Past TRC Productions
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Boston Symphony Orchestra Concert Programs, Season 105, 1985-1986
Boston Symphony Orchestra SEIJI OZAWA, Music Director SEIJI 105th Season 1985-86 - Out of the wood comes the liinEilmHriUiiiunrMci of the world's first barrel-blended 12 year-old ?ORTE Canadian whisky. m • l :HI "?Wff£& Barrel-Blending is the final process of blending selected whiskies as they are poured into oak barrels to marry prior to bottling. Imported in bottle by Hiram Walker Importers Inc., Detroit Ml © 1985. Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J.P. Barger, Vice-Chairman Mrs. John M. Bradley, Vice-Chairman George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. Norman L. Cahners Mrs. John L. Grandin David G. Mugar George H.A. Clowes, Jr. Frances W Hatch, Jr. Thomas D. Perry, Jr. William M. Crozier, Jr. Harvey Chet Krentzman Mrs. George R. Rowland Mrs. Lewis S. Dabney Roderick M. MacDougall Richard A. Smith Mrs. Michael H. Davis John Hoyt Stookey Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. John T. Noonan Allen G. Barry Edward M. Kennedy Irving W Rabb Richard P. Chapman Edward G. Murray Paul C. Reardon Abram T. Collier Albert L. Nickerson Sidney Stoneman Mrs. Harris Fahnestock John L. Thorndike Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris, General Manager Daniel R. Gustin, Assistant Manager Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Theodore A. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE: August 16, 2019 ARIZONA THEATRE COMPANY OPENS 2019/2020 SEASON WITH MARCO RAMIREZ’ “ORIGINAL AND GRACEFUL” THE ROYALE Arizona Theatre Company (Sean Daniels, Artistic Director; Billy Russo, Managing Director) kicks off the 2019/2020 season, its 53rd, with Marco Ramirez’ power-packed boxing drama, The Royale, a deeply theatrical and emotionally moving story loosely based on the life of the world’s first African-American heavyweight boxing champion, Jack Johnson, Sept. 7-28 at the Temple of Music & Art in Tucson and Oct. 3-20 at the Herberger Theater Center in Phoenix. Described as “original and graceful” by The New York Times, The Royale explores one man’s struggle while reflecting on a bigger one in the midst of Jim Crow’s south in 1910. It’s also the story of a brother and his sister who remains his greatest adversary and strongest motivation as he struggles for glory and respect. And it’s a boxing story without a single fist-driven punch being thrown. Even so, “The Royale packs a punch!” The New York Times wrote. Playwright Marco Ramirez, whose plays have been produced at Lincoln Center Theater, The Kennedy Center, The Humana Festival, The Old Globe (San Diego), The Bush Theatre (London) and American Theater Company, among others, also has built both a reputation and a following as a TV writer for hits including Marvel’s Daredevil (Netflix) The Defenders (Netflix), Sons of Anarchy (FX) and Orange is the New Black (Netflix). "Marco Ramirez and Michael John Garcés are two of the most exciting artists working in our country today. -
New Stage Theatre Presents a Christmas Arol a C GHOST STORY of CHRISTMAS by Charles Dickens Adapted by Michael Wilson Directed by Peppy Biddy
New Stage Theatre Presents A ChriStmas arol A C GHOST STORY OF CHRISTMAS by Charles Dickens adapted by Michael Wilson directed by Peppy Biddy musical director Carol Joy Sparkman choreographer Drew Stark EBENEZER SCROOGE December 3-22, 2019 Sponsored by Production Manager / Stage Manager Lighting Designer Scenic Designer Technical Director Josh Harris Bronwyn Teague Chris Rich Richard Lawrence Sound Design and Costume Designer Properties Designer Original Music Caleb Blackwell Marie Venters John Gromada acc_program_final.indd 1 12/2/19 2:09 PM A ChriStmas Carol By Charles Dickens Adapted by Michael Wilson Originally produced by the Alley Theatre, Houston, Texas, Gregory Boyd, Artistic Director; Paul R. Tetreault, Managing Director Sound Design and Original Music by John Gromada “A CHRISTMAS CAROL – A GHOST STORY OF CHRISTMAS is presented by special arrangement with Dramatists Play Service, Inc., New York.” The videotaping or other video or audio recording of this production is strictly prohibited. Theatrical Fog and Smoke are used in this production There will be one 15-minute intermission Please silence your cell phone THE SETTING London, 1843 acc_program_final.indd 2 12/2/19 2:09 PM THE CAST (in order of appearance) EBENEZER SCROOGE ........................................Turner Crumbley* MRS. DILBER/PARTY GUEST .......................................Jenn Harris BOB CRATCHIT ..............................................Christopher Sferra FRED/YOUNG SCROOGE .......................................... Sam Lovorn FIRST SOLICITOR/UNDERTAKER/PARTY GUEST ......................Drew Stark SECOND SOLICITOR/MR. FEZZIWIG ......................... Christan McLaurine DOLL VENDOR (MRS. PIDGEON)/SPIRIT OF CHRISTMAS PAST .....Mandy Kate Myers FRUIT VENDOR (BERT)/SPIRIT OF CHRISTMAS PRESENT . Joseph Frost CLOCK VENDOR (MR. MARVEL)/PARTY GUEST/ ..................Cameron Pitre SPIRIT OF CHRISTMAS FUTURE THE GHOST OF JACOB MARLEY/OLD JOE .........................Chris Roebuck MRS. -
Surviving Antigone: Anouilh, Adaptation, and the Archive
SURVIVING ANTIGONE: ANOUILH, ADAPTATION AND THE ARCHIVE Katelyn J. Buis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Cynthia Baron, Advisor Jonathan Chambers ii ABSTRACT Dr. Cynthia Baron, Advisor The myth of Antigone has been established as a preeminent one in political and philosophical debate. One incarnation of the myth is of particular interest here. Jean Anouilh’s Antigone opened in Paris, 1944. A political and then philosophical debate immediately arose in response to the show. Anouilh’s Antigone remains a well-known play, yet few people know about its controversial history or the significance of its translation into English immediately after the war. It is this history and adaptation of Anouilh’s contested Antigone that defines my inquiry. I intend to reopen interpretive discourse about this play by exploring its origins, its journey, and the archival limitations and motivations controlling its legacy and reception to this day. By creating a space in which multiple readings of this play can exist, I consider adaptation studies and archival theory and practice in the form of theatre history, with a view to dismantle some of the misconceptions this play has experienced for over sixty years. This is an investigation into the survival of Anouilh’s Antigone since its premiere in 1944. I begin with a brief overview of the original performance of Jean Anouilh’s Antigone and the significant political controversy it caused. The second chapter centers on the changing reception of Anouilh’s Antigone beginning with the liberation of Paris to its premiere on the Broadway stage the following year. -
Performance Measurement Report
THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome. -
Rodgers & Hammerstein's
2015/16 Season Rodgers & Hammerstein’s Rodgers & Hammerstein’s THE KING AND I Music by RICHARD RODGERSBook and Lyrics by OSCAR HAMMERSTEIN II Based on “Anna and the King of Siam” by Margaret LandonOriginal Orchestrations by Robert Russell Bennett Original Dance Arrangements by Trude RittmannOriginal Choreography by Jerome Robbins LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE The King and I – pp. 25-41 6 From the President 14 Voyage Of Discovery: : 45 Lyric Unlimited/Education Corps and the General Director Lyric’s 2016-17 Season 46 Aria Society 8 Board of Directors 23 Tonight’s Performance 55 Breaking New Ground/ 25 Cast 10 Women’s Board/Guild Board/ Look to the Future Chapters’ Executive Board/ 26 Musical Numbers/Orchestra 57 Major Contributors – Special Ryan Opera Center Board 27 Artist Profiles Events and Project Support 12 Administration/Administrative 37 A Glorious Partnership 58 Ryan Opera Center Staff/Production and 40 A Talk with the Director Technical Staff 42 Just for Kids 59 Ryan Opera Center Contributors 60 Lyric Unlimited Contributors LYRIC 2016-17 SEASON PREVIEW pp. 16-22 61 Planned Giving: The Overture Society 63 Annual Corporate Support 64 Matching Gifts, Special Thanks and Acknowledgements 65 Annual Individual and MARIE-NOËLLE ROBERT/THÉÂTRE DU CHÂTELET Foundation Support 71 Commemorative Gifts 72 Facilities and Services/Theater Staff On the cover: Paolo Montalban as the King and Kate Baldwin as Anna, photographed by Todd Rosenberg. 2 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
View the Playbill
GEORGE STREET PLAYHOUSE The Second Mrs.Wilson Board of Trustees Chairman: James N. Heston* President: Dr. Penelope Lattimer* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich David Saint* David Capodanno Jocelyn Schwartzman Kenneth M. Fisher Lora Tremayne William R. Hagaman, Jr. Stephen M. Vajtay Norman Politziner Alan W. Voorhees Kelly Ryman* *Denotes Members of the Executive Committee Trustees Emeritus Robert L. Bramson Cody P. Eckert Clarence E. Lockett Al D’Augusta Peter Goldberg Anthony L. Marchetta George Wolansky, Jr. Honorary Board of Trustees Thomas H. Kean Eric Krebs Honorary Memoriam Maurice Aaron∆ Arthur Laurents∆ Dr. Edward Bloustein∆ Richard Sellars∆ Dora Center∆∆ Barbara Voorhees∆∆ Douglas Fairbanks, Jr.∆ Edward K. Zuckerman∆ Milton Goldman∆ Adelaide M. Zagoren John Hila ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee From the Artistic Director It is a pleasure to welcome back playwright Joe DiPietro for his fifth premiere here at George Street Playhouse! I am truly astonished at the breadth of his talent! From the wild farce of The Toxic Photo by: Frank Wojciechowski Avenger to the drama of Creating Claire and the comic/drama of Clever Little Lies, David Saint Artistic Director now running at the West Side Theatre in Manhattan, he explores all genres. And now the sensational historical romance of The Second Mrs.Wilson. The extremely gifted Artistic Director of Long Wharf Theatre, Gordon Edelstein, brings a remarkable company of Tony Award-winning actors, the top rank of actors working in American theatre today, to breathe astonishing life into these characters from a little known chapter of American history. -
Resume to Upload to Resume Page
MARTIN DAMIEN WILKINS [email protected] DIRECTOR/PRODUCER www.martindwilkins.com SUMMARY OF ACHIEVEMENTS: • An accomplished, freelance theater director and artistic producer with more than a decade of experience directing, producing and developing work for the stage nationally, including prominent theater institutions in New York City, Washington, D.C., Atlanta, Sacramento and Charlotte. • Collaborations with emerging and award-winning playwrights on workshops and readings of their work have yielded productions throughout the country and in London. They include Katori Hall’s Olivier Award-winning play, The Mountaintop, and Idris Goodwin’s How We Got On. • Honors include being selected from a pool of more than 350 applicants as one of five members of the inaugural class of National Directors Fellows, a five-year initiative to provide professional development to 25 early career directors and advance new play development and production around the country. DIRECTING: PRODUCTIONS Angels in America: Parts 1 & 2 Tony Kushner Actor’s Express (Upcoming 2018) Co-Directed with Freddie Ashley Father Comes Home from the Wars Suzan-Lori Parks Actor’s Express (2017) (Parts 1, 2 & 3) Bootycandy Robert O’Hara Actor’s Theatre of Charlotte (2017) Fetch Clay, Make Man Will Power Hattiloo Theatre (2017) Satchmo at the Waldorf Terry Teachout B Street Theatre (2016) Coming at You from the Cockpit Edith Freni Actor’s Express Intern Showcase (2016) Stick Fly Lydia R. Diamond Actor’s Theatre of Charlotte (2015) African Americans Jocelyn Bioh Howard University -
JEAN ANOUILH the Australian Elizabethan Theatre Tru St
, .. ., ...I I I 1 • ,,~- • i' JEAN ANOUILH The Australian Elizabethan Theatre Tru st when you fly with Trans-AustraliaAirlines PAT RON : H ER MAJESTY T H E QUEE N P RE SIDE T The Rt. H on . Sir John Latham, G.C.M.G., Q .C. CH AIRM A1 Dr. H . C. Coombs EXECUTIVE Dffi ECTOR Hu gh Hunt HO . SECRETARY :l,faurire Parker STATE REPRESE , TAT JVES: , ew South \,Vales Mr. C. J. A. lvloscs, C.B .E. Qu eensland Prof esso r F. J . Schone II Western Australia Pr ofessor F. Alexander Victoria Mr . A . H. L. Gibson Sou tit Australia Mr. L. C. Waterm an Tasmania Mr . G. F. Davies In presenting TIME REMEMBERED , we are paying tribute to a dramatist whose contribution to the contemporary theatre scene is a11 outstanding one and whose influence has been most strongly felt during the post-war years in Europe. The J1lays of Jean An ouilh have not been widely produced in Cao raln and First Officer at the co mrol s of a TA A Viscount . Australia , and his masterly qualities as a playwright are not TAA pilots are well experi years of flying the length and sufficiently k11011·n. enced and maintain a high breadth of Australia. standard of efficiency in flying TAA 's Airmanship is the total TIME REME1vlBERED htippily contains some of the the nation's finest fleet of skill of many people-in the most typical aspects of his work . .. a sense of the comic, modern aircraft. air and on the ground-w ork ing toward s a common goal: almost biza1'1'e,and tl haunting nostalgia which together pro When you and your family fly your safety, satisfaction and T AA, you get with your ticket peace of mind. -
Kara Lindsay
Kara Lindsay AEA FILM & TELEVISION MURPHY BROWN Co-Star CBS Michael Lembeck NEWSIES: LIVE Lead Disney Jeff Calhoun SUBMISSIONS ONLY Featured Web Series Kate Wetherhead SILLYOCITY Lead Web Series Howie Michael Smith BROADWAY BEAUTIFUL - The Carole King Musical Cynthia Weil Stephen Sondheim Theatre Marc Bruni WICKED Glinda Gershwin Theatre Joe Mantello NEWSIES Katherine Plumber Nederlander Theatre Jeff Callhoun Grammy Nomination - Principal Soloist, Newsies Original Broadway Cast Album NATIONAL TOURS WICKED Glinda Joe Mantello LITTLE HOUSE ON THE PRAIRIE Laura Francesca Zambello REGIONAL THEATRE SINGIN' IN THE RAIN Kathy Selden Sacramento Music Circus Linda Goodrich MARY POPPINS Mary Poppins The North Carolina Theatre Eric Woodall NEWSIES Katherine Plumber Paper Mill Playhouse Jeff Calhoun CABARET Sally Bowles Kansas City Rep Eric Rosen A CHRISTIMAS CAROL Belle The Geva Theatre Mark Cuddy LITTLE HOUSE ON THE PRAIRIE (World Laura Paper Mill Playhouse/Guthrie Francesca Zambello Premiere) Theatre QUILTERS Daughter Denver Center Penny Metropulos LONE STAR LOVE Miss Anne Page 5th Avenue Theater, Seattle John Rando AFTER MISS JULIE Miss Julie Carnegie Mellon University Ed Sylvanus Iskander THE ORESTEIA Priestess Carnegie Mellon University Jed Allen Harris SIDE SHOW Violet Carnegie Mellon University Rajendra Ramoon THROUGHLY MODERN MILLIE Alice West Virginia Public Theatre Rob Lorey CATS Demeter West Virginia Public Theatre Stephanie Lang BEAUTY AND THE BEAST Silly Girl West Virginia Public Theatre Rob Lorey WORKSHOPS AND READINGS AUSTEN'S PRIDE