppes), Peter MACNICOL (Larry Fleinhardt) - LES RISQUES DU METIER - PEUR BLEUE - TEL EST PRIS.. -
Five Films of Steven Soderbergh Donald Beale Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2003 Five films of Steven Soderbergh Donald Beale Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Beale, Donald, "Five films of Steven Soderbergh" (2003). LSU Master's Theses. 1469. https://digitalcommons.lsu.edu/gradschool_theses/1469 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. FIVE FILMS OF STEVEN SODERBERGH A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Donald Beale B.A., Pennsylvania State University, 1982 August 2003 Acknowledgments As an employee of the LSU Office of Independent Study, I owe my thanks to my supervisor, Kathryn Carroll, Assistant Director for Instructional Support and Publications, and to Dr. Ronald S. McCrory, Director, for their support and for providing an environment that encourages and accommodates staff members’ enrollment in university courses and pursuit of a degree. Jeffrey A. Long, P.E., cherished friend for more than two decades, provided a piece of technical information as well as the occasional note of encouragement. I cannot exaggerate my debt of gratitude to John D. -
2009 Annual Report Photo by Lou Dematteis / Spectralq State of the Amazon
AMAZON WATCH 2009 ANNUAL REPORT Photo by Lou Dematteis / SpectralQ STATE OF THE AMAZON Dear Friends, series of new anti-indigenous decrees were violently attacked by the police. The government reacted by 2009 can be summed up in two words, inspiring and trying to blame the protesters and victims. Weeks of heartbreaking. around the clock vigilance and organizing work by Peruvian indigenous rights advocates and Amazon In January, I was one of more than 91,000 people Watch resulted in unprecedented public outcry over gathered in Belem, Brazil for the World Social Forum – the government’s brutal attacks. CNN, Democracy the largest ever anti-globalization gathering where the Now, New York Times, BBC and other global media destruction of the Amazon and attacks on indigenous outlets all reported on the story with prompting by rights were some of the key moments. On opening Amazon Watch. The Peruvian Congress eventually day, our team helped the indigenous movement repealed two of the problematic laws. organize an inspiring action bringing together some 1,700 indigenous leaders, and environmentalists in Throughout the year, Amazon Watch’s dedicated staff forming a human banner with the message “SALVE and partners took to the airwaves, oil company board- A AMAZONIA” (“Save the Amazon” in Portuguese) rooms, and international summits to defend indig- around a massive silhouette of an indigenous warrior. enous rights and the rainforests. We celebrated some Photographed from the air and transmitted worldwide strategic milestones throughout the year: by Amazon Watch, the banner sent a powerful mes- sage to local, regional and international media about The Chevron Clean Up Ecuador campaign cata- how the world’s largest rainforest ecosystem is fast ap- pulted into the media spotlight with a segment on proaching the tipping point of ecological unraveling. -
Other 5/23/08 Pg 7.Indd 1 Rl Spongebob California Boy Befriends a Homesick Alien
SATURDAY MAY 24 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 KLBY/ABC News (N) Kake NBA NBA Basketball: Eastern Conference Final Game 3 -- News (N) American Idol Ent. H h (CC) News Count Teams TBA. (Live) (CC) (CC) Rewind (CC) Tonight KSNK/NBC News (N) Wheel of To Be Announced Last Comic Standing (CC) News (N) Saturday Night Live (CC) SATURDAYL j Fortune MAY 24 KBSL/CBS News (N) Paid Movie: Vinegar Hill (2005) A teacher and 48 Hours Mystery News (N) M*A*S*H Without a Trace 1< NX (CC) Program her family must move in with her in-laws. (CC) (CC) (CC) The Innocents (CC) K15CG Taste-6 PM Ameri-6:30 Keeping7 PM As7:30 Time The8 PLawrenceM 8:30 Welk Ro-9 PM New9:30 Red Austin10 PM City Limits10:30 Soundstage11 PM 11:30 (CC) d Midwest ca’s Hrtl Up Goes By Show Occupations mance Green R.E.M. performs. (N) KLBY/ABCESPN SportsCenterNews (N) Kake (Live) CollegeNBA SoftballNBA :Basketball NCAA Super: Eastern Regional Conference -- Baseball Final Tonight Game 3 -- SportsCenterNews (N) American (Live) IdolFast- BaseballEnt. HO_h (CC)(CC) News TeamsCount TBA.Teams (Live) TBA.(CC) (Live) (CC) (Live) (CC) (CC)(CC) Rewind (CC)break Tonight (N) (N) KSNK/NBCUSA LawNews & Order:Wheel of LawTo Be & AnnouncedOrder: Law & Order:Last ComicLaw Standing & Order: (CC) LawNews & Order:Saturday SVU NightLaw & Live Order: (CC) LP^j Criminal IntentFortune Criminal Intent Criminal Intent Criminal Intent Criminal Intent 30 KBSL/CBS News (N) Paid Movie: Vinegar Hill (2005) A teacher and 48 Hours Mystery News (N) M*A*S*H Without a Trace TBS King(CC) of KingProgram of Movie:her family Titanic must TTTTmove in(1997, with herDrama) in-laws. -
Tragikomedin "Work It"
2012-01-04 10:31 CET Tragikomedin "Work It" TV-serien "Work It" är en tragikomedi. I valet mellan att skratta eller gråta väljer filmskaparna att göra humor av finanskrisen och massarbetslösheten. En del kommer även att se likheter med biofilmen "Tootsie" från 1982, som vann en Oscar åt Jessica Lange och ytterligare nio nomineringar, bland annat åt huvudrollsinnehavaren Dustin Hoffman. Handlingen fokuserar kring den forne bilförsäljaren "Lee Standish" (spelad av Benjamin Koldyke). Lee Standish och hans fru samt tonårsdotter kämpar med ekonomin och att ha råd med de mest grundläggande nödvändigheterna, som mat, läkarvård och mobiltelefon. För den långtidsarbetslöse Lee verkar det som att bara kvinnor söks till de enda lediga jobben. I ett ögonblick av desperation får han en snilleblixt, klär ut sig till kvinna och blir äntligen anställd. Huvudrollsinnehavaren Benjamin Koldyke har varit med länge, åtminstone i tio år, men är inget känt ansikte eller namn. Han har senast haft återkommande roller i "How I Met Your Mother" som "Don Frank", och i "Big Love" som "Dale Tomasson". Innan dess har han gjort medverkat i "This Little Piggy", "It's Always Sunny in Philadelphia", "The Big D", "Boldly Going Nowhere", "24", "Fäst vid dig", "Tretton dagar", och "Det näst bästa". Detta är en imponerande meritlista i termer om vilka kändisar som har huvudrollerna i titlarna. Exempelvis Kevin Costner i "Tretton Dagar". Eller Kiefer Sutherland i supersuccéen "24". "Det näst bästa" (The Next Best Thing, 2000) var en storsatsning som kryllade av kända ansikten som Madonna, Rupert Everett, Benjamin Bratt och Illeana Douglas. Om någon minns filmen väl, så spelade Benjamin Koldyke Kellys pojkvän. -
Law and Order and the American Criminal Justice System
Law and Order and the American Criminal Justice System By David L. Sutton, Melissa Britts, Margaret Landman Fall 2000 Issue of KINEMA TELEVISION PROGRAMMES AS LEGAL TEXTS: WHAT LAW AND ORDER TELLS US ABOUT THE AMERICAN CRIMINAL JUSTICE SYSTEM In this work, we take the perspective that although a television program is produced for the brief amusement of a mass audience, it can be viewed as having a part in the scholarly investigation of law and justice in our society. The central question we are focussing on is: What does Law & Order programme tell its audience about the American criminal justice system? According to one of the program’s official web sites, Law & Order is a ”realistic” television series that examines ”law and order from a dual perspective.” For roughly the first half-hour, the program focuses on two New York Police Department (NYPD) detectives as they ”investigate crimes and apprehend law-breakers.” Then the scene switches to the criminal courts, where two assistant district attorneys ”work within a complicated justice system to prosecute the criminals.”(1) We take the position that a television program can be examined as a legal text. John Denvir posits that films can be studied as legal texts because they share a common feature with the ”normal legaltrilogyof constitutions, codes, and cases.” Like this group of texts, films are also ”cultural artifacts open to warring interpretations both on the descriptive and normative level.”(2) We posit that one can easily make the same point about television programs, another prevalent cultural artifact of our current times. -
Bulletin De Programmes Du Samedi 11 Au Vendredi 17 Juillet 2009 29 Cycle Max Pecas
29 BULLETIN DE PROGRAMMES DU SAMEDI 11 AU VENDREDI 17 JUILLET 2009 29 CYCLE MAX PECAS Dimanche 12 juillet 2009 à partir de 20h40 © Studio Canal Studio © Il n’y a pas que des gendarmes à Saint-Tropez ! Cycle Max Pécas, dès le 12 juillet 2009 sur TF6. Avec l’arrivée des beaux jours, quoi de plus sympa qu’une soirée entre amis devant des films de Max Pécas ? Prenez des filles en bikinis sur la plage, ajoutez quelques adolescents gaffeurs en vacances, mélangez le tout avec le soleil de Saint-Tropez et vous obtiendrez des films cultes, drôles et inoubliables ! TF6 rend hommage à Max Pécas, le pape de la comédie estivale disparu en 2003, qui a fait débuter de nomb- reux comédiens reconnus comme Xavier Deluc (Marc Eliot, Dolmen, Terre Indigo), Philippe Caroit (Les boeufs-carottes, Méditerranée, Tramontane) et Caroline Tresca qui ont depuis fait carrière à la télévision et/ou au théâtre. TF6 programme deux soirées de trois films pour ensoleiller vos soirées d’été… Dimanche 12 juillet à partir de 20h40, retrouvez Belles, blondes et bronzées , On se calme et on boit frais à Saint-Tropez et Marche pas sur mes lacets . Et le mardi 14 juillet dès 20h40, Deux enfoirés à Saint-Tropez , Les branchés à Saint-Tropez et On est venu là pour s’éclater. L’été sera chaud sur TF6... Cycle Max Pécas, à partir du 12 juillet 2009 dès 20h40. Contacts presse : Florence Sommier 01 55 62 66 02 / [email protected] Jeremy Elbaze 01 55 62 66 06 / [email protected] SAMEDI 11 JUILLET 2009 08:00 SOUS LE SOLEIL 18:55 LE FLIC DE SHANGHAI série française série américaine ILLUSIONS Avec Sammo Hung KAM-BO (Sammo Law), Kelly HU Avec Bénédicte DELMAS (Laure), Tonya KINZINGER (Grace), Gretchen EGOLF (Amy), Arsenio HALL (Jessica), Adeline BLONDIEAU (Caroline) (Terrell) - CUISINE A HAUT RISQUE 09:05 LE MENTEUR Dans les cuisines du restaurant de Wu Feng, un vieil téléfilm français de Phillipe de BROCA ami de Sammo, une violente dispute éclate. -
The Inventory of the Edwin Sherin Collection #1737
The Inventory of the Edwin Sherin Collection #1737 Howard Gotlieb Archival Research Center 1 Sherin, Edwin #1737 May-September, 2007 Box 1 Folder 1 I. Manuscripts. A. Stage plays, by various authors. 1. “He Who Gets Slapped,” by Leonid Andreyev, ca. 100 p., 1965. Folder 2 2. “Project Immortality,” by Loring Mandel, 130 p., includes program, holograph notes, Jan.-Feb. 1966. Folder 3 3. “Inspector General,” by Nicolai Gogol, 97 p., TS with holograph notes, includes program, 1967. Folder 4 4. “Serjeant Musgrave’s Dance,” by John Arden, “done for Arena Stage,” includes holograph notes, set diagrams, stage manager’s reports. Folder 5 5. “The Great White Hope,” by Howard Sackler. a. Screener script, ca. 180 p., Nov. 1, 1967; includes holograph notes. Folder 6 b. ES’s copy, with extensive holograph notes, revised June 1968. Folder 7 6. “The Tragedy of King Lear,” by William Shakespeare. 2 Box 1 cont’d. a. Holograph notes, 120 p. Folder 8 b. Arena Stage script, with holograph notes, 120 p. Folder 9 c. Central Park production; notes, contact sheet, 1973. Folder 10 7. “Major Barbara,” by George Bernard Shaw; holograph notes, rehearsal schedule, stage drawings. Folder 11 8. “The Red Devil Battery Sign,” by Tennessee Williams. a. Broadway working script, with holograph notes. Folder 12 b. “Working script with personal notes from Tennessee [Williams],” ca. 80 p. Folder 13 9. “Semmelweiss,” by Howard Sackler. a. Original script, TS draft, 118 p., 1975. Folder 14 b. Draft, TS with holograph notes, 135 p. Folder 15 c. Brigham Young University production, 123 p., 1980s. -
Les Series Americaines
LES SERIES AMERICAINES Les séries, qu’elles soient télévisées ou en ligne sur le net, sont la suite logique du succès cinématographique des Etats-Unis. Les USA restent le pays emblématique du grand et du petit écran. Des programmes télévisés des années 1960 à 2000 aux séries à succès d’aujourd’hui : les paysages des Etats-Unis ont été et sont toujours pris pour décor par vos programmes préférés. Dallas, Happy Days, Alerte à Malibu, Friends, ou encore The Walking Dead… Chacun à ses favoris dont les héros ne cessent de faire rêver et dont les génériques restent dans toutes les têtes ! Finalement, on peut dire qu’elles ont influencé les générations de ces dernières décennies. En plus des paysages et des lieux cultes, les Etats-Unis sont également le pays d’Hollywood et des studios de tournages. D’autres États tels que la Caroline du Nord, la Géorgie, la Louisiane ou le classique New York attirent de plus en plus de tournages. Vous découvrirez dans ce dossier les séries tournées dans les différents États des Etats-Unis, ainsi que les lieux à visiter, afin de revivre les scènes mythiques de vos séries favorites ! SOMMAIRE L’EST 3 NEW YORK CITY 3 WASHINGTON DC 8 LE MARYLAND 8 PENNSYLVANIE 9 LE MASSACHUSETTS 9 CHICAGO 11 LE NEW JERSEY 12 LE SUD 13 LA FLORIDE 13 LE TEXAS 14 LA LOUISIANE 15 LA CAROLINE DU NORD 16 LA CAROLINE DU SUD 17 L’ARKANSAS 18 LE MISSOURI 18 LA GEORGIE 18 LE MISSISSIPPI 20 LE TENNESSEE 20 L’INDIANA 21 LE NORD-OUEST 22 WASHINGTON STATE 22 L’OREGON 23 GREAT AMERICAN WEST 23 LE SUD-OUEST 24 LA CALIFORNIE 24 LE NEVADA 35 LE COLORADO 36 L’UTAH 37 L’ARIZONA 38 LE NOUVEAU-MEXIQUE 39 HAWAII 40 NOUS CONTACTER 41 2 NEW YORK CITY Ville la plus peuplée des Etats-Unis et mégalopole au rayonnement international, New York City n’a plus besoin qu’on la présente.