Australian & International Photography
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Fooks House FN 7157
NATIONAL TRUST OF AUSTRALIA (VICTORIA) CLASSIFICATION REPORT 1. NAME OF PLACE Fooks House FN 7157 2. OTHER NAME 3. LOCATION 32 Howitt Road, Caulfield, City of Glen Eira 4. DATE 1966 5. TYPE OF PLACE House 6. LEVEL State 7. EXTENT OF DESIGNATION Entire house and contents, and landscaping. Includes garden walls, sculpture walls, pergolas, remnant original landscaping, driveway and, interior purpose built furniture, fittings and fixtures. 8. STATEMENT OF SIGNIFICANCE What is significant ? The residence at 32 Howitt Road, Caulfield was designed in 1964 (completed in 1966) by the Viennese architect and urban theorist, Dr Ernest Fooks, as his own house. This house represents the most celebrated and architecturally resolved of Fooks’ domestic designs, combining his analytical approach to planning with a stylistic interpretation of traditional Japanese architecture. Considered within the body of Fooks’ 1960’s house designs, Howitt Road epitomizes and best exemplifies premises central to Fooks’ urban theory and methodology. Fooks controlled every design aspect of his residence, including custom-designed freestanding and built-in furniture, exterior sculpture walls, landscaping and plant selection, ensuring his theoretical concerns, especially those concerning integration, achieved expression in all aspects of the environment. The end product pays testimony to the design confidence and thoroughness of Dr Fooks: high quality of workmanship, uncompromising choices of materials, and cleverly resolved details are evident throughout. Howitt Road showcases the skills of the five cabinet-makers who crafted furniture and built-ins to Fooks’ design requirements, including the respected furniture maker Shulim Krimper. All the specifically fabricated pieces remain as originally positioned in Fooks’ layout. -
Page 1 of 1 Lewis Morley Photographer
Lewis Morley Photographer - Sydney, Australia Page 1 of 1 "Morley takes us back in time" Buy this slice of Morley from the DVD... Click Here To see a sample of the frames from the dvd, please click here Photographer, LEWIS MORLEY - 46 min 37seconds PAL Video/DVD Considered one of the most significant voices of 1960's London, Lewis Morley took one of the most singular iconic images of this period - a naked Christine Keeler on an Arne Jacobson chair. At the height of the Profumo Scandal, this image of sex and power has often overshadowed his remarkable sampling of fringe actors, musicians and fringe-dwellers of London's swinging Sixties. These players included David Frost, Joe Orton, Charlotte Rampling, Peter Cook, Dudley Moore, the first published photo of fashion models Twiggy, Jean Shrimpton and the young actor Michael Caine. Brian Epstein, Clint Eastwood, Judi Dench, Lindsay Anderson, Peter O'Toole, Vanessa Redgrave, John Cleese, Francois Truffaut, Salvador Dali, Tom Jones and Barry Humphries - indeed, almost everyone who was 'The Sixties". In 1971, as Swinging London faded and Britain entered a recession, Lewis and his family emigrated to Australia, where he worked extensively for Australian design & fashion magazines. He continued his portrait work including artists Lloyd Rees, Brett Whiteley, controversial figure Juni Morosi, and writer Peter Carey. The video has Morley discuss his sessions with Caine, Twiggy, Shrimpton, and the background to his working life at Peter Cook's Club 'The Establishment', where he was resident photographer. Morley takesus back in time and behind the scenes of Beyond the Fringe and That Was the Week. -
Each Wild Idea: Writing, Photography, History
e “Unruly, energetic, unmastered. Also erudite, engaged and rigorous. Batchen’s essays have arrived at exactly the e a c h w i l d i d e a right moment, when we need their skepticism and imagination to clarify the blurry visual thinking of our con- a writing photography history temporary cultures.” geoffrey batchen c —Ross Gibson, Creative Director, Australian Centre for the Moving Image h In Each Wild Idea, Geoffrey Batchen explores widely ranging “In this remarkable book, Geoffrey Batchen picks up some of the threads of modernity entangled and ruptured aspects of photography, from the timing of photography’s by the impact of digitization and weaves a compelling new tapestry. Blending conceptual originality, critical invention to the various implications of cyberculture. Along w insight and historical rigor, these essays demand the attention of all those concerned with photography in par- the way, he reflects on contemporary art photography, the role ticular and visual culture in general.” i of the vernacular in photography’s history, and the —Nicholas Mirzoeff, Art History and Comparative Studies, SUNY Stony Brook l Australianness of Australian photography. “Geoffrey Batchen is one of the few photography critics equally adept at historical investigation and philosophi- d The essays all focus on a consideration of specific pho- cal analysis. His wide-ranging essays are always insightful and rewarding.” tographs—from a humble combination of baby photos and —Mary Warner Marien, Department of Fine Arts, Syracuse University i bronzed booties to a masterwork by Alfred Stieglitz. Although d Batchen views each photograph within the context of broader “This book includes the most important essays by Geoffrey Batchen and therefore is a must-have for every schol- social and political forces, he also engages its own distinctive ar in the fields of photographic history and theory. -
Peta Clancy Christopher Day Destiny
Peta Clancy Christopher Day Destiny Deacon Michaela Gleave Nasim Nasr Sara Oscar Julie Rrap Khaled Sabsabi Yhonnie Scarce Angela Tiatia Christian Thompson Kawita Vatanajyankur Daniel von Sturmer Justene Williams William Yang Under the sun: Reimagining Max Dupain’s Sunbaker Published to accompany the exhibition Under the sun: Reimagining Max Dupain’s Sunbaker presented at The State Library of New South Wales 18 February – 17 April 2017 Monash Gallery of Art 6 May – 6 August 2017 Australian Centre for Photography Director Cherie McNair Curator Claire Monneraye Exhibition Partners Curatorial Assistant Casuarina Bird Education & Public Programs Manager Antoinette Clements ACP acknowledges the key contribution of Catherine Baldwin, Interim Director to the project development and completion. ACP thanks all the staff members from the State Library of New South Wales and Monash Gallery of Art that have contributed to the development of this project. Commissioning Partners Funding Partners John and Kate Armati Andrew and Kate Jerogin Lisa Paulsen Neill and Jane Whiston Medich Foundation This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. Graphic Design Kirk Palmer Design Printer Shepson Printing ISBN 978-0-6480417-0-2 @ Australian Centre for Photography Message from the Minister What better way to celebrate Australian contemporary photography than to attend Under the sun: Reimagining Max Dupain’s Sunbaker, an innovative and thought-provoking exhibition in which 15 leading artists respond to Max Dupain’s iconic image, Sunbaker. In Under the sun, each newly-commissioned work represents a unique interpretation of the 1937 photograph and incorporates a wide range of techniques, showcasing the talent and diversity of the participating artists. -
SL MAGAZINE Summer 2012–13 State Library of New South Wales SL MAGAZINE Summer 2012–13 State Library of New South Wales / 5 NEWS
–Magazine for members Summer 2012–13 SL Sydney’s inspiration Scent of danger Pleasure seekers ‘Nice’ ephemera Message Transforming the Library The strengths of the State Library are again on show in this ontents issue of SL. Extending from Keith Vincent Smith’s reflection on Bennelong, one of the most significant figures of first contact in Sydney, via Barbara Santich’s article on nineteenth century picnics, to Alecia Simmonds on early 4 FLOUR POWER 22 FEATURE Pleasure seekers twentieth century deodorant advertising, the issue shows 6 NEWS the depth and breadth of the Library’s collections and their Historypin 26 PROVENANCE centrality to understanding Australia and its region. Modern times Bennelong’s letter We continue to build those collections by acquiring Global reach important items by purchase or donation. They include 30 IN PICTURES Andrew Tink’s very generous donation, which he describes in Zine scene Florence and the this issue, pointing out the signifcance of Algernon Sidney’s Gale force machine ‘radical claim that ordinary people should decide the fate Digital pace of kings’ for modern conceptions of democracy, as well as SL 32 NEW ACQUISITIONS showing how he indirectly gave his name to the cove around C ON THIS DAY THE MAGAZINE FOR STATE LIBRARY OF NSW 8 An Aussie bear FOUNDATION MEMBERS, which this great city grew. MACQUARIE STREET FRIENDS AND VOLUNTEERS ‘Nice’ emphemera SYDNEY NSW 2000 AWARDS Collections lie at the core of this wonderful Library. They IS PUBLISHED QUARTERLY 10 PHONE (02) 9273 1414 BY THE LIBRARY COUNCIL NSW Premier’s are a necessary precondition to its international recognition as OF NSW. -
Scientists' Houses in Canberra 1950–1970
EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science . -
Carol Jerrems with Larry Clark, Nan Goldin and William Yang
HEIDE EDUCATION RESOURCE Up Close Carol Jerrems with Larry Clark, Nan Goldin and William Yang Robert Ashton Carol Jerrems, Prahran 1970 gelatin silver photograph on cardboard 52 x 41.9cm Private collection ©Robert Ashton This Education Resource has been produced by Heide Museum of Modern Art to provide information to support education institution visits to Heide Museum of Modern Art and as such is intended for their use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. ©Heide MoMA 2010 Educational use only Page 1 of 10 HEIDE EDUCATION RESOURCE Up Close Carol Jerrems Waiting, 1975 gelatin silver photograph 13.4 x 14.8 cm Courtesy Ken Jerrems and the Estate of Lance Jerrems Up Close traces the significant legacy of Australian photographer Carol Jerrems (1949–1980) and situates her work alongside that of other photo-based artists—Larry Clark and Nan Goldin from New York and William Yang from Sydney. Sharing an interest in subcultural groups and individuals on the margins of society, each artist candidly portrays bohemian life of the 1970s and early 1980s. Their intimate depictions of people, places and events provide glimpses of semi- private worlds, amplifying the emotional tenor of the times. An extensive display of Jerrems’ photographs includes Vale Street (1975), her iconic photograph of local teenagers; portraits taken for the landmark feminist publication A Book About Australian Women (1974); a suite of prints documenting life on campus at Macquarie University, Sydney; and a series she took in hospital while she was dying from a rare illness, including frank self- portraits. -
Art Gallery of New South Wales 2017: Our Year in Review
Art Wales South Gallery New of ART GALLERY OF NEW SOUTH WALES 201 7 2017 ART GALLERY OF NEW SOUTH WALES 2017 2 Art Gallery of New South Wales 2017 Art Gallery of New South Wales 2017 3 Our year in review 4 Art Gallery of New South Wales 2017 6 OUR VISION 7 FROM THE PRESIDENT David Gonski 8 FROM THE DIRECTOR Michael Brand 10 2017 AT A GLANCE 12 SYDNEY MODERN PROJECT 16 ART 42 IDEAS 50 AUDIENCE 62 PARTNERS 78 PEOPLE 86 BOARD OF TRUSTEES 88 EXECUTIVE 89 CONTACTS 90 2018 PREVIEW The Gadigal people of the Eora nation are the traditional custodians of the land on which the Art Gallery of New South Wales stands. We respectfully acknowledge their Elders past, present and future. Our vision From its base in Sydney, the Art Gallery of New South Wales is dedicated to serving the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum for scholarship, art education and the exchange of ideas. page 4: A view from the Grand Courts to the entrance court showing Bertram Mackennal’s Diana wounded 1907–08 and Emily Floyd’s Kesh alphabet 2017. 6 Art Gallery of New South Wales 2017 DAVID GONSKI AC PRESIDENT ART GALLERY OF NEW SOUTH WALES TRUST and the Hon Adam Marshall MP, Glenfiddich, Herbert Smith Freehills, Minister for Tourism and Major Events. JCDecaux, J.P. Morgan, Macquarie Group, Macquarie University, The funding collaboration between McWilliam’s Wines & Champagne government and philanthropists for Taittinger, Paspaley Pearls, Sofitel our expansion will be the largest in FROM Sydney Wentworth, the Sydney the history of Australian arts. -
Brian Dunlop Is One of Australia's Leading Figurative and Still-Life Painters
BRIAN DUNLOP Born 1938, Sydney, New South Wales, Australia 1954-59 Studied at the National Art School, Sydney 1962 Travelled mainly through southern Europe 1965-68 Painted in Rome, Skyros, Majorca, Morocco and London 1969-74 Part-time teaching at East Sydney Technical College 1970-73 Lived and painted in Ebenezer, New South Wales 1972-75 Part-time teaching at N.S.W. University, School of Architecture 1973-80 Painted in Sydney 1975-79 Part-time teaching at Alexander Mackie College, Sydney 1980-81 Artist-in Residence, University of Melbourne 1982-83 Lived and worked in Tuscany 1984 Lived and painted in Melbourne and Port Fairy, Victoria 1995 Travelled in Turkey 1997 Travelled in Turkey 1998 Travelled in New Zealand 1999-00 Lived and painted in Port Fairy, Victoria 2000 Travelled in Turkey and Europe 2001 Travelled in New Zealand 2002 Travelled in Turkey and Europe 2003 Travelled in the United States 2004 Travelled in New Zealand and Turkey 2005 Lived and painted near Port Fairy Victoria 2009 Died Melbourne, Australia SELECTED SOLO EXHIBITIONS 2010 ‘The Memorial Exhibition’, Eva Breuer Art Dealer, Sydney 2009 ‘Orphic paintings 2009’ Eva Breuer Art Dealer, Sydney 2005 Australian Galleries, Melbourne Wishart Gallery, Port Fairy 2004 Eva Breuer Art Dealer, Sydney Chapman Gallery, Canberra 2003 Eva Breuer Art Dealer, Sydney 2001 Eva Breuer Art Dealer, Sydney 1999 Eva Breuer Art Dealer, Sydney 1998 Eva Breuer Art Dealer, Sydney Axia Modern Art, Melbourne 1997 Survey portrait exhibition (Waverley, Warrnambool, Castlemaine & Hamilton Galleries) -
Australian and International Photography
Australian and International Photography Josef Lebovic Gallery 34 Paddington Street (PO Box 453) Paddington (Sydney) NSW 2021 Australia Ph: (02) 9332 1840 Fax: (02) 9331 7431 Email: [email protected] www.joseflebovicgallery.com JOSEF LEBOVIC GALLERY 34 Paddington Street (PO Box 453), Paddington, Sydney, NSW 2021, Australia • Established 1977 Tel: (02) 9332 1840 • Fax: (02) 9331 7431 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open Tues to Fri by appointment, Sat 11-5pm • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. 2. Anon. [George Finey], c1950s. Vintage COLLECTORS’ LIST No. 144, 2010 silver gelatin photograph, 30.7 x 38.2cm. Slight crinkles, minor chips to edges of image. $990 Shows Australian cartoonist George Finey with his self portrait composed of old boots. Australian & International Photography 1. Ansel Adams (American, 1902- 1984). Moon And Half Dome, Yosemite Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Alex Montagnese National Park, California, 1960/later On exhibition from Saturday, 24 July to Saturday, 28 August and on our printing. Silver gelatin photograph, Yosemite National Park authentication website from 30 July. stamp and initialled in ink by printer All items have been illustrated in this catalogue. Prices are in Alan Ross verso, 24.1 x 18cm. Laid Australian dollars and include GST. Exch. rates as at time of printing: down on slightly foxed original present AUD $1.00 = USD $0.87¢; UK £0.57p ation backing. $3,800 © Licence by VISCOPY AUSTRALIA 2010 LRN 5523 Stamp includes “Special edition photographs of Yosemite by Ansel Adams. -
Cross-Section
UNIVERSITY OF MELBOURNE DEPARTMENT OF ARCHITECTURE CROSS-SECTION Issue No. 161 ARCHI I-t, March I, 1966 BRANCH LIBRARY An amazingly accomplished plagiarism on Frank Lloyd Wright's Unity Chapel, this is C. of E. Archbishop P. N. W. Strong's Private Chapel in the grounds of his residence at Eldernell Terrace, B'bane. Conrad & Gargett, archts. Since most architecture in Australia is more or less derived, at third or fourth hand, from various master's works, should we complain when someone swings close back to the source? Photo: Wolfgang Sievers The Scottish-Amicable Building in Queen Street, Melbourne, completed just after the Royal Insurance Building (C-S No. 148) in Collins Street, by the same architects, Yuncken Free- man, is, though not black like the Royal, equally sober. The repeated pattern of pre-cast box framed windows succeeds in being read from oblique view points as a texture rather Photo: Geoff Dauth, Up-dating the Colonial Tropical image, archt. John Dalton, than a pattern and graces the streetscape with its under- with this house at Kenmore B'bane uses rendered concrete statement. There is a fine point of balance where architec- block, oiled box timber walls at first floor level, white conc. ture such as this, if only slightly misjudged by its designer, tile roof, sliding louvred timber screens and large verandahs becomes cruel and repellent. Scottish Amicable keeps on the on the North. right side. At the other end of the city, the Victorian State Offices (C-S No. 125) now under construction, also designed Mr. F. McCardell, ARIBA, ARAIA, of Perth, writes to by Yuncken Freeman, has such a narrow spacing of windows C-S: "Dear Sir, The interview for your article on Syd Ancher and cladding strips that even a slight shift from a per- in Issue No. -
101 Collins Newsletter Summer 2008
Summer 2008 Christmas Competitions The Age Of Turbulence - Alan Greenspan Our Neighbour - The Grand Hyatt Proustian Interview - John Curtis Freehills Get Over It And Get On With It- David Williams Is Architecture Art From the Inside Peter Calwell ince the last edition of the 101 Magazine ongoing and it has given us much confidence GM 101 there have been two art exhibitions held that there will be a significant commitment within the ground floor foyer of the building from building tenants to the pursuit of both of which were very successful. Firstly, sustainability in general and to the specific in August the exhibition by Japanese sculptor programs that have been, and will be, imple- facilities is due for completion in early De- Takahiro Kondo and secondly, the exhibition mented by 101 Collins Street. cember 2008. The completion of this project in September by Yarramunua one of Austral- It is also pleasing that the Tenant Sustain- represents a significant increase in our bike ia’s most prominent indigenous artists. ability Performance Survey has now been storage capacity and I feel sure that all tenants The feedback following both of these released and is accessible via our web site. will be very pleased with the high quality of exhibitions was very positive and as always This survey is open to all those who work the shower/bathroom facilities that will soon commentary from tenants concerning these at 101 Collins Street and I would encourage be available. events is very welcome. everyone to participate. As in past years 101 Collins Street will be Fashion week also came to 101 Collins Aside from assisting us to understand supporting the Anglicare Christmas Appeal Street on 1 September 2008 and once again more fully how tenants within the building and will be purchasing toys and food that will the response was very supportive and the perform in the areas of energy consumption, be placed under the building Christmas tree.