DOCSLIB.ORG

Annual Report 2004/5 Corrected

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report 2004/5 Corrected THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010. BACK COVER : Princess Elizabeth, by Marcus Adams (1875–1959), taken on 15 December 1936, four days after the proclamation of the Princess’s father, the Duke of York, as King George VI. The photograph was included in the exhibition Marcus Adams: Royal Photographer at Windsor and Holyroodhouse. FRONTISPIECE : Jan van der Heyden (1637 –1712), A Country House on the Vliet near Delft , c.1660 (detail). The painting was included in the exhibition Dutch Landscapes at The Queen’s Galleries in London and Edinburgh. THE ROYAL COLLECTION TRUST Annual Report for the year ended 31 March 2011 www.royalcollection.org.uk Company limited by guarantee, registered number 2713536 Registered Charity number 1016972 Scottish Charity number SC 039772 TRUSTEES OF THE ROYAL COLLECTION TRUST Chairman of the Trustees HRH The Prince of Wales, KG, KT, GCB, OM, AK, QSO, ADC ϳ•• ϳ Deputy Chairman The Earl Peel, GCVO ϳ•• ϳ Trustees Lady Shaw-Stewart (to 31 March 2011) The Duke of Buccleuch and Queensberry, KBE, DL (from 31 March 2011) Mr Duncan Robinson, CBE, DL Mr Peter Troughton The Rt Hon. Christopher Geidt, CVO, OBE Sir Alan Reid, KCVO ϳ•• ϳ Director of the Royal Collection Jonathan Marsden, LVO, FSA CONTENTS Chairman’s Foreword 5 Report of the Director of the Royal Collection 7 Custodial Control 11 Conservation 13 Paintings 13 Decorative Arts 14 Works on Paper 14 Preventive Conservation 16 Access and Presentation 17 Buckingham Palace 17 The State Rooms 17 The Queen’s Gallery 18 The Royal Mews 19 Windsor Castle 20 The State Apartments and Precincts 20 The Drawings Gallery 20 Special Visits and Research Enquiries 20 Palace of Holyroodhouse 21 The State Apartments and Precincts 21 The Queen’s Gallery 23 Historic Royal Palaces 24 Travelling Exhibitions 24 Loans 24 Interpretation 26 Learning 26 Publishing 30 New Media 33 Accessions and Acquisitions 34 Trading Activities 36 Retail 36 Picture Library 37 Financial Overview 38 Summarised Financial Statements 40 Exhibitions and Loans 43 Royal Collection Exhibitions 43 Loans 43 Staff of the Royal Collection 48 External Appointments 48 Staff Numbers 48 Staff Training and Development 49 Staff List 50 • More than 400 works of art conserved • 9 exhibitions staged • 80 public lectures given by staff • 8 books published • 2.1 million visitors to Buckingham Palace, Windsor Castle, the Palace of Holyroodhouse, the Royal Mews and The Queen’s Galleries • 105,000 complimentary or 1-Year Pass visitors • 94 loans to 41 exhibitions in the UK and 13 other countries • 5 awards for publications and visitor services 6ANNUAL R EPORT 2011 REPORT OF THE DIRECTOR OF THE ROYAL COLLECTION Jonathan Marsden he list of achievements in the year under review provides evidence of sustained progress towards the Tfulfilment of the Royal Collection Trust’s charitable aims. It also demonstrates the effectiveness of the ‘virtuous circle’, whereby the ever wider enjoyment of the Collection can contribute towards its long-term care and preservation. By any measure, 2010–11 was one of the most successful years since the Trust was founded in 1993, and it was the most successful in purely financial terms. This was a very strong year for visitors at all the residences, the Royal Mews and The Queen’s Galleries; despite the overall economic outlook, admissions grew by 8.3 per cent. The achievement of a 17.8 per cent increase in retail sales no doubt reflected last year’s investment in the Middle Ward shop at Windsor, the continuing introduction of imaginative and attractive ranges, and the professionalism of sales staff. The growth in online retail, particularly of the special range introduced to commemorate the wedding of Prince William of Wales and Miss Catherine Middleton, has made a very significant contribution. The annual Summer Opening of the State Rooms at Buckingham Palace attracted a total of 413,000 visitors, the second highest total since the inaugural season of 1993. The special display, The Queen’s Year , gave visitors a thorough insight into the range of Her Majesty’s duties and engagements across the seasons, a pattern that has been consolidated in the course of the reign, but which, as the display made abundantly clear, continues to develop. The success of the display and its accompanying book depended heavily on the willing co-operation of the many colleagues in the Royal Household who work to deliver The Queen’s annual programme, both in the form of advice as members of the project team, and in securing appropriate exhibits to illustrate such activities as the Royal Maundy service, the State Opening of Parliament and Privy Council meetings. Visitors to the Palace made full use of the Garden Café, installed on the West Terrace for the second year. The introduction of Garden Tours as an additional option for group visits to the State Rooms was also very successful. The Victoria & Albert: Art & Love exhibition at The Queen’s Gallery, London, was seen by a total of 185,000 visitors. The daily attendance was second only to the inaugural Royal Treasures exhibition in 2002. Most encouragingly, two-thirds of the visitors surveyed in the first three Life-size statues of Queen Victoria (1847), by John Gibson, and Prince Albert (1849), months (March–June 2010) said they were visiting The Queen’s Gallery by Emil Wolff, greeted visitors to the for the first time. This is a sign of our ability to reach beyond the core Victoria & Albert: Art & Love exhibition. A NNUAL R EPORT 2011 7 audience established for the Gallery over nearly 50 years, and is crucial to the attainment of our charitable aim of ensuring the widest possible enjoyment and appreciation of the Collection. Success in this case seems to have been due to the intrinsic appeal of the relationship between the young Queen Victoria and Prince Albert, and the very extensive media coverage that resulted from this, combined with imaginative marketing and the range of activities undertaken in partnership with such organisations as the National Gallery, the Victorian Society and the Victoria and Albert Museum. In addition, the 1-Year Pass, enabling the purchaser to return repeatedly following their initial visit, has proved very popular. In an eventful year for exhibitions, Dutch Landscapes , selected and catalogued by Desmond Shawe-Taylor and Jennifer Scott, completed a long and successful run at The Queen’s Gallery, Edinburgh. It transferred to The Queen’s Gallery, London, on 15 April 2011 and will be shown at the Bowes Museum, Barnard Castle, from November 2011. A photographic selection of the pioneering work of Roger Fenton and Julia Margaret Cameron was shown at Aberdeen Art Gallery before transferring to Blackwell, The Arts and Craft House, at Bowness-on-Windermere. The Heart of the Great Alone , which tells the story of the Scott and Shackleton expeditions to the Antarctic through the photographs of Herbert Ponting and Frank Hurley, opened at the Canterbury Museum, Christchurch, New Zealand, shortly before the city was damaged by a substantial earthquake in September 2010. The exhibition re-opened as soon as was practical and was seen by almost 20,000 visitors. The curators Sophie Gordon and Emma Stuart, and the explorer David Hempleman-Adams, co-authors of the accompanying book, took part in events at the Museum during the period of the exhibition. A week before the planned closing date in February, a further, more serious earthquake occurred. The Canterbury Museum withstood the shock far better than any other historic building in the city, and the exhibition returned to the UK unscathed after a delay of only six weeks. It will be shown at The Queen’s Gallery, Buckingham Palace, from October 2011. The publication of catalogues raisonnés of the Collection is an essential and perpetual task. Although more than 50 titles have appeared over the past century, many areas remain as yet unpublished. Vanessa Remington’s two-volume catalogue of Victorian Miniatures , which appeared in November 2010, is to be celebrated not only as a substantial achievement in its own right, completed in a remarkably short time and to the highest standards of scholarship, but also as it completes the publication of the entire collection of some 2,646 miniatures, ranging in date from 1526 to 1901.
Load more

Recommended publications
  • Great Britain May 19 – 29, 1995
    Great Britain May 19 – 29, 1995 Friday/Saturday, May 19–20 – Los Angeles to London After a full day at work and a Santa Monica “Tommy’s Run” with our RAND co-worker Edson Smith (double chili-cheeseburgers, yum!), we got ourselves to the airport and on our British Airways flight. Claire and Alla were on our flight, too; they arrived at the airport, a little later than advised, with Ken and Rod. Both Robert and I were curious as to how the encounter with Rod would go; turned out not so bad, just a little tentative (I certainly had very little to say). After six years, what could one expect? At any rate, Claire and Alla did not get seats together, and wanted to try to fix that, so we left Ken and Rod at the security checkpoint pretty quickly and went to the departure gate. There Claire and Alla did manage to get their seats rearranged and wound up together just a few rows behind us. The flight left about 20 minutes late, at 9:30 PM, and I enjoyed six good hours of sleep 1, missing the food service, but awaking to find Immortal Beloved playing. How perfect it seemed; enjoying German music on a British flight. It really made me look forward to seeing Johannes Weissler and his very British brother Ulrich! We arrived at Heathrow at 3:35 PM local time Saturday. We had a very speedy pass through customs; it was probably an advantage coming into British Airways dedicated international terminal (#4), with most passengers on the flight having European Community (EC) passports.
    [Show full text]
  • The South East and the Midwest of England Tour of Castles And
    Welcome to The South East and the Midwest of England Tour of Castles and Mansions Explore and Feel the History A 14 day packaged Tour starting August 30, 2019 Leave your luggage at a Hotel location and enjoy up to 11 separate guided day tour trips staying at only 3 hotels returning to your accommodation each evening No daily unpacking and packing Total one price package to include: Domestic and International flights – Transportation to and from the Airport Hotel accommodation Bed and Breakfast Entrance Fees and Day time lunches as indicated From $2,573.00 Per Person Sharing plus Flight Costs $846.00 Supplement for Single Person Call Barry Devo 330 284 4709 (Est) Or email [email protected] Prepco Island Vacations and Tours LLC 3687 Dauphin Drive NE., Canton, OH 44721 ITINERARY OVERVIEW for A Tour of English Castles and Mansions DAY DATE DAY 1 Aug 30 Friday Depart US location 2 Aug 31 Saturday Arrive London Heathrow Airport. Lunch will be provided but dependent on flight arrival time. Meet and travel 10 Miles West to Windsor Hotel Bed and Breakfast for 2 nights 3 Sept 1 Sunday Day at Windsor Castle. Entrance Fee and Lunch included 4 Sept 2 Monday Check out Windsor Hotel travel 30 Miles to Tower of London. Entrance Fee and Lunch included followed by onward Travel 62 Miles to Canterbury Hotel Bed and Breakfast for 5 nights 5 Sept 3 Tuesday Travel 30 Miles to Leeds Castle. Entrance Fee and Lunch included 6 Sept 4 Wednesday Travel 65 Miles to Hever Castle. Entrance Fee and lunch included 7 Sept 5 Thursday Travel 37 Miles to Scotney Castle.
    [Show full text]
  • Bargain Booze Limited Wine Rack Limited Conviviality Retail
    www.pwc.co.uk In accordance with Paragraph 49 of Schedule B1 of the Insolvency Act 1986 and Rule 3.35 of the Insolvency (England and Wales) Rules 2016 Bargain Booze Limited High Court of Justice Business and Property Courts of England and Wales Date 13 April 2018 Insolvency & Companies List (ChD) CR-2018-002928 Anticipated to be delivered on 16 April 2018 Wine Rack Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002930 Conviviality Retail Logistics Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002929 (All in administration) Joint administrators’ proposals for achieving the purpose of administration Contents Abbreviations and definitions 1 Why we’ve prepared this document 3 At a glance 4 Brief history of the Companies and why they’re in administration 5 What we’ve done so far and what’s next if our proposals are approved 10 Estimated financial position 15 Statutory and other information 16 Appendix A: Recent Group history 19 Appendix B: Pre-administration costs 20 Appendix C: Copy of the Joint Administrators’ report to creditors on the pre- packaged sale of assets 22 Appendix D: Estimated financial position including creditors’ details 23 Appendix E: Proof of debt 75 Joint Administrators’ proposals for achieving the purpose of administration Joint Administrators’ proposals for achieving the purpose of administration Abbreviations and definitions The following table shows the abbreviations
    [Show full text]
  • Romantic Retreats
    DISCOVER LONDON DISCOVER LONDON: BEHIND THE SCENES – THE INSIDER’S GUIDE The perfect way to travel the UK Win a five-star Romantic holiday to the UK retreats Secret gardens and passionate princes Constable Country Visit the places the master artist painted A castle courtship How Queen Elizabeth I lost her heart Steeple chase Race through 1,000 years with Britain’s cathedrals APRIL/MAY 2016 £4.50 1066: the year that changed history When William the Conqueror seized the crown discoverbritainmag.com OFC_DB_UKApr/May16Barcodes.indd 1 25/02/2016 16:23 Quote ͺDĂƌĐŚͬƉƌŝůϭϲͺh< Inspiring Breaks to National Trust Houses & Gardens with Just Go! Holidays Request a FREE 2016 brochure For our full selection of 2016 National Trust breaks please call 08432 244 246 Quote: ‘Discover Britain’ for discount a d e e R r s n i • a t t S i i r p B e c £25 off r i a e l per booking v D o c i s s i c o D A Wonderful Opportunity to Explore u nt f o r ŚŽŽƐĞĨƌŽŵĂŶĞdžĐůƵƐŝǀĞĐŽůůĞĐƟŽŶŽĨϮϭƚŽƵƌƐŽīĞƌŝŶŐ tĞŚĂǀĞĂĚĚĞĚŇĞdžŝďůĞƚƌĂǀĞůŽƉƟŽŶƐ on our tours ƚŚĞŽƉƉŽƌƚƵŶŝƚLJƚŽĚŝƐĐŽǀĞƌŵĂŶLJĞĐůĞĐƟĐƉůĂĐĞƐĂŶĚ ĂůůŽǁŝŶŐLJŽƵƚŽĐŚŽŽƐĞLJŽƵƌƉƌĞĨĞƌƌĞĚŵĞĂŶƐŽĨ ƐƉĂĐĞƐůŽŽŬĞĚĂŌĞƌďLJƚŚĞEĂƟŽŶĂůdƌƵƐƚ ƚƌĂŶƐƉŽƌƚͲǁŚĞƚŚĞƌŝƚ͛ƐĚƌŝǀŝŶŐLJŽƵƌƐĞůĨƚŽƚŚĞŚŽƚĞů͕ ũŽŝŶŝŶŐƚŚĞĐŽĂĐŚĂƚĂĐŽŶǀĞŶŝĞŶƚƉŝĐŬƵƉƉŽŝŶƚŽƌĞǀĞŶ A ĨƌŝĞŶĚůLJdŽƵƌDĂŶĂŐĞƌǁŝůůŵĞĞƚLJŽƵĂƚƚŚĞŚŽƚĞůĂŶĚ ƚĂŬŝŶŐĂŇŝŐŚƚƚŽLJŽƵƌĚĞƐƟŶĂƟŽŶ ĨĂĐŝůŝƚĂƚĞƚŚĞƐŵŽŽƚŚŽƌŐĂŶŝƐĂƟŽŶŽĨĂůůŽƉĞƌĂƟŽŶĂů ĂƐƉĞĐƚƐŽĨƚŚĞďƌĞĂŬ &ŽƌĞǀĞƌLJƉĞƌƐŽŶǁŚŽũŽŝŶƐƵƐŽŶŽŶĞŽĨŽƵƌŝŶƐƉŝƌŝŶŐ ďƌĞĂŬƐ͕ǁĞĂƌĞƉƌŽƵĚƚŽŐŝǀĞƚŚĞEĂƟŽŶĂůdƌƵƐƚάϮϱ ůƐŽĂĐŚĂŶĐĞƚŽĞdžƉůŽƌĞƐŽŵĞŽĨƚŚĞƌĞŵĂƌŬĂďůĞŐĞŵƐ ǁŚŝĐŚŚĞůƉƐƚŚĞŵƚŽĨƵŶĚǀŝƚĂůƌĞƐƚŽƌĂƟŽŶƉƌŽũĞĐƚƐƚŚĂƚ
    [Show full text]
  • Somerset House
    Somerset House Conway Archive Old Somerset House, London – The River Front of Old Somerset House, from a Watercolour by Paul Sandby, RA, Image CON-B1035-F1-12 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Kenton Couse, Image CON-B1035-F1-01, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Thomas Sandby in Royal Library, Windsor Castle, Image CON-B1035- F1-15, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of 1797 described as after a painting of 1650 by Cornelis Bol, Image CON-B1035-F1-16, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of The Southern Front of Somerset House with its Extensive Gardens &c, Drawing by Jan Kip c. 1720, Image CON-B1035F1-10 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of Etching by W. Hallam (British Museum), 1607-77, Image CON-B1035-F1- 08, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – from Britannia Illustrata, vol. 1, 1714, pl.4, Image CON-B1035-F1-09, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of a painting by Cornelis Bol, c.1640-50, Evelyn Collection, Image CON- B1035-F1-17, The Courtauld Institute of Art, CC-BY-NC Somerset House, London - Detail of vestibule, Image CON-B1034-F2-13 The Courtauld Institute of Art, CC-BY-NC Details unavailable Somerset House, London – The Strand Façade, Image CON-B1034-F1-02, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South Side of courtyard area, taken 1969, Image CON-B1034-F1-28 The Courtauld Institute of Art, CC-BY-NC Somerset House, London – West side of covered way through north range, taken 1985, Image CON-B1034-F1-34, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South face of north range and gate linking with inner west range, taken 1969, Image CON-B1034-F3-19, The Courtauld Institute of Art, CC-BY-NC Somerset House, London, CON-B1034-F3-17, The Courtauld Institute of Art, CC-BY-NC.
    [Show full text]
  • The Court Post Office
    The Court Post Office BRITISH STAMPS Her Majesty is on record as having referred to the Royal Family as ‘The Firm’ and, like any successful business, it has to process large quantities of incoming and outgoing mail. In early 2012, the authors were given the opportunity of visiting Buckingham Palace to interview The Court Postmaster, David Baxter, and this article is the result of that visit. It also contains information gleaned from a previous visit made in 2004 in instances where there have been no changes to the arrangements in place. The Court Post Office: Part One By Glenn H Morgan and John Holman Detailed arrangements about the Court Post cancellations by hand. up full-time residency in Kensington Palace. were first published inRoyal Household Mail The role of Court Postmaster involves Their outgoing mail envelopes are cancelled in 1992 (Ref. 1). This was later updated for managing all employees, plus the incoming with the Buckingham Palace franking the period 1990-2004 in ‘The Court Post and outgoing mail for and from the Royal machine when at their London office, which Office’ series of five articles (Ref 2). This Family members and their Households, much can be readily identified when separated from present article serves to introduce the subject as it would have done in the first Elizabethan the contents due to the use of a ‘W’ (William) and to record current postal and certifying era. Until recently there was a Deputy Court or a ‘C’ (Catherine) on the envelope flap. markings used on mail in all the Royal offices Postmaster, but the role became vacant and is The Duke also still uses envelopes with a and residences.
    [Show full text]
  • Getting Settled 2017.Pdf
    Contents Your New Life in the TASIS England Area 3 I. Finding A Home 4 II. Interim Living 7 III. Getting Around 9 IV. Assistance with Settling: The Emotional and Practical Sides to Relocation 11 Top TASIS Towns 12 Parents’ Information and Resource Committee 32 PIRC: Helping TASIS Families Transition 32 Summer Opportunities 34 Banking 35 Telephone, Mobile Phone, Television & Internet Service 36 Medical Care 39 U.K. Driving 40 Faith Communities 41 Before You Arrive in the U.K. 44 Living in England Special Section from AWBS International Women’s Club 46 1 2 Your New Life in the TASIS England Area All information and links contained here were current at the time the document was com- piled. TASIS The American School in England cannot endorse specific businesses or individuals. The options are listed to augment and facilitate your own investigations. Please consider all options carefully, before making important decisions based on this limited information. If you find that any information listed here is in error, please contact communications@tasisen- gland.org. TOP TASIS TOWNS Virginia Water Weybridge Ascot Sunningdale Walton-on-Thames Egham Englefield Green Woking Windsor Richmond Windlesham Sunninghill These are the most popular towns, because of their locations, amongst TASIS families. Information about each town can be found in the Top TASIS Towns section, beginning on page 12. 3 I. FINDING A HOME The following websites provide listings of properties, including descriptions and prices, available within a particular town or postcode. Typically, you can narrow your search by number of bedrooms, price range, etc. These websites are not affiliated with a particular estate agency: www.primelocation.com www.rightmove.co.uk www.zoopla.co.uk ESTATE AGENTS Rental properties are referred to as “lets,”and agents with rentals are “letting agents.” There is no multi-listing of available properties in England.
    [Show full text]
  • St James Conservation Area Audit
    ST JAMES’S 17 CONSERVATION AREA AUDIT AREA CONSERVATION Document Title: St James Conservation Area Audit Status: Adopted Supplementary Planning Guidance Document ID No.: 2471 This report is based on a draft prepared by B D P. Following a consultation programme undertaken by the council it was adopted as Supplementary Planning Guidance by the Cabinet Member for City Development on 27 November 2002. Published December 2002 © Westminster City Council Department of Planning & Transportation, Development Planning Services, City Hall, 64 Victoria Street, London SW1E 6QP www.westminster.gov.uk PREFACE Since the designation of the first conservation areas in 1967 the City Council has undertaken a comprehensive programme of conservation area designation, extensions and policy development. There are now 53 conservation areas in Westminster, covering 76% of the City. These conservation areas are the subject of detailed policies in the Unitary Development Plan and in Supplementary Planning Guidance. In addition to the basic activity of designation and the formulation of general policy, the City Council is required to undertake conservation area appraisals and to devise local policies in order to protect the unique character of each area. Although this process was first undertaken with the various designation reports, more recent national guidance (as found in Planning Policy Guidance Note 15 and the English Heritage Conservation Area Practice and Conservation Area Appraisal documents) requires detailed appraisals of each conservation area in the form of formally approved and published documents. This enhanced process involves the review of original designation procedures and boundaries; analysis of historical development; identification of all listed buildings and those unlisted buildings making a positive contribution to an area; and the identification and description of key townscape features, including street patterns, trees, open spaces and building types.
    [Show full text]
  • The Industrial Revolution: 18-19Th C
    The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture.
    [Show full text]
  • Museum of Economic Botany, Kew. Specimens Distributed 1901 - 1990
    Museum of Economic Botany, Kew. Specimens distributed 1901 - 1990 Page 1 - https://biodiversitylibrary.org/page/57407494 15 July 1901 Dr T Johnson FLS, Science and Art Museum, Dublin Two cases containing the following:- Ackd 20.7.01 1. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 2. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 3. Wood of Melia indica, Anantapur, Paris Exhibition 1900 4. Wood of Anogeissus acuminata, Ganjam, Paris Exhibition 1900 5. Wood of Xylia dolabriformis, Godaveri, Paris Exhibition 1900 6. Wood of Pterocarpus Marsupium, Kistna, Paris Exhibition 1900 7. Wood of Lagerstremia parviflora, Godaveri, Paris Exhibition 1900 8. Wood of Anogeissus latifolia , Godaveri, Paris Exhibition 1900 9. Wood of Gyrocarpus jacquini, Kistna, Paris Exhibition 1900 10. Wood of Acrocarpus fraxinifolium, Nilgiris, Paris Exhibition 1900 11. Wood of Ulmus integrifolia, Nilgiris, Paris Exhibition 1900 12. Wood of Phyllanthus emblica, Assam, Paris Exhibition 1900 13. Wood of Adina cordifolia, Godaveri, Paris Exhibition 1900 14. Wood of Melia indica, Anantapur, Paris Exhibition 1900 15. Wood of Cedrela toona, Nilgiris, Paris Exhibition 1900 16. Wood of Premna bengalensis, Assam, Paris Exhibition 1900 17. Wood of Artocarpus chaplasha, Assam, Paris Exhibition 1900 18. Wood of Artocarpus integrifolia, Nilgiris, Paris Exhibition 1900 19. Wood of Ulmus wallichiana, N. India, Paris Exhibition 1900 20. Wood of Diospyros kurzii , India, Paris Exhibition 1900 21. Wood of Hardwickia binata, Kistna, Paris Exhibition 1900 22. Flowers of Heterotheca inuloides, Mexico, Paris Exhibition 1900 23. Leaves of Datura Stramonium, Paris Exhibition 1900 24. Plant of Mentha viridis, Paris Exhibition 1900 25. Plant of Monsonia ovata, S.
    [Show full text]
  • Windsor Great Park and Woodlands
    Berkshire Conservation Target Areas Descriptions.doc Windsor Great Park and Woodlands This area includes Windsor Great Park SSSI along with adjacent parkland and various areas to the south with similar habitats including Silwood Park, some large woodlands, Ascot racecourse and a number of sites on the edge of Ascot. Joint Character Area: Thames Valley. The southern edge is in the Thames Basin Heaths Area. Geology: the northern area including most of Windsor Great Park is London Clay Formation clay, silt and sand. In the south there are low hills and other areas, with areas of Bagshot Sand and topped by River Terrace Sand ands Gravels and with some bands of Head. Topography: relatively flat in the north with a mixture of low hills, gently sloping valley sides and flatter areas in the south. Biodiversity: Parkland and Wood Pasture: Windsor Great Park is an extensive area of parkland and old wood pasture with large numbers of veteran trees. These support important specialist invertebrate and fungi populations. Further parkland is found to the north- west of the area. Parkland habitat is also found at Silwood Park. Woodland: There are extensive areas of woodland. Many areas are ancient woodland though significant areas have been replanted in the past. In the wet valleys there is wet woodland with extensive areas at Silwood Park. Acid Grassland: there are areas of acid grassland, especially in Windsor Great Park with remnants elsewhere. Lowland Meadow: There are areas of lowland meadow habitat in Windsor Great Park and also extensive remnants of this habitat. Standing Water: There are a variety of water bodies ranging from small ponds to large lakes, such as Virginia Water.
    [Show full text]
  • FURHTURE, TAPESTRY and EMBROIDERY of YESTERDAY AID TODAY MARLBOROUGH HOUSE Wednesday April 25™
    ROYAL SCHOOL OF NEEDLEWORK Patron : H.M. QUEEN ELIZABETH THE QUEEN MOTHER LOAN EXHIBITION FURHTURE, TAPESTRY AND EMBROIDERY OF YESTERDAY AID TODAY MARLBOROUGH HOUSE Wednesday April 25™ TO Wednesday May 30™ PRICE 6 ° Ma r II)o ± ough ho use by Sir Owen Morshead. Whitehall Palace having been destroyed by fire in 1698, it was in St. James' Palace that Queen Anne set up her residence in 1702; and the Court of St. James' is still the term in official use to-day. Within a year she had created her Lord Privy Seal (John Sheffield) Duke of Buckingham, and he proceeded to erect for himself the big house looking down the length of the Mall which, rebuilt since, is known to us as Buckingham Palace. Shortly afterwards she allowed her Mistress of the Robes and close confidante, Sarah Duchess of Marlborough, to build the house in which the present exhibition is being held. From his campaign in the Low Countries the Duke had written to his wife: "You,know I never lik'd to build it at all. 'Tis not a proper Place for a great House. And I am sure," he added knowingly, "when you have built a little one you will not like it." The one which Sir Christopher Wren designed for her in 1709 is the present house minus the two top floors and certain additional rooms in the side wings. Built on so confined a site it has had to expand upwards, to the detriment of its appearance. The mettlesome Duchess was vexed by the inadequacy of its entrance from the street, and she resented too its domination by the houses in Pall Mall.
    [Show full text]