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The South East and the Midwest of England Tour of Castles And
Welcome to The South East and the Midwest of England Tour of Castles and Mansions Explore and Feel the History A 14 day packaged Tour starting August 30, 2019 Leave your luggage at a Hotel location and enjoy up to 11 separate guided day tour trips staying at only 3 hotels returning to your accommodation each evening No daily unpacking and packing Total one price package to include: Domestic and International flights – Transportation to and from the Airport Hotel accommodation Bed and Breakfast Entrance Fees and Day time lunches as indicated From $2,573.00 Per Person Sharing plus Flight Costs $846.00 Supplement for Single Person Call Barry Devo 330 284 4709 (Est) Or email [email protected] Prepco Island Vacations and Tours LLC 3687 Dauphin Drive NE., Canton, OH 44721 ITINERARY OVERVIEW for A Tour of English Castles and Mansions DAY DATE DAY 1 Aug 30 Friday Depart US location 2 Aug 31 Saturday Arrive London Heathrow Airport. Lunch will be provided but dependent on flight arrival time. Meet and travel 10 Miles West to Windsor Hotel Bed and Breakfast for 2 nights 3 Sept 1 Sunday Day at Windsor Castle. Entrance Fee and Lunch included 4 Sept 2 Monday Check out Windsor Hotel travel 30 Miles to Tower of London. Entrance Fee and Lunch included followed by onward Travel 62 Miles to Canterbury Hotel Bed and Breakfast for 5 nights 5 Sept 3 Tuesday Travel 30 Miles to Leeds Castle. Entrance Fee and Lunch included 6 Sept 4 Wednesday Travel 65 Miles to Hever Castle. Entrance Fee and lunch included 7 Sept 5 Thursday Travel 37 Miles to Scotney Castle. -
The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
British Royal Banners 1199–Present
British Royal Banners 1199 – Present Geoff Parsons & Michael Faul Abstract The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. It continues to show how King Edward III added the French Royal Arms, consequent to his claim to the French throne. There is then the change from “France Ancient” to “France Modern” by King Henry IV in 1405, which set the pattern of the arms and the standard for the next 198 years. The story then proceeds to show how, over the ensuing 234 years, there were no fewer than six versions of the standard until the adoption of the present pattern in 1837. The presentation includes pictures of all the designs, noting that, in the early stages, the arms appeared more often as a surcoat than a flag. There is also some anecdotal information regarding the various patterns. Anne (1702–1714) Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 799 British Royal Banners 1199 – Present Figure 1 Introduction The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. Although we often refer to these flags as Royal Standards, strictly speaking, they are not standard but heraldic banners which are based on the Coats of Arms of the British Monarchs. Figure 2 William I (1066–1087) The first use of the coats of arms would have been exactly that, worn as surcoats by medieval knights. -
Romantic Retreats
DISCOVER LONDON DISCOVER LONDON: BEHIND THE SCENES – THE INSIDER’S GUIDE The perfect way to travel the UK Win a five-star Romantic holiday to the UK retreats Secret gardens and passionate princes Constable Country Visit the places the master artist painted A castle courtship How Queen Elizabeth I lost her heart Steeple chase Race through 1,000 years with Britain’s cathedrals APRIL/MAY 2016 £4.50 1066: the year that changed history When William the Conqueror seized the crown discoverbritainmag.com OFC_DB_UKApr/May16Barcodes.indd 1 25/02/2016 16:23 Quote ͺDĂƌĐŚͬƉƌŝůϭϲͺh< Inspiring Breaks to National Trust Houses & Gardens with Just Go! Holidays Request a FREE 2016 brochure For our full selection of 2016 National Trust breaks please call 08432 244 246 Quote: ‘Discover Britain’ for discount a d e e R r s n i • a t t S i i r p B e c £25 off r i a e l per booking v D o c i s s i c o D A Wonderful Opportunity to Explore u nt f o r ŚŽŽƐĞĨƌŽŵĂŶĞdžĐůƵƐŝǀĞĐŽůůĞĐƟŽŶŽĨϮϭƚŽƵƌƐŽīĞƌŝŶŐ tĞŚĂǀĞĂĚĚĞĚŇĞdžŝďůĞƚƌĂǀĞůŽƉƟŽŶƐ on our tours ƚŚĞŽƉƉŽƌƚƵŶŝƚLJƚŽĚŝƐĐŽǀĞƌŵĂŶLJĞĐůĞĐƟĐƉůĂĐĞƐĂŶĚ ĂůůŽǁŝŶŐLJŽƵƚŽĐŚŽŽƐĞLJŽƵƌƉƌĞĨĞƌƌĞĚŵĞĂŶƐŽĨ ƐƉĂĐĞƐůŽŽŬĞĚĂŌĞƌďLJƚŚĞEĂƟŽŶĂůdƌƵƐƚ ƚƌĂŶƐƉŽƌƚͲǁŚĞƚŚĞƌŝƚ͛ƐĚƌŝǀŝŶŐLJŽƵƌƐĞůĨƚŽƚŚĞŚŽƚĞů͕ ũŽŝŶŝŶŐƚŚĞĐŽĂĐŚĂƚĂĐŽŶǀĞŶŝĞŶƚƉŝĐŬƵƉƉŽŝŶƚŽƌĞǀĞŶ A ĨƌŝĞŶĚůLJdŽƵƌDĂŶĂŐĞƌǁŝůůŵĞĞƚLJŽƵĂƚƚŚĞŚŽƚĞůĂŶĚ ƚĂŬŝŶŐĂŇŝŐŚƚƚŽLJŽƵƌĚĞƐƟŶĂƟŽŶ ĨĂĐŝůŝƚĂƚĞƚŚĞƐŵŽŽƚŚŽƌŐĂŶŝƐĂƟŽŶŽĨĂůůŽƉĞƌĂƟŽŶĂů ĂƐƉĞĐƚƐŽĨƚŚĞďƌĞĂŬ &ŽƌĞǀĞƌLJƉĞƌƐŽŶǁŚŽũŽŝŶƐƵƐŽŶŽŶĞŽĨŽƵƌŝŶƐƉŝƌŝŶŐ ďƌĞĂŬƐ͕ǁĞĂƌĞƉƌŽƵĚƚŽŐŝǀĞƚŚĞEĂƟŽŶĂůdƌƵƐƚάϮϱ ůƐŽĂĐŚĂŶĐĞƚŽĞdžƉůŽƌĞƐŽŵĞŽĨƚŚĞƌĞŵĂƌŬĂďůĞŐĞŵƐ ǁŚŝĐŚŚĞůƉƐƚŚĞŵƚŽĨƵŶĚǀŝƚĂůƌĞƐƚŽƌĂƟŽŶƉƌŽũĞĐƚƐƚŚĂƚ -
Somerset House
Somerset House Conway Archive Old Somerset House, London – The River Front of Old Somerset House, from a Watercolour by Paul Sandby, RA, Image CON-B1035-F1-12 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Kenton Couse, Image CON-B1035-F1-01, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Thomas Sandby in Royal Library, Windsor Castle, Image CON-B1035- F1-15, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of 1797 described as after a painting of 1650 by Cornelis Bol, Image CON-B1035-F1-16, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of The Southern Front of Somerset House with its Extensive Gardens &c, Drawing by Jan Kip c. 1720, Image CON-B1035F1-10 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of Etching by W. Hallam (British Museum), 1607-77, Image CON-B1035-F1- 08, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – from Britannia Illustrata, vol. 1, 1714, pl.4, Image CON-B1035-F1-09, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of a painting by Cornelis Bol, c.1640-50, Evelyn Collection, Image CON- B1035-F1-17, The Courtauld Institute of Art, CC-BY-NC Somerset House, London - Detail of vestibule, Image CON-B1034-F2-13 The Courtauld Institute of Art, CC-BY-NC Details unavailable Somerset House, London – The Strand Façade, Image CON-B1034-F1-02, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South Side of courtyard area, taken 1969, Image CON-B1034-F1-28 The Courtauld Institute of Art, CC-BY-NC Somerset House, London – West side of covered way through north range, taken 1985, Image CON-B1034-F1-34, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South face of north range and gate linking with inner west range, taken 1969, Image CON-B1034-F3-19, The Courtauld Institute of Art, CC-BY-NC Somerset House, London, CON-B1034-F3-17, The Courtauld Institute of Art, CC-BY-NC. -
The Court Post Office
The Court Post Office BRITISH STAMPS Her Majesty is on record as having referred to the Royal Family as ‘The Firm’ and, like any successful business, it has to process large quantities of incoming and outgoing mail. In early 2012, the authors were given the opportunity of visiting Buckingham Palace to interview The Court Postmaster, David Baxter, and this article is the result of that visit. It also contains information gleaned from a previous visit made in 2004 in instances where there have been no changes to the arrangements in place. The Court Post Office: Part One By Glenn H Morgan and John Holman Detailed arrangements about the Court Post cancellations by hand. up full-time residency in Kensington Palace. were first published inRoyal Household Mail The role of Court Postmaster involves Their outgoing mail envelopes are cancelled in 1992 (Ref. 1). This was later updated for managing all employees, plus the incoming with the Buckingham Palace franking the period 1990-2004 in ‘The Court Post and outgoing mail for and from the Royal machine when at their London office, which Office’ series of five articles (Ref 2). This Family members and their Households, much can be readily identified when separated from present article serves to introduce the subject as it would have done in the first Elizabethan the contents due to the use of a ‘W’ (William) and to record current postal and certifying era. Until recently there was a Deputy Court or a ‘C’ (Catherine) on the envelope flap. markings used on mail in all the Royal offices Postmaster, but the role became vacant and is The Duke also still uses envelopes with a and residences. -
Accounts of the Constables of Bristol Castle
BRISTOL RECORD SOCIETY'S PUBLICATIONS General Editor: PROFESSOR PATRICK MCGRATH, M.A., Assistant General Editor: MISS ELIZABETH RALPH, M .A., F.S.A. VOL. XXXIV ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN 1HE THIRTEENTH AND EARLY FOURTEENTH CENTURIES ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN THE THIR1EENTH AND EARLY FOUR1EENTH CENTURIES EDITED BY MARGARET SHARP Printed for the BRISTOL RECORD SOCIETY 1982 ISSN 0305-8730 © Margaret Sharp Produced for the Society by A1an Sutton Publishing Limited, Gloucester Printed in Great Britain by Redwood Burn Limited Trowbridge CONTENTS Page Abbreviations VI Preface XI Introduction Xlll Pandulf- 1221-24 1 Ralph de Wiliton - 1224-25 5 Burgesses of Bristol - 1224-25 8 Peter de la Mare - 1282-84 10 Peter de la Mare - 1289-91 22 Nicholas Fermbaud - 1294-96 28 Nicholas Fermbaud- 1300-1303 47 Appendix 1 - Lists of Lords of Castle 69 Appendix 2 - Lists of Constables 77 Appendix 3 - Dating 94 Bibliography 97 Index 111 ABBREVIATIONS Abbrev. Plac. Placitorum in domo Capitulari Westmon asteriensi asservatorum abbrevatio ... Ed. W. Dlingworth. Rec. Comm. London, 1811. Ann. Mon. Annales monastici Ed. H.R. Luard. 5v. (R S xxxvi) London, 1864-69. BBC British Borough Charters, 1216-1307. Ed. A. Ballard and J. Tait. 3v. Cambridge 1913-43. BOAS Bristol and Gloucestershire Archaeological Society Transactions (Author's name and the volume number quoted. Full details in bibliography). BIHR Bulletin of the Institute of Historical Research. BM British Museum - Now British Library. Book of Fees Liber Feodorum: the Book of Fees com monly called Testa de Nevill 3v. HMSO 1920-31. Book of Seals Sir Christopher Hatton's Book of Seals Ed. -
Public Image and Political Influence of Princess Charlotte and Queen Adelaide
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2003 Reform, Radicalism, and Royalty: Public Image and Political Influence of Princess Charlotte and Queen Adelaide Eileen Robin Hintz College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the European History Commons, and the Women's Studies Commons Recommended Citation Hintz, Eileen Robin, "Reform, Radicalism, and Royalty: Public Image and Political Influence of Princess Charlotte and Queen Adelaide" (2003). Dissertations, Theses, and Masters Projects. Paper 1539626412. https://dx.doi.org/doi:10.21220/s2-ehge-1b89 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. REFORM, RADICALISM, AND ROYALTY: Public Image and Political Influence of Princess Charlotte and Queen Adelaide A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Eileen Hintz 2003 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Eileen Hintz Approved by the Committee, December 2003 _ ___ James McCord Chandos Brown ff — Gilbert McArthur TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv LIST OF ILLUSTRATIONS v ABSTRACT vi INTRODUCTION 2 CHAPTER I. THE DEATH OF PRINCESS CHARLOTTE [NOVEMBER 1817] 6 CHAPTER II. -
Copyrighted Material
33_056819 bindex.qxp 11/3/06 11:01 AM Page 363 Index fighting the Vikings, 52–54 • A • as law-giver, 57–58 Aberfan tragedy, 304–305 literary interests, 56–57 Act of Union (1707), 2, 251 reforms of, 54–55 Adelaide of Saxe-Meiningen, queen of reign of, 50, 51–52 William IV, 268, 361 Alfred, son of King Aethelred, king of Áed, king of Scotland, 159 England, 73, 74 Áed Findliath, ruler in Ireland, 159 Ambrosius Aurelianus (Roman leader), 40 Aedán mac Gabráin, overking of Dalriada, 153 Andrew, Prince, Duke of York (son of Aelfflaed, queen of Edward, king Elizabeth II) of Wessex, 59 birth of, 301 Aelfgifu of Northampton, queen of Cnut, 68 as naval officer, 33 Aethelbald, king of Mercia, 45 response to death of Princess Diana, 313 Aethelbert, king of Wessex, 49 separation from Sarah, Duchess of York, Aethelflaed, daughter of Alfred, king of 309 Wessex, 46 Anglo-Saxon Chronicle, 57, 58, 63 Aethelfrith, Saxon king, 43 Anglo-Saxons Aethelred, king of England, 51, 65–66 appointing an heir, 16 Aethelred, king of Mercia, 45, 46, 55 invasion of Britain, 39–41 Aethelred, king of Wessex, 50 kingdoms of, 37, 42 Aethelstan, king of Wessex, 51, 61–62 kings of, 41–42 Aethelwold, son of Aethelred, king of overview, 12 Wessex, 60 Anna, queen of Scotland, 204 Aethelwulf, king of Wessex, 49 Anne, Princess Royal, daughter of Africa, as part of British empire, 14 Elizabeth II, 301, 309 Agincourt, battle of, 136–138 Anne, queen of England Albert, Prince, son of George V, later lack of heir, 17 George VI, 283, 291 marriage to George of Denmark, 360–361 Albert of -
Prince Philip: a Celebration Display Opens at Windsor Castle 24 June – 20 September 2021
CONTACT SHEET Prince Philip: A Celebration display opens at Windsor Castle 24 June – 20 September 2021 Images are available from mediaselect.pa.media For further information please contact the Royal Collection Trust Press Office, [email protected] or +44 (0)20 7839 1377. The Chair of Estate made for Prince Philip The Coronation Robe and Coronet worn after the Coronation to accompany by HRH The Prince Philip, Duke of The Queen’s Chair of Estate in the Throne Edinburgh during Her Majesty The Queen’s Room at Buckingham Palace Coronation on 2 June 1953 Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021 Royal Collection Trust / All Rights Reserved HRH The Duke of Edinburgh, 2017, Ralph Heimans The Coronation III, 1959-60, Feliks Topolski Royal Collection Trust / All Rights Reserved Royal Collection Trust / All Rights Reserved Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.rct.uk George A Weymouth’s portrait of Prince The Journal in which Queen Victoria Philip standing in the shell of St George’s recorded the birth of Prince Philip’s Hall in Windsor Castle after the fire of mother, Princess Alice of Battenberg, at 1992, holding a roll of floorplans. Windsor Castle in 1885. Royal Collection Trust / All Rights Reserved Royal Archives / © Her Majesty Queen Elizabeth II 2021 Sir Hugh Casson’s sketch for Prince Philip’s Bowl, c.1930-60, Dame Lucie Rie study at Buckingham Palace, 1957 © Estate of the Artist Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021 A First Nations feather headdress presented to Prince Philip by Jim Shot Both Sides, Head Chief of the Blood Reserve, during a Commonwealth Visit to HRH The Duke of Edinburgh, 1956-57, Canada in 1973 Vincent Apap Royal Collection Trust / All Rights Reserved Royal Collection Trust / All Rights Reserved Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. -
1 the Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SAS-SPACE 1 The Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble, Institute of Historical Research Thesis submitted for Degree of Master of Philosophy, 2018 2 Table of Contents Abstract 3 Acknowledgements 5 Abbreviations 7 Acronyms 8 Chapters 9 Conclusion 136 Bibliography 155 3 Abstract The histiography on Princess Mary is conspicuous by its absence. No official account of her long public life, from 1914 to 1965, has been written and published since 1922, when the princess was aged twenty-five, and about to be married. The only daughter of King George V, she was one of the chief protagonists in his plans to include his children in his efforts to engage the monarchy, and the royal family, more deeply and closely with the people of the United Kingdom. This was a time when women were striving to enter public life more fully, a role hitherto denied to them. The king’s decision was largely prompted by the sacrifices of so many during the First World War; the fall of Czar Nicholas of Russia; the growth of socialism; and the dangers these events may present to the longevity of the monarchy in a disaffected kingdom. Princess Mary’s public life helps to answer the question of what role royal women, then and in the future, are able to play in support of the monarchy. It was a time when for the most part careers of any kind were not open to women, royal or otherwise, and the majority had yet to gain the right to vote. -
How Enlightened Was George III? the King, the British Museum and the Enlightenment Robert Lacey
How enlightened was George III? The King, the British Museum and the Enlightenment Robert Lacey 18 October 2004 Robert Lacey set out to debunk what he sees as the ‘myth’ of George III as the greatest of all royal patrons of the British Museum. As is well known, the king assembled one of the great book collections of the eighteenth century. After his death, his son, George IV, attempted to sell it, but, perhaps swayed by the offer of government funding for the rebuilding of the Queen’s House, he was persuaded to present the books to the Museum. There the collection joined the Old Royal Library, which had been given to the Museum by George II as one of the foundation collections. The ‘King’s Library’ is now the appropriate symbolic centrepiece of the British Library building. Sometimes explicitly and more often implicitly, historians have assumed that George III had always intended that the books should go to the British Museum, but, as Lacey showed, there is no real evidence that this was what he ever envisaged. The collection was instead a working library suitable for an enlightened monarch and assembled mainly with the aim of assisting that particular monarch in the task of governing his kingdom. To clinch his argument, Lacey revealed his latest discoveries from the Royal Archives. Like those of all British monarchs, the will of George III has never been released to historians. That remains the case. However, the Royal Archives have disclosed to Lacey what George III’s will says about his book collection.