THE END Issue 28 – 17Th October 2011
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The Myth of Cession: Public Law Textbooks and the Treaty of Waitangi
EMILY BLINCOE THE MYTH OF CESSION: PUBLIC LAW TEXTBOOKS AND THE TREATY OF WAITANGI LLB (HONS) RESEARCH PAPER LAWS 522: PUBLIC LAW: STATE, POWER AND ACCOUNTABILITY FACULTY OF LAW 2015 2 Table of Contents I INTRODUCTION ................................................................................................................. 4 II THE TREATY WAS NOT A CESSION OF SOVEREIGNTY ...................................... 7 A Not Possible to Cede Sovereignty in Māori Law ......................................................... 8 B Context and Motivations for the Treaty and te Tiriti ................................................. 9 C Meaning of the Text and Oral Discussions ................................................................ 14 D Aftermath – How Did the Crown Acquire Sovereignty? ......................................... 20 III PUBLIC LAW TEXTBOOKS AS A SUBJECT OF CRITIQUE ................................ 22 A Introduction to the Public Law Textbooks ................................................................ 22 B Textbooks as a Subject of Critique ............................................................................. 23 IV THE TEXTBOOKS .......................................................................................................... 26 A The Myth that the Treaty Was a Cession of Sovereignty ......................................... 27 B Failure to Engage with Māori History, Law and Motivations ................................. 30 C Downplaying of Textual Differences and English Text as “the” Treaty ................ -
Crucified God Tells Us to Love
MARCH 2008 APRIL 2016 CrucifiedCrucified GodGod tellstells usus toto lovelove Susan Thompson with her photographs of crosses from the Church of the Mortal Agony of Christ at Dachau (left) and the Chapel of San Damiano in Assisi. he cross as a symbol of dated and distasteful in its with the suffering of the world visited churches, museums and Susan says a visit to the love and solidarity with emphasis on sacrifice. Some and even shares in its pain. galleries where they saw lots of Dachau Concentration Camp those who suffer was the women saw the cross as a “Like Moltmann, I was crosses. She says some were was the most sobering message of an Easter symbol of violence reflecting the particularly touched by the cry elaborately beautiful, others were experience of the trip. exhibition of nature of patriarchy,” she says. of abandonment voiced by the starkly plain but they all made The cross in the Church of photographs in “I agreed with some of these dying Jesus in the gospel of her pause and reflect. Hamilton. sentiments, but was also drawn Mark: 'My God, why have you A special place they visited the Mortal Agony of Christ at TThe photos were by to the cross. forsaken me?' As an adopted was the Chapel of San Damiano Dachau is raw and haunting. This Methodist Waikato-Waiariki “At that time I was struggling person I was familiar with deep- in Assisi. According to tradition, Christ is a skeleton made of iron, Synod superintendent Rev Dr with my own dilemmas. I was a seated feelings of rejection.” this was where St Francis was hollowed out and starving, the Susan Thompson. -
Gillian Welch's Long-Awaited New Album
FREE JULY 2011 Readings Monthly • • • Peter Salmon Ann Patchett Alan Hollinghurst Robert Hughes (SEE P18) THE HARROW AND HARVEST IMAGE FROM GILLIAN WELCH'S NEW ALBUM Gillian Welch’s long-awaited new album p 17 Highlights of July book, CD & DVD new releases. More inside. NON-FICTION AUS FICTION FICTION FICTION YA DVD POP CD CLASSICAL $50 $39.95 $29.99 $24.95 $30 $24.95 $33 $27.95 $19.95 $24.95 $25.95 $21.95 $24.95 >> p19 >> p5 >> p6 >> p7 >> p8 >> p14 >> p16 (for July) >> p17 July event highlights : Matthew Evans on Winter on the Farm. James Boyce at Readings Carlton, Favel Parrett, Rosalie Ham. See more events inside. All shops open 7 days, except State Library shop, which is open Monday - Saturday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au travel card travel card Instant WIN a $10,000 4000 1234 5678 9010 4000 5678 9010 4000 1234 4000 GOOD THRU 00/00 GOOD THRU 00/00 ANZ Travel Card It’s money made to travel Purchase any Lonely Planet product with a promotional sticker from 9am 04/06/11 until ANZ Travel Card ANZ Travel Cards 5pm 31/07/11 and visit lonelyplanet.com/anztravelcard to be in the running to win.. -
Gary Numan - Hammersmith Apollo, London - November 28, 2014
1 Gary Numan - Hammersmith Apollo, London - November 28, 2014 by Mireille Beaulieu Original French version © Obsküre magazine - http://www.obskuremag.net http://www.obskuremag.net/articles/gary-numan-live-hammersmith-apollo-londres- 28112014/ Gary Numan’s recent concert at London’s Hammersmith Apollo had long been announced as a major event. This show was the crowning moment of the world tour Numan had undertaken in October 2013, as he was promoting his new album Splinter (Songs from a broken mind ). Undoubtedly one of the artist’s major works, Splinter garnered unparalleled public and critical acclaim. It even entered the UK Top 20 – the first Numan album to do so since Warriors in 1983. Gary Numan started this long tour in the US before visiting the UK, Ireland, Israel, continental Europe (but sadly not Paris), Canada, Australia and New Zealand. Photos: Louise Barnes and Jim Napier © Jim Napier 2 But it was also a “homecoming concert”, a return to his roots for Numan, who currently resides in Los Angeles. For the first time since 1996, he was to take over the Hammersmith Apollo, the legendary UK venue formerly known as the Hammersmith Odeon. This is where David Bowie killed off his Ziggy Stardust character in 1973... Around the same period, a teenage Gary (then still Gary Webb) would often attend gigs there. Then, with the explosion of the Numan phenomenon in 1979, the “Hammy” became for many years the London venue of his choice when he was touring. Gary, who was born in Hammersmith, obviously has a deep connection with the place. -
Martin & Co Denies Receiving Stirling Students' Complaints
Brig | October 2011 Martin & Co denies receiving Stirling sets £27,000 Stirling students’ complaints tuition fee for rest of Aya Kawanishi the UK students News Editor day, Stirling University failed students Zsuzsanna Matyak from disadvantaged backgrounds by etting agency Martin & Co de- News Editor setting its degrees cost at £27,000. We nied that any written formal are fully against tuition fees, and this complaints were received, de- he University of Stirling has decision by Stirling puts degrees there Lspite claims from Stirling stu- become one of the most ex- as expensive as the worst excesses of dents who rented a property from them pensive universities in the the English system.” between 4 August 2010 and 2 August UK after announcing its Professor Gerry McCormac, Prin- 2011. T cipal and Vice-Chancellor of Stirling decision to charge £6,750 per year, Former tenants of 23 Chandlers Court instead of the current £1,800, for stu- University, said they had no choice. Stirling, Dominique Maske and her flat- dents from England, Wales and North- “The University of Stirling has always mate, wrote to the agency on a number ern Ireland from 2012. This makes a believed that access to higher educa- of occasions regarding issues they had four-year degree cost £27,000. tion should be based on ability, not such as the lease document and the con- Hand in hand with the significantly background or the ability to pay. As dition of the flat. increased tuition fee comes a new a result of the new funding arrange- In a statement, Managing Director of range of scholarships and bursaries ments, Scottish universities have no Martin & Co Stirling, Imtiaz Ahmed, for both Scottish and rest of the UK choice but to charge fees for students said that they have “not received a for- (RUK) students, and the encourage- from the rest of the UK. -
New Zealanders' Views on Commemorating Historical
NEW ZEALANDERS’ VIEWS ON COMMEMORATING HISTORICAL EVENTS AUGUST 2 0 1 9 PAGE TABLE OF 1 Background and objectives 3 CONTENTS 2 Research approach 4 3 Summary of key results 6 4 Detailed findings 9 How engaged are New Zealanders in commemorations currently? 9 Why do New Zealanders engage or not? 17 What would encourage deeper engagement in commemorations? 23 Which ways of commemorating appeal most? 30 How relevant and important are different events in our history? 34 Views on the Tuia - Encounters 250 commemoration 38 Views on the annual New Zealand Wars commemorations 44 Views on the annual Waitangi Day commemorations 49 5 Appendix 61 Background and objectives The Ministry for Culture and Heritage wants to The key objective of the research is to discover the factors that know what New Zealanders think about the encourage New Zealanders to engage with commemorative commemoration of historical anniversaries activities or that act as barriers to such engagement The aim is to understand their attitudes towards commemorative activities in order to: - maximise the reach and impact of commemorations, and An additional objective is to establish baseline data for measuring the impact of the Tuia - Encounters 250 commemoration - ensure all New Zealanders experience the social benefits of engagement Colmar Brunton 2019 3 Research approach Colmar Brunton was commissioned to conduct two stages of research Stage 1: A nationally representative survey 2,089 online interviews with New Zealanders aged 15 years or over Stage 2: Two focus groups • One group with young Māori • One group with Asian migrants (a demographic group who are less interested and engaged with commemorations based on the online survey results) Details about each stage can be found in the appendix Colmar Brunton 2019 4 Definition of commemorations Commemorations are a way to officially remember an important event, on a meaningful anniversary. -
Annual Report 2008
A VOICE THAT SPEAKS FOR ALL ANNUAL REPORT 2007-2008 NEW ZEALANDERS RADIO NEW ZEALAND Contents Chairman’s REPORT•••••••••••••••••••••••••••••••••••• 2 CHIEF EXECUTIVE REPORT••••••••••••••••••••••••••••• 10 BOARD OF GOVERNORS•••••••••••••••••••••••••••••••••• 5 PERFORMANCE MANAGEMENT•••••••••••••••••••••••• 14 OUR CHARTER••••••••••••••••••••••••••••••••••••••••••• 6 FINANCIAL PERFORMANCE•••••••••••••••••••••••••••• 34 OUR PERFORMANCE BASED ON PubLIC VALUE AND DIRECTORY• ••••••••••••••••••••••••••••••••••••••••••• 72 OUR CHARTER OBJECTIVES•••••••••••••••••••••••••••••• 7 GOOD EMPLOYER AND EQUAL EMPLOYMENT OPPORTUNITIES REPORTING•••••••••••••••••••••••••••• 8 SOUNDS LIKE US. 1 “As an independent and commercial-free public service broadcaster, the purpose of Radio New Zealand is to serve the public interest.” Chairman’s Report Chairman’s BRIAN CORBAN QSO – Chairman INTRODUCTION However, rising costs are now threatening the gains made in recent As an independent and commercial-free public service broadcaster, years and we have been forced to shift our strategic focus towards Radio New Zealand’s purpose is to serve the public interest, and the ensuring the sustainability of both the range and quality of Radio ongoing protection of public service broadcasting values remains of New Zealand’s current services. critical importance to us all. During the course of the 2007-2008 financial year, independent New Zealand is justifiably proud of its unique national identity, consultants conducted a comprehensive Baseline Funding Review to particularly the shared sense of belonging and evolving cultural values determine the level of funding required to maintain Radio New Zealand that bring us together and contribute to our sense of self. services at their current levels. Awareness and preservation of that shared culture are critical factors The results of that review will inform future funding discussions with in sustaining a unique New Zealand identity and a strong, independent Shareholding Ministers. -
A Conversation with Gary Numan & John Bergin Mike Ragogna
A Conversation with Gary Numan & John Bergin Mike Ragogna: John and Gary, what brought the two of you together for film From Inside? John Bergin: Gary had just moved to LA and was looking to learn about film scoring. There is no greater place to learn about the world of film music than Lakeshore Records where I am Art Director, so that's where we crossed paths. At the time were preparing From Inside for release after a three year tour playing festivals. When Gary came by to introduce himself, it was perfect timing that we were looking for a final score to the film. For Gary, scoring From Inside was a great way to introduce himself to the process. For me, it was literally a dream come true, having been a long-time fan of his work. Gary Numan: When I first moved to the US I introduced myself to a few people to let them know I was very interested in working on film and TV music. A few days after, I met with Brian McNellis at Lakeshore I had a phone call saying that they were interested in working with me on a special edition of John's From Inside animated movie. It was exactly what I was looking for. John was familiar with my music so it was a low pressure introduction for me into the requirements and skills of film score writing. It seemed to me that I would learn a lot, without somebody screaming at me and beating me with a large stick, which is exactly what happened. -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
THE TUFTS DAILY Est
Where You Read It First Rain 48/42 THE TUFTS DAILY Est. 1980 VOLUME LIX, NUMBER 38 WEDNESDAY, MARCH 31, 2010 TUFTSDAILY.COM Class of 2014 by the numbers Significant strides made on Admissions decisions for the 91: the percentage of accepted Class of 2014 will be sent out applicants that rank in the top 10 today. Here is a look at the percent of their high school class, revision to sexual assault policy profile of the class based on up from 90 percent last year BY MICHAEL DEL MORO numbers from the Office of Daily Editorial Board Undergraduate Admissions: 32: the percentage of accepted applicants who are American stu- A recent Tufts Community 15,437: the number of under- dents of color, up from 30 per- Union (TCU) Senate resolution and graduate applications, the third- cent last year the combined efforts of Students largest applicant pool in history Active for Ending Rape (SAFER) and 38: the percentage of engineers administrators have led to progress 24.5: the percentage of appli- admitted who are women, up on revisions to Tufts’ much-criti- cants offered admission, mak- from 33 percent last year. cized sexual assault policy. ing this Tufts’ second-most The movement to revise the selective admission cycle and 54: the percentage of accepted policy, which also involves Health the lowest acceptance rate applicants who applied for finan- Service, is a product of concern since 2001 cial aid, down from 55 percent for past victims and the wide- last year spread desire for a more compre- 24: the percentage of appli- hensive policy that is on par with cants to the School of Arts and 4: the percentage of anticipated those at other private colleges and Sciences that were accepted increase in need-based aid expen- universities. -
From Dwelling to Destination: on New Zealand’S House Museums
♥ Art Literature Theatre Music Screen Society Loose Canons Knockouts News Videos Events Art 20.07.2018 From Dwelling to Destination: On New Zealand’s House Museums By Sebastian Clarke Sebastian Clarke on the character and reputation of our most idiosyncratic institutions. I will eschew any suspense and begin with an admission: I’m a hound for house museums. I seek out these introspective havens peppered throughout Aotearoa with great fervour. My self-appointed role as loyal advocate for our house museums emerged not by epiphany, but thanks to a scratchy, woven basket. Said basket resides in Nelson’s Isel House, a dollhouse of a building that greets visitors with a full face of hand-shaped local boulders sweetly framed by slim, red bricks. It may be the most unremarkable item in a house abounding in extravagant furniture and Sèvres porcelain, but from its upstairs station, this basket looks out to the parkland that embraces Isel House. Wood splints are collected from the park, planted by the house’s first resident, to make baskets like the one that refuses to be erased from my memory. This basket glows with a fiercely local provenance, and reminds me that experiencing interior spaces and objects so soaked in history is like time-travel – magic. However, as I encounter more of these memory palaces, buildings so rapt with the past, I cannot help but wonder about their precarious future. Image courtesy Ngaio Marsh House Trust. The straightforward term ‘house museum’ describes, in correct order, a transformation from dwelling to destination. A trigger for us to reread the rooms.