Gillian Welch's Long-Awaited New Album
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ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100 -
5. Through Non-Military Eyes: Developing the Postwar Bilateral
5 THROUGH NON-MILITARY EYES: DEVELOPING THE POSTWAR BILATERAL RELATIONSHIP Somewhere in the vast ruin of post-nuclear Hiroshima, two middle- aged Japanese men walk towards a stationary camera (see Figure 5.1). They look purposeful and strangely cheerful. As two Australian diggers slouch back into the colossal bombsite and towards the vanishing point beneath a cluster of stripped trees, the conspicuously civilian, Western- attired Japanese duo stride out of it, moving away from the militarism that led to such wholesale destruction and into a future that would be independently determined by men such as them. The photograph is carefully conceived, staged to capture a significant point of departure in postwar Japanese history—a people leaving war and military occupation behind and embarking on the task of rebuilding and remaking the nation. Significantly, this richly allegorical image was not taken by one of the professional photographers affiliated to the military and official civilian agencies. Rather, it is the work of an amateur, Hungarian-born Stephen Kelen, who served with British Commonwealth Occupation Force (BCOF) Intelligence before joining the military newspaper British Commonwealth Occupation News (BCON). Kelen was an enthusiastic and accomplished photographer. Several of the images that illustrate his memoir, I Remember Hiroshima, have become iconic pictures of the stricken city in the early stages of its reconstruction. His photographs of orphans and of an outdoor schoolroom that had sprung up in the rubble are among the best known pictures of atomic Hiroshima, featuring in 153 PACIFIC EXPOSURES Figure 5.1. Stephen Kelen, Hiroshima, c. 1946–48, published in I Remember Hiroshima (Sydney: Hale & Iremonger, 1983), 18. -
Ruination Day”
Woody Guthrie Annual, 4 (2018): Fernandez, “Ruination Day” “Ruination Day”: Gillian Welch, Woody Guthrie, and Disaster Balladry1 Mark F. Fernandez Disasters make great art. In Gillian Welch’s brilliant song cycle, “April the 14th (Part 1)” and “Ruination Day,” the Americana songwriter weaves together three historical disasters with the “tragedy” of a poorly attended punk rock concert. The assassination of Abraham Lincoln in 1865, the sinking of the Titanic in 1912, and the epic dust storm that took place on what Americans call “Black Sunday” in 1935 all serve as a backdrop to Welch’s ballad, which also revolves around the real scene of a failed punk show that she and musical partner David Rawlings had encountered on one of their earlier tours. The historical disasters in question all coincidentally occurred on the fourteenth day of April. Perhaps even more important, the history of Welch’s “Ruination Day” reveals the important relationship between history and art as well as the enduring relevance of Woody Guthrie’s influence on American songwriting.2 Welch’s ouevre, like Guthrie’s, often nods to history. From the very instruments that she and Rawlings play to the themes in her original songs to the tunes she covers, she displays a keen awareness and reverence for the past. The sonic quality of her recordings, along with her singing and musical style, also echo the past. This historical quality is quite deliberate. Welch and Rawlings play vintage instruments to achieve much of that sound. Welch’s axes are all antiques—her main guitar is a 1956 Gibson J-50. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance. -
John ASHBERY, Poet (1927–2017)
XXXXX SIZE: 170x170 Cuneiform tablet c. 2050 BCE Southern Mesopotamia (modern-day Iraq) RARES 099 C89 Cuneiform writing, developed by the ancient culture of Sumer, was one of the world’s first scripts. It was written on clay tablets using a wedged stick (cunea is Latin for ‘wedge’); the tablets were then sun-dried or fired. The earliest tablets (c. 3400 BCE) record economic transactions. This tablet records taxes paid in sheep and goats in the tenth month of the 46th year of Shulgi, second king of the Third Dynasty of Ur. BOOKS AND IDEAS ‘[T]he book is an extension of the eye …’ Marshall McLuha n The history of ideas is mirrored in the history of the book. Books have altered the course of history itself, through the dissemination of ideas that have changed how we think about the world and ourselves. In many cultures across different eras, books have played a highly symbolic and iconic role. There was a time when it was thought that the world’s knowledge could be collected between the covers of a book. The information explosion of recent times now makes it impossible to contain the world’s knowledge within one library, let alone in one book, yet books continue to be a powerful means of informing and inspiring new generations. XXXXX SIZE: 170x170 Leaf from an antiphonal showing the Office for Pope Gregory the Great England (?), c. 1400 Gift of Meredith Sherlock RAREP 782.324 C2862O CASE: XX SIZE: 150x 150 Claudius PTOLEMY (c. 100–170 CE) Ptolomaeus Almagestus (Ptolemy’s Greatest Work) Translated from Arabic into Latin by Gerardus Cremonensis Northern Italy, 1200–25 RARES 091 P95A Greek-born scholar Claudius Ptolemy lived in Roman-ruled Egypt, contributing significantly in the fields of philosophy, astronomy, mathematics and geography. -
The Secrets of Egypt & the Nile
the secrets of egypt & the nile 2021 - 2022 Dear Valued Guest, Egypt has captured the world’s imagination and continues to make an extraordinary impression on those who visit; and beginning in September 2021, we are delighted to take you there. While traveling along Egypt’s Nile River, you’ll be treated to a connoisseur’s discovery of this ancient civilization as only AmaWaterways can provide—with an unparalleled river cruise and land adventure that includes exquisite cuisine, beautiful accommodations, authentic excursions and extraordinary service. Your journey along the world’s longest river on board our spectacular, newly designed AmaDahlia will take you to some of Egypt’s most iconic sites. Discover ancient splendors such as the Great Hypostyle Hall of Karnak, the beguiling Temple of Luxor and the mystifying Valley of the Kings and Queens, along with exclusive access to the Tomb of Queen Nefertari. While in Cairo, you’ll stay at the 5-star Four Seasons at The First Residence, an oasis in the middle of the city, where each day, you’ll experience some of the world’s most astonishing antiquities. Come face to face with King Tut’s priceless discoveries at the Egyptian Museum, as well as the Great Sphinx and the three Pyramids of Giza, the last surviving of the Seven Wonders of the Ancient World; and gain private access to Cairo’s Abdeen Presidential Palace. This mesmerizing destination has entranced archaeologists and historians for generations and inspired its own field of study—Egyptology. Now it’s time for you to be entranced. We look forward to sharing Egypt with you. -
Carlos Santana and Earth, Wind & Fire Perform at Bethel
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] CARLOS SANTANA AND EARTH, WIND & FIRE PERFORM AT BETHEL WOODS ON AUGUST 23RD AS PART OF THE MIRACULOUS SUPERNATURAL 2020 TOUR Tickets on sale to General Public Friday, February 28th February 25, 2020 (BETHEL, NY) – Bethel Woods Center for the Arts today announced that Grammy Award-winning legendary artists Carlos Santana alongside Earth, Wind & Fire will embark on a North American tour, expected to be the hottest ticket this summer. A continuation of 2019’s Supernatural Now tour for Santana, the Miraculous Supernatural 2020 Tour will mark the first time that these two powerhouses will share the stage in the U.S. Tickets will go on sale to the public on Friday, February 28th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1-800-653-8000. Citi is the official presale credit card of the Miraculous Supernatural Tour. As such, Citi card members have access to purchase presale tickets Wednesday, February 26th at 12:00 PM local time until Thursday, February 27th at 10:00 PM local time through Citi Entertainment®. For complete presale details visit www.citientertainment.com. Santana and his band (which also features Santana’s wife, Cindy Blackman Santana) will highlight songs from both his Supernatural and Woodstock eras, as well as newer tracks from his 2019 full-length album Africa Speaks and some incredible surprises. Earth, Wind & Fire is one of music’s most celebrated musical forces in history with an iconic music catalogue that has been the soundtrack of millions of lives around the world. -
WRITERS, Contemplating the Atlas, and That Makes One Beechworth Treescape Group Want to Travel
Sponsors WELCOME TO THE Indigo Shire Council, WAW Credit Union, George Kerferd Hotel, Pennyweight Winery, WAY OF THE WORLD State Library of Victoria, In 1953 a young writer named Nicolas Bouvier University of Melbourne School of Culture set out from Geneva in a Fiat Topolino to and Communication meet his friend, artist Thierry Vernet, in Belgrade. Without much money the pair Acknowledgements 2017 was to journey for the next nineteen months Australia Post Beechworth and Wendy Christian through Yugoslavia, Greece, Turkey, Iran and Beechworth Arts Council volunteers Afghanistan to the Khyber Pass. Beechworth Books and Diane Ingwersen ‘From aged ten to thirteen,’ Bouvier wrote, Beechworth Montessori School ‘I had stretched out on the rug, silently Beechworth Secondary College WRITERS, contemplating the atlas, and that makes one Beechworth Treescape Group want to travel. I had dreamed of regions such Chris Nuck and George Kerferd Hotel staff as the Banat, the Caspian, Kashmir, of their Eddie Paterson READERS music, of the glances one might meet there, of Estelle Paterson and POETS’ the ideas that lay in waiting… Indigo Libraries and Astrid Kriening Indigo Mayor Jenny O’Connor ‘We really don’t know what to call this inner WEEKEND Quercus Beechworth compulsion. Something grows…so that the Wooragee Primary School day comes when, none too sure of ourselves, we nevertheless leave for good. Travelling outgrows its motives. It soon proves sufficient WRAP17 planning group Fri 10 - Sun 12 in itself. You think you are making a trip, but Michael Bink, Jude Doughty, Olga Evans, February 2017 soon it is making you – or unmaking you.’ Inga Hanover, Jamie Kronborg, Helen McIntyre, Helen Murray, Lesley Milne, Annie Nichols Such is The way of the world – the title of the and Daren John Pope masterpiece that Bouvier later wrote of the experience he shared with Vernet. -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Dialogue 2019
Dialogue 2019 CAE Book Groups Catalogue CAE BOOK GROUPS 253 FLINDERS LANE, MELBOURNE CAE.EDU.AU / 03 9652 0611 Contents 4 5 3 Join or Start a Growing Up, Book Discussion Service. 527 Collins Street Introduction CAE Book Group Moving On Contact Us 11 Level 2, 253 Flinders Lane Exceptional Women Melbourne VIC 3000 17 P (03) 9652 0611 Artist, 23 E [email protected] Maker, Thinker Relationships W www.cae.edu.au 31 45 Keep informed about upcoming Step Back in Time Families literary events, book reviews, book and movie giveaways and lots more. Email [email protected] to receive regular 38 email updates. Grand VIsions Start your own group 62 See page 4 for more information about Surviving, starting a group. Prevailing Join an existing group 55 70 Some of our existing groups are looking Journeys Dark Deeds for new members. Please contact CAE Book Groups, and we will help you find 78 82 87 a group in your area. Index by Index by Index by Author Title Large Type 87 91 Index by Enrolment Form Box Number 3 Introduction Centre for Adult Education CAE is a leading provider of Adult and Community Education and Theme Icons has been providing lifelong learning opportunities to Victorians for 70 years. CAE has a strong focus on delivering nationally F Fiction Large Print recognised and accredited training as well as non accredited L Nonfiction short courses, and connects with the community through socially N Adapted Books inclusive practices that recognise diversity and creativity. Located S Short Stories Book Group Favourite in the heart of the arts and café area of Melbourne’s CBD, CAE µ offers a vibrant and supportive adult learning environment, flexible learning options, skills recognition, practical training and supervised work placements. -
THE TUFTS DAILY Est
Where You Read It First Rain 48/42 THE TUFTS DAILY Est. 1980 VOLUME LIX, NUMBER 38 WEDNESDAY, MARCH 31, 2010 TUFTSDAILY.COM Class of 2014 by the numbers Significant strides made on Admissions decisions for the 91: the percentage of accepted Class of 2014 will be sent out applicants that rank in the top 10 today. Here is a look at the percent of their high school class, revision to sexual assault policy profile of the class based on up from 90 percent last year BY MICHAEL DEL MORO numbers from the Office of Daily Editorial Board Undergraduate Admissions: 32: the percentage of accepted applicants who are American stu- A recent Tufts Community 15,437: the number of under- dents of color, up from 30 per- Union (TCU) Senate resolution and graduate applications, the third- cent last year the combined efforts of Students largest applicant pool in history Active for Ending Rape (SAFER) and 38: the percentage of engineers administrators have led to progress 24.5: the percentage of appli- admitted who are women, up on revisions to Tufts’ much-criti- cants offered admission, mak- from 33 percent last year. cized sexual assault policy. ing this Tufts’ second-most The movement to revise the selective admission cycle and 54: the percentage of accepted policy, which also involves Health the lowest acceptance rate applicants who applied for finan- Service, is a product of concern since 2001 cial aid, down from 55 percent for past victims and the wide- last year spread desire for a more compre- 24: the percentage of appli- hensive policy that is on par with cants to the School of Arts and 4: the percentage of anticipated those at other private colleges and Sciences that were accepted increase in need-based aid expen- universities.