KEEPING KIWIS in the KNOW NZME LIMITED ANNUAL REPORT for the Year Ended 31 December 2020

Total Page:16

File Type:pdf, Size:1020Kb

KEEPING KIWIS in the KNOW NZME LIMITED ANNUAL REPORT for the Year Ended 31 December 2020 For personal use only KEEPING KIWIS IN THE KNOW NZME LIMITED ANNUAL REPORT For the year ended 31 December 2020 2 NEW ZEALAND MEDIA AND ENTERTAINMENT For personal use only ANNUAL REPORT 2020 3 CONTENTS. 4 Operational Highlights 6 2020 Financial Results Summary 8 Chairman’s Report 10 Chief Executive Officer’s Report 12 Financial Results and Divisional Commentary 16 Our Sustainability Commitment 28 The Board 30 The Executive Team 32 Corporate Governance 43 Statutory Disclosures 48 Consolidated Financial Statements 99 Independent Auditor’s Report 107 Directory This annual report is dated 23 February 2021 and is signed on behalf of the Board of Directors by: For personal use only Barbara Chapman Carol Campbell Chairman Director 4 NEW ZEALAND MEDIA AND ENTERTAINMENT OPERATIONAL HIGHLIGHTS For personal use only ANNUAL REPORT 2020 5 AUDIO 9 NewstalkZB 35.8% Audio brands #1 commercial radio network radio audience market and ZB’s Mike Hosking share2 Breakfast Show the most popular Breakfast show1 2.0 million ZM Breakfast 40.4% weekly listeners1 #1 breakfast show for 25 to 54 radio revenue market share year old New Zealanders2 for 12 months to Dec 20203 Growth to 1.1 million registered users (up 12%) and 5.2 million average iHeartRadio monthly listening hours (up 35%), growing revenue 45% PUBLISHING 32 1.4 million 54.1% print publications across weekly readers5 print readership market share5 New Zealand4 1.9 million 585,000 47.1% NZ Herald weekly brand average issue readership5 print advertising revenue audience5 market share for 12 months to Dec 20206 17 2.6 million websites extending digital digital users per month across reach NZME titles5 24.3% digital display advertising revenue market share for 1.8 million 102,000 nine months to Sept 20208 monthly unique audience subscribers access NZ Herald on nzherald.co.nz7 Premium including 53,000 paid digital subscribers ONEROOF 19 89.0% 53% real estate publications, including of nationwide residential growth in digital classifieds seven OneRoof Local magazines for-sale real estate listings9 revenue on oneroof.co.nz to $4.3 million for the 12 months to Dec 20 (compared to the For personal use only 460,000 #1 12 months to Dec 19) monthly unique audience on residential for-sale real estate oneroof.co.nz7 listings site in Auckland for the majority of 20209 1 GfK, RAM, Commercial Radio Stations, Total NZ S4 2020, Cummulative Audience (%), AP10+. Rounded up from 1.985 million. 2GfK, RAM, Commercial Radio Stations, Total NZ S4 2020, Market Share (%), NZME including partners, 25 - 54. 3PwC Radio advertising market benchmark report, 12 months to 31 December 2020 vs 12 months to 31 December 2019. Note: report excludes independent broadcasters. 4Print publications include 7 Metro and Regional newspapers, 17 Community newspapers and 8 Newspaper Inserted Magazine. 5Nielsen CMI Fused Q3 19 – Q2 20, November 2020, AP15+. 6PwC NPA quarterly performance comparison report, December 2020. 7Nielsen Online Ratings, December 2020. 8IAB digital advertising revenue – General Display, IAB NZ Digital advertising revenue report, Q3 2020. 9OneRoof’s listings as a percentage of residential for-sale real estate listings on trademe.co.nz. 6 NEW ZEALAND MEDIA AND ENTERTAINMENT 2020 FINANCIAL RESULTS SUMMARY $331.2m $67.3m $22.0m Operating Revenue1 Operating EBITDA1 Operating NPAT1 2019 $371.7m 11% 2019 $65.7m 3% 2019 $17.3 m 27% 11.1cps $14.2m Operating EPS1 Statutory NPAT1 2019 8.8cps 26% 2019 ($165.2)m 109% Reader Revenue Cost Net Debt Growth 2% Savings 14% Down $40.9m Significant growth in Ongoing focus on cost Net debt reduction For personal use only digital subscriptions management and swift to $33.8 million and revenue offsetting the actions taken to mitigate leverage ratio reduced decline in print reader the impacts of Covid-19 to 0.6 times EBITDA2 revenue year-on-year. on the business. (excluding NZ IFRS 16). 1 Operating results presented include the impact of NZ IFRS 16, however exclude exceptional items to allow for a like for like comparison between 2019 and 2020 financial years. 2 Operating results presented and used in these calculations exclude the impact of NZ IFRS 16 and exclude exceptional items. Please refer to pages 35-36 of the NZME 2020 Full Year Results Presentation for a detailed reconciliation. Operating and statutory results include $8.6 million (net) of Covid-19 government wage subsidy received in H1 2020. ANNUAL REPORT 2020 7 For personal use only 8 NEW ZEALAND MEDIA AND ENTERTAINMENT CHAIRMAN’S REPORT Kia ora and welcome to the New Zealand Media and Entertainment Annual Report for the year ended 31 December 2020. 2020 will leave an indelible mark on the NZME’s platforms, which have been a leadership team confident to make history of our company, on New Zealand experiencing some of the highest audience difficult but necessary decisions, and a and indeed the world. engagement levels in years. team with the capability to execute swiftly. On February 28, as Covid-19 arrived on As New Zealand went into Covid-19 This response has meant NZME has New Zealand’s shores, we faced into a lockdown, the brakes were applied to the returned an Operating Earnings before period of uncertainty the likes of which New Zealand economy and the impact on we have never before experienced. businesses advertising was significant. Interest, Tax, Depreciation and Amortisation (“EBITDA”)1 growth of 3% in 2020 to In the face of this incredible disruption NZME’s leadership responded with a set $67.3 million, despite an overall decrease in we can all be very proud of how NZME’s of initiatives aimed at making sure the revenue of 13% for the year. people and its leadership responded to business was protected from the worst the challenges of the Covid-19 pandemic. of the revenue impacts of Covid-19. During 2020, NZME maintained its focus on effective capital management. This resulted in a significant reduction in net debt to THE ADVERSITY CAUSED BY COVID-19 $33.8 million at 31 December 2020, down REVEALED IN NZME A RESILIENT, ROBUST, from $74.7 million as at 31 December 2019. Whilst 2020 will primarily be remembered RESOLUTE AND EMPATHETIC CHARACTER. for Covid-19, a number of transformational initiatives aimed at accelerating NZME’s Reducing costs across the business and momentum in key strategic priorities were NZME’s response was swift, focussed and continuing our focus on debt reduction delivered on. These included a new audio delivered with purpose. From the outset, were both aimed at providing certainty strategy focused on audience and revenue and consistently throughout, we took a for shareholders and our people. people first perspective, ensuring NZME growth, and ongoing investment in the staff were kept safe and well informed. As we have stated previously, the audience engagement and subscriber government wage subsidy supported growth across NZME’s flagship news Simultaneously our business continuity the production of quality journalism and plan was deployed ensuring we continued website, nzherald.co.nz. OneRoof achieved broadcasting during an extremely difficult to operate as an Essential Service during growth in listings, audience2 and revenue. period and helped NZME retain roles that the lockdown periods. This kept our For personal use only are now supporting the delivery of our In November 2020 NZME introduced audiences informed and engaged with purpose of keeping Kiwis in the know. investors and analysts to refreshed guiding news and information they could trust and have confidence in. This also ensured The adversity caused by Covid-19 revealed principles and strategic priorities that the our commercial partners and advertisers in NZME a resilient, robust, resolute Board will employ to maximise value creation continued to reach their customers through and empathetic character. It revealed for our customers and shareholders. 1 Operating results presented include the impact of NZ IFRS 16, however exclude exceptional items to allow for a like for like comparison between 2019 and 2020 financial years. Please refer to pages 35-36 of the NZME 2020 Full Year Results Presentation for a detailed reconciliation. Operating and statutory results include $8.6 million of Covid-19 government wage subsidy received in H1 2020. 2 Nielsen Online Ratings, December 2020. ANNUAL REPORT 2020 9 These principles are a relentless focus on always putting our Customers First; we Dividend Policy will be dedicated to a premium Win with NZME intends to pay dividends of 30-50%of Free Cash Flow subject to being within Quality approach; we will drive Digital its target leverage ratio and having regard to NZME’s capital requirements, operating Acceleration delivering world class digital performance and financial position. NZME’s Target Leverage Ratio is 0.5 to 1.0 times experiences for our customers; we will rolling 12 month EBITDA1 (pre NZ IFRS 16). Full dividend policy is available at: continually seek out new opportunities to www.nzme.co.nz/investor-relations/dividends/ deliver Audience Expansion; and we will strive for Top Performance, measured I am confident our business will continue We are pleased to welcome New Zealand against industry and sector competitors to respond successfully as the ongoing tech entrepreneur Guy Horrocks to the and against the performance of the publicly impacts of the of the Covid-19 pandemic board of NZME in 2021. Guy brings a listed company environment. will be felt throughout 2021 and beyond. background in successfully growing With these guiding principles in mind, digital businesses, strong capability in the Based on current performance and NZME’s we also reset our focus on NZME’s key commercialisation of data, and a focussed strategic priorities, evolving each against improved capital position, the Board entrepreneurial mindset to our Board. a set of measurable targets to be achieved For personal use only expects to be able to return to payment by 2023.
Recommended publications
  • An N U Al R Ep O R T 2018 Annual Report
    ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
    [Show full text]
  • Annual Report 2008
    A VOICE THAT SPEAKS FOR ALL ANNUAL REPORT 2007-2008 NEW ZEALANDERS RADIO NEW ZEALAND Contents Chairman’s REPORT•••••••••••••••••••••••••••••••••••• 2 CHIEF EXECUTIVE REPORT••••••••••••••••••••••••••••• 10 BOARD OF GOVERNORS•••••••••••••••••••••••••••••••••• 5 PERFORMANCE MANAGEMENT•••••••••••••••••••••••• 14 OUR CHARTER••••••••••••••••••••••••••••••••••••••••••• 6 FINANCIAL PERFORMANCE•••••••••••••••••••••••••••• 34 OUR PERFORMANCE BASED ON PubLIC VALUE AND DIRECTORY• ••••••••••••••••••••••••••••••••••••••••••• 72 OUR CHARTER OBJECTIVES•••••••••••••••••••••••••••••• 7 GOOD EMPLOYER AND EQUAL EMPLOYMENT OPPORTUNITIES REPORTING•••••••••••••••••••••••••••• 8 SOUNDS LIKE US. 1 “As an independent and commercial-free public service broadcaster, the purpose of Radio New Zealand is to serve the public interest.” Chairman’s Report Chairman’s BRIAN CORBAN QSO – Chairman INTRODUCTION However, rising costs are now threatening the gains made in recent As an independent and commercial-free public service broadcaster, years and we have been forced to shift our strategic focus towards Radio New Zealand’s purpose is to serve the public interest, and the ensuring the sustainability of both the range and quality of Radio ongoing protection of public service broadcasting values remains of New Zealand’s current services. critical importance to us all. During the course of the 2007-2008 financial year, independent New Zealand is justifiably proud of its unique national identity, consultants conducted a comprehensive Baseline Funding Review to particularly the shared sense of belonging and evolving cultural values determine the level of funding required to maintain Radio New Zealand that bring us together and contribute to our sense of self. services at their current levels. Awareness and preservation of that shared culture are critical factors The results of that review will inform future funding discussions with in sustaining a unique New Zealand identity and a strong, independent Shareholding Ministers.
    [Show full text]
  • DX Times Master Page Copy
    N.Z. RADIO New Zealand DX Times N.Z. RADIO Monthly journal of the D X New Zealand Radio DX League (est. 1948) D X April 2003 - Volume 55 Number 6 LEAGUE http://radiodx.com LEAGUE . As Radio Hobbyists (DX’ers or Listeners) we are able to tune into Shortwave broadcasts from countries involved in the Iraqi conflict or neighbouring countries. Whether you agree or disagree with what has occurred, we are fortunate to be able to listen to those differing viewpoints and make up our own minds. You will find a list of English Broadcast frequencies from countries involved in the Iraqi conflict and its neighbours, compiled by Paul Ormandy on page 17, plus the normal ‘Unofficial Radio’ ‘Under 9’ & ‘Over 9’ Bandwatch columns and ‘Shortwave Report’ Contribution deadline for next issue is Wed 7th May 2003 PO Box 3011, Auckland Some of the International Broadcasters also CONTENTS have thought provoking comments or editorials about the conflict such as the editorial by Andy Sennitt on REGULAR COLUMNS the Radio Netherlands website at Bandwatch Under 9 3 http://www.rnw.nl/realradio/features/html/editorial.html with Ken Baird The Iraqi conflict has also shown that Bandwatch Over 9 6 Shortwave Radio is still a powerful tool, for general with Andy McQueen news and discussion and also as a Propaganda Shortwave Report 10 with Ian Cattermole outlet. English in Time Order 20 An interesting article as mentioned in the with Yuri Muzyka Unofficial Radio pages concerning Commando Solo Shortwave Mailbag 23 missions by the U.S. Air Force EC-130E aircraft and with Paul Ormandy other special forces broadcasts is on the dxing.info Utilities 25 website at.
    [Show full text]
  • Radio N Ew Ze Alan D a Nnual R Epo R T 200 6/200 7
    THESE VOICES SPEAK VOLUMES... RADIO NEW ZEALAND ANNUAL REPORT 2006/2007 ABOUT THE EXTRAORDINARY CULTURAL VALUE THAT RADIO NEW ZEALAND DELIVERS EVERY DAY A voice for performers womAd festivAl, TarANAki New ZeAlANd iNterNAtioNAl Arts festivAl “radio New Zealand’s stunning “We never fail to be impressed by their ability to commitment to capturing the show the artistic vision and focus in the wider event with extensive recordings context. Their coverage of the 2006 Festival included podcasts, editorial and live broadcast over the three days quite of all 121 events.” literally keeps the memories – david inns, ceo New Zealand international Arts festival of womAd alive.” – suzanne porter, ce, womAd festival taranaki christchurch Arts festivAl “Radio New Zealand provides layers of context for this Festival. They build up the back story, adding levels of understanding that couldn’t be achieved otherwise.” royAl New ZeAlANd BAllet – Guy Boyce, director, christchurch Arts festival “Radio New Zealand records the soundtracks we use in schools and at other venues where there is no pit or it’s too small. Their work is the next best thing to having a live orchestra. These are world class recordings, hugely professional, second to none.” – Amanda skoog, ce, royal New Zealand Ballet A voice for musiciANs New ZeAlANd symphoNy orchestrA “Radio New Zealand Concert is our official broadcaster. They record all our subscription concerts as well as a range of other pieces, and play a vital role in disseminating our music – not just to all New Zealanders but internationally” – peter walls, ce, New Zealand symphony orchestra Gore couNtry music festivAl “This year was the third time that Radio New Zealand has given our Festival national coverage, with five AucklANd philhArmoNiA orchestrA shows broadcast on Radio New Zealand National.
    [Show full text]
  • BSA Annual Report 1992
    BROADCASTING STANDARDS AUTHORITY TE MANA WHANONGA KAIPAHO ANNUAL REPORT FOR THE YEAR ENDED 30 JUNE 1992 MISSION STATEMENT To establish and maintain acceptable standards of broadcasting on all New Zealand radio and television, within the context of current social values, research and the principle of self-regulation, in a changing and deregulated industry Submitted to the Minister of Broadcasting for presentation to the House of Representatives pursuant to clause 14 of the First Schedule of the Broadcasting Act 1989- Iain Gallaway Chairperson The annual financial reports have been published separately and can be obtained, as can the other material mentioned in this document by writing to: or by visiting the: Broadcasting Standards Authority 2nd Floor PO Box 9213 NZ Lotteries Commission Building Wellington 54 - 56 Cambridge Tee New Zealand Wellington Phone: (04) 382 9508 Fax: (04) 382 9543 CONTENTS CHAIRPERSON'S FOREWORD 4 MEMBERS 5 A YEAR OF REVIEWS 6 COMPLAINTS 8 Overview Analysis of Decisions Procedures Parallel jurisdiction Privacy REVIEW OF THE CODES 12 Alcohol advertising Portrayal of violence on television Children's television programme standards Other codes RESEARCH PROGRAMME 17 Commissioned research In-house research Consultations PUBLICATIONS, EDUCATION AND PROMOTION 19 Complaints procedures General advertising and promotion Reference library Publications POLITICAL PARTY ADVERTISING 20 STAFF 21 STATEMENTS OF SERVICE PERFORMANCE 22 APPENDICES 27 Complaints determined by the Authority Advisory opinion on privacy List of Publications
    [Show full text]
  • Penrose.DOC 2
    Peka Totara Penrose High School Golden Jubilee 1955 –2005 Graeme Hunt Inspiration from One Tree Hill The school crest, a totara in front of the obelisk marking the grave of ‘father of Auckland’ Sir John Logan Campbell on One Tree Hill (Maungakiekie), signals the importance of the pa and reserve to Penrose High School. It was adopted in 1955 along with the Latin motto, ‘Ad Altiora Contende’, which means ‘strive for higher things’. Foundation principal Ron Stacey, a Latin scholar, described the school in 1955 as a ‘young tree groping courageously towards the skies’. ‘We look upward towards the summit of Maungakiekie where all that is finest in both Maori and Pakeha is commemorated for ever in stone and bronze,’ he wrote. In 1999 a red border was added to the crest but the crest itself remained unchanged. In 1987 the school adopted a companion logo based on the kiekie plant which grew on One Tree Hill in pre-European times (hence the Maungakiekie name). The logo arose from a meeting of teachers debating education reform where the school’s core values were identified. The words that appear on the kiekie logo provide a basis for developing the school’s identity. The kiekie, incorporated in the school’s initial charter in 1989, does not replace the crest but rather complements it. School prayer† School hymn† Almighty God, our Heavenly Father, Go forth with God! We pray that you will bless this school, Go forth with God! the day is now Guide and help those who teach, and those who learn, That thou must meet the test of youth: That together, we may seek the truth, Salvation's helm upon thy brow, And grow in understanding of ourselves and other people Go, girded with the living truth.
    [Show full text]
  • NZME Annual Report 2018
    Annual Report NZME Limited For the year ended 31 December 2018 There is no doubt that parts of our industry continue to face significant challenges, but the 2018 results suggest that we are on the right track and we look forward to embracing the exciting opportunities NZME has to grow. Page 2 TABLE OF CONTENTS NZME 2018 Results Summary 4 Chair’s Report 6 Chief Executive Officer’s Report 8 Channel Results 10 Corporate Social Responsibility Report 13 The NZME Board 22 The NZME Executive Team 24 Corporate Governance 28 Other Statutory Information 40 Consolidated Financial Statements 44 Independent Auditor’s Report 102 Directory 108 This annual report is dated 29 March 2019 and is signed on behalf of the Board of Directors by: Peter Cullinane Carol Campbell Director Director Page 3 NZME 2018 RESULTS SUMMARY Results impacted by Pro-active investment in Digital Classifieds Agency market headwinds Statutory NPAT Trading Revenue1 Trading EBITDA1 $11.6m $378.4m $54.7m 2017 $20.9m 44% 2017 $387.7m 2% 2017 $66.2m 17% Trading NPAT 1 Trading Earnings Final Dividend Per Share1 $18.9m nil 2017 $26.7m 29% 9.6cps 2018 total dividends 2017 13.6cps 29% 2 cents per share (1) Trading measures used throughout this Annual Report are non-GAAP measures that are explained and reconciled on pages 34 and 35 of the NZME Full Year 2018 Results Presentation available on the Company’s website. Page 4 The New Zealand Herald remains the most-read and highest-selling newspaper in the country. Page 5 CHAIR’S REPORT NZME’s financial results for 2018 reflect progress New Zealand Agency advertising demand in Radio, on our strategy of growing new revenue streams Digital and Print.
    [Show full text]
  • 2727-1995 RNZ AR04 V23.Indd
    RADIO NEW ZEALAND ANNUAL REPORT 2003/2004 CONTENTS Chairman’s Report 10 Radio New Zealand Board 13 Highlights 14 Performance Indicators 14 Our Charter 15 Chief Executive’s Report 17 Radio New Zealand Executive Team 20 Radio New Zealand Structure 21 Radio New Zealand Business Activities 22 Financial Performance 23 Directory inside back cover Research International All New Zealand Radio Surveys 2004 and 2003 plus 2004 Attitudinal Survey. *Source: ACNielsen All New Zealand Radio Surveys 2001, 2002. All people 15 years and over Mon-Sun 12mdnt-12mdnt, cumulative audience unless otherwise specified. SSomeome ppeopleeople ssayay wwe’vee’ve bbecomeecome iirrelevantrrelevant andand thatthat nobodynobody listenslistens toto RRadioadio NNewew ZZealandealand aanymore…thisnymore…this rreporteport iiss pproofroof ttoo tthehe ccontrary.ontrary. RResultsesults ooff tthehe RResearchesearch IInternationalnternational AAllll NNewew ZZealandealand RRadioadio SSurveyurvey 22004,004, sshowhow tthathat 606,100606,100 peoplepeople aagedged 1155 yyearsears oorr ooverver llistenisten ttoo eeitherither CConcertoncert FFMM aand/ornd/or NNationalational RRadioadio aatt lleasteast 6606,10006,ooncence eeach1ach wweek.eek.*00 LISTENERS 1 One in fi ve New Zealanders aged 15 and over now tune in to Radio New Zealand networks* 2 * 3 4 National Radio’s audience has increased by 5%, up from 494,700 listeners in 2003 to 518,100 in mid 2004. This is its highest cumulative POLLS THE IN audience since 2001.* This year Concert FM scored its biggest audience since 2000, % with an
    [Show full text]
  • Annual Report 2008-2009 PDF 5.9 MB
    NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully
    [Show full text]
  • A Critical Examination of Film Archiving and Curatorial Practices in Aotearoa New Zealand Through the Life and Work of Jonathan Dennis
    Emma Jean Kelly A critical examination of film archiving and curatorial practices in Aotearoa New Zealand through the life and work of Jonathan Dennis 2014 Communications School, Faculty of Design and Creative Technology Supervisors: Dr Lorna Piatti‐Farnell (AUT), Dr Sue Abel (University of Auckland) A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy November 2014 1 Table of Contents Abstract ......................................................................................................................................................... 5 Acknowledgements:...................................................................................................................................... 6 Glossary of terms: ......................................................................................................................................... 8 Archival sources and key: ............................................................................................................................ 10 Interviews: .............................................................................................................................................. 10 1 Introduction ............................................................................................................................................. 11 2. Literature Review ...................................................................................................................................
    [Show full text]
  • Andrew Dubber DOB: 14 – 09 - 67 Email: [email protected] Web
    Andrew Dubber DOB: 14 – 09 - 67 email: [email protected] web: http://andrewdubber.com EMPLOYMENT HISTORY AHRC Knowledge Transfer Fellow Birmingham City University / Arts & Humanities Research Council February 2008 - Present Degree Leader and Senior Lecturer in the Music Industries Birmingham City University August 2006 – Present Freelance Blogger, Author, Editor and Webmaster New Music Strategies, New Music Ideas, UniSurvival April 2006 – Present Public Speaker and Author Seminars and workshops for a wide range of organisations and events January 2006 - Present Visiting Lecturer in Radio, Music Industries, Podcasting, New Media and Media Studies Staffordshire University, University of Westminster, De Montfort University September 2004 – Present Project Co-ordinator, Online Music Enterprise Research Project UCE Birmingham (name since changed to Birmingham City University) February 2005 – December 2006 Visiting Lecturer in Popular Music, Music Industry and Radio UCE Birmingham September 2004 – February 2005 Curriculum Leader in Radio and Lecturer in Radio and Music Industries Auckland University of Technology June 2002 – August 2004 Sunday Jazz specialist radio programme presenter and producer George FM June 2000 – November 2005 Lecturer in Radio Auckland University of Technology July 1999 – June 2002 Breakfast Show Technical Producer 91ZM / The Radio Network October 1999 – April 2000 Label Manager, Producer, Company Director and Co-owner Tap Records Ltd October 1997 – September 2002 Company Director, Producer and Co-owner Pronoun Productions
    [Show full text]
  • Annual Report 2019-2020
    Kei te paemua hoki Te Reo Irirangi o Aotearoa i te wānanga nui mō te āpōpō o te ao pāpāho tūmatanui i Aotearoa. Ka mahi tahi tonu mātou me te Kāwanatanga ki ngā kōwhiringa mō te taha ki tana kaupapa Pou Pāpāho Tūmatanui Pakari, ka mutu, ka whakapakarihia anō tā mātou tuku kaupapa ki ētahi kāhui apataki whānui ake, kanorau anō. RNZ has been at the forefront of the debate on the future of public media in Aotearoa. We will continue to work with the Government on its Strong Public Media opportunities and further strengthen our content delivery to wider and diverse audiences. Dr Jim Mather / Tākuta Jim Mather Chair / Heamana, RNZ RNZ IS PERCEIVED AS THE MOST TRUSTED MEDIA ORGANISATION IN NEW ZEALAND COLMAR BRUNTON VALUE INDICES RESEARCH 2020 05 THE YEAR IN REVIEW 12 OUR CHARTER 14 RNZ LEADERSHIP TEAM 15 RNZ BOARD OF GOVERNORS 16 CHAIR’S REPORT 18 CEO’S REPORT 21 FINANCIAL PERFORMANCE 46 SERVICE PERFORMANCE 57 RNZ MĀORI STRATEGY 58 GOOD EMPLOYER REPORT HOE RNZ REPRESENTATION for ACCOUNTABILITY / KAKAU ANNUAL REPORT 2019/20 The kakau/handle must be sturdy without cracks that can weaken it. It Four key areas of strategy and governance represents the accountability of the are represented by the parts of the hoe/ Board in meeting Charter obligations paddle used to guide and steer the waka. to provide a multimedia public broadcasting service that is important to, and valued by, New Zealanders. LEADERSHIP / TINANA The tinana/body can take many shapes and lengths and is used to drive the hoe through the water.
    [Show full text]