DOCSLIB.ORG

Art Gallery of New South Wales Annual Report 2018-19

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art Gallery of New South Wales Annual Report 2018-19 Annual Report 2018–19 The Art Gallery of New South Wales ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2018–19 2 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2018–19 The Gadigal people of the Eora nation are the traditional custodians of the land on which the Art Gallery of New South Wales is located. The Hon Don Harwin MLC Minister for the Arts Parliament of New South Wales Macquarie Street SYDNEY NSW 2000 Dear Minister, It is our pleasure to forward to you for presentation to the NSW Parliament the Annual Report for the Art Gallery of New South Wales for the year ended 30 June 2019. This report has been prepared in accordance with the provisions of the Annual Report (Statutory Bodies) Act 1984 and the Annual Reports (Statutory Bodies) Regulations 2010. Yours sincerely, Mr David Gonski AC Dr Michael Brand President Director Art Gallery of New South Wales Trust Art Gallery of New South Wales 12 October 2019 Contents 8 PRESIDENT’S FOREWORD 10 DIRECTOR’S STATEMENT 14 STRATEGIC GOAL 1: CAMPUS 16 STRATEGIC GOAL 2: ART 50 STRATEGIC GOAL 3: AUDIENCE 58 STRATEGIC GOAL 4: STRENGTH 68 STRATEGIC GOAL 5: PEOPLE 91 FINANCIAL REPORTS © Art Gallery of New South Wales Compiled by Emily Crocker Designed by Trudi Fletcher Edited by Lisa Girault Art Gallery of New South Wales ABN 24 934 492 575. Entity name: The Trustee for Art Gallery of NSW Trust. The Art Gallery of New South Wales is a statutory body established under the Art COVER: Grace Cossington Smith, The window 1956, Gallery of New South Wales Act 1980 and, oil on hardboard, 121.9 x 91.5 cm, Art Gallery of from 15 March 2017 to 30 June 2019, an New South Wales, gift of Graham and Judy Martin 2014, executive agency related to the Department assisted by the Australian Masterpiece Fund © Estate of of Planning and Environment. Grace Cossington Smith, Photo: AGNSW ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2018–19 6 Highlights 1.5 million 298 794 61% of education program visitors visitors participants were from came to the Gallery, attended our public and Western Sydney and Brett Whiteley Studio education programs regional NSW and attended our touring exhibitions – 90 767 students and teachers participated in education programs – 59 258 visitors engaged with family experiences – 43 312 people participated in other public programs – 67 180 visitors attended a guided tour 247 – 38 277 film program 21% growth volunteer attendees YouTube subscribers guides and Task Force members 26% growth Instagram followers 24 262 volunteer hours 6% growth Facebook fans 57 650 Art After Hours 61 669 attendees ARTEXPRESS 2019 attendees 7 $1.407 $5.683 $116.1 billion million million total value of art collection cash sponsorship total Gallery revenue, including NSW Government’s recurrent contribution 730 artworks of $25.4 million acquired $2.024 million in-kind support $12.3 million worth of artworks purchased and gifted to collection $103.5 35 198 million pledged to Sydney Modern artworks Project Capital Campaign in collection $200 000+ to Australian artists in art prizes 919 (2019) Archibald Prize entries in 2019 – an all-time record ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2018–19 8 President’s foreword As we look forward to construction Beyond the success of the Capital Presenting sponsor EY and principal commencing on the new building, the Campaign, the Gallery is fortunate donor Singapore Airlines enabled reimagining of our art museum must to enjoy a strong network of further the Gallery to bring artworks from be underpinned by a strategic supporters. The generosity of the Art St Petersburg to Sydney for the major framework that provides structure Gallery of New South Wales Foundation summer exhibition Masters of modern to our imaginings and insists on and other benefactors enables us to art from the Hermitage. excellence in all we do. grow our collection, while our corporate partners and sponsors make it possible We are also most appreciative of our This year, the Board of Trustees for people from all walks of life to better major partners Clemenger BBDO, endorsed and adopted the Strategic access, experience and appreciate art. Robert Oatley Wines, Sofitel Sydney Plan 2023, which supports the Wentworth and the Woolmark Gallery’s continued transformation Now in its ninth year, the Sydney Company, as well as our support and expansion, not only in our physical International Art Series represents partners Crestone, Glenfiddich and premises but in how we consider, a rewarding partnership with Hendrick’s Gin, Paspaley Pearls and present and interpret art. The Plan Destination NSW which this year saw Porter’s Original Paints. Thanks also sets a path for us to continue to go us showcasing modern masterpieces to the City of Sydney and media beyond ‘business as usual’ and to from The State Hermitage Museum in partners The Sydney Morning Herald meet the commitments and aspirations St Petersburg. and JCDecaux. of the new building. This includes almost doubling space for the display I note with appreciation the support The ongoing support of the President’s and enjoyment of art, a significant during the year of our leadership Council and VisAsia Council in 2018–19 expansion of educational and public partners ANZ and Macquarie enabled us to stage two unique and programming, and an expected University. Their investment with the important exhibitions, respectively increase in Gallery visitation to two Gallery has ranged from sponsorship John Russell: Australia’s French million people a year. of major exhibitions including the impressionist and Heaven and earth Archibald, Wynne and Sulman prizes, in Chinese art: treasures from the In striving for these goals, our biggest John Russell: Australia’s French National Palace Museum, Taipei. We supporter is of course the NSW impressionist; and The essential also continue to provide access to Government, which has made an Duchamp, to innovative investments the arts in Western Sydney through unprecedented investment in our in young emerging artists through Art Pathways, thanks to the major state art museum through the new ARTEXPRESS, in young creatives grants provided by the Crown Resorts building project as well as its recurrent through the Youth Collective’s FOMArt Foundation and the Packer Family operational funding. All of us at the initiative, as well as in the Gallery’s Foundation. Gallery are very grateful for this. flagship free Wednesday evening program, Art After Hours. This year the Gallery was proud to This support is complemented by the launch the Fearless program, which philanthropic community. Following In 2018–19, support from presenting raises funds for the conservation and the most successful capital campaign sponsors allowed us to host display of works by women artists, of its kind in Australia, in December outstanding exhibitions and a wide while providing business development 2018 we announced that the Gallery range of programming. Thanks to opportunities for female executives. had secured $103.5 million in private Aqualand for its continued support of Thanks to those companies and support for the expansion project, a wide range of Gallery activities; individuals who have embraced this exceeding our original target of Herbert Smith Freehills, our legal important initiative for gender equity $100 million. This is a measure of the partner and supporter of our Asian in the arts. community’s strong support for our Galleries; Macquarie Group, which project as well as the stellar efforts supports the Australian collection; of the Capital Campaign Committee, and UBS, which invests in modern chaired by Dr Mark Nelson. On behalf and contemporary art, including of the Gallery’s trustees and staff, the The National 2019: new Australian artists whose work will fill the new art and The essential Duchamp. building, and the people who will enjoy JP Morgan’s support of the Brett this new cultural asset, my heartfelt Whiteley Studio and Brett Whiteley: thanks to the Campaign donors – listed drawing is everything continues the on page 65 – whose generosity has legacy of this important artist. set a new high-water mark for arts philanthropy in this country. 9 Our supporters’ generosity is not only While acknowledging the present material. One of the greatest gifts Gallery staff, I want to note my we receive each year is the time and sadness at the loss this year of expertise of volunteers who enable us Edmund Capon AM OBE, who served to share our collection and outstanding at the Gallery from 1978 to 2011 experiences with our visitors. I thank and whose passing we mourned in each of them for their personal March. In his 33 years at the Gallery, commitment to our Gallery. Edmund led this institution as it grew its attendance, expanded its I recognise the extraordinary support collection and blossomed into a of a few other individuals, including the cultural landmark. He undoubtedly built Premier of New South Wales, the the foundations upon which we are Hon Gladys Berejiklian MP and the operating today. It was a privilege to Hon Don Harwin MLC, Minister for work with him in my previous tenure as the Arts, who are ongoing champions president, and my thoughts remain with of the Gallery. We also appreciate his wife Joanna and their family. the support of NSW Treasurer, the Hon Dominic Perrottet MP and other Finally, I acknowledge with gratitude members of cabinet who have the invaluable contributions of engaged with and advocated for our my fellow trustees. In January we expansion plans. welcomed two exceptional new trustees – Sally Herman and John Between March and June 2019, Borghetti AO – while Ben Quilty and I the Gallery and its fellow cultural were reappointed for another term. I institutions began the process of particularly note the leadership of vice transition to the Department of president Gretel Packer and sub- Premier and Cabinet.
Load more

Recommended publications
  • Emu Island: Modernism in Place
    Emu Island: Modernism in Place Visual Arts Syllabus Stages 5 - 6 CONTENTS 3 Introduction to Emu Island: Modernism in Place 4 Introduction to education resource Syllabus Links Conceptual framework: Modernism 6 Modernism in Sydney 7 Gerald and Margo Lewers: The Biography 10 Timeline 11 Mud Map Case study – Sydney Modernism Art and Architecture Focus Artists 13 Tony Tuckson 14 Carl Plate 16 Frank Hinder 18 Desiderius Orban 20 Modernist Architecture 21 Ancher House 23 Young Moderns 24 References 25 Bibliography Front Page Margel Hinder Frank Hinder Currawongs Untitled c1946 1945 shale and aluminium collage and gouache on paper 25.2 x 27 x 11 24 x 29 Gift of Tanya Crothers and Darani Penrith Regional Gallery & The Lewers, 1980 Lewers Bequest Collection Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Copyright courtesy of the Estate of Margel Hinder Emu Island: Modernism in Place Emu Island: Modernism in Place celebrates 75 years of Modernist art and living. Once the home and studio of artist Margo and Gerald Lewers, the gallery site, was, as it is today - a place of lively debate, artistic creation and exhibitions at the foot of the Blue Mountains. The gallery is located on River Road beside the banks of the Nepean River. Once called Emu Island, Emu Plains was considered to be the land’s end, but as the home of artist Margo and Gerald Lewers it became the place for new beginnings. Creating a home founded on the principles of modernism, the Lewers lived, worked and entertained like-minded contemporaries set on fostering modernism as a holistic way of living.
    [Show full text]
  • NBA MLB NFL NHL MLS WNBA American Athletic
    Facilities That Have the AlterG® ® Anti-Gravity Treadmill Texas Rangers LA Galaxy NBA Toronto Blue Jays (2) Minnesota United Atlanta Hawks (2) Washington Nationals (2) New York City FC Brooklyn Nets New York Red Bulls Boston Celtics Orlando City SC Charlotte Hornets (2) NFL Real Salt Lake Chicago Bulls Atlanta Falcons San Jose Earthquakes Cleveland Cavaliers Sporting KC Denver Nuggets Arizona Cardinals (2) Detroit Pistons Baltimore Ravens Golden State Warriors Buffalo Bills WNBA Houston Rockets Carolina Panthers Indiana Pacers Chicago Bears New York Liberty Los Angeles Lakers Cincinnati Bengals Los Angeles Clippers Cleveland Browns COLLEGE/UNIVERSITY Memphis Grizzlies Dallas Cowboys PHYSICAL THERAPY (3) PROGRAMS Miami Heat Denver Broncos Milwaukee Bucks (2) Detroit Lions Florida Gulf Coast University Minnesota Timberwolves Green Bay Packers Chapman University (2) New York Knicks Houston Texans Northern Arizona University New Orleans Pelicans Indianapolis Colts Marquette University Oklahoma City Thunder Jacksonville Jaguars University of Southern California Orlando Magic Kansas City Chiefs (2) University of Delaware Philadelphia 76ers Los Angeles Rams Samuel Merritt University Phoenix Suns (2) Miami Dolphins Georgia Regents University Hardin- Portland Trailblazers Sacramento Minnesota Vikings Simmons University Kings New England Patriots High Point University San Antonio Spurs New Orleans Saints Long Beach State University Utah Jazz New York Giants Chapman University (2) Washington Wizards New York Jets University of Texas at Arlington-
    [Show full text]
  • AUIP Itinerary
    Itinerary for PSU SOVA 2021 Social and Cultural Explorations in the Visual Arts: in Sydney, Australia 13 July 2021 - 24 July 2021 Tuesday 13 July Day 1: Sydney 8:50 AM Group flight arrives 9:30 AM Welcome to Sydney Your guide for today’s walking tour will greet you upon arrival at the airport with a sign that reads "PENN STATE UNIVERSITY." Please meet at Exit A at the northern end of the terminal. If you miss your flight and will be arriving late, please contact your faculty leader, Dr. Angela Rothrock (Phone: 011 61 420 675 797 or Email: [email protected]), to let her know when you will be arriving. You will then be responsible for making your own way from the airport to the accommodation. Please notify your family of your safe arrival. 10:15 AM Depart by coach to Travelodge Sydney (travel time approximately 30 minutes) Please store your luggage at Travelodge Sydney. You will be able to check in after 3:30 PM. Please notify hotel staff of any valuables (laptop computers, jewellery, electronics, etc.) and they can lock them in a secure room for you. 11:10 AM Depart by coach to The Rocks historic neighborhood (travel time approximately 20 minutes) 11:30 AM Guided walking tour of The Rocks Your guide will provide you with a detailed history of The Rocks as you visit sites of interest in the area. Topics include Aboriginal history and culture, Australia’s history as a convict penal colony, the start of European migration to Australia and Sydney landmarks.
    [Show full text]
  • Re Particularly Interested in the Live PROGRAM 01· Exhibits)
    AUSTRALIAN MUSEUM A n n u a f ''Re p a r t A M eAnnua{ Report o{ the AUSTRALIAN MUSEUM ISSN 1039 • ·1141 To the Hon Bob Carr MP fre111i£'r a/1(/ t(illister /('1 rite · lrts Sir. In accordance with the provisions of the Annual Reports (Statutory Bodies) Act 1984. and the Public Finance and Audit Act 1983. we have pleasure in submitting this report of the activities of the Australian Museum Trust for the financial year ended 30 June 1996 for presentation to Parliament. On behalf of the Australian Museum Trust. Dr Des Griffin AM Mr Malcolm Long Secrrfm·lf fi/ tfu, .Jmsl fresic/elll oj tlte Jmsl AUS IR AL I AN MUSE UM 6 College Street Sydney 2000 Phone: (02) 9320 6000 Internet: i1ifol @amsg .Austmus.gov.au Open 7 days (except Chnstmas Day) 9.30am to 5pm Admission Charges: Family $12, Child $2, Adults $5, Concession $3, Seniors and TAMS Members Free . contents Statement of Ph1losophy 4 Introduction 6 Highlights 7 Premier's Message 8 President's Message 10 Director's Message 12 PubliC Programs and Marketing 16 Sc1ence m the Museum 22 Commerc1al Act1V1t1es 36 Corporate Serv1ces 40 Fmanc1al Statements 46 Appendices Trust 62 Management Structure 64 Staff 66 Publ1cat1ons 70 Sponsors 83 Index 84 statement of philosophy The future of our natural environment and cultural heritage IS of central concern: we intend to join in public debate and g1ve adv1ce to government, the community and business. where we have special knowledge The Australian Museum is comm1tted to: • Excellence in research and scholarship 1n natural science and human studies for the benefit of current and future generations.
    [Show full text]
  • Legislative Council- PROOF Page 1
    Tuesday, 15 October 2019 Legislative Council- PROOF Page 1 LEGISLATIVE COUNCIL Tuesday, 15 October 2019 The PRESIDENT (The Hon. John George Ajaka) took the chair at 14:30. The PRESIDENT read the prayers and acknowledged the Gadigal clan of the Eora nation and its elders and thanked them for their custodianship of this land. Governor ADMINISTRATION OF THE GOVERNMENT The PRESIDENT: I report receipt of a message regarding the administration of the Government. Bills ABORTION LAW REFORM BILL 2019 Assent The PRESIDENT: I report receipt of message from the Governor notifying Her Excellency's assent to the bill. REPRODUCTIVE HEALTH CARE REFORM BILL 2019 Protest The PRESIDENT: I report receipt of the following communication from the Official Secretary to the Governor of New South Wales: GOVERNMENT HOUSE SYDNEY Wednesday, 2 October, 2019 The Clerk of the Parliaments Dear Mr Blunt, I write at Her Excellency's command, to acknowledge receipt of the Protest made on 26 September 2019, under Standing Order 161 of the Legislative Council, against the Bill introduced as the "Reproductive Health Care Reform Bill 2019" that was amended so as to change the title to the "Abortion Law Reform Bill 2019'" by the following honourable members of the Legislative Council, namely: The Hon. Rodney Roberts, MLC The Hon. Mark Banasiak, MLC The Hon. Louis Amato, MLC The Hon. Courtney Houssos, MLC The Hon. Gregory Donnelly, MLC The Hon. Reverend Frederick Nile, MLC The Hon. Shaoquett Moselmane, MLC The Hon. Robert Borsak, MLC The Hon. Matthew Mason-Cox, MLC The Hon. Mark Latham, MLC I advise that Her Excellency the Governor notes the protest by the honourable members.
    [Show full text]
  • Emu Island: Modernism in Place 26 August — 19 November 2017
    PenrithIan Milliss: Regional Gallery & Modernism in Sydney and InternationalThe Lewers Trends Bequest Emu Island: Modernism in Place 26 August — 19 November 2017 Emu Island: Modernism in Place Penrith Regional Gallery & The Lewers Bequest 1 Spring Exhibition Suite 26 August — 19 November 2017 Introduction 75 Years. A celebration of life, art and exhibition This year Penrith Regional Gallery & The Lewers Bequest celebrates 75 years of art practice and exhibition on this site. In 1942, Gerald Lewers purchased this property to use as an occasional residence while working nearby as manager of quarrying company Farley and Lewers. A decade later, the property became the family home of Gerald and Margo Lewers and their two daughters, Darani and Tanya. It was here the family pursued their individual practices as artists and welcomed many Sydney artists, architects, writers and intellectuals. At this site in Western Sydney, modernist thinking and art practice was nurtured and flourished. Upon the passing of Margo Lewers in 1978, the daughters of Margo and Gerald Lewers sought to honour their mother’s wish that the house and garden at Emu Plains be gifted to the people of Penrith along with artworks which today form the basis of the Gallery’s collection. Received by Penrith City Council in 1980, the Neville Wran led state government supported the gift with additional funds to create a purpose built gallery on site. Opened in 1981, the gallery supports a seasonal exhibition, education and public program. Please see our website for details penrithregionalgallery.org Cover: Frank Hinder Untitled c1945 pencil on paper 24.5 x 17.2 Gift of Frank Hinder, 1983 Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Penrith Regional Gallery & The Lewers Bequest 2 Spring Exhibition Suite 26 August — 19 November 2017 Introduction Welcome to Penrith Regional Gallery & The of ten early career artists displays the on-going Lewers Bequest Spring Exhibition Program.
    [Show full text]
  • Peta Clancy Christopher Day Destiny
    Peta Clancy Christopher Day Destiny Deacon Michaela Gleave Nasim Nasr Sara Oscar Julie Rrap Khaled Sabsabi Yhonnie Scarce Angela Tiatia Christian Thompson Kawita Vatanajyankur Daniel von Sturmer Justene Williams William Yang Under the sun: Reimagining Max Dupain’s Sunbaker Published to accompany the exhibition Under the sun: Reimagining Max Dupain’s Sunbaker presented at The State Library of New South Wales 18 February – 17 April 2017 Monash Gallery of Art 6 May – 6 August 2017 Australian Centre for Photography Director Cherie McNair Curator Claire Monneraye Exhibition Partners Curatorial Assistant Casuarina Bird Education & Public Programs Manager Antoinette Clements ACP acknowledges the key contribution of Catherine Baldwin, Interim Director to the project development and completion. ACP thanks all the staff members from the State Library of New South Wales and Monash Gallery of Art that have contributed to the development of this project. Commissioning Partners Funding Partners John and Kate Armati Andrew and Kate Jerogin Lisa Paulsen Neill and Jane Whiston Medich Foundation This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. Graphic Design Kirk Palmer Design Printer Shepson Printing ISBN 978-0-6480417-0-2 @ Australian Centre for Photography Message from the Minister What better way to celebrate Australian contemporary photography than to attend Under the sun: Reimagining Max Dupain’s Sunbaker, an innovative and thought-provoking exhibition in which 15 leading artists respond to Max Dupain’s iconic image, Sunbaker. In Under the sun, each newly-commissioned work represents a unique interpretation of the 1937 photograph and incorporates a wide range of techniques, showcasing the talent and diversity of the participating artists.
    [Show full text]
  • LOOK Exhibition Checklist (PDF .37MB)
    LOOK: Charles Darwin University Art Collection Charles Darwin University Art Gallery 29 February – 29 June 2012 Chancellery Building Orange 12.1.02 Casuarina Campus 1 Sidney Wilson 100 x 50cm [image]; 120 x 73.5 cm [paper] Dugong 2008 Gifted by the artist & Northern Editions Synthetic polymer paint on canoe tree Printmaking Studio, 2010 – CDU1890 wood; black glass beads 50cm [length] x 9cm [width], approx. 7 Bronwyn Wright Acquired by purchase, 2011 – CDU2294 Leaping Dog 2005 Digital type C print (colour on metallic paper) 2 Therese Ritchie 26.8 x 36.1 cm [image]; 30 x 39cm [paper] Luju ka wirntimi (Woman Dancing) [2000] Gifted by the artist, October 2006 – CDU1287 Inkjet print on German etching paper 59.5 x 60cm [image] 8 Susan Marawarr NDY Edition, 2010 – on loan from the artist Korlngkarri (place name) 1999 Screenprint, WP edn 25 3 Therese Ritchie Collaborators: Leon Stainer/Monique Auricchio Wati-jarra kapala jurrka-pinyi (Two men Printer: Gilbert Herrada dancing) [2000] 49 x 68.5cm [image]; 56 x 76cm [paper] Inkjet print on German etching paper Gifted by the artist & Northern Editions 59.5 x 60cm [image] Printmaking Workshop, 1999 – NTU730 NDY Edition, 2010 – on loan from the artist 9 Angelina George 4 Therese Ritchie Rainbow Serpent Dreaming 2004 Luju ka wirntimi (Woman Dancing) 2 [2000] Acrylic on linen, 121 x 96 cm Inkjet print on German etching paper Acquired by purchase, December 2005 – 59.5 x 60cm [image] CDU1272 NDY Edition, 2010 – on loan from the artist 10 Pepai Jangala Carroll 5 Kuruwarriyingathi Bijarrb (Paula Paul) Ininti
    [Show full text]
  • Important Australian and Aboriginal
    IMPORTANT AUSTRALIAN AND ABORIGINAL ART including The Hobbs Collection and The Croft Zemaitis Collection Wednesday 20 June 2018 Sydney INSIDE FRONT COVER IMPORTANT AUSTRALIAN AND ABORIGINAL ART including the Collection of the Late Michael Hobbs OAM the Collection of Bonita Croft and the Late Gene Zemaitis Wednesday 20 June 6:00pm NCJWA Hall, Sydney MELBOURNE VIEWING BIDS ENQUIRIES PHYSICAL CONDITION Tasma Terrace Online bidding will be available Merryn Schriever OF LOTS IN THIS AUCTION 6 Parliament Place, for the auction. For further Director PLEASE NOTE THAT THERE East Melbourne VIC 3002 information please visit: +61 (0) 414 846 493 mob IS NO REFERENCE IN THIS www.bonhams.com [email protected] CATALOGUE TO THE PHYSICAL Friday 1 – Sunday 3 June CONDITION OF ANY LOT. 10am – 5pm All bidders are advised to Alex Clark INTENDING BIDDERS MUST read the important information Australian and International Art SATISFY THEMSELVES AS SYDNEY VIEWING on the following pages relating Specialist TO THE CONDITION OF ANY NCJWA Hall to bidding, payment, collection, +61 (0) 413 283 326 mob LOT AS SPECIFIED IN CLAUSE 111 Queen Street and storage of any purchases. [email protected] 14 OF THE NOTICE TO Woollahra NSW 2025 BIDDERS CONTAINED AT THE IMPORTANT INFORMATION Francesca Cavazzini END OF THIS CATALOGUE. Friday 14 – Tuesday 19 June The United States Government Aboriginal and International Art 10am – 5pm has banned the import of ivory Art Specialist As a courtesy to intending into the USA. Lots containing +61 (0) 416 022 822 mob bidders, Bonhams will provide a SALE NUMBER ivory are indicated by the symbol francesca.cavazzini@bonhams.
    [Show full text]
  • Australian & International Photography
    Australian & International Photography Collectors’ List No. 178, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th Century Photography Established 1977 1. Hill and Adamson Address: 103a Anzac Parade, Kensington (Sydney) NSW (Scot t ish, David 1802-1870; Robert 1821-1848). Pres by­ Postal: PO Box 93, Kensington NSW 2033, Australia tery Group 24, c1845. Salt Phone: +61 2 9663 4848 • Mobile: 0411 755 887 paper photo graph, 14.4 x 19.6cm. Old stain to upper Email: [email protected] • Website: joseflebovicgallery.com right corner. Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 $12,500 Illustrated in Stevenson, David Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Octa vius Hill and Robert Adam son, Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of 1981, p183, with the caption “The International Photography Art Dealers • International Fine Print Dealers Assoc. reporters’ table - Skene standing, W. Robertson, J.R. Fyfe, John Johnstone, John MacDonald and COLLECTORS’ LIST No. 178, 2015 Rev Andrew Cameron.” Australian & International 2. Hill and Adamson (Scottish, David 1802- Photography 1870; Robert 1821-1848). Unknown Man #31, c1845. Salt paper photograph, 19.6 x 14.4cm. On exhibition from Wed., 5 August to Sat., 26 September. $11,000 Illustrated in Stevenson, David Octavius Hill and Robert All items will be illustrated on our website from 15 August. Adamson, 1981, p119. Prices are in Australian dollars and include GST. Exchange rates as at time of printing: AUD $1.00 = USD $0.74¢; UK £0.47p © Licence by VISCOPY AUSTRALIA 2015 LRN 5523 Compiled by Josef & Jeanne Lebovic, Dimity Kasz, Takeaki Totsuka, Lenka Miklos Cover: Lining Up, c1936.
    [Show full text]
  • Hon Natalie Ward
    The Hon. NATALIE WARD (18:08): It is an honour to be in this place and a privilege to speak for the first time. I am humbled to have the opportunity to serve as a member of the Legislative Council. I will serve with humility and courage. I cannot claim to arrive here from a disadvantaged background. I was blessed with a loving, stable, happy family home. My parents worked hard to provide me with an excellent education. It was strong family values and love that allowed me to develop my faith, my work ethic, and a strong desire to serve. I would like to thank my parents, Dianne and David Ward, for igniting my passion to serve. My work as a lawyer and political adviser later exposed me to the reality of the hardships faced by people from many different cultural and social backgrounds. That experience has only further ignited my desire to change things for the better. Many an inaugural speech has contained a moving quote by a revered member of this planet, and I am not going to disrupt the status quo—well, not tonight. It was Martin Luther King who said: Life's most persistent question is, "What are you doing for others?" More exciting than that statement was the resulting holiday in honour of King—a day of service where everyone stops to do something for someone else. King was right when he acknowledged that service makes the world a better place. I acknowledge the volunteers in this State. I acknowledge those in the Rural Fire Service [RFS] and Rotary clubs, on Parents and Citizens boards, lifesavers on patrol, and volunteers at local Shute Shield Rugby clubs—those who passionately commit themselves to their communities.
    [Show full text]
  • Art Aborigène, Australie Samedi 10 Décembre 2016 À 16H30
    Art Aborigène, Australie Samedi 10 décembre 2016 à 16h30 Expositions publiques Vendredi 9 décembre 2016 de 10h30 à 18h30 Samedi 10 décembre 2016 de 10h30 à 15h00 Expert Marc Yvonnou Tel : + 33 (0)6 50 99 30 31 Responsable de la vente Nathalie Mangeot, Commissaire-Priseur [email protected] Tel : +33 (0)1 48 00 94 24 / Port : +33 (0)6 34 05 27 59 En partenariat avec Collection Anne de Wall* et à divers collectionneurs australiens, belges, et français La peinture aborigène n’est pas une peinture de chevalet. Les toiles sont peintes à même le sol. L’orientation des peintures est le plus souvent un choix arbitraire : c’est à l’acquéreur de choisir le sens de la peinture. Des biographies se trouvent en fin de catalogue. Des certificats d’authenticité seront remis à l’acquéreur sur demande. * co-fondatrice du AAMU (Utrecht, Hollande) 2 3 - - Jacky Giles Tjapaltjarri (c. 1940 - 2010) Eileen Napaltjarri (c. 1956 - ) Sans titre, 1998 Sans titre, 1999 Acrylique sur toile - 45 x 40 cm Acrylique sur toile - 60 x 30 cm Groupe Ngaanyatjarra - Patjarr - Désert Occidental Groupe Pintupi - Désert Occidental - Kintore 400 / 500 € 1 300 / 400 € - Anonyme Peintre de la communauté d'Utopia Acrylique sur toile - 73 x 50,5 cm Groupe Anmatyerre - Utopia - Désert Central 300/400 € 4 5 6 - - - Billy Ward Tjupurrula (1955 - 2001) Toby Jangala (c. 1945 - ) Katie Kemarre (c. 1943 - ) Sans titre, 1998 Yank-Irri, 1996 Awelye; Ceremonial Body Paint Design Acrylique sur toile - 60 x 30 cm Acrylique sur toile - 87 x 57 cm Acrylique sur toile Groupe Pintupi - Désert Occidental Groupe Warlpiri - Communauté de Lajamanu - Territoire du Nord 45 x 60 cm Cette toile se réfère au Rêve d’Emeu.
    [Show full text]