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Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
The Inventory of the Joan Fontaine Collection #570
The Inventory of the Joan Fontaine Collection #570 Howard Gotlieb Archival Research Center TABLE OF CONTENTS Film and Video 1 Audio 3 Printed Material 5 Professional Material 10 Correspondence 13 Financial Material 50 Manuscripts 50 Photographs 51 Personal Memorabilia 65 Scrapbooks 67 Fontaine, Joan #570 Box 1 No Folder I. Film and Video. A. Video cassettes, all VHS format except where noted. In date order. 1. "No More Ladies," 1935; "Tell Me the Truth" [1 tape]. 2. "No More Ladies," 1935; "The Man Who Found Himself," 1937; "Maid's Night Out," 1938; "The Selznick Years," 1969 [1 tape]. 3. "Music for Madam," 1937; "Sky Giant," 1938; "Maid's Night Out," 1938 [1 tape]. 4. "Quality Street," 1937. 5. "A Damsel in Distress," 1937, 2 copies. 6. "The Man Who Found Himself," 1937. 7. "Maid's Night Out," 1938. 8. "The Duke ofWestpoint," 1938. 9. "Gunga Din," 1939, 2 copies. 10. "The Women," 1939, 3 copies [4 tapes; 1 version split over two tapes.] 11. "Rebecca," 1940, 3 copies. 12. "Suspicion," 1941, 4 copies. 13. "This Above All," 1942, 2 copies. 14. "The Constant Nymph," 1943. 15. "Frenchman's Creek," 1944. 16. "Jane Eyre," 1944, 3 copies. 2 Box 1 cont'd. 17. "Ivy," 1947, 2 copies. 18. "You Gotta Stay Happy," 1948. 19. "Kiss the Blood Off of My Hands," 1948. 20. "The Emperor Waltz," 1948. 21. "September Affair," 1950, 3 copies. 22. "Born to be Bad," 1950. 23. "Ivanhoe," 1952, 2 copies. 24. "The Bigamist," 1953, 2 copies. 25. "Decameron Nights," 1952, 2 copies. 26. "Casanova's Big Night," 1954, 2 copies. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
View Show Program
NSU THEATRE February 26th 7:30 PM February 27th 7:30 PM February 28th 2:20 PM Musical Numbers “Before the Parade Passes By” from Hello, Dolly! Music and Lyrics by Jerry Herman NSU THEATRE: Whitley Armstrong, Julia Marn, and Company “First Impressions” from First Date the Musical MUSICAL Music and Lyrics by Alan Zachary and Michael Weiner THEATRE Julia Kelley and Spencer Carlisle PROJECT “Don’t Rain on My Parade” from Funny Girl Music by Jule Styne and Lyrics by Bob Merrill Sydney Bruenen BILL J. ADAMS, DMA – DIRECTOR CARYL FANTEL – MUSIC DIRECTOR “Run Away with Me” from The Unauthorized DAN GELBMANN, MFA – LIGHTING/SET DESIGNER Biography of Samantha Brown CALYPSO HERNANDEZ, MFA – COSTUME Music by Brian Lowdermilk and Lyrics by Kait DESIGNER/TECHNICAL DIRECTOR Kerrigan PATRICK FITZWATER – “BEFORE THE PARADE PASSES BY” Aaron Kurzweil CHOREOGRAPHER RON HUTCHINS – “BRAND NEW DAY” CHOREOGRAPHER ROY FANTEL – SOUND/VIDEO EDITOR AND PERCUSSIONIST “Screw Loose” from Cry Baby MIA ANDAHAZY – STAGE MANAGER Music by Adam Schlesinger and Lyrics by David Javerbaum COSTUMES PROVIDED IN PART BY COSTUME WORLD Nina Poulos THEATRICAL, DEERFIELD BEACH, FL. WWW.COSTUMEWORLD.COM “Never Enough” from The Greatest Showman Music and Lyrics by Benj Pasek and Justin Paul Note: For the best listening experience, use headphones. 1 Enjoy the show! 2 Daniella Rudolph Musical Numbers cont. Cast Whitley Armstrong (Dolly Levi) - Whitley “Santa Fe” from Newsies Armstrong is a first-year theatre Music by Alan Menken and Lyrics by Jack Feldman major/musical theatre concentration at NSU. Gabe Garrison and Peyton Raynor She has been performing for several years and is excited to have the opportunity to “Stepsisters’ Lament” from Cinderella work in this show and to continue working! This is Whitley’s first production at NSU and Music by Richard Rodgers and Lyrics by Oscar she has enjoyed learning and working Hammerstein II alongside her fellow cast mates to put on Caroline Cespedes and Antonella Lalinde such an amazing show. -
Side Show” Is Presented Through Special Arrangement with Samuel French, Inc
Senior Acknowledgement The Somerset High School Music Department Nicole Audette Proudly Presents Stephanie Couitt Kellie Costa Cassidy Cousineau Lauren D’Alessandro Stephen Diniz Emily Domingue Jenny Lee Fortier Mason Fortier Bentley Holt Jamie Jancarik Book and Lyrics by Bill Russell Music by Henry Krieger Chelsea Leonard Orchestrations by Harold Wheeler Christopher Listenfelt Vocal & Dance Arrangements by David Chase Nathan Mendonca Original Broadway Production Directed & Choreographed by Robert Longbottom Jana Moroff Original Broadway Production Produced by Emanuel Azenberg, Joseph Nederlander, Herschel Waxman, Janice McKenna & Scott Nederlander Kelly Neufell Thomas Patten Directed by Tyler Rebello Richard J. Sylvia & Lennie Machado Rachel Smith Assistant Director & Pit Orchestra Director Derrick Souza David M. Marshall Michael Tremblay Starring Lauren Valcourt Lauren Valcourt Sarah Mayer Michael Tremblay Andrew DaCosta Thomas Patten and Christopher Crider-Plonka Jared Wright May 1, 2009 @ 7:00 p.m. – May 2, 2009 @ 7:00 p.m. – May 3, 2009 @ 2:00 p.m. Somerset High School Auditorium “Side Show” is presented through special arrangement with Samuel French, Inc. All authorized performance materials are also supplied by Samuel French, Inc.. 45 West 25th Street, New York, NY 10010-2751 Phone: (212) 206-8990 Fax: (212) 206-1429 Administration The Spirit of Music … On The Move At Somerset High School … R.W. Pineault, Principal SPS Superintendant of Schools ....................................... Mr. Richard Medeiros SHS Principal ................................................................................... Mr. R.W. Pineault The spirit of music is alive at Somerset High School twelve months a SHS Vice-Principal ............................................................................... Mr. Kyle Alves SHS Vice-Principal .................................................................. Mrs. Pauline Camara year. During the warm months of summer, our students can be found SPS Coordinator of the Fine & Performing Arts .......... -
Music Theatre Syllabus 2019–2021
London College of Music Examinations Music Theatre Syllabus Qualifcation specifcations for: Steps, Grades, Performance Awards, Performance Diplomas and Duet Exams Valid from: 2019–2021 © 2018 University of West London v20181031 Contents 1. Information and general guidelines 1.1 Introduction 2 1.2 Syllabus validity 3 1.3 Changes to the syllabus 3 1.4 Exam entry 3 1.5 Exam durations 4 1.6 Assessment and results 4 1.7 Exams regulations 5 2. Exam guidance 2.1 Repertoire and programme planning 6 2.2 The presentation of the performance 7 2.3 Costume and props 8 2.4 Written programmes 8 2.5 Spoken libretto (Grades 7–8 and diplomas) 9 2.6 Practical advice 9 3. Summary of exam structure 3.1 Step and graded exams 10 3.2 Performance diplomas (DipLCM, ALCM, LLCM) 10 3.3 FLCM in Performance 11 3.4 Performance awards 11 3.5 Duet examinations 12 4. Grade descriptions 14 5. Step and graded exams: requirements 17 6. Step and graded exams: assessment 6.1 Assessment domains 27 6.2 How marks are awarded 28 6.3 Attainment band descriptions by examination component 29 7. Performance diplomas: requirements 33 8. Attainment descriptions 8.1 Step and graded exams 39 8.2 Performance diplomas (DipLCM, ALCM, LLCM) 40 8.3 FLCM in Performance 41 9. Regulated qualifcations 9.1 Regulated qualifcation information 43 9.2 RQF levels 43 9.3 UCAS tarif points 44 9.4 Progression 44 10. List of suggested repertoire 46 1. Information and general guidelines 1.1 Introduction London College of Music Examinations (LCME) External examinations have been awarded by the London College of Music since the institution’s founding in 1887. -
By Bill Cain Kent Nicholson
- 49th Season • 466th Production SEGERSTROM STAGE / OCTOBER 19 - NOVEMBER 18, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents by Bill Cain Scott Bradley Callie Floor Alexander V. Nichols SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Matt Starritt Joshua Marchesi Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by Kent Nicholson Pam and Jim Muzzy Honorary Producers Corporate Producer HOW TO WRITE A NEW BOOK FOR THE BIBLE was developed at the Ojai Playwrights Conference, Robert Egan, Artistic Director and at Theatre Works, Palo Alto, CA as part of their New Works Festival It was originally produced by Berkeley Repertory Theatre, Berkeley , CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director and Seattle Repertory Theatre, Seattle, WA, Jerry Manning, Artistic Director/Benjamin Moore, Managing Director How to Write a New Book for the Bible • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Bill ....................................................................................................... Tyler Pierce* Mary ............................................................................................ Linda Gehringer* Paul ............................................................................................... Aaron Blakeley* Pete ........................................................................................................... Jeff Biehl* LENGTH Approximately two hours and 20 minutes -
This Is a Test
‘ROCK THE HOUSE’ CAST BIOS JACK COLEMAN (Max) – Jack Coleman stars in NBC’s Emmy-nominated ensemble drama series “Heroes” as the mysterious Noah Bennett. Seemingly an unassuming family man as father to Claire, played by Hayden Panettiere, Bennett is also a man of mystery who has an interest in people with special abilities. Coleman has performed on Broadway, off-Broadway, in film and on television. Series roles include “Dynasty,” “Nightmare Café,” “Oh Baby” and “Steven King’s Kingdom Hospital.” Recently, he has been featured on such programs as “Entourage,” “Nip/Tuck,” “Without a Trace” and “CSI Miami.” On stage, Coleman starred on Broadway in Bill Cain’s Stand-Up Tragedy in a part he originated at the Mark Taper Forum. He was nominated for a Los Angeles Drama Critics’ Circle Award for his performance. He reprised the role in San Francisco at the Marines Memorial Theater and in Connecticut at The Hartford Stage Company before opening in New York. Coleman won a Los Angeles Drama Critics’ Circle Award for his performance in John Godber’s Bouncers at the Tiffany Theater and also starred off-Broadway in Simon Gray’s The Common Pursuit. Coleman has also appeared in regional theaters across the country, playing Danny Zuko in Grease from Long Island, New York to Odessa, Texas (where his character in “Heroes” resides), and performing Othello and Loves’ Labours Lost at the Globe of the Great Southwest. Coleman wrote, produced and starred in a short film entitled “Studio City,” an audience favorite at such film festivals as the Los Angeles International Short Film Festival and the New Orleans Media Experience.