Questions Ofintended Meaning and the Asokan Edicts
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Predictive Modelling for Archaeological Sites: Ashokan Edicts from the Indian Subcontinent
GENERAL ARTICLES Predictive modelling for archaeological sites: Ashokan edicts from the Indian subcontinent Thomas W. Gillespie*, Monica L. Smith, Scott Barron, Kanika Kalra and Corey Rovzar This article focuses on the stone inscriptions ascribed to Ashoka, the 3rd century BC ruler of the Mauryan dynasty in ancient India. The locations of 29 known inscriptions and 8 environmental predictors at 1 km pixel resolution were entered into a species distribution model, that reliably pre- dicted the distribution of known Ashokan edicts (AUC score 0.934). Geologic substrate (33%), population density in AD 200 (21%), and slope (13%) explained majority of the variance in the Ashokan edict locations. We have identified 121 possible locations in the Indian subcontinent that conform to the same criteria where yet undiscovered inscriptions may be found. Keywords: Archaeology, edict locations, environmental metrics, species distribution models, stone inscriptions. TWO factors have combined that could increase the use of provide confirmation that people found the locations suit- modelling in archaeology: the availability of global land- able and worthy of investment. scape geographic information system (GIS) datasets, and The predictability of archaeological site location is the need to identify and protect sites in areas jeopardized by based on a variety of criteria, not all of which are imme- development and other human impacts. An important po- diately apparent. For example, our earliest ancestors hun- tential contributor to this process is species distribution dreds of thousands of years ago utilized caves as shelters modelling, which has been increasingly used across a va- prior to the development of built architecture, but not all riety of fields, including biogeography, ecology, conserva- known caves were occupied within a given region due to tion biology, and climate change science to identify metrics additional factors of selection, such as the preference for that define and predict species and ecosystems ranges1–4. -
The Edicts of King Ashoka
THE EDICTS OF KING ASHOKA An English rendering by Ven. S. Dhammika THE EDICTS OF KING ASHOKA Table of Contents THE EDICTS OF KING ASHOKA........................................................................................................................1 An English rendering by Ven. S. Dhammika.................................................................................................1 PREFACE......................................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 THE FOURTEEN ROCK EDICTS...............................................................................................................4 KALINGA ROCK EDICTS..........................................................................................................................8 MINOR ROCK EDICTS...............................................................................................................................9 THE SEVEN PILLAR EDICTS..................................................................................................................10 THE MINOR PILLAR EDICTS..................................................................................................................13 NOTES.........................................................................................................................................................13 -
Buddhapada and the Bodhisattva Path
Contents List of Figures 7 Foreword 9 Michael Zimmermann and Steffen Döll Introduction 11 1 Seeing the Footprint 15 1.1 Introduction 15 1.2 Translation 17 1.3 The Nature of an Awakened One 20 1.4 The Different Footprints 23 1.5 Problems with Marks on the Footprint 27 1.6 The Thousand Spokes 30 1.7 The Wheel 36 1.8 Summary 41 2 A Vision of the Thirty-two Marks 43 2.1 Introduction 43 2.2 Translation 44 2.3 The Webbed Feet and the Protuberance 51 2.4 The Buddha’s Footprints on the Stairs from Heaven 55 2.5 The Buddha’s General Appearance 57 2.6 The Significance of the Thirty-two Marks 61 2.7 The Thirty-two Marks as Brahminical Lore 63 2.8 Summary 68 3 The Great Lineage of Buddhas 71 3.1 Introduction 71 3.2 Translation 75 3.3 Visual Elements in the Description of Vipaśyin 84 3.4 The Marks and dharmatā 87 3.5 The Birth of a Buddha 89 3.6 Seeing the Marks as a Means of Conversion 94 3.7 Seeing the Marks as a Means of Healing 100 3.8 Summary 101 4 The Karma of the Wheel-mark 103 4.1 Introduction 103 4.2 Translation 105 4.3 Assessing the Lakkhaṇa-sutta 106 4.4 Introducing the Karmic Perspective 110 4.5 The Marks in Their Karmic Setting 113 4.6 Aspiring to Be Endowed with the Marks 122 4.7 The Marks and Masculinity 128 4.8 Summary 134 Conclusion 137 Abbreviations 141 References 143 Index 171 List of Figures Figure 1: Fragment Description of Footprint 24 Figure 2: Different Footprints 25 Figure 3: Footprints with Wheel 39 Figure 4: Worshipping the Buddha’s Footprints 40 Figure 5: Buddha with Webbed Hand 53 Figure 6: The Buddha’s Descent from Heaven 56 Figure 7: Footprints with svastikas 62 Figure 8: The Buddha and His Six Predecessors 73 Figure 9: Baby Footprints 86 Figure 10: Footprint with Birds 99 Figure 11: Footprint-Wheels with many Spokes 104 Figure 12: Lion Capital 116 Figure 13: Wheel-marks on the Feet of a Seated Buddha 127 Foreword About Hamburg Buddhist Studies Ever since the birth of Buddhist Studies in Germany more than 100 years ago, Buddhism has enjoyed a prominent place in the study of Asian reli- gions. -
Ashoka's Edicts & Inscriptions
AsHokA’s Edicts & inscriptions The great Emperor Ashoka, the third monarch of the Maurya dynasty converted to Buddhism after witnessing the horrific effects of war in Kalinga. He became a champion and patron of Buddhism and strove to spread Dhamma throughout his empire and beyond. He erected pillars and edicts all over the subcontinent and even in modern-day Afghanistan, Nepal, Bangladesh and Pakistan to spread the Buddha’s word. The Edicts of Ashoka are in total 33 inscriptions written on the Pillars, boulders and cave walls of Mauryan Period, during the reign of the Emperor Ashok that are dispersed throughout the Indian Sub-continent covering India, Pakistan and Nepal. These inscriptions are divided into three broad sections – 1. Major Rock Edicts 2. Pillar Rock Edicts 3. Minor Rock Edicts These edicts have mentioned that Buddhism as a religion had reached as far as Mediterranean under the Ashokan reign. Many Buddhist monuments had been created in the wide-spread area. In these edicts, Buddhism and the Buddha are also mentioned. But primarily these edicts focus more on social and moral precepts rather than the religious practices (or the philosophical dimension) of Buddhism during Ashoka’s reign. A notable thing in these inscriptions is, that Ashoka refers to himself in many of these inscriptions as “Devampiyaa” which means “Beloved of the Gods” and “King Piyadassi.” Language used: The inscriptions found in the eastern parts of Mauryan empire are written using the Brahmi script in Magadhi language. While in the western parts of the empire, the script used is Kharoshti, written in Prakrit. -
Yonas and Yavanas in Indian Literature Yonas and Yavanas in Indian Literature
YONAS AND YAVANAS IN INDIAN LITERATURE YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Studia Orientalia 116 YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Helsinki 2015 Yonas and Yavanas in Indian Literature Klaus Karttunen Studia Orientalia, vol. 116 Copyright © 2015 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-88-9 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2015 CONTENTS PREFACE .......................................................................................................... XV PART I: REFERENCES IN TEXTS A. EPIC AND CLASSICAL SANSKRIT ..................................................................... 3 1. Epics ....................................................................................................................3 Mahābhārata .........................................................................................................3 Rāmāyaṇa ............................................................................................................25 -
Kurukshetra Magazine Summary for April 2021 Issue
NURTURING INDIA’S RICH CULTURAL HERITAGE • India with its glorious past has bequeathed a remarkable variety of monuments and sites spread all across the length and breadth of the country. There are 38 UNESCO World Heritage Sites in India (as of 2021), of which 30 are cultural sites, 7 are natural sites and one mixed site. • Along with these are rich and varied intangible cultural heritage of the country like oral traditions and expressions, craftsmanship etc. Heritage are not just reflectors of the past, but opportunities to generate employment and income in the present and future through heritage tourism. Heritage can Change the Rural Economy • There are various heritage structures with cultural and historical significance in the rural hinterlands lying untapped and unattended. Due to the pandemic, people are now more interested in visiting less- crowded rural India. This creates opportunity for rural areas. • There are traditional step wells which have heritage significance and also can be explored if the water sources can be revived. While attracting tourists, it will also solve the water issue faced by the people in the area. Steps Taken by the Govt. • In budget 2020-21, govt. has proposed five archaeological sites, namely, Rakhigarhi (Haryana), Hastinapur (Uttar Pradesh), Shivsagar (Assam), Dholavira (Gujarat) and Adichanallur (Tamil Nadu) to be developed as iconic sites with on-site Museums. • Rakhigarhi, the site of a pre-Indus Valley Civilisation settlement, dating back to about 6500 BCE village is located in Hisar District in Haryana. • Dholavira, a site of ruins of ancient Harappan city, is located near the Dholavira village in Gujarat. -
Texts. Rock Inscriptions of Asoka
TEXTS. ROCK INSCRIPTIONS OF ASOKA SHAHBAZGARHI, KHlLSI, GIRNAR, DHAULI, AND JAUGADA. EDICT I. s Ayam dharmalipi [ omitted ] Devanampriyasa * # # K Iyam dhammalipi f do. ] Devanampiyena Piyadasina G lyara dhammalipi [ do. ] Devanampiyena Piyadasina, D * # dha * * # # # * si pavatasi Devanampiye * # # * J Iyam dhammalipi Khepingalasi pavatasi Devanampiyena Piyadasina S Ranyo likhapi . Hidam lo ke * jiva. * * * * * * K # * lekhapi. Hida no kichhi jive. alabhitu paja G Eanya lekhapita .. Idha na kinchi jivam arabhida paju D Lajo # # # * * * * * . * vam alabhitu pajapa J Lajina likhapita . Hida no kichhi jivam. alabhiti paja S # * # cha pi * sama* * * * * * * * # K hitaviye 2 no pi ch;i samaje. kataviye bahukam hi G hitavyam 4 na cha samaje. katavyo bahukam hi D * # * # # # # * * * 2# * # bahukam * * J hitaviye 2 no pi cha samaje. kataviye babukain hi S # # # * * # * # # *4# ### •## # # * K dosa samejasa. Devanampiye Piyadasi Laja dakhati 5 G dosam samajamhi. pasati Devanampiyo Piyadasi Raja D * * # * # * * # # # nam # * # # # * # # # * J dosam samejasa. dakhati Devanampiye Piyadasi . Laja S 2 ati pi* * * katiya samayasa samato Devanampriyasa K athi picha. ekatiya samaj& sadhumata Devanampiyasa 7 G 6 asti pitu ekacha samaja sadhumata Devanampiyasa D * * # ekacha samajasa sadhumata Devanampiyasa J athi pichu ekatiya samaja sadhumata Devanampiyasa S Priyadasisa Ranyo para mahanasasa Devanampriyasa Priyadasisa 3 K Piyadasisa Lajine pale mahanasansi Devanampiyasa Piyadasisji 8 G Piyadasino Ranyo pura mahanasaphi Devanampiyasa Piyadasino 3 D Piyadasine -
Department of Buddhist Studies Master of Buddhist Studies
University of Calcutta Department of Buddhist Studies Master of Buddhist Studies Rules, Regulations and Syllabus of M.A. Course of Studies in Buddhist Studies (CC= Core course 800 + DSE=Discipline Specific Elective course -100 + GE= Generic Elective Course -100) Duration of Each Semester: 6 (six) months in two years. No. of seats: 40 (forty) including Reservation Time: 5 (five) days in a week (Monday – Friday) from 2:30 p.m. to 8:30 p.m. (six classes) Venue: Room No 42 A, 3rd Floor, Asutosh Building, AsutoshSikshaPrangan, 87/1, college Street, Kolkata – 700 073) Objective: This course offers a comparative aswell as holistic approach to Buddhism taking into account different social, cultural, historical, philosophical and ethical aspects. Apart from this, the Syllabus of the said course has been framed so that it may benefit the students appearing at UGC NET Examinations (Code No 60) and also WBCS Examination in Pali as well. Eligibility: since the said course is inter-disciplinary in character the Honours students of all categories of Humanities group can take admission. Moreover, the students who complete their P.G. Diploma course in Buddhist Studies and other M. A. in relevant subjects may be offered on opportunity to take admission in M. A. in Buddhist Studies as there is no scope for learning Buddhist Studies in B.A. (Hons.) in West Bengal Course Curriculum: M. A. Course in Buddhist Studies Total Marks: 1000 (One Thousand) Marks Core Course – 800 (Eight hundred) Marks Discipline Specific Elective Course- 100 (One Hundred) Marks Generic Elective Course- 100 (One Hundred) Marks In the 1stSemester there will be a compulsory project based on field work. -
HIGHSCHOOLS in GANJAM DISTRICT, ODISHA, INDIA Block Type of High Sl
-1- HIGHSCHOOLS IN GANJAM DISTRICT, ODISHA, INDIA Block Type of High Sl. Block G.P. Concerned Village Name of the School Sl. School 1 1 Aska Aska NAC Aska Govt. Girl's High School, Aska Govt. 2 2 Aska Aska NAC Aska Harihar High School, Aska Govt. 3 3 Aska Aska NAC Aska Tech High School, Aska Govt. 4 4 Aska Munigadi G. P. Munigadi U. G. Govt. High School, Munigadi Govt. U.G. 5 5 Aska Mangalpur G. P. Mangalpur Govt. U. G. High School, Mangalpur Govt. U.G. 6 6 Aska Khaira G. P. Babanpur C. S. High School, Babanpur New Govt. 7 7 Aska Debabhumi G. P. Debabhumi G. P. High School, Debabhumi New Govt. 8 8 Aska Gunthapada G. P. Gunthapada Jagadalpur High School, Gunthapada New Govt. 9 9 Aska Jayapur G. P. Jayapur Jayapur High School, Jayapur New Govt. 10 10 Aska Bangarada G. P. Khukundia K & B High School, Khukundia New Govt. 11 11 Aska Nimina G. P. Nimina K. C. Girl's High School, Nimina New Govt. 12 12 Aska Kendupadar G. P. Kendupadar Pragati Bidyalaya, Kendupadar New Govt. 13 13 Aska Baragam Baragam Govt. U.G. High School, Baragam NUG 14 14 Aska Rishipur G.P. Rishipur Govt. U.G. High School, Rishipur NUG 15 15 Aska Aska NAC Aska N. A. C. High School, Aska ULB 16 16 Aska Badakhalli G. P. Badakhalli S. L. N. High School, Badakhalli Aided 17 17 Aska Balisira G. P. Balisira Sidheswar High School, Balisira Aided 18 18 Aska GangapurG. P. K.Ch. Palli Sudarsan High School, K.Ch. -
Asoka's Dhamma
/ ASORA'S DIIAMMA - Ninnal C. Sinha A soka's place is second in the history of Dhamma, second only to ~he founder, Gautama Siddhartha the Buddha. Both Theravada (Southern Buddhist) and Mahayana (Northern Buddhist) traditions agree on this point that Asoka is second to Buddha. Nigrodha or Upagupta, Nagasena or Nagatjuna, both Theravada and Mahayana traditions agree, rank after Asoka. Brahmanical (Hindu) literary works extant bear testimony to Asoka being a great Buddhist. Kalhana in Rajatarangini (12th Cent. A.D.) records Asoka as having adopted the creed of Jina (= Buddha) and as the builder of numerous Stupas and Chaityas. Modem scholars, mostly European, however question the authenticity or purity of Asoka's Dhamma. Critics of Asoka notice the absence of Four Noble Truths, Eight Fold Path and Nirvana from Asoka's Edicts and point to Asoka's mention of Svaga (Svarga) or Heaven in the Edicts. Some scholars hint that Asoka's toleration policy was to accommodate Brahmanical faith while others label Asoka's Dhamma as his invention. In my submission Asoka was a Buddhist first and a Buddhist last. Asoka's own words, that is, Asoka's Edicts substantiate this finding. Inscriptions of Asoka were read and translated by pioneer scholars like Senart, Hultzsch, Bhandarkar, Barua and Woolner. I 5 cannot claim competence to improve on their work and extract mainly from the literal translation of Hultzsch (Corpus Inscriptionum Indicarum: Volume I, London 1925). This ensures that I do not read my own meaning into any word of Asoka. For the same reason I use already done English translation ofPali/Sanskrit texts. -
Depiction of Elephants in Indian Art
Journal of History, Art and Archaeology Vol. 1, No. 1, 2021, pp. 75-82 © ARF India. All Right Reserved URL: www.arfjournals.com DEPICTION OF ELEPHANTS IN INDIAN ART Niharika Chief Editor, ‘Arnava’ Research Journal, Arnava Research Institute, Sarnath, Varanasi-221007, E-mail: [email protected] ABSTRACT Received : 26 March 2021 Art in India is a way of thinking and a way of expressing emotions, thoughts Revised : 05 April 2021 and beliefs. It is a great medium of spreading messages to the contemporary Accepted : 12 April 2021 people as well as to the people of coming generations. In Indian art the motifs Published : 3 May 2021 are chosen and used very wisely and it gives a deep meaning to the whole scene. Elephants are very popular motif in Indian art. This huge animal with its majestic trunk and tiny tail gives a vast sky to the imagination of the artist TO CITE THIS ARTICLE: to fly and create many beautiful art piece. This depiction of elephant can be Niharika. 2021. Depiction of seen from the pre-historic period till date in various mediums like stone, mud, Elephants in Indian Art. Journal of metal, conch, ivory, wood, jute, glass, plastic and what not? The present History, Art and Archaeology, 1: 1, pp. paper deals with such depictions of elephants from the remote past to modern 75-82 times. The examples taken here show some unusual types of depiction that catches the eyes. Their religious and social values in India are also discussed. Keywords: Elephant, Bhimbetka, Ashoka, Bharhut, Deogarh, Mamallapuram Introduction betterment of his subject. -
A Survey of Place-Names in Gāndhārī Inscriptions and a New Oil Lamp from Malakand Stefan Baums
P167-174 A survey of place-names in Gāndhārī inscriptions and a new oil lamp from Malakand Stefan Baums Introduction Gāndhārī inscriptions were produced over a vast geographic range, stretching from Bamiyan in the west to Luoyang in the east, and from Mathura in the south to Kucha in the north.1 Their chronological range is the third century BC until approximately the fourth century AD. A total of 1,163 published Gāndhārī inscriptions are documented in Baums & Glass 2002b.2 Some of these are pottery fragments (such as those from Termiz) that can be reassembled, and others are parts of larger sets produced on the same occasion (such as the Aśokan edicts at Shahbazgarhi and Mansehra), so the total number of Gāndhārī inscriptions in the narrower sense of ‘distinct object bearing one or more texts’ is closer to one thousand. For approximately three hundred of them, their findspots remain unknown as they were unearthed in illicit diggings and reached their current collections and the desks of scholars through the art market. Unfortunately, this is especially true for inscriptions from the heartland of Gandhāra in the Peshawar valley and more broadly Pakistan and Afghanistan, much to the detriment of art- historical research as well as any philological work (such as dialectology) requiring precise geographic information. The same problem afflicts the numerous Gāndhārī manuscripts that have come to light in recent years, and to an even greater extent. In theory, geographic information from inscriptions could be correlated with that from manuscript finds; in practice, the lack of documentation makes this impossible, and all one can do is group inscriptions and manuscripts among themselves and with each other using material evidence in the form of the writing support, palaeographic and orthographic observations, and especially the place-names that are mentioned in many donative inscriptions.