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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
DX Times Master Page Copy
N.Z. RADIO New Zealand DX Times N.Z. RADIO Monthly journal of the D X New Zealand Radio DX League (est. 1948) D X April 2003 - Volume 55 Number 6 LEAGUE http://radiodx.com LEAGUE . As Radio Hobbyists (DX’ers or Listeners) we are able to tune into Shortwave broadcasts from countries involved in the Iraqi conflict or neighbouring countries. Whether you agree or disagree with what has occurred, we are fortunate to be able to listen to those differing viewpoints and make up our own minds. You will find a list of English Broadcast frequencies from countries involved in the Iraqi conflict and its neighbours, compiled by Paul Ormandy on page 17, plus the normal ‘Unofficial Radio’ ‘Under 9’ & ‘Over 9’ Bandwatch columns and ‘Shortwave Report’ Contribution deadline for next issue is Wed 7th May 2003 PO Box 3011, Auckland Some of the International Broadcasters also CONTENTS have thought provoking comments or editorials about the conflict such as the editorial by Andy Sennitt on REGULAR COLUMNS the Radio Netherlands website at Bandwatch Under 9 3 http://www.rnw.nl/realradio/features/html/editorial.html with Ken Baird The Iraqi conflict has also shown that Bandwatch Over 9 6 Shortwave Radio is still a powerful tool, for general with Andy McQueen news and discussion and also as a Propaganda Shortwave Report 10 with Ian Cattermole outlet. English in Time Order 20 An interesting article as mentioned in the with Yuri Muzyka Unofficial Radio pages concerning Commando Solo Shortwave Mailbag 23 missions by the U.S. Air Force EC-130E aircraft and with Paul Ormandy other special forces broadcasts is on the dxing.info Utilities 25 website at. -
Radio N Ew Ze Alan D a Nnual R Epo R T 200 6/200 7
THESE VOICES SPEAK VOLUMES... RADIO NEW ZEALAND ANNUAL REPORT 2006/2007 ABOUT THE EXTRAORDINARY CULTURAL VALUE THAT RADIO NEW ZEALAND DELIVERS EVERY DAY A voice for performers womAd festivAl, TarANAki New ZeAlANd iNterNAtioNAl Arts festivAl “radio New Zealand’s stunning “We never fail to be impressed by their ability to commitment to capturing the show the artistic vision and focus in the wider event with extensive recordings context. Their coverage of the 2006 Festival included podcasts, editorial and live broadcast over the three days quite of all 121 events.” literally keeps the memories – david inns, ceo New Zealand international Arts festival of womAd alive.” – suzanne porter, ce, womAd festival taranaki christchurch Arts festivAl “Radio New Zealand provides layers of context for this Festival. They build up the back story, adding levels of understanding that couldn’t be achieved otherwise.” royAl New ZeAlANd BAllet – Guy Boyce, director, christchurch Arts festival “Radio New Zealand records the soundtracks we use in schools and at other venues where there is no pit or it’s too small. Their work is the next best thing to having a live orchestra. These are world class recordings, hugely professional, second to none.” – Amanda skoog, ce, royal New Zealand Ballet A voice for musiciANs New ZeAlANd symphoNy orchestrA “Radio New Zealand Concert is our official broadcaster. They record all our subscription concerts as well as a range of other pieces, and play a vital role in disseminating our music – not just to all New Zealanders but internationally” – peter walls, ce, New Zealand symphony orchestra Gore couNtry music festivAl “This year was the third time that Radio New Zealand has given our Festival national coverage, with five AucklANd philhArmoNiA orchestrA shows broadcast on Radio New Zealand National. -
BSA Annual Report 1992
BROADCASTING STANDARDS AUTHORITY TE MANA WHANONGA KAIPAHO ANNUAL REPORT FOR THE YEAR ENDED 30 JUNE 1992 MISSION STATEMENT To establish and maintain acceptable standards of broadcasting on all New Zealand radio and television, within the context of current social values, research and the principle of self-regulation, in a changing and deregulated industry Submitted to the Minister of Broadcasting for presentation to the House of Representatives pursuant to clause 14 of the First Schedule of the Broadcasting Act 1989- Iain Gallaway Chairperson The annual financial reports have been published separately and can be obtained, as can the other material mentioned in this document by writing to: or by visiting the: Broadcasting Standards Authority 2nd Floor PO Box 9213 NZ Lotteries Commission Building Wellington 54 - 56 Cambridge Tee New Zealand Wellington Phone: (04) 382 9508 Fax: (04) 382 9543 CONTENTS CHAIRPERSON'S FOREWORD 4 MEMBERS 5 A YEAR OF REVIEWS 6 COMPLAINTS 8 Overview Analysis of Decisions Procedures Parallel jurisdiction Privacy REVIEW OF THE CODES 12 Alcohol advertising Portrayal of violence on television Children's television programme standards Other codes RESEARCH PROGRAMME 17 Commissioned research In-house research Consultations PUBLICATIONS, EDUCATION AND PROMOTION 19 Complaints procedures General advertising and promotion Reference library Publications POLITICAL PARTY ADVERTISING 20 STAFF 21 STATEMENTS OF SERVICE PERFORMANCE 22 APPENDICES 27 Complaints determined by the Authority Advisory opinion on privacy List of Publications -
Penrose.DOC 2
Peka Totara Penrose High School Golden Jubilee 1955 –2005 Graeme Hunt Inspiration from One Tree Hill The school crest, a totara in front of the obelisk marking the grave of ‘father of Auckland’ Sir John Logan Campbell on One Tree Hill (Maungakiekie), signals the importance of the pa and reserve to Penrose High School. It was adopted in 1955 along with the Latin motto, ‘Ad Altiora Contende’, which means ‘strive for higher things’. Foundation principal Ron Stacey, a Latin scholar, described the school in 1955 as a ‘young tree groping courageously towards the skies’. ‘We look upward towards the summit of Maungakiekie where all that is finest in both Maori and Pakeha is commemorated for ever in stone and bronze,’ he wrote. In 1999 a red border was added to the crest but the crest itself remained unchanged. In 1987 the school adopted a companion logo based on the kiekie plant which grew on One Tree Hill in pre-European times (hence the Maungakiekie name). The logo arose from a meeting of teachers debating education reform where the school’s core values were identified. The words that appear on the kiekie logo provide a basis for developing the school’s identity. The kiekie, incorporated in the school’s initial charter in 1989, does not replace the crest but rather complements it. School prayer† School hymn† Almighty God, our Heavenly Father, Go forth with God! We pray that you will bless this school, Go forth with God! the day is now Guide and help those who teach, and those who learn, That thou must meet the test of youth: That together, we may seek the truth, Salvation's helm upon thy brow, And grow in understanding of ourselves and other people Go, girded with the living truth. -
From Dwelling to Destination: on New Zealand’S House Museums
♥ Art Literature Theatre Music Screen Society Loose Canons Knockouts News Videos Events Art 20.07.2018 From Dwelling to Destination: On New Zealand’s House Museums By Sebastian Clarke Sebastian Clarke on the character and reputation of our most idiosyncratic institutions. I will eschew any suspense and begin with an admission: I’m a hound for house museums. I seek out these introspective havens peppered throughout Aotearoa with great fervour. My self-appointed role as loyal advocate for our house museums emerged not by epiphany, but thanks to a scratchy, woven basket. Said basket resides in Nelson’s Isel House, a dollhouse of a building that greets visitors with a full face of hand-shaped local boulders sweetly framed by slim, red bricks. It may be the most unremarkable item in a house abounding in extravagant furniture and Sèvres porcelain, but from its upstairs station, this basket looks out to the parkland that embraces Isel House. Wood splints are collected from the park, planted by the house’s first resident, to make baskets like the one that refuses to be erased from my memory. This basket glows with a fiercely local provenance, and reminds me that experiencing interior spaces and objects so soaked in history is like time-travel – magic. However, as I encounter more of these memory palaces, buildings so rapt with the past, I cannot help but wonder about their precarious future. Image courtesy Ngaio Marsh House Trust. The straightforward term ‘house museum’ describes, in correct order, a transformation from dwelling to destination. A trigger for us to reread the rooms. -
NZME Annual Report 2018
Annual Report NZME Limited For the year ended 31 December 2018 There is no doubt that parts of our industry continue to face significant challenges, but the 2018 results suggest that we are on the right track and we look forward to embracing the exciting opportunities NZME has to grow. Page 2 TABLE OF CONTENTS NZME 2018 Results Summary 4 Chair’s Report 6 Chief Executive Officer’s Report 8 Channel Results 10 Corporate Social Responsibility Report 13 The NZME Board 22 The NZME Executive Team 24 Corporate Governance 28 Other Statutory Information 40 Consolidated Financial Statements 44 Independent Auditor’s Report 102 Directory 108 This annual report is dated 29 March 2019 and is signed on behalf of the Board of Directors by: Peter Cullinane Carol Campbell Director Director Page 3 NZME 2018 RESULTS SUMMARY Results impacted by Pro-active investment in Digital Classifieds Agency market headwinds Statutory NPAT Trading Revenue1 Trading EBITDA1 $11.6m $378.4m $54.7m 2017 $20.9m 44% 2017 $387.7m 2% 2017 $66.2m 17% Trading NPAT 1 Trading Earnings Final Dividend Per Share1 $18.9m nil 2017 $26.7m 29% 9.6cps 2018 total dividends 2017 13.6cps 29% 2 cents per share (1) Trading measures used throughout this Annual Report are non-GAAP measures that are explained and reconciled on pages 34 and 35 of the NZME Full Year 2018 Results Presentation available on the Company’s website. Page 4 The New Zealand Herald remains the most-read and highest-selling newspaper in the country. Page 5 CHAIR’S REPORT NZME’s financial results for 2018 reflect progress New Zealand Agency advertising demand in Radio, on our strategy of growing new revenue streams Digital and Print. -
2727-1995 RNZ AR04 V23.Indd
RADIO NEW ZEALAND ANNUAL REPORT 2003/2004 CONTENTS Chairman’s Report 10 Radio New Zealand Board 13 Highlights 14 Performance Indicators 14 Our Charter 15 Chief Executive’s Report 17 Radio New Zealand Executive Team 20 Radio New Zealand Structure 21 Radio New Zealand Business Activities 22 Financial Performance 23 Directory inside back cover Research International All New Zealand Radio Surveys 2004 and 2003 plus 2004 Attitudinal Survey. *Source: ACNielsen All New Zealand Radio Surveys 2001, 2002. All people 15 years and over Mon-Sun 12mdnt-12mdnt, cumulative audience unless otherwise specified. SSomeome ppeopleeople ssayay wwe’vee’ve bbecomeecome iirrelevantrrelevant andand thatthat nobodynobody listenslistens toto RRadioadio NNewew ZZealandealand aanymore…thisnymore…this rreporteport iiss pproofroof ttoo tthehe ccontrary.ontrary. RResultsesults ooff tthehe RResearchesearch IInternationalnternational AAllll NNewew ZZealandealand RRadioadio SSurveyurvey 22004,004, sshowhow tthathat 606,100606,100 peoplepeople aagedged 1155 yyearsears oorr ooverver llistenisten ttoo eeitherither CConcertoncert FFMM aand/ornd/or NNationalational RRadioadio aatt lleasteast 6606,10006,ooncence eeach1ach wweek.eek.*00 LISTENERS 1 One in fi ve New Zealanders aged 15 and over now tune in to Radio New Zealand networks* 2 * 3 4 National Radio’s audience has increased by 5%, up from 494,700 listeners in 2003 to 518,100 in mid 2004. This is its highest cumulative POLLS THE IN audience since 2001.* This year Concert FM scored its biggest audience since 2000, % with an -
Annual Report 2008-2009 PDF 5.9 MB
NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully -
A Critical Examination of Film Archiving and Curatorial Practices in Aotearoa New Zealand Through the Life and Work of Jonathan Dennis
Emma Jean Kelly A critical examination of film archiving and curatorial practices in Aotearoa New Zealand through the life and work of Jonathan Dennis 2014 Communications School, Faculty of Design and Creative Technology Supervisors: Dr Lorna Piatti‐Farnell (AUT), Dr Sue Abel (University of Auckland) A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy November 2014 1 Table of Contents Abstract ......................................................................................................................................................... 5 Acknowledgements:...................................................................................................................................... 6 Glossary of terms: ......................................................................................................................................... 8 Archival sources and key: ............................................................................................................................ 10 Interviews: .............................................................................................................................................. 10 1 Introduction ............................................................................................................................................. 11 2. Literature Review ................................................................................................................................... -
Andrew Dubber DOB: 14 – 09 - 67 Email: [email protected] Web
Andrew Dubber DOB: 14 – 09 - 67 email: [email protected] web: http://andrewdubber.com EMPLOYMENT HISTORY AHRC Knowledge Transfer Fellow Birmingham City University / Arts & Humanities Research Council February 2008 - Present Degree Leader and Senior Lecturer in the Music Industries Birmingham City University August 2006 – Present Freelance Blogger, Author, Editor and Webmaster New Music Strategies, New Music Ideas, UniSurvival April 2006 – Present Public Speaker and Author Seminars and workshops for a wide range of organisations and events January 2006 - Present Visiting Lecturer in Radio, Music Industries, Podcasting, New Media and Media Studies Staffordshire University, University of Westminster, De Montfort University September 2004 – Present Project Co-ordinator, Online Music Enterprise Research Project UCE Birmingham (name since changed to Birmingham City University) February 2005 – December 2006 Visiting Lecturer in Popular Music, Music Industry and Radio UCE Birmingham September 2004 – February 2005 Curriculum Leader in Radio and Lecturer in Radio and Music Industries Auckland University of Technology June 2002 – August 2004 Sunday Jazz specialist radio programme presenter and producer George FM June 2000 – November 2005 Lecturer in Radio Auckland University of Technology July 1999 – June 2002 Breakfast Show Technical Producer 91ZM / The Radio Network October 1999 – April 2000 Label Manager, Producer, Company Director and Co-owner Tap Records Ltd October 1997 – September 2002 Company Director, Producer and Co-owner Pronoun Productions -
Galleryshop @Ccc.Govt.Nz Education Bookings Email
The Gallery is currently closed to the public. GALLERY SHOP FRIENDS OF CHRISTCHURCH Our off-site exhibition spaces are at 212 Tel: (+64 3) 941 7370 ART GALLERY Madras Street and 209 Tuam Street. The Email: galleryshop Tel: (+64 3) 941 7356 Gallery Shop is now open at 40 Lichfield @ccc.govt.nz Email: [email protected] Street. EDUCATION BOOKINGS CHRISTCHURCH ART CHRISTCHURCH ART GALLERY Email: artgallery.schools GALLERY TRUST TE PUNA O WAIWHETU @ccc.govt.nz Tel: (+64 3) 353 4352 Cnr Worcester Boulevard and Montreal Street, PO Box 2626, Christchurch 8140, New Zealand Tel: (+64 3) 941 7300 Fax: (+64 3) 941 7301 www.christchurchartgallery.org.nz Email: [email protected] B.171 EDITOR Bulletin Autumn DAVID SIMPSON Christchurch Art Gallery March— Te Puna o Waiwhetu May 2013 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: LANA COLES PHOTOGRAPHER: JOHN COLLIE OTHER CONTRIBUTORS dudley benson, MICHAEL LASCARIDES, LEE STICKELLS, JOHN WARD KNOX TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT DIRECT SPONSORS OF THE GALLERY CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST CHRISTCHURCH CITY COUNCIL CREATIVE NEW ZEALAND EDENLITE GLASSHOUSES FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN GIESEN WINES MITSUBISHI ELECTRIC SPECTRUM PRINT STRATEGY DESIGN AND ADVERTISING THE PRESS