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Australian & International Photography
Australian & International Photography Collectors’ List No. 178, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th Century Photography Established 1977 1. Hill and Adamson Address: 103a Anzac Parade, Kensington (Sydney) NSW (Scot t ish, David 1802-1870; Robert 1821-1848). Pres by Postal: PO Box 93, Kensington NSW 2033, Australia tery Group 24, c1845. Salt Phone: +61 2 9663 4848 • Mobile: 0411 755 887 paper photo graph, 14.4 x 19.6cm. Old stain to upper Email: [email protected] • Website: joseflebovicgallery.com right corner. Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 $12,500 Illustrated in Stevenson, David Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Octa vius Hill and Robert Adam son, Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of 1981, p183, with the caption “The International Photography Art Dealers • International Fine Print Dealers Assoc. reporters’ table - Skene standing, W. Robertson, J.R. Fyfe, John Johnstone, John MacDonald and COLLECTORS’ LIST No. 178, 2015 Rev Andrew Cameron.” Australian & International 2. Hill and Adamson (Scottish, David 1802- Photography 1870; Robert 1821-1848). Unknown Man #31, c1845. Salt paper photograph, 19.6 x 14.4cm. On exhibition from Wed., 5 August to Sat., 26 September. $11,000 Illustrated in Stevenson, David Octavius Hill and Robert All items will be illustrated on our website from 15 August. Adamson, 1981, p119. Prices are in Australian dollars and include GST. Exchange rates as at time of printing: AUD $1.00 = USD $0.74¢; UK £0.47p © Licence by VISCOPY AUSTRALIA 2015 LRN 5523 Compiled by Josef & Jeanne Lebovic, Dimity Kasz, Takeaki Totsuka, Lenka Miklos Cover: Lining Up, c1936. -
Koorie Heritage Trust Annual Report 2015 – 2016 Contents
Koorie Heritage Trust Annual Report 2015 – 2016 Contents Page 2 Wominjeka/Welcome: Vision and Purpose Page 5 Chairperson’s Report Page 6 Chief Executive Officer’s Report Page 12 Our Programs Koorie Family History Service Cultural Education Retail and Venue Hire Collections, Exhibitions and Public Programs Page 42 Activities Page 43 Donors and Supporters Page46 Governance Page 48 Staff Page 50 Financial Report www.koorieheritagetrust.com ABN 72 534 020 156 The Koorie Heritage Trust acknowledges and pays respect to the Traditional Custodians of Melbourne, on whose lands we are located. Warning: Aboriginal and Torres Strait Islanders are advised that this document may contain the names and/or images of people who have passed away. Cover Image: Koorie Heritage Trust, view from level 2, Yarra Building. Photo James Murcia, 2015 Terminology Design: Darren Sylvester The term Koorie is commonly used to describe Aboriginal people of Southeast Australia; Editor: Virginia Fraser however, we recognise the diversity of Aboriginal people living throughout Victoria including Publication Co-ordinator: Giacomina Pradolin Koories and other Aboriginal and Torres Strait Islander (ATSI) people from around Australia. We Text: Koorie Heritage Trust staff have used the term Aboriginal in parts of the report to include all people of ATSI descent. Wominjeka/Welcome: Vision and Purpose Our Vision To live in a society where Aboriginal culture and history are a fundamental part of Victorian life. Our Purpose To promote, support and celebrate the continuing journey of the Aboriginal people of South Eastern Australia. Our Motto Gnokan Danna Murra Kor-ki/Give me your hand my friend. Our Values Respect, honesty, reciprocity, curiosity. -
Art Gallery of New South Wales 2017: Our Year in Review
Art Wales South Gallery New of ART GALLERY OF NEW SOUTH WALES 201 7 2017 ART GALLERY OF NEW SOUTH WALES 2017 2 Art Gallery of New South Wales 2017 Art Gallery of New South Wales 2017 3 Our year in review 4 Art Gallery of New South Wales 2017 6 OUR VISION 7 FROM THE PRESIDENT David Gonski 8 FROM THE DIRECTOR Michael Brand 10 2017 AT A GLANCE 12 SYDNEY MODERN PROJECT 16 ART 42 IDEAS 50 AUDIENCE 62 PARTNERS 78 PEOPLE 86 BOARD OF TRUSTEES 88 EXECUTIVE 89 CONTACTS 90 2018 PREVIEW The Gadigal people of the Eora nation are the traditional custodians of the land on which the Art Gallery of New South Wales stands. We respectfully acknowledge their Elders past, present and future. Our vision From its base in Sydney, the Art Gallery of New South Wales is dedicated to serving the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum for scholarship, art education and the exchange of ideas. page 4: A view from the Grand Courts to the entrance court showing Bertram Mackennal’s Diana wounded 1907–08 and Emily Floyd’s Kesh alphabet 2017. 6 Art Gallery of New South Wales 2017 DAVID GONSKI AC PRESIDENT ART GALLERY OF NEW SOUTH WALES TRUST and the Hon Adam Marshall MP, Glenfiddich, Herbert Smith Freehills, Minister for Tourism and Major Events. JCDecaux, J.P. Morgan, Macquarie Group, Macquarie University, The funding collaboration between McWilliam’s Wines & Champagne government and philanthropists for Taittinger, Paspaley Pearls, Sofitel our expansion will be the largest in FROM Sydney Wentworth, the Sydney the history of Australian arts. -
101 Collins Newsletter Summer 2008
Summer 2008 Christmas Competitions The Age Of Turbulence - Alan Greenspan Our Neighbour - The Grand Hyatt Proustian Interview - John Curtis Freehills Get Over It And Get On With It- David Williams Is Architecture Art From the Inside Peter Calwell ince the last edition of the 101 Magazine ongoing and it has given us much confidence GM 101 there have been two art exhibitions held that there will be a significant commitment within the ground floor foyer of the building from building tenants to the pursuit of both of which were very successful. Firstly, sustainability in general and to the specific in August the exhibition by Japanese sculptor programs that have been, and will be, imple- facilities is due for completion in early De- Takahiro Kondo and secondly, the exhibition mented by 101 Collins Street. cember 2008. The completion of this project in September by Yarramunua one of Austral- It is also pleasing that the Tenant Sustain- represents a significant increase in our bike ia’s most prominent indigenous artists. ability Performance Survey has now been storage capacity and I feel sure that all tenants The feedback following both of these released and is accessible via our web site. will be very pleased with the high quality of exhibitions was very positive and as always This survey is open to all those who work the shower/bathroom facilities that will soon commentary from tenants concerning these at 101 Collins Street and I would encourage be available. events is very welcome. everyone to participate. As in past years 101 Collins Street will be Fashion week also came to 101 Collins Aside from assisting us to understand supporting the Anglicare Christmas Appeal Street on 1 September 2008 and once again more fully how tenants within the building and will be purchasing toys and food that will the response was very supportive and the perform in the areas of energy consumption, be placed under the building Christmas tree. -
Australian and International Photography
Australian and International Photography Collectors’ List No. 151, 2011 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th to Early 20th Century Established 1977 103a Anzac Parade, Kensington (Sydney), NSW Postal: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 151, 2011 Australian & International Photography Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky On exhibition from Wednesday, 29 June to Saturday, 13 August and on our website from 2 July. All items have been illustrated in this catalogue. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $1.05¢; UK £0.65p 1. The 35th Royal Sussex Regiment (Album Compiled by J.J. Twining), c1861-1865. Leather-bound album containing 59 albumen paper photographs and an ink © Licence by VISCOPY AUSTRALIA 2011 LRN 5523 drawing of the Regiment’s coat of arms, most images captioned in ink or pencil on album page, album inscribed and dated in ink on opening pages by owner, J.J. Twining, 7.6 x 7.5cm to 16.7 x 20.7cm (images), 23.5 x 20cm (album). -
Gerald Murnane
WORLD OF THE BOOK Books are mirrors of many worlds: worlds here and distant, past and present, real and imagined. Through text and image, they act as keepers of ideas, of knowledge and of stories. This exhibition showcases many of the rare, beautiful and historically significant books held by this Library on behalf of the Victorian community. It celebrates the unique place of books in our hearts and minds, taking you on a journey through the history of book production, design and illustration, from the medieval era to the present day. BOOKS AND IDEAS ‘[T]he book is an extension of the eye...’ Marshall McLuhan The history of ideas is mirrored in the history of the book. Books have altered the course of history itself, through the dissemination of ideas that have changed how we think about the world and ourselves. In many cultures across different eras, books have played a highly symbolic and iconic role. There was a time when it was thought that the world’s knowledge could be collected between the covers of a book. The information explosion of recent times now makes it impossible to contain the world’s knowledge within one library, let alone in one book, yet books continue to be a powerful means of informing and inspiring new generations. The Dome Galleries You are standing in what was once the book stacks for the whole library. This photograph shows the storage of ‘elephant folios’ (very large books) in this very spot. Librarians used the spiral metal stairs to retrieve the books requested by readers sitting at desks below in the Dome Reading Room. -
Annual Report: 2015–16
Annual ReportAnnual 2015–16 Library Board of Victoria Board Library Library Board of Victoria Annual Report 2015–16 Contents 2 President’s report 4 Chief Executive Officer’s year in review 6 Vision and values 7 Report of operations 22 Financial summary 24 2015–16 key performance indicators 24 Service Agreement with the Minister for Creative Industries 25 Output framework 27 Acquisitions statistics 2015–16 28 Library Board and corporate governance 33 Library Executive 34 Organisational structure 35 Reconciliation of executive officers 36 Major contracts 36 Victorian Industry Participation Policy 36 National Competition Policy 36 Compliance with the Building Act 1993 37 Financial information 38 Occupational health and safety performance measures 39 Public sector values and employment principles 40 Statement of workforce data and merit and equity 41 Environmental performance 42 Freedom of information 43 Protected Disclosure Act 2012 43 Disability Action Plan 43 Government advertising expenditure 44 Consultancies 45 Risk attestation Financial statements 47 Auditor-General’s report 49 Library Board of Victoria letter 50 Financial report for year ended 30 June 2016 57 Notes to the financial statements 114 Disclosure index President’s report I am pleased to present my fifth report as the We were delighted to welcome Kate Torney as President of the Library Board of Victoria. our new Chief Executive Officer in November last year. Kate came to the Library leadership There is much good news to report. Our Vision role with more than 20 years in the information 2020 building project progresses apace – in industry, most recently as Director of News at the September last year we were thrilled that the Ian Australian Broadcasting Corporation. -
Tracey Moffatt Exhibitions
TRACEY MOFFATT Born 1960, Australia Lives New York and Sydney SOLO EXHIBITIONS 2018 The Travellers, Tyler Rollins Fine Art, New York 2017 My Horizon, Australian Pavilion, 57th Venice Biennale, Venice, Italy. Tracey Moffatt Montages, MASP, Sao Paulo, Brazil. Tracey Moffatt, Bega Valley Regional Gallery, Bega, Australia. Montages: The Full Cut, 1999-2015, touring through regional galleries Australia in 2017-2018. 2016 Laudanum and other works, Art Gallery of New South Wales, Sydney, Australia. Tracey Moffatt Other 2009, Len Lye Centre Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand. Montages: The Full Cut, 1999-2015, Artspace, Sydney, Australia. 2015 Kaleidoscope, Perth Institute of Contemporary Art, Perth, Australia. Art Calls, Centre For Contemporary Photography, Melbourne, Australia. THE ART, Night Cap QT Hotel, Sydney Contemporary, Sydney, Australia. 2014 Tracey Moffatt: In the Gallery and on TV, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia 2013 Spirit Landscapes, Roslyn Oxley9 Gallery, Sydney Spirit Landscapes, Tyler Rollins Fine Art, New York, USA 2012 Tracey Moffatt, Museum of Modern Art, New York, USA Tracey Moffatt and Gary Hillberg, Vox Populi Gallery, Philiadelphia, USA Tracey Moffatt: Other, Art Gallery of Ballarat, Australia Tracey Moffatt, Glasshouse Gallery, Port Macquarie, Australia Tracey Moffatt: Narratives, Gosford Regional Gallery, Australia 2011 Tracey Moffatt: Still and Moving, Tyler Rollins Fine Art, New York, USA Handmade, Artpace San Antonio, San Antonio, Texas, USA Tracey Moffat: -
SL Magazine Readers for Supporting the Library This Year
–Magazine for members Summer 2013–14 SL Message Transforming an icon The State Library of NSW, and especially the much-loved ontents Mitchell Library, is an icon. Not only are the steps and Summer 2013–14 portico of the Mitchell a landmark of Sydney, but the Library’s collections are a landmark of scholarship: 4 Christmas 27 PROVENANCE telling of our history, they are used by students and in the colony World of silver scholars to shape our future. From the great legacies of David Scott Mitchell, 6 NEWS 28 FEATURE Sir William Dixson and a host of other benefactors — Vox pop Trout fishing whose generosity continues today — to collecting today’s born Hidden gems at Kosciuszko digital culture, this Library is truly the home of Australiana. History awards That heritage is becoming much more accessible through 32 NEW ACQUISITIONS Macquarie’s medicine the Library’s leading edge Digital Excellence program. Speaking in pictures In 2012–13, we scanned 2.4 million newspaper pages to put Interrobang Getting physical on the National Library ’s Trove website, and we are starting SL This sporting life to digitise the David Scott Mitchell books and our intensely C 8 ON THIS DAY THE MAGAZINE FOR STATE LIBRARY OF NSW FOUNDATION MEMBERS, moving collection of World War I diaries. MACQUARIE STREET FRIENDS AND VOLUNTEERS SPECIAL NEWS 36 POSTCARD SYDNEY NSW 2000 10 A similar transformation is under way in our buildings. IS PUBLISHED QUARTERLY BY THE LIBRARY COUNCIL PHONE (02) 9273 1414 Renew ing The other Mitchell The bright and airy refurbishment of the Macquarie Wing OF NSW. -
26 March 2017 EXHIBITION WALL LABELS Drafted by Max Dela
SOVEREIGNTY Australian Centre for Contemporary Art 17 December 2016 – 26 March 2017 EXHIBITION WALL LABELS Drafted by Max Delany, Paola Balla and Stephanie Berlangieri BROOK ANDREW Born 1970, Sydney Wiradjuri Lives and works in Melbourne Against all odds 2005 Hope and Peace series screenprint 100.0 x 98.0 cm Private Collection, Melbourne Black and White: Special Cut 2005 Hope and Peace series screenprint 100.0 x 98.0 cm Private Collection, Melbourne Maralinga clock 2015 inkjet and metallic foil on linen 280.0 x 160.0 x 120.0 cm Courtesy the artist and Tolarno Galleries, Melbourne; Roslyn Oxley 9, Sydney; and Galerie Nathalie Obadia, Paris and Brussels The weight of history, the mark of time (sphere) 2015 coated nylon, fan, LED 500.0 cm (diameter) Courtesy the artist and Tolarno Galleries, Melbourne; Roslyn Oxley 9, Sydney; and Galerie Nathalie Obadia, Paris and Brussels Brook Andrew’s practice encompasses bold inter-disciplinary projects that explore the ongoing histories, image cultures and effects of colonialism and modernity. Presented in Sovereignty is a selection of works from over the past decade. Andrew’s silkscreen prints, from the Hope and Peace series of 2005, deftly connect the traditions of pop art and political posters in a form of agit-pop. Alongside these are presented two sculptural works: a large, soft sculpture Maralinga clock 2015, based on a souvenir clock in the collection of Sydney’s Powerhouse Museum which commemorates the British nuclear test explosions on the desert homelands of the Tjarutja people; and The weight of history, the mark of time (sphere) 2015, a living, breathing balloon form adorned with a distinctive design inspired by the artist’s Wiradjuri heritage. -
Brenda L.Croft
Up in the sky, behind the clouds Brenda L. Croft I do what I do because I like doing it, I’m not chasing fame … Photography is just a medium for me, a way of putting across my views and images to the world. It’s no big deal.1 Big sky. Flat, open plains. Scudding clouds, as if swept across the canvas by a colossal invisible hand. The plane shudders as its landing gear drops – clunk – and, when its wing dips to the right, the black soil of Moree rises up in greeting. I was travelling there to meet with the family and friends of Michael Riley (1960– 2004), whose mother’s people were part of the Moree Kamilaroi community, and whose father’s people came from the red-soil western plains of Dubbo, Wiradjuri country, to the south, where I had travelled some weeks earlier. How do you measure a person’s life? Through their creative output? Their traces left behind, the memento mori? Through the reminiscences of others, in the spoken and written word? Through their family, their ancestors and descendants? Michael left us physically in August 2004, aged 44, suffering the after- effects of childhood poverty – the fate of too many Indigenous people in Australia, a First-World country, where the majority of the Indigenous people continue to live in Third-World conditions. By any standards Michael’s life was extraordinary and he has left behind a body of work that encompasses the complexity of contemporary Aboriginal life in myriad forms: portraiture, social-documentary and conceptual photography and film, and fine-art film. -
Annual Report 2016–17 Art Gallery of Ballarat
ANNUAL REPORT 2016–17 ART GALLERY OF BALLARAT ANNUAL REPORT 2016–17 1 ART GALLERY OF BALLARAT ANNUAL REPORT 2016–17 2 ART GALLERY OF BALLARAT CONTENTS Vision ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 2 Mission ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 3 Year at a glance ––––––––––––––––––––––––––––––––––––––––––––––––––––––– 4 Director’s report ––––––––––––––––––––––––––––––––––––––––––––––––––––––– 6 Chair’s report –––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 8 Board of Directors –––––––––––––––––––––––––––––––––––––––––––––––––––– 10 Voluntary guides ––––––––––––––––––––––––––––––––––––––––––––––––––––– 12 Exhibitions ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 14 Outward loans –––––––––––––––––––––––––––––––––––––––––––––––––––––––– 16 Acquisitions –––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 18 Public programs –––––––––––––––––––––––––––––––––––––––––––––––––––––– 36 Education –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 42 Staff and volunteers –––––––––––––––––––––––––––––––––––––––––––––––––– 44 Support –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 46 Budget summary ––––––––––––––––––––––––––––––––––––––––––––––––––––– 48 ANNUAL REPORT 2016–17 3 ART GALLERY OF BALLARAT OUR VISION THE ART GALLERY OF BALLARAT – WHERE ART INSPIRES, STIMULATES AND CHALLENGES ANNUAL REPORT 2016–17 4 ART GALLERY OF BALLARAT OUR MISSION TO FOSTER AND ENRICH THE CULTURAL LIFE OF OUR CITY, OUR REGION AND THE NATION BY ACQUIRING, CONSERVING