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He KMBC-ÍM Radio TEAM
l\NUARY 3, 1955 35c PER COPY stu. esen 3o.loe -qv TTaMxg4i431 BItOADi S SSaeb: iiSZ£ (009'I0) 01 Ff : t?t /?I 9b£S IIJUY.a¡:, SUUl.; l: Ii-i od 301 :1 uoTloas steTaa Rae.zgtZ IS-SN AlTs.aantur: aTe AVSí1 T E IdEC. 211111 111111ip. he KMBC-ÍM Radio TEAM IN THIS ISSUE: St `7i ,ytLICOTNE OSE YN in the 'Mont Network Plans AICNISON ` MAISHAIS N CITY ive -Film Innovation .TOrEKA KANSAS Heart of Americ ENE. SEDALIA. Page 27 S CLINEON WARSAW EMROEIA RUTILE KMBC of Kansas City serves 83 coun- 'eer -Wine Air Time ties in western Missouri and eastern. Kansas. Four counties (Jackson and surveyed by NARTB Clay In Missouri, Johnson and Wyan- dotte in Kansas) comprise the greater Kansas City metropolitan trading Page 28 Half- millivolt area, ranked 15th nationally in retail sales. A bonus to KMBC, KFRM, serv- daytime ing the state of Kansas, puts your selling message into the high -income contours homes of Kansas, sixth richest agri- Jdio's Impact Cited cultural state. New Presentation Whether you judge radio effectiveness by coverage pattern, Page 30 audience rating or actual cash register results, you'll find that FREE & the Team leads the parade in every category. PETERS, ñtvC. Two Major Probes \Exclusive National It pays to go first -class when you go into the great Heart of Face New Senate Representatives America market. Get with the KMBC -KFRM Radio Team Page 44 and get real pulling power! See your Free & Peters Colonel for choice availabilities. st SATURE SECTION The KMBC - KFRM Radio TEAM -1 in the ;Begins on Page 35 of KANSAS fir the STATE CITY of KANSAS Heart of America Basic CBS Radio DON DAVIS Vice President JOHN SCHILLING Vice President and General Manager GEORGE HIGGINS Year Vice President and Sally Manager EWSWEEKLY Ir and for tels s )F RADIO AND TV KMBC -TV, the BIG TOP TV JIj,i, Station in the Heart of America sú,\.rw. -
The Don Lee-Columbia System
THE DON LEE-COLUMBIA SYSTEM: By Mike Adams 111 Sutter Street was not the only network broadcast address during the thirties. The other was 1000 Van Ness Avenue, the Don Lee Cadillac Building, headquarters for KFRC and the Don Lee-Columbia Network. It was there that another radio legend was born. Don Lee was a prominent Los Angeles automobile dealer, who had owned all the Cadillac and LaSalle dealerships in the State of California for over 20 years. After making a substantial fortune in the auto business, he decided to try his hand at broadcasting.1 In 1926, he purchased KFRC in San Francisco from the City of Paris department store. The following year he bought KHJ in Los Angeles and connected the two stations by telephone line to establish the Don Lee Broadcasting System. From the beginning, Lee spared no expense to make these two stations among the finest in the nation, as a 1929 article from Broadcast Weekly attests: Both KHJ and KFRC have large complete staffs of artists, singers and entertainers, with each station having its own Don Lee Symphony Orchestra, dance band and organ, plus all of the musical instruments that can be used successful in broadcasting. It is no idle boast that either KHJ or KFRC could operate continuously without going outside their own staffs for talent, and yet give a variety with an appeal to every type of audience.[2] In 1929, CBS still had no affiliates west of the Rockies, and this was making it difficult for the network to compete with its larger rival, NBC. -
Announced Tacks on Children's Programs" Be Counter- of 1954 Over the Same Period Last Year, It by George Whitney, Acted by Stations on the Local Level
STATIONS Mortenson Leaves Don Lee WRC -WNBW (TV) Note Rise To Manage KFMB San Diego Defends Child Shows In Local, Spot Business ART MORTENSON, national advertising man- SUGGESTION has been made to sta- ager for Don Lee Broadcasting System in Holly- tion clients by Joseph J. Weed, presi- NBC -owned WRC and WNBW (TV) Washing- wood, resigned effective yesterday (Sunday) to dent of Weed Television Corp., station ton have increased business in both local and join KFMB San Diego as manager, it has been representatives, that "loose and general at- national spot advertising for the first six months announced tacks on children's programs" be counter- of 1954 over the same period last year, it by George Whitney, acted by stations on the local level. He was reported last week. general manager of advocated that plans be laid in the sum- WRC's income from local and national spot KFMB - AM - TV. mer months for a fall schedule of local for the first half of 1954 was 13.6% over the Hobby Myers, who talks by an outstanding program per- same period in 1953, with June business 15.4% has resigned as sonality of each station to parent- teacher, higher than the corresponding month last year KFMB manager, scout and church groups in which the -and higher than any June since 1947. will reveal his future standards of program acceptability by WNBW's non -network business rose 31.2% plans after an ex- the station be outlined. Mr. Weed con- for the first six months of 1954 compared with tended vacation, it tended that criticisms generally have been the same period in 1953. -
Tech-Note – 136 First Edition: May 18, 1997
http://www.Tech-Notes.tv December 6, 2006 Tech-Note – 136 First Edition: May 18, 1997 Our purpose, mission statement, this current edition, archived editions and other relative information is posted on our website: WWW.Tech-Notes.TV This is YOUR forum! Index Note: All Blue underscored items in this PDF newsletter are working links. (Click on the Link below to navigate to that section of Tech-Notes) We have removed the @ in e-mail address, replacing it with the word at. Editor's Comments History Time Line Radio Experimental Television Feature Amateur Television ABC & the 50’s Obituary Parting Shots Subscriptions Editor's Comments Television programming on January 1st of nearly any year in remembered history is synonymous with the Tournament of Roses, be it the Rose Parade or the Rose Bowl. The genesis of these events goes back to when the Rose Bowl was first broadcast in 1923 and the Rose Parade in 1926, both on radio: from there on the timeline reads like the evolution of broadcasting – both commercial and amateur. It has been a lot of fun and very interesting gathering the information we’ll presenting in this special edition of the Tech-Notes. It is our opinion that if the technical aspects relating to the history of broadcastings involvement isn’t documented somewhere, it will be lost to future generations who may just ask: “How’d they do that?” In this spirit, we contacted the major networks and Los Angeles TV and Radio station, but didn’t really get very far with any of them. -
Introduction: Origins of Innovation
Introduction: Origins of Innovation Theoretically and technically television may be feasible, [but] commercially and financially I consider it an impossibility, a development of which we need waste little time dreaming. LEE DE FOREST, 19261 The “Inventors” of Television The evolution of television began over 100 years ago. It was not the invention of a single individual, but the evolution of theory and technology mixed with fierce competitiveness as some developers recognized the ex- periments as potentially profitable. In 1873 Englishmen Joseph May and Willoughby Smith discovered that light falling on photosensitive elements produced a small amount of energy. G.R. Cary, in 1887, developed an electronic proposal paralleling systems of the human eye. Not far from Cary’s work in Boston, Alexander Graham Bell first tried to use light in the transmission of human voice. Bell’s experiments produced a system that was a forerunner to the facsimile.2 It was the French who first used the principle of “scanning.” Scientist Maurice Leblanc developed the scanning system to improve picture quality. In 1883 a German scientist, Paul Nipkow, developed the mechanical scanning de- vice. The idea of scanning produced several mechanical apparatuses, some of which hung around until the mid-1940s. 1. Lee de Forest, “Bad Predications,” reprinted in Parade Magazine, September 10, 1995, p. 16. 2. “Far-Off Speakers Seen As Well As Heard Here in a Test of Television,” New York Times, April 8, 1927, p. 1. xiii xiv Introduction The inventors primarily responsible for today’s system were Baird, Jenkins, Farnsworth, and Zworykin. These people were our 20th-century pioneers. -
The History of CBS Hollywood Television Studios
1 The History of CBS Hollywood Television Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for CBS television studios in Hollywood and, as in New York, the radio division is leading the way. This project is somewhat different than the prior reports on the New York studios of CBS and NBC, for two reasons. The first reason is that in that in those reports, television was brand new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around their headquarters in New York. In this case, both CBS and NBC are at the mercy of geological and technological developments outside their own abilities…namely the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohammed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project. -
CONNECTING a CONTINENT: AT&T and the Broadcast Networks
CONNECTING A CONTINENT: AT&T and the Broadcast Networks Copyright 2021 by Mark Durenberger This is a second update of the original work dated October, 2013. The most important changes include: 1) The strengthening and expanding of a good deal of factual information, including further research and follow-up on comments and suggestions offered by readers of the original work. Thank you for your input! 2) The rebuilding of drawings and the addition of illustrations and URLs to offer deeper understanding. 3) The transfer of deep technical detail to the last chapter where it becomes a technical addendum. (This should make the story easier to follow and should make it easier for those not interested in such detail…while offering deep technical detail for those who are.) 4) The original URLs pointed to an older website. These hot buttons have been repointed as of April 2021. 5) The document has been reformatted and may be easier to read. To supplement the material referenced throughout, we’re fortunate to keep turning up fresh information online. New web sites appear almost daily containing scans of the trade magazines, literature and correspondence involving the subject under scrutiny (one of the most useful is WorldRadioHistory.Com). Hopefully the changes will be useful! "Everything that once was wireless is now wired. Everything that once was wired is now wireless." - Rodney E. Nilk About four years ago, inspired by a piece by James O’Neal in Radio World Magazine I came to realize that, while many of us grew up in a broadcast industry created in part by AT&T, there’s been no easy access to the full detail of AT&T’s contributions. -
High Hopes for Radio
High Hopes for Radio: Newspaper-operated Radio Stations in Los Angeles and San Diego in the 1920s Linda Mathews Mathews ii Table of Contents Table of Figures ............................................................................................................................................ iii Acknowledgements ...................................................................................................................................... iv Abstract ......................................................................................................................................................... v Introduction .................................................................................................................................................. 1 Historiography .............................................................................................................................................. 4 Methodology ............................................................................................................................................... 13 Growth of Newspapers and Telegraphy ..................................................................................................... 13 Start of Broadcasting in Los Angeles and San Diego ................................................................................... 16 Connecting Households with “the Wider World” ....................................................................................... 18 Newspaper Broadcasting: Imagination Versus -
Harry L, Bryant Editor's Note: This Is the Fourth in a Series of Interviews with Major Figures in Audio Con- Ducted by the Los Angeles Section
An Afternoon with Harry L, Bryant Editor's Note: This is the fourth in a series of interviews with major figures in audio con- ducted by the Los Angeles Section. This feature is an edited transcript of the interview with AES Award recipient, Harry Bryant, on November 21, 1982. Richard Heyser, who was moderator, died in March 1987. Heyser: I'd like to welcome you and a correspondence course at this afternoon. Hany has been a RCA Institute. I didn't quite pioneer in the industry on the West complete it because I decided to Coast for quite a long time and a go to California- incidentally, I person I am pleased to call my rode on a freight train. friend. Harry, can you tell us how you got started as a young man in Heyser: The aspiring young audio technology and radio amateur engineer should take heart from work? that. The road to glory is some- times through a freight train. What Bryant: An uncle of mine left a was your first activity in the techni- set of books called A~rdelsElec- cal end out here? tric Books, which I browsed through about the time I learned Bryant: I got a job with Otto K. to read. I was fascinated by elec- Olesen. Olesen used to be the big tricity - wc didn't use the term PA man in Hollywood. He was re- electronics in those days. All sponsible for putting in the equip- ~ through high school I was study- ment for the Christmas parade. I I ing radio and electricity. -
The Impact of the Fcc's Chain Broadcasting Rules
THE IMPACT OF THE FCC'S CHAIN BROADCASTING RULES TEN years ago the Federal Communications Commission issued its Chain Broadcasting Rules.1 These Rules were designed to curb the growing power of the networks and to eliminate specific restraints embodied in contracts between the networks and their member stations. In promulgating the Rules, the Commission was walking a tightrope. On the one hand, it wanted to give the networks enough control over affiliates to assure advertisers of simultaneous nationwide coverage. 2 At the same time, it sought to promote competition among stations and among networks,3 and to increase the re- 1. The issuance of the Rules on May 2, 1941 was accompanied by an exhaustive re- port marshalling evidence adduced by the Commission during three years of investigation and explaining the aims of the eight regulations. FCC, REPORT ON CHAIN BROADCASTING, Docket No. 5060 (hereafter cited as CHAIN BROADCASTING REPORT). On October 11, 1941, the Commission amended three of the regulations in order to clarify them or to lighten their burden on the networks. At the same time the effective date of a fourth was postponed in- definitely. FCC, SUPPLEMENTARY REPORT ON CHAIN BROADCASTING (1941); 6 JOURNAL OF THE FEDERAL COMnrUNICATIONs BAR ASSOCIATION 36 (1941). See notes 30, 31 infra. In October, 1941, CBS and NBC brought suits under § 402(a) of the Communications Act of 1934, 48 STAT. 1064 (1934), as amended, 47 U.S.C. §§ 151-5, 201-22, 301-29, 401-16, 501-6, 601-9 (1946) (hereafter cited as COMMsUNICATIONs ACT), to enjoin enforcement of the Regulations. -
COMMENDATORY RESOLUTION KNX LOS ANGELES - a Centennial Station
COMMENDATORY RESOLUTION KNX LOS ANGELES - A Centennial Station WHEREAS, in 1920, Fred Christian became the manager of the Electric Lighting Supply Co. in Los Angles. In addition to selling lighting fixtures, Fred Christian also operated his 5 W amateur radio station, 6ADZ from a back bedroom of his home. On or about September 10, 1920, he began broadcasting phonograph records borrowed from a local record store; and WHEREAS, in 1920, there were still no fixed regulations governing broadcasting, and the first stations operated under a variety of license classes, such as amateur, experimental or “commercial land station;” and WHEREAS, starting in December 1921, the Department of Commerce required all stations broadcasting news or entertainment to hold a “Limited Commercial” license, and so most of the stations broadcasting had to obtain new licenses with new call signs. Fred Christian’s station 6ADZ acquired the call sign KGC, and it was now sharing a single frequency with about eight other broadcasters in the Los Angeles Basin. Those stations met periodically to agree on a shared operating schedule, and KGC was only able to operate a few hours a week; and WHEREAS, in May of 1922, Christian made arrangements to broadcast live music from the California Theatre. He built a new 50 W transmitter, and moved his entire operation into the theatre. The move necessitated a change in operating license, and he was assigned the new call sign, KNX; and WHEREAS, both licenses were in the name of the Electric Lighting Supply Co., and Fred Christian was listed as the station manager and operator in both instances. -
The History of NBC West Coast Studios
1 The History Of NBC West Coast Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for NBC television studios in Hollywood. As in New York, the radio division led the way. This project is somewhat different than the prior reports on the New York studios of NBC and CBS for two reasons. The first reason is that in that in those reports, television was brand-new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around the networks’ headquarters in New York. In this case, both networks were at the mercy of geological and technological developments outside their own abilities: the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohamed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project.