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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
October 2020
2020 Newsletter ACCLAIM HEALTH – ACTIVITY NEWSLETTER FAMOUS OCTOBER BIRTHDAYS October 1st, 1924 – Jimmy Carter was the 39th President of the United States of America, turns 95 this year! October 18th, 1919 – Pierre Trudeau was the former Prime Minister of Canada from 1980 – 1984. October 25th 1881 – Pablo Picasso was the world famous Spanish painter. He finished his first painting, The Picador at just 9 years old! ? October, 10th month October 29th 1959 – Mike Gartner, Famous Ice of the Gregorian calendar. Its name is hockey player turns 60! derived from octo, Latin for “eight,” an indication of its position in the early Roman calendar., Happy Birthday to our club membersAugustus, in celebrating their birthday’s in October 8BC,!! naming it after himself. Special dates in October Flower of the October 4th – World Smile Day month October 10th – National Cheese Day th The Flower for the October 15 – National I Love Lucy Day month is the October 28th – National Chocolate Marigold. It blooms Day in a variety of colours like red, yellow, white and orange. It stands for Creativity and symbolizes Peace and Tranquility. The Zodiac signs for October are: Libra (September 22 – October 22) Scorpio (October 23 – November 21 Movie Releases The Sisters was released on October 14th, 1938. Three daughters of a small-town pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908. This film starred Bette Davis, Errol Flynn and Anita Louise. Have you seen it?! Songs of the month! (Click on the link below the song to listen) 1. Autumn in New York by Ella Fitzgerald and Louis Armstrong https://www.youtube.com/w atch?v=50zL8TnMBN8&featu Remember Charlie re=youtu.be Brown? “It’s the Great Pumpkin 2. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
An Inordinate Disdain for Beetles
An Inordinate Disdain for Beetles: Imagining the Insect in Colonial Aotearoa A Thesis submitted in partial fulfillment of the requirements for the Degree of Masters of Arts in English By Lillian Duval University of Canterbury August 2020 Table of Contents: TABLE OF CONTENTS: ................................................................................................................................. 2 TABLE OF FIGURES ..................................................................................................................................... 3 ACKNOWLEDGEMENT ................................................................................................................................ 6 ABSTRACT .................................................................................................................................................. 7 INTRODUCTION: INSECTOCENTRISM..................................................................................................................................... 8 LANGUAGE ........................................................................................................................................................... 11 ALICE AND THE GNAT IN CONTEXT ............................................................................................................................ 17 FOCUS OF THIS RESEARCH ....................................................................................................................................... 20 CHAPTER ONE: FRONTIER ENTOMOLOGY AND THE -
5. Through Non-Military Eyes: Developing the Postwar Bilateral
5 THROUGH NON-MILITARY EYES: DEVELOPING THE POSTWAR BILATERAL RELATIONSHIP Somewhere in the vast ruin of post-nuclear Hiroshima, two middle- aged Japanese men walk towards a stationary camera (see Figure 5.1). They look purposeful and strangely cheerful. As two Australian diggers slouch back into the colossal bombsite and towards the vanishing point beneath a cluster of stripped trees, the conspicuously civilian, Western- attired Japanese duo stride out of it, moving away from the militarism that led to such wholesale destruction and into a future that would be independently determined by men such as them. The photograph is carefully conceived, staged to capture a significant point of departure in postwar Japanese history—a people leaving war and military occupation behind and embarking on the task of rebuilding and remaking the nation. Significantly, this richly allegorical image was not taken by one of the professional photographers affiliated to the military and official civilian agencies. Rather, it is the work of an amateur, Hungarian-born Stephen Kelen, who served with British Commonwealth Occupation Force (BCOF) Intelligence before joining the military newspaper British Commonwealth Occupation News (BCON). Kelen was an enthusiastic and accomplished photographer. Several of the images that illustrate his memoir, I Remember Hiroshima, have become iconic pictures of the stricken city in the early stages of its reconstruction. His photographs of orphans and of an outdoor schoolroom that had sprung up in the rubble are among the best known pictures of atomic Hiroshima, featuring in 153 PACIFIC EXPOSURES Figure 5.1. Stephen Kelen, Hiroshima, c. 1946–48, published in I Remember Hiroshima (Sydney: Hale & Iremonger, 1983), 18. -
Gillian Welch's Long-Awaited New Album
FREE JULY 2011 Readings Monthly • • • Peter Salmon Ann Patchett Alan Hollinghurst Robert Hughes (SEE P18) THE HARROW AND HARVEST IMAGE FROM GILLIAN WELCH'S NEW ALBUM Gillian Welch’s long-awaited new album p 17 Highlights of July book, CD & DVD new releases. More inside. NON-FICTION AUS FICTION FICTION FICTION YA DVD POP CD CLASSICAL $50 $39.95 $29.99 $24.95 $30 $24.95 $33 $27.95 $19.95 $24.95 $25.95 $21.95 $24.95 >> p19 >> p5 >> p6 >> p7 >> p8 >> p14 >> p16 (for July) >> p17 July event highlights : Matthew Evans on Winter on the Farm. James Boyce at Readings Carlton, Favel Parrett, Rosalie Ham. See more events inside. All shops open 7 days, except State Library shop, which is open Monday - Saturday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au travel card travel card Instant WIN a $10,000 4000 1234 5678 9010 4000 5678 9010 4000 1234 4000 GOOD THRU 00/00 GOOD THRU 00/00 ANZ Travel Card It’s money made to travel Purchase any Lonely Planet product with a promotional sticker from 9am 04/06/11 until ANZ Travel Card ANZ Travel Cards 5pm 31/07/11 and visit lonelyplanet.com/anztravelcard to be in the running to win.. -
Gitarren, Amps, Effekte & Co
2/2018 l D: 9,80 l A: 11,50 l BeNeLux: 11,90 l CH: SFR 16,20 l I: 12,80 l E: 12,80 2018 2018 Sonderheft Nr. 2 Sonderheft Nr. Gitarren, Amps, Effekte & Co. Guitar-Guide 144 Seiten Test & Technik Marshall + Fender + Engl + Music Man + Schecter + Malekko + Fulltone + EVH + Charvel + Randall + LTD + Nexi +Gibson + Walrus Audio + Zoom + Cordial + Learn more about the All-New Electromatic guitars at: bassisten & gitarristen für magazin Lehle + TAD + Evidence + Elixir + Danelectro + Maybach + gretschguitars.com/electromatic Relish + Reverend Guitars u.v.m. ©2018 FMIC. Gretsch®, Electromatic®, Jet™, and Bigsby® are trademarks of Fred W. Gretsch Enterprises, Ltd. and used herein under license. All rights reserved. 2018 Electromatic Jet BT GER Guitar 210x280mm[3mbld].indd 1 25/07/2018 11:12 INTRO Liebe Leser! „Es liegt in der Natur des Gitarristen: Wir alle wollen mehr!“ Dieser Spruch stammt aus dem angedachten Editorial unseres verehrten Chefredakteurs Jürgen. Dass dieses Editorial nun aus meiner Feder stammt, liegt wohl daran, dass ich ihm diese Aufgabe respektive Ehre irgendwas zwischen abgeluchst und abgenommen habe. Ist ja letztlich auch vollkommen wurscht, wiesoweshalbwarum … Nun denn, auf zur Tat. Vorliegen habt ihr nicht weniger als 144 Seiten voll mit Tests der vergangenen anderthalb Jahre rund um Gitarren, Amps, Effekte und Zubehör. Ausgewählt haben wir nach verschiedenen Kriterien: So sind etwa unsere Preis-Leistungs-Sieger mit dabei, dazu kleine, aber feine Hersteller wie Malekko, Orion oder Mad Professor. Selbstredend fehlen ebensowenig die Großen wie Fender, Gibson, Blackstar, EVH und Charvel, Klassiker aus dem Hause Marshall oder die High-Class-Gitarren aus dem Hause Ernie Ball. -
Peta Clancy Christopher Day Destiny
Peta Clancy Christopher Day Destiny Deacon Michaela Gleave Nasim Nasr Sara Oscar Julie Rrap Khaled Sabsabi Yhonnie Scarce Angela Tiatia Christian Thompson Kawita Vatanajyankur Daniel von Sturmer Justene Williams William Yang Under the sun: Reimagining Max Dupain’s Sunbaker Published to accompany the exhibition Under the sun: Reimagining Max Dupain’s Sunbaker presented at The State Library of New South Wales 18 February – 17 April 2017 Monash Gallery of Art 6 May – 6 August 2017 Australian Centre for Photography Director Cherie McNair Curator Claire Monneraye Exhibition Partners Curatorial Assistant Casuarina Bird Education & Public Programs Manager Antoinette Clements ACP acknowledges the key contribution of Catherine Baldwin, Interim Director to the project development and completion. ACP thanks all the staff members from the State Library of New South Wales and Monash Gallery of Art that have contributed to the development of this project. Commissioning Partners Funding Partners John and Kate Armati Andrew and Kate Jerogin Lisa Paulsen Neill and Jane Whiston Medich Foundation This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. Graphic Design Kirk Palmer Design Printer Shepson Printing ISBN 978-0-6480417-0-2 @ Australian Centre for Photography Message from the Minister What better way to celebrate Australian contemporary photography than to attend Under the sun: Reimagining Max Dupain’s Sunbaker, an innovative and thought-provoking exhibition in which 15 leading artists respond to Max Dupain’s iconic image, Sunbaker. In Under the sun, each newly-commissioned work represents a unique interpretation of the 1937 photograph and incorporates a wide range of techniques, showcasing the talent and diversity of the participating artists. -
G.C. Oeder's Conflict with Linnaeus and the Implementation of Taxonomic and Nomenclatural Ideas in the Monumental Flora Danica
Gardens’ Bulletin Singapore 71(Suppl. 2):53-85. 2019 53 doi: 10.26492/gbs71(suppl. 2).2019-07 G.C. Oeder’s conflict with Linnaeus and the implementation of taxonomic and nomenclatural ideas in the monumental Flora Danica project (1761–1883) I. Friis Natural History Museum of Denmark, University of Copenhagen, Universitetsparken 15, DK–2100 Copenhagen Ø, Denmark. [email protected] ABSTRACT. Hitherto unpublished parts of the history of the Icones … Florae Danicae (1761–1883), one of the largest illustrated botanical works published, are analysed; it covered the entire flora of the double monarchy of Denmark–Norway, Schleswig and Holstein and the North Atlantic dependencies. A study of the little noticed taxonomic and nomenclatural principles behind the Icones is presented. G.C. Oeder, founder of the project, approved the ideas of Buffon and Haller and rejected Linnaean binary nomenclature because of its lack of stability of genera. In the Icones …, Oeder cited all names used for each plant in chronological order, with the binary Linnaean name last, to which principle Linnaeus reacted. By the end of the 18th century, Linnaean nomenclature had become standard, apart from in Flora Danica and a very few other botanical works. Applying Linnaean nomenclature elsewhere, O.F. Müller, editor 1775–1782, and M. Vahl, editor 1787–1799, followed Oeder’s norm in the Icones. J.W. Hornemann, editor 1810–1840, followed Oeder in his first fascicles, but began experimenting with changes towards Linnaean nomenclature from 1810. After 1840, subsequent editors consistently applied Linnaean principles for accepted names and synonyms. Keywords. Accepted names, genera, natural classification, species, synonymy Introduction In his excellent monograph on how the Linnaean reforms gained general acceptance among botanists, Stafleu (1971: 260) specifically stated that he left out a discussion of C.G. -
Australian & International Photography
Australian & International Photography Collectors’ List No. 178, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th Century Photography Established 1977 1. Hill and Adamson Address: 103a Anzac Parade, Kensington (Sydney) NSW (Scot t ish, David 1802-1870; Robert 1821-1848). Pres by Postal: PO Box 93, Kensington NSW 2033, Australia tery Group 24, c1845. Salt Phone: +61 2 9663 4848 • Mobile: 0411 755 887 paper photo graph, 14.4 x 19.6cm. Old stain to upper Email: [email protected] • Website: joseflebovicgallery.com right corner. Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 $12,500 Illustrated in Stevenson, David Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Octa vius Hill and Robert Adam son, Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of 1981, p183, with the caption “The International Photography Art Dealers • International Fine Print Dealers Assoc. reporters’ table - Skene standing, W. Robertson, J.R. Fyfe, John Johnstone, John MacDonald and COLLECTORS’ LIST No. 178, 2015 Rev Andrew Cameron.” Australian & International 2. Hill and Adamson (Scottish, David 1802- Photography 1870; Robert 1821-1848). Unknown Man #31, c1845. Salt paper photograph, 19.6 x 14.4cm. On exhibition from Wed., 5 August to Sat., 26 September. $11,000 Illustrated in Stevenson, David Octavius Hill and Robert All items will be illustrated on our website from 15 August. Adamson, 1981, p119. Prices are in Australian dollars and include GST. Exchange rates as at time of printing: AUD $1.00 = USD $0.74¢; UK £0.47p © Licence by VISCOPY AUSTRALIA 2015 LRN 5523 Compiled by Josef & Jeanne Lebovic, Dimity Kasz, Takeaki Totsuka, Lenka Miklos Cover: Lining Up, c1936. -
Local Exhibit Highlights Work of Self-Taught Southern Artist Felicia Feaster
July 9, 2020 Local Exhibit Highlights Work of Self-Taught Southern Artist Felicia Feaster Enjoyment of self-taught art may depend on how much you want to swim around in another human being’s headspace. Are you in the mood to contemplate the conditions that foster both creativity, but also the darker byways of obsession and personal experience? With much art, it is possible to separate the maker from her work. You can glide across the pleasures of surface, technique and subject matter. But self-taught art gives you no such opportunity or out; part of the bargain is, in fact, a deep dive into biography. And in the Atlanta Contemporary show “The Life and Death of Charles Williams,” there’s no getting around the strange, fascinating and sometimes troubling reality of this Kentucky artist’s life. There is both joy and pain in Williams’ experience, and in his art. It’s hard not to revel in the unique point of view of this utterly idiosyncratic Black Southern artist while also feeling saddened by his circumstance and limitations. Like so many self-taught artists, Williams defiantly marched to his own arrhythmic beat. He spent a lifetime making art that acted out the kind of dramas of might and right that children cling to: art fueled by comic book tales of brawny, powerful, justice-minded superheroes with cut-glass jawlines, tree trunk thighs and hyper-articulated Tom of Finland musculature. In fact, Williams learned to draw, like so many kids, by rendering favorite heroes like Dick Tracy and Superman. But while kids eventually give up those superficial parables of good and evil, Williams clung to them. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.