Side Show” Is Presented Through Special Arrangement with Samuel French, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Side Show” Is Presented Through Special Arrangement with Samuel French, Inc Senior Acknowledgement The Somerset High School Music Department Nicole Audette Proudly Presents Stephanie Couitt Kellie Costa Cassidy Cousineau Lauren D’Alessandro Stephen Diniz Emily Domingue Jenny Lee Fortier Mason Fortier Bentley Holt Jamie Jancarik Book and Lyrics by Bill Russell Music by Henry Krieger Chelsea Leonard Orchestrations by Harold Wheeler Christopher Listenfelt Vocal & Dance Arrangements by David Chase Nathan Mendonca Original Broadway Production Directed & Choreographed by Robert Longbottom Jana Moroff Original Broadway Production Produced by Emanuel Azenberg, Joseph Nederlander, Herschel Waxman, Janice McKenna & Scott Nederlander Kelly Neufell Thomas Patten Directed by Tyler Rebello Richard J. Sylvia & Lennie Machado Rachel Smith Assistant Director & Pit Orchestra Director Derrick Souza David M. Marshall Michael Tremblay Starring Lauren Valcourt Lauren Valcourt Sarah Mayer Michael Tremblay Andrew DaCosta Thomas Patten and Christopher Crider-Plonka Jared Wright May 1, 2009 @ 7:00 p.m. – May 2, 2009 @ 7:00 p.m. – May 3, 2009 @ 2:00 p.m. Somerset High School Auditorium “Side Show” is presented through special arrangement with Samuel French, Inc. All authorized performance materials are also supplied by Samuel French, Inc.. 45 West 25th Street, New York, NY 10010-2751 Phone: (212) 206-8990 Fax: (212) 206-1429 Administration The Spirit of Music … On The Move At Somerset High School … R.W. Pineault, Principal SPS Superintendant of Schools ....................................... Mr. Richard Medeiros SHS Principal ................................................................................... Mr. R.W. Pineault The spirit of music is alive at Somerset High School twelve months a SHS Vice-Principal ............................................................................... Mr. Kyle Alves SHS Vice-Principal .................................................................. Mrs. Pauline Camara year. During the warm months of summer, our students can be found SPS Coordinator of the Fine & Performing Arts ........... Ms. Lori Anderson fine tuning their musical skills at Marching Band Camp. During the fall SPS School Committee Members ..................... Mr. Victor Machado (Chair), our music students get involved in the Bumper Sticker Drive. The Ms. Elizabeth White (Vice-Chair), Mrs. Ann Correira, month of October is Musictown month……. indeed an active one Mr. Donald Rebello, Mr. Richard Fenstermaker, with the crowning of the Musictown King and Queen, Concert/Pops Night, Field Shows and the Musictown Parade. During the month of November, some of our most talented music students audition for Special Thanks Senior District and Jr. District. As the weather turns colder and the winds become chilly, warmth can be found in our auditorium in the Many people came forward to encourage and to help us get this show off the ground. We offer them our heartfelt thanks and gratitude. Some, however form of song and music…Holiday Vespers. Constantly in deserve extra mention. motion…constantly practicing…constantly entertaining, our music First and foremost we would like to thank our set designer, Mr. Glenn students provide a school spirit that can be heard, perceived, viewed, Ross. Without his time, labor, patience and experience, our wonderful set and most important…appreciated. would not be a reality. Thanks Mr. Ross! It is that time of the school year when our music students present their Secondly, a special thank Swan Dye and Printing as well as Bedford Fabric for donating much of the fabric used in our wonderful sets. annual musical production. The talent, dedication and energy that our music students put forward while maintaining their academic Also, much gratitude must be given to Kathy O’Brien and Paulette McKay achievements is to be commended. Under the direction Mr. Richard for the purchasing, design and creation of many of our costumes. Additional thanks to Mrs. Ginny Troutman and Mr. Stephen Meehan for their help with Sylvia and Mr. Lennie Machado, “Side Show” has taken up residence on the principal bios photography and set artwork. A special thanks to Mr. Samuel the stage of Somerset High School and under the orchestral and Adams for his donations of supplies and help in printing of all of our technical direction of Mr. David Marshall, the orchestra provides the promotional materials. right tone and our behind-the-stage crews help to provide the correct The Cast, Crew and Staff of “Side Show” would also like to thank the atmosphere for the performance. supportive administration here at Somerset High School for their continued support and encouragement of this production and the entire list of musical The lights are about to be dimmed…the curtain is about to be raised. endeavors that we undertake throughout the year. Without their support and guidance, musical performances such as today’s production would not be I ask you to sit back…enjoy “Side Show”. The spirit of music and possible! song is about to engulf you…forever on the move…the music Finally, none of our musical ensembles would function as successfully as students at Somerset High School. they do without the wonderful parent support here at Somerset High School. We are very thankful as a staff that they allow us to borrow their children “free of charge” day in and day out. Thanks to all who helped us and shared in our success! The Hilton sisters toured first in England at the age of three as "The The Somerset High School Music Department wishes to dedicate our United Twins". Mary Hilton took them to a tour through Germany, production of “Side Show” in memory of our friend Krystal. We are all better people for knowing you and hold the lessons we learned from Australia and to the USA. In the true sideshow manner, their our time with you in our hearts. We will always strive to be ourselves performance was accompanied with an imaginative "history". Their no matter what others say or do. We wish you were still with us controllers kept all the money the performing on stage in this production, but we know that you are looking over us, cheering us on! This one’s for you Kriss! sisters earned. In 1926 Bob Hope formed an act called the “Dancemedians” with the Hilton Sisters, who had a tap dancing routine. When Mary died in Birmingham, Alabama, her daughter and her husband took over. They kept the twins from public view for a while and trained them in jazz music. They lived in a mansion in San Antonio, Texas until the early 1930s. In 1931, the sisters gathered enough courage to sue their "managers", gaining $100,000 in damages and “independence”. They left the sideshows and went into vaudeville as "The Hilton Sisters' Revue". Daisy dyed her hair blonde and they began to wear different outfits so they could be told apart. As if to compensate for their deprived past, they had numerous affairs, failed attempts to get a marriage license and a couple of short marriages. In 1932, the twins appeared as themselves in the movie “Freaks”. In 1951 they starred in “Chained for Life”, an exploitation film loosely based on their lives. The Hiltons' last public appearance was at a drive-in movie theater in Charlotte, North Carolina. Their tour manager abandoned them there, and with no means of transportation or income, they were forced to take a job in a nearby grocery store. On January 4, 1969, after they failed to report to work, their boss called the police. The twins were found dead in their home due to the Hong Kong Flu. According to forensics, Daisy died first, with Violet dying perhaps 2-4 days later. Krystal M. Da Cruz Synopsis of Scenes The Real-Life Story of Act One Daisy and Violet Hilton The Midway Daisy and Violet Hilton (Feb. 5, 1908 – Jan. 4, 1969) were a pair of Scene 1: Prologue, The Midway and Inside the Tent conjoined twins who toured in the U.S. sideshow and vaudeville circuit “Come Look at the Freaks” ............... The Boss and Company in the 1930s. Scene 2: On the Midway The girls were born in Brighton, England (East Sussex) on February 5, 1908. Their Scene 3: Behind The Tent mother was a single barmaid named Kate “Like Everyone Else” ............................................. Daisy and Violet Skinner. The sisters were born joined by “You Deserve a Better Life” ............................. Buddy and Terry their hips and buttocks; they shared blood “The Devil You Know” ............................... Jake and Attractions circulation and were fused at the pelvis but shared no major organs. Skinner's boss Scene 4: In the Tent Mary Hilton, who helped in childbirth, “More Than We Bargained For” ................... Buddy and Terry apparently saw commercial prospects in Scene 5: In the Dressing Area them, and thus effectively bought them “Feelings You’ve Got To Hide” ...................... Daisy and Violet from their mother and took them under her care. The girls first stayed above the Scene 6: In the Tent Queens Head in Brighton, but later moved “When I’m by Your Side” .................................. Daisy and Violet to the Evening Star. According to the “Say Goodbye to the Freak Show” ..................... The Company sisters' autobiography, Mary Hilton, her husband and daughter kept the twins in Vaudeville strict control with physical abuse; they had to call her "Auntie Lou" and her current husband "Sir". They trained Scene 7: Press Conference the girls in singing and dancing. Scene 8: The Photo Shoot A medical account of the birth and a description of the twins was provided for the British Medical Journal by Dr. James Augustus Rooth, Scene 9: Backstage the physician in charge at the time of their birth. He reports that “Leave Me Alone” .................................................. Daisy and Violet subsequently the Sussex Medico-Chirurgical Society considered separation, but unanimously decided against it as it was believed that Scene 10: Onstage the operation would certainly lead to the death of at least one of the “We Share Everything” ......... Daisy, Violet and Vaudevillians twins. He notes that these twins were the first to be born in the United Kingdom conjoined and to survive for more than a few weeks.
Recommended publications
  • BTW.C.Schedule2017(MH Edit)
    Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers.
    [Show full text]
  • Broadway Bound
    Playlist Originating on WMNR Fine Arts Radio [email protected] Program is archived 24-48 hours after broadcast, heard free of charge Broadway Bound with Garrett Stack at Public Radio Exchange, > exchange.prx.org > Broadway Bound Show #: 308 Broadcast Date: July 27, 2019 Time: 16:00 – 18:00 # of Selections: 29 Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:34 Maury Yeston Dog In The Quicksand Richie Havens Goya: A Life In Song - Original Concept Recording Columbia 1989 CDS Goya 0:06 10 1989 7/27/19 - Remastered 2010 02 2:45 Charles Strouse & Martin Charnin Little Girls Dorothy Loudon Annie - Original Broadway Cast Columbia 1977 4/21/1977 - 1/3/1983. 2377 perf. 7 Tony Awards: Musical; book; score; actress CDS Annie 0:05 6 1977 4/22/06 5/8/10 7/27/19 [Dorothy Louden];scenic design; costumes; choreography. 03 3:01 Stephen Flaherty & Lynn Ahrens Ragtime Company Ragtime - New Broadway Cast 2009 Jay-Records 2009 CDS Ragtime 01 7/27/19 04 4:07 Ben Pasek/Justin Paul If I Could Tell Her Ben Platt, Laura Dreyfuss Dear Evan Hansen - Original Broadway Cast Atlantic 2016 Book by Steven Levenson. Opened 12/4/2016. Six 2017 Tony Awards including Best CDS Dear Evan 6 2017 7/27/19 Musical and Best Actor - Ben Platt; Featured Actress - Rachel Bay Jones. 05 3:10 Jacques Brel Sons of Elly Stone Off Broadway Original Cast: Jacques Brel Is Alive Columbia 1968 CDS Jacques 11 2002 7/27/19 and Well and Living In Paris 06 3:08 Tom Jones Try To Remember Burke Moses, Sara Jean Ford & Santino Fontana The Fantasticks - The New Off Broadway Ghostlight 2006 The first run of the Fantasticks became the longest runing musical in history.
    [Show full text]
  • Sing a Musical Theatre Recital
    If! Sing A Musical Theatre Recital An Honors Thesis (HONRS 499) by Kevin M. McDaniel Thesis Advisor - Alexandra Christina Kocoshis Ball State University Muncie, Indiana April 2003 Expected Date of Graduation May 2004 - .;5pCo 1/ 1l1e :,i.s J-1) 215J - . Z4- Abstract A musical theatre recital is an unusual and creative project to undertake. While the majority of recitals are composed of classical works, a theatrical recital includes songs from the realm of musical theatre, and must include acting as well as the songs. It therefore develops a singer's vocal and physical performance. "If I Sing, " A Musical Theatre Recital was developed to expand and showcase my talents as a musical theatre major and performer. I chose songs that represented a variety of shows from the history of musical theatre, ranging from 1937 to the present. My goal was to educate those people who were not familiar with many musicals by helping them expand their knowledge of musicals. I did this by giving the audience members a tour of musical theatre history through the songs. Personally, my songs were choices that helped me expand my repertoire. While a few songs were ones that I have become accustomed to performing for years, most were songs that I have wanted to perform for a long while, but have never had the opportunity or reason. All the songs were personal favorites of mine, but were also songs that stretched me to my vocal limits. Several songs challenged me vocally, while others challenged my acting ability. Also, the recital was a challenge to sing.
    [Show full text]
  • BTW.B.Schedule2017(MH Edit)
    Broadway Teachers Workshop B 2017 Schedule (*subject to change) Monday, July 10, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers.
    [Show full text]
  • In Side Show
    “COME LOOK AT THE FREAKS”: THE COMPLEXITIES OF VALORIZING THE “FREAK” IN SIDE SHOW Stephen Harrick A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2007 Committee: Jonathan Chambers, Advisor Lesa Lockford Ronald Shields © 2007 Stephen Harrick All Rights Reserved iii ABSTRACT Dr. Jonathan Chambers, Advisor The Broadway musical Side Show, by Bill Russell and Henry Krieger, focuses on real- life conjoined twins Daisy and Violet Hilton, who sang and danced in carnivals and side shows in the middle part of the 20th century. Side Show dramatizes the Hilton’s rise to fame, as well as their romantic liaisons. Russell and Krieger’s presumed objective with Side Show is to represent Daisy and Violet as individuals, which they succeed at doing. By granting the Hilton twins individuality, the authors give value to the actual Daisy and Violet Hilton. However, Russell and Krieger specify that the performers playing Daisy and Violet be separated throughout the musical. Therefore, Side Show’s conjoined twins are not connected to each other during the performance. In seeking to grant individuality to the actual Hilton sisters, Russell and Krieger have taken away part of what made Daisy and Violet unique individuals. Ironically, the same representational tactics that work to valorize the Hilton twins in the musical also bring with them severe limitations, which thwart Russell and Krieger’s presumed objective of giving agency to the actual Hilton twins. This thesis begins with a brief overview of the historical Hilton sisters, contextualizing the women Side Show seeks to valorize.
    [Show full text]
  • Cripping Broadway: Neoliberal Performances of Disability in the American Musical
    Cripping Broadway: Neoliberal Performances of Disability in the American Musical by Samuel R. Yates B.A. in Dramatic Arts and English, May 2011, Centre College M.Phil in Theatre and Performance Studies, June 2013, Trinity College Dublin A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 19, 2019 Dissertation directed by David T. Mitchell Professor of English The Columbian College of Arts and Science of The George Washington University certifies that Samuel R. Yates has passed the Final Examination for the degree of Doctor of Philosophy as of 9 April, 2019. This is the final and approved form of the dissertation. Cripping Broadway: Neoliberal Performances of Disability in the American Musical Samuel R. Yates Dissertation Research Committee David T. Mitchell, Professor of English, Dissertation Director Robert McRuer, Professor of English, Committee Member Ann M. Fox, Professor of English, Committee Member ii © Copyright 2019 by Samuel R. Yates All Rights Reserved iii Chapters two and five of this dissertation contain reworked material previously published in the venues listed below. Additionally, Figure 5.1 is reprinted with permission from Springer Nature. I have permission from publishers to use the work listed below in my dissertation: Yates, Samuel. “Choreographing conjoinment: Side Show’s fleshly fixations and disability simulation.” Studies in Musical Theatre, vol. 13, no. 1, pp. 67–78, doi: 10.1386/smt.13.1.67_1 Yates, Samuel. “Spider-Man’s Designer Genes: Hyper-capacity and Transhumanism in a D.I.Y.
    [Show full text]
  • Performing Arts Collection Coll2007.016
    http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Finding aid prepared by ONE National Gay and Lesbian Archives staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2007 Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Title: Performing Arts collection Identifier/Call Number: Coll2007.016 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 63.75 linear feet Date (bulk): Bulk, 1980-2000 Date (inclusive): 1937-2012 Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. General Physical Description note: 51 records storage boxes creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Publication Rights Researchers wishing to publish materials must obtain permission in writing from ONE National Gay and Lesbian Archives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. Note that ONE National Gay and Lesbian Archives can grant copyright clearance only for those materials for which we hold the copyright.
    [Show full text]
  • Performing Arts Collection Coll2007.016
    http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California 90007 (213) 821-2771 [email protected] Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Performing Arts collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2007.016 Physical Description: 81 Linear Feet78 archive cartons, 2 flat boxes Date (inclusive): 1937-2012 Date (bulk): bulk Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
    [Show full text]
  • Dreamgirls • October 26-31, 2010 • TPAC’S Jackson Hall
    OnStage The official playbill and performing arts magazine of the TENNESSEE PERFORMING ARTS CENTER HCA/TriStar Broadway at TPAC • TPAC Family Field Trip • TPAC Presents • TPAC’s Signature Series Dreamgirls • October 26-31, 2010 • TPAC’s Jackson Hall www.tpac.org THE MUSICAL SENSATION John Breglio Vienna Waits Productions in association with Chunsoo Shin, Jake Productions & Broadway Across America/TBS present Book and Lyrics by Music by Tom Eyen Henry Krieger Original Broadway Production Directed and Choreographed by Michael Bennett Additional Material by Willie Reale Starring Syesha Mercado Chaz Lamar Shepherd Chester Gregory Adrienne Warren Trevon Davis Margaret Hoffman Milton Craig Nealy Patrice Covington with Felicia Boswell Tallia Brinson Ronald Duncan Talitha Farrow Brittney Griffin Kelcy Griffin Robert Hartwell Jared Joseph Nikki Kimbrough Grasan Kingsberry Douglas Lyons Kimberly Marable Jarran Muse Amaker Smith Marc Spaulding Terrance Lemar Thomas Timothy Ware and introducing Moya Angela Scenic Design by Costume Design by Lighting Design by Robin Wagner William Ivey Long Ken Billington Sound Design by Media Design by Hair Design by Acme Sound Partners Howard Werner/Lightswitch Paul Huntley Music Direction by Orchestrations by Vocal Arrangements by Alvin Hough, Jr. Harold Wheeler David Chase & Cleavant Derricks Production Stage Manager Technical Supervisor Press & Marketing Ray Gin David Benken Type A Marketing Casting General Management Jay Binder/ Alan Wasser • Allan Williams Mark Brandon Aaron Lustbader Co-Choreographer Shane
    [Show full text]
  • AUDITION DATES ADULTS & YOUTH (Ages 9+) AUDITIONS Sunday, November 13Th at 7:00Pm Monday, November 14Th at 7:00Pm ✩✩✩✩✩✩ CALLBACKS Thursday, November 17Th at 7:00Pm
    REGISTRATIONADVANCE IS REQUIRED Make Our House Your Theatre Home AUDITION DATES ADULTS & YOUTH (ages 9+) AUDITIONS Sunday, November 13th at 7:00pm Monday, November 14th at 7:00pm ✩✩✩✩✩✩ CALLBACKS Thursday, November 17th at 7:00pm LOCATION The Kalamazoo Civic Auditorium - 329 S Park St. (Those auditioning are encouraged to arrive thirty minutes prior to audition time.) CASTING We will be seeking a cast of 18 to 20 actors. One role is specifically written for an African American male. Youth between the ages of Book & Lyrics by Bill Russell Music by Henry Krieger 9-15 will be considered for one male and one female role. Youth auditioning must be under 5 feet in height. REQUIREMENTS January 27 – February 12 Those auditioning are asked to sing 16-32 The PARISh TheATRe • MUSICAL measures of a song. Please bring sheet music as an accompanist is provided. Those auditioning may be taught a dance combination Based on the true story of conjoined twins and famed early 20th and may be asked to read from the script. century entertainers Violet and Daisy Hilton, Side Show is a remarkable musical about acceptance, love, and embracing one’s REHEARSAL SCHEDULE uniqueness. Though they are conjoined, they yearn for very Rehearsals will be held Monday through Friday different lives. One twin loves the limelight, the other longs for a from 7:00 PM – 10:00 PM beginning simpler life. Starting out as a circus side show act, they soon November 28th - January 26th, 2017 become stars on the Orpheum Circuit. Violet and Daisy seem to have everything they have ever wanted.
    [Show full text]
  • Communicating in Song: the American Sung-Through Musical from in Trousers (1979) to Caroline, Or Change (2004)
    Communicating in Song: The American Sung-Through Musical from In Trousers (1979) to Caroline, or Change (2004) A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Alexandre Bádue BM, Federal University of Paraná, 2007 MM, University of Cincinnati, 2012 Committee Chair: bruce d. mcclung, PhD ABSTRACT In the American musical theater, the book musical has always presented a conspicuous alternation of songs and spoken dialogue. The former interrupt the latter and provides additional means to depict the characters and the dramatic situations. In the last quarter of the twentieth century, however, a second subgenre of the musical came to prominence: the sung-through musical, in which the entire script—monologues, conversations, turning points—all occur in song, eschewing spoken dialogue and contrasting with the aesthetics of the book musical. This dissertation demonstrates that by avoiding spoken dialogue and increasing the amount of music, American sung-through musicals from 1979 until 2004 challenged the means of structuring musicals. This study investigates how creative teams of sung-through musicals have used songs alone to create, organize, and communicate dramaturgy, questioning the limits between singing and speaking in musical theater. This study comprises twelve sung-through musicals that were written and composed in the United States and originally produced in New York City’s Broadway or Off-Broadway circuits. It does not consider the British sung-through musicals that were successful on Broadway during the same time period.
    [Show full text]
  • Show Program
    Gratefully Acknowledges the Following Supporters for 2009 CORPORATE SUPPORT Bank of America Blum Shapiro Centerbrook Architects and Planners COMCAST Connecticut Light & Power Company DeWitt Stern Group, Inc. Dominion Resources Services, Inc. Jim Henson’s Emmet Otter | 5 Essex Savings Bank Cast of Characters | 6 Hoffman Audi Musical Numbers | 7 The Inn at Middletown Who’s Who | 8 Liberty Bank Mohegan Sun Program Notes | 14 National Alliance for Musical Theatre History of the Goodspeed Opera House | 28 NewAlliance Bank Past Productions | 28 Robinson & Cole LLP The Suzio York Hill Companies About Goodspeed Musicals | 29 Updike, Kelly & Spellacy, P.C. William H. Goodspeed Legacy Society | 30 Webster Bank The Goodspeed Opera House Foundation | 31 WSHU Public Radio Group Goodspeed Membership | 32 WTNH News Channel 8 Goodspeed Musicals Staff | 37 FOUNDATION SUPPORT For Your Information | 38 Anonymous (1) Acorn Alcinda Foundation, Inc. Audio and video recording and photography The Adolph and Ruth Schnurmacher Foundation, Inc. are prohibited in the theatre. The Aeroflex Foundation Aldo DeDominicis Foundation Please turn off your cell phone, beeper, watch alarm The ASCAP Foundation - Irving Caesar Trust or anything else that might make a distracting noise The Christine E. Moser Foundation during the performance. Unwrap any candies, cough Daphne Seybolt Culpeper Memorial Foundation drops, or mints before the performance begins to The Max Showalter Foundation avoid disturbing your fellow audience members or Maximilian E. and Marion O. Hoffman Foundation the actors on stage. We appreciate your cooperation. The Nederlander Foundation Editor: Lori A. Cartwright NewAlliance Foundation Newman’s Own Foundation The Noel Coward Foundation Public Welfare Foundation The Rodgers and Hammerstein Foundation The Samuel and Rebecca Kardon Foundation SBM Charitable Foundation, Inc.
    [Show full text]