The South East and the Midwest of England Tour of Castles And
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My Ancestors Who Lived in Leeds Castle (And Some of Them Even Owned It!)
Chapter 75 My Ancestors Who Lived in Leeds Castle (and Some of Them Even Owned It!) [originally written 4 January 2021] On 20 December 2020, Russ Leisenheimer posted a photo of a sunset over Leeds Castle to his Facebook page.1 Russ was one of my high school classmates in Euclid, Ohio, and he still lives in the Cleveland area. Here is the photo: I have been using the “World Family Tree” on Geni.com to investigate my European ancestors who lived during the Middle Ages, and seeing the photo of Leeds Castle got me to wondering if any of my ancestors lived there. OK, I realized that this was going to be a long shot, but due to the coronavirus pandemic, I have lots of free time to look into such seemingly trifling things. I immediately went to Wikipedia.org to learn about Leeds Castle, and that prompted the following reply to Russ on Facebook: Wikipedia states that “Leeds Castle is a castle in Kent, England, 5 miles (8 km) southeast of Maidstone. A castle has existed on the site since 1119, the first being a simple stone stronghold constructed by Robert de Crevecoeur which served as a military post in the time of Norman intrusions into England. In the 13th century, it came into the hands of King Edward I, for whom it became a favourite residence; in the 16th century, Henry VIII used it as a dwelling for his first wife, Catherine of Aragon.” According to the World Family Tree on Geni.com, Robert de Crevecoeur was my 25th great uncle. -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
Romantic Retreats
DISCOVER LONDON DISCOVER LONDON: BEHIND THE SCENES – THE INSIDER’S GUIDE The perfect way to travel the UK Win a five-star Romantic holiday to the UK retreats Secret gardens and passionate princes Constable Country Visit the places the master artist painted A castle courtship How Queen Elizabeth I lost her heart Steeple chase Race through 1,000 years with Britain’s cathedrals APRIL/MAY 2016 £4.50 1066: the year that changed history When William the Conqueror seized the crown discoverbritainmag.com OFC_DB_UKApr/May16Barcodes.indd 1 25/02/2016 16:23 Quote ͺDĂƌĐŚͬƉƌŝůϭϲͺh< Inspiring Breaks to National Trust Houses & Gardens with Just Go! Holidays Request a FREE 2016 brochure For our full selection of 2016 National Trust breaks please call 08432 244 246 Quote: ‘Discover Britain’ for discount a d e e R r s n i • a t t S i i r p B e c £25 off r i a e l per booking v D o c i s s i c o D A Wonderful Opportunity to Explore u nt f o r ŚŽŽƐĞĨƌŽŵĂŶĞdžĐůƵƐŝǀĞĐŽůůĞĐƟŽŶŽĨϮϭƚŽƵƌƐŽīĞƌŝŶŐ tĞŚĂǀĞĂĚĚĞĚŇĞdžŝďůĞƚƌĂǀĞůŽƉƟŽŶƐ on our tours ƚŚĞŽƉƉŽƌƚƵŶŝƚLJƚŽĚŝƐĐŽǀĞƌŵĂŶLJĞĐůĞĐƟĐƉůĂĐĞƐĂŶĚ ĂůůŽǁŝŶŐLJŽƵƚŽĐŚŽŽƐĞLJŽƵƌƉƌĞĨĞƌƌĞĚŵĞĂŶƐŽĨ ƐƉĂĐĞƐůŽŽŬĞĚĂŌĞƌďLJƚŚĞEĂƟŽŶĂůdƌƵƐƚ ƚƌĂŶƐƉŽƌƚͲǁŚĞƚŚĞƌŝƚ͛ƐĚƌŝǀŝŶŐLJŽƵƌƐĞůĨƚŽƚŚĞŚŽƚĞů͕ ũŽŝŶŝŶŐƚŚĞĐŽĂĐŚĂƚĂĐŽŶǀĞŶŝĞŶƚƉŝĐŬƵƉƉŽŝŶƚŽƌĞǀĞŶ A ĨƌŝĞŶĚůLJdŽƵƌDĂŶĂŐĞƌǁŝůůŵĞĞƚLJŽƵĂƚƚŚĞŚŽƚĞůĂŶĚ ƚĂŬŝŶŐĂŇŝŐŚƚƚŽLJŽƵƌĚĞƐƟŶĂƟŽŶ ĨĂĐŝůŝƚĂƚĞƚŚĞƐŵŽŽƚŚŽƌŐĂŶŝƐĂƟŽŶŽĨĂůůŽƉĞƌĂƟŽŶĂů ĂƐƉĞĐƚƐŽĨƚŚĞďƌĞĂŬ &ŽƌĞǀĞƌLJƉĞƌƐŽŶǁŚŽũŽŝŶƐƵƐŽŶŽŶĞŽĨŽƵƌŝŶƐƉŝƌŝŶŐ ďƌĞĂŬƐ͕ǁĞĂƌĞƉƌŽƵĚƚŽŐŝǀĞƚŚĞEĂƟŽŶĂůdƌƵƐƚάϮϱ ůƐŽĂĐŚĂŶĐĞƚŽĞdžƉůŽƌĞƐŽŵĞŽĨƚŚĞƌĞŵĂƌŬĂďůĞŐĞŵƐ ǁŚŝĐŚŚĞůƉƐƚŚĞŵƚŽĨƵŶĚǀŝƚĂůƌĞƐƚŽƌĂƟŽŶƉƌŽũĞĐƚƐƚŚĂƚ -
Somerset House
Somerset House Conway Archive Old Somerset House, London – The River Front of Old Somerset House, from a Watercolour by Paul Sandby, RA, Image CON-B1035-F1-12 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Kenton Couse, Image CON-B1035-F1-01, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Thomas Sandby in Royal Library, Windsor Castle, Image CON-B1035- F1-15, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of 1797 described as after a painting of 1650 by Cornelis Bol, Image CON-B1035-F1-16, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of The Southern Front of Somerset House with its Extensive Gardens &c, Drawing by Jan Kip c. 1720, Image CON-B1035F1-10 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of Etching by W. Hallam (British Museum), 1607-77, Image CON-B1035-F1- 08, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – from Britannia Illustrata, vol. 1, 1714, pl.4, Image CON-B1035-F1-09, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of a painting by Cornelis Bol, c.1640-50, Evelyn Collection, Image CON- B1035-F1-17, The Courtauld Institute of Art, CC-BY-NC Somerset House, London - Detail of vestibule, Image CON-B1034-F2-13 The Courtauld Institute of Art, CC-BY-NC Details unavailable Somerset House, London – The Strand Façade, Image CON-B1034-F1-02, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South Side of courtyard area, taken 1969, Image CON-B1034-F1-28 The Courtauld Institute of Art, CC-BY-NC Somerset House, London – West side of covered way through north range, taken 1985, Image CON-B1034-F1-34, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South face of north range and gate linking with inner west range, taken 1969, Image CON-B1034-F3-19, The Courtauld Institute of Art, CC-BY-NC Somerset House, London, CON-B1034-F3-17, The Courtauld Institute of Art, CC-BY-NC. -
The Court Post Office
The Court Post Office BRITISH STAMPS Her Majesty is on record as having referred to the Royal Family as ‘The Firm’ and, like any successful business, it has to process large quantities of incoming and outgoing mail. In early 2012, the authors were given the opportunity of visiting Buckingham Palace to interview The Court Postmaster, David Baxter, and this article is the result of that visit. It also contains information gleaned from a previous visit made in 2004 in instances where there have been no changes to the arrangements in place. The Court Post Office: Part One By Glenn H Morgan and John Holman Detailed arrangements about the Court Post cancellations by hand. up full-time residency in Kensington Palace. were first published inRoyal Household Mail The role of Court Postmaster involves Their outgoing mail envelopes are cancelled in 1992 (Ref. 1). This was later updated for managing all employees, plus the incoming with the Buckingham Palace franking the period 1990-2004 in ‘The Court Post and outgoing mail for and from the Royal machine when at their London office, which Office’ series of five articles (Ref 2). This Family members and their Households, much can be readily identified when separated from present article serves to introduce the subject as it would have done in the first Elizabethan the contents due to the use of a ‘W’ (William) and to record current postal and certifying era. Until recently there was a Deputy Court or a ‘C’ (Catherine) on the envelope flap. markings used on mail in all the Royal offices Postmaster, but the role became vacant and is The Duke also still uses envelopes with a and residences. -
Worcester Cathedral
WORCESTER CATHEDRAL NEWS Autumn/Winter 2019 Inside this issue Installation Undercroft Mayor’s of new Learning Charity Canon Centre Event Page 3 Page 7 Page 15 Plus, full events calendar and details of regular Cathedral services From the Dean Community News Autumn/Winter 2019 Canon Stephen Contents Edwards installation 3-6 Community News 7 Development To live is to change The Revd Dr Stephen Edwards was installed 8 Maggs Day Centre as a Residentiary Canon of Worcester Cathedral 9-11 Events and to be perfect is in a special service of Evensong on Sunday 12-13 Events Guide 15 September 2019. 14-15 Christmas at to have changed often At the service Helen Dimmock MBE, the Cathedral Ecclesiastical Secretary to the Crown, presented 16 Enterprises Stephen to Bishop John on behalf of the Queen. 17 Time For Reflection The autumn has seen new faces in the Cathedral community - in the Chapter, in music, in education, Also present was the Mayor of Worcester, 18 Cathedral Information the Vice-Lieutenant and High Sheriff of and in the office. With the new faces come new points 19 Gift Aid Form Worcestershire and the former Bishop of 20 Tidings of Joy of view, new ideas, and new opportunities for creative Dudley, David Walker, who is now Bishop of Christmas Concert and imaginative collaboration among the different Manchester. Stephen was also supported by cathedral organisations and departments. The physical friends and family from across the country. appearance of the site is changing as well: the coming Stephen said: ‘The service was a joyous occasion Editorial Team down of the scaffolding on Edgar Tower is the last Susan Macleod and Emily Green through which I felt blessed by the warmth and major repair project on the exterior of the Cathedral Photography generosity of welcome and the prayerful support buildings for the foreseeable future; but the building Chris Guy, James Atkinson of all those who attended. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
A Unique Experience with Albion Journeys
2020 Departures 2020 Departures A unique experience with Albion Journeys The Tudors & Stuarts in London Fenton House 4 to 11 May, 2020 - 8 Day Itinerary Sutton House $6,836 (AUD) per person double occupancy Eastbury Manor House The Charterhouse St Paul’s Cathedral London’s skyline today is characterised by modern high-rise Covent Garden Tower of London Banqueting House Westminster Abbey The Globe Theatre towers, but look hard and you can still see traces of its early Chelsea Physic Garden Syon Park history. The Tudor and Stuart monarchs collectively ruled Britain for over 200 years and this time was highly influential Ham House on the city’s architecture. We discover Sir Christopher Wren’s rebuilding of the city’s churches after the Great Fire of London along with visiting magnificent St Paul’s Cathedral. We also travel to the capital’s outskirts to find impressive Tudor houses waiting to be rediscovered. Kent Castles & Coasts 5 to 13 May, 2020 - 9 Day Itinerary $6,836 (AUD) per person double occupancy The romantic county of Kent offers a multitude of historic Windsor Castle LONDON Leeds Castle Margate treasures, from enchanting castles and stately homes to Down House imaginative gardens and delightful coastal towns. On this Chartwell Sandwich captivating break we learn about Kent’s role in shaping Hever Castle Canterbury Ightham Mote Godinton House English history, and discover some of its famous residents Sissinghurst Castle Garden such as Ann Boleyn, Charles Dickens and Winston Churchill. In Bodiam Castle a county famed for its castles, we also explore historic Hever and impressive Leeds Castle. -
Accounts of the Constables of Bristol Castle
BRISTOL RECORD SOCIETY'S PUBLICATIONS General Editor: PROFESSOR PATRICK MCGRATH, M.A., Assistant General Editor: MISS ELIZABETH RALPH, M .A., F.S.A. VOL. XXXIV ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN 1HE THIRTEENTH AND EARLY FOURTEENTH CENTURIES ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN THE THIR1EENTH AND EARLY FOUR1EENTH CENTURIES EDITED BY MARGARET SHARP Printed for the BRISTOL RECORD SOCIETY 1982 ISSN 0305-8730 © Margaret Sharp Produced for the Society by A1an Sutton Publishing Limited, Gloucester Printed in Great Britain by Redwood Burn Limited Trowbridge CONTENTS Page Abbreviations VI Preface XI Introduction Xlll Pandulf- 1221-24 1 Ralph de Wiliton - 1224-25 5 Burgesses of Bristol - 1224-25 8 Peter de la Mare - 1282-84 10 Peter de la Mare - 1289-91 22 Nicholas Fermbaud - 1294-96 28 Nicholas Fermbaud- 1300-1303 47 Appendix 1 - Lists of Lords of Castle 69 Appendix 2 - Lists of Constables 77 Appendix 3 - Dating 94 Bibliography 97 Index 111 ABBREVIATIONS Abbrev. Plac. Placitorum in domo Capitulari Westmon asteriensi asservatorum abbrevatio ... Ed. W. Dlingworth. Rec. Comm. London, 1811. Ann. Mon. Annales monastici Ed. H.R. Luard. 5v. (R S xxxvi) London, 1864-69. BBC British Borough Charters, 1216-1307. Ed. A. Ballard and J. Tait. 3v. Cambridge 1913-43. BOAS Bristol and Gloucestershire Archaeological Society Transactions (Author's name and the volume number quoted. Full details in bibliography). BIHR Bulletin of the Institute of Historical Research. BM British Museum - Now British Library. Book of Fees Liber Feodorum: the Book of Fees com monly called Testa de Nevill 3v. HMSO 1920-31. Book of Seals Sir Christopher Hatton's Book of Seals Ed. -
Annual Report 2004/5 Corrected
THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010. -
Catalogue of Adoption Items Within Worcester Cathedral Adopt a Window
Catalogue of Adoption Items within Worcester Cathedral Adopt a Window The cloister Windows were created between 1916 and 1999 with various artists producing these wonderful pictures. The decision was made to commission a contemplated series of historical Windows, acting both as a history of the English Church and as personal memorials. By adopting your favourite character, event or landscape as shown in the stained glass, you are helping support Worcester Cathedral in keeping its fabric conserved and open for all to see. A £25 example Examples of the types of small decorative panel, there are 13 within each Window. A £50 example Lindisfarne The Armada A £100 example A £200 example St Wulfstan William Caxton Chaucer William Shakespeare Full Catalogue of Cloister Windows Name Location Price Code 13 small decorative pieces East Walk Window 1 £25 CW1 Angel violinist East Walk Window 1 £50 CW2 Angel organist East Walk Window 1 £50 CW3 Angel harpist East Walk Window 1 £50 CW4 Angel singing East Walk Window 1 £50 CW5 Benedictine monk writing East Walk Window 1 £50 CW6 Benedictine monk preaching East Walk Window 1 £50 CW7 Benedictine monk singing East Walk Window 1 £50 CW8 Benedictine monk East Walk Window 1 £50 CW9 stonemason Angel carrying dates 680-743- East Walk Window 1 £50 CW10 983 Angel carrying dates 1089- East Walk Window 1 £50 CW11 1218 Christ and the Blessed Virgin, East Walk Window 1 £100 CW12 to whom this Cathedral is dedicated St Peter, to whom the first East Walk Window 1 £100 CW13 Cathedral was dedicated St Oswald, bishop 961-992, -
D'elboux Manuscripts
D’Elboux Manuscripts © B J White, December 2001 Indexed Abstracts page 63 of 156 774. Halsted (59-5-r2c10) • Joseph ASHE of Twickenham, in 1660 • arms. HARRIS under Bradbourne, Sevenoaks • James ASHE of Twickenham, d1733 =, d. Edmund BOWYER of Richmond Park • Joseph WINDHAM = ……, od. James ASHE 775. Halsted (59-5-r2c11) • Thomas BOURCHIER of Canterbury & Halstead, d1486 • Thomas BOURCHIER the younger, kinsman of Thomas • William PETLEY of Halstead, d1528, 2s. Richard = Alyce BOURCHIER, descendant of Thomas BOURCHIER the younger • Thomas HOLT of London, d1761 776. Halsted (59-5-r2c12) • William WINDHAM of Fellbrigge in Norfolk, m1669 (London licence) = Katherine A, d. Joseph ASHE 777. Halsted (59-5-r3c03) • Thomas HOLT of London, d1761, s. Thomas HOLT otp • arms. HOLT of Lancashire • John SARGENT of Halstead Place, d1791 = Rosamund, d1792 • arms. SARGENT of Gloucestershire or Staffordshire, CHAMBER • MAN family of Halstead Place • Henry Stae MAN, d1848 = Caroline Louisa, d1878, d. E FOWLE of Crabtree in Kent • George Arnold ARNOLD = Mary Ann, z1760, d1858 • arms. ROSSCARROCK of Cornwall • John ATKINS = Sarah, d1802 • arms. ADAMS 778. Halsted (59-5-r3c04) • James ASHE of Twickenham, d1733 = ……, d. Edmund BOWYER of Richmond Park • Joseph WINDHAM = ……, od. James ASHE • George Arnold ARNOLD, d1805 • James CAZALET, d1855 = Marianne, d1859, d. George Arnold ARNOLD 779. Ham (57-4-r1c06) • Edward BUNCE otp, z1684, d1750 = Anne, z1701, d1749 • Anne & Jane, ch. Edward & Anne BUNCE • Margaret BUNCE otp, z1691, d1728 • Thomas BUNCE otp, z1651, d1716 = Mary, z1660, d1726 • Thomas FAGG, z1683, d1748 = Lydia • Lydia, z1735, d1737, d. Thomas & Lydia FAGG 780. Ham (57-4-r1c07) • Thomas TURNER • Nicholas CARTER in 1759 781.