August 2009 Comedy Channel Highlights
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Pay TV in Australia Markets and Mergers
Pay TV in Australia Markets and Mergers Cento Veljanovski CASE ASSOCIATES Current Issues June 1999 Published by the Institute of Public Affairs ©1999 by Cento Veljanovski and Institute of Public Affairs Limited. All rights reserved. First published 1999 by Institute of Public Affairs Limited (Incorporated in the ACT)␣ A.C.N.␣ 008 627 727 Head Office: Level 2, 410 Collins Street, Melbourne, Victoria 3000, Australia Phone: (03) 9600 4744 Fax: (03) 9602 4989 Email: [email protected] Website: www.ipa.org.au Veljanovski, Cento G. Pay TV in Australia: markets and mergers Bibliography ISBN 0 909536␣ 64␣ 3 1.␣ Competition—Australia.␣ 2.␣ Subscription television— Government policy—Australia.␣ 3.␣ Consolidation and merger of corporations—Government policy—Australia.␣ 4.␣ Trade regulation—Australia.␣ I.␣ Title.␣ (Series: Current Issues (Institute of Public Affairs (Australia))). 384.5550994 Opinions expressed by the author are not necessarily endorsed by the Institute of Public Affairs. Printed by Impact Print, 69–79 Fallon Street, Brunswick, Victoria 3056 Contents Preface v The Author vi Glossary vii Chapter One: Introduction 1 Chapter Two: The Pay TV Picture 9 More Choice and Diversity 9 Packaging and Pricing 10 Delivery 12 The Operators 13 Chapter Three: A Brief History 15 The Beginning 15 Satellite TV 19 The Race to Cable 20 Programming 22 The Battle with FTA Television 23 Pay TV Finances 24 Chapter Four: A Model of Dynamic Competition 27 The Basics 27 Competition and Programme Costs 28 Programming Choice 30 Competitive Pay TV Systems 31 Facilities-based -
Foxtel in 2016
Media Release: Thursday November 5, 2015 Foxtel in 2016 In 2016, Foxtel viewers will see the return of a huge range of their favourite Australian series, with the stellar line-up bolstered by a raft of new commissions and programming across drama, lifestyle, factual and entertainment. Foxtel Executive Director of Television Brian Walsh said: “We are proud to announce the re- commission of such an impressive line-up of our returning Australian series, which is a testament to our production partners, creative teams and on air talent. In 2016, our subscribers will see all of their favourite Australian shows return to Foxtel, as well as new series we are sure will become hits with our viewers. “Our growing commitment to producing exclusive home-made signature programming for our subscribers will continue in 2016, with more Australian original series than ever before. Our significant investment in acquisitions will also continue, giving Foxtel viewers the biggest array of overseas series available in Australia. “In 2016 we will make it even easier for our subscribers to enjoy Foxtel. Our on demand Foxtel Anytime offering will continue to be the driving force behind the most comprehensive nationwide streaming service available to all customers as part of their package. Over the next year, Foxtel will provide its subscribers with more than 16,000 hours of programming, available anytime.” “To complement our outstanding on demand offering, our Box Sets channel is designed for our binge- watching viewers who want to watch or record full series of their favourite shows from Australia and around the world. It’s the only channel of its kind in our market and content on Box Sets will also increase next year, giving our subscribers even more freedom to watch what they want, when they want.” “Foxtel also continues to be the best movies destination in Australia. -
Archived at the Flinders Academic Commons
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ "This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media & Cultural Studies, published online 12 March 2013. © Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/10304312.2 013.772110#.Ui0Jfcbdd8E“ Please cite this as: Erhart, J.G., 2013. ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies. Continuum: Journal of Media & Cultural Studies, DOI:10.1080/10304312.2013.772110 DOI: http://dx.doi.org/10.1080/10304312.2013.772110 © 2013 Taylor & Francis. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. ‘Your Heart Goes Out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley’s TV Comedies Since the year 2005 when We Can Be Heroes: Finding the Australian of the Year first appeared on TV, Chris Lilley’s name has been associated with controversy in the Australian and international press. Making fun of disabled and gay people, drug overdose victims, and rape survivors, are but a few of the accusations which have been levied. While some of the uproar has been due to factors beyond Lilley’s control (the notorious coincidence of a real- life overdose with Lilley’s representation -
Australian Mobile Telecommunications Industry
Australian Mobile Telecommunications Industry Economic Significance September 2005 Report to the Australian Mobile Telecommunications Association The Allen Consulting Group Pty Ltd ACN 007 061 930 Melbourne 4th Floor, 128 Exhibition St Melbourne VIC 3000 Telephone: (61-3) 9654 3800 Facsimile: (61-3) 9654 6363 Sydney Level 12, 210 George St Sydney NSW 2000 Telephone: (61-2) 9247 2466 Facsimile: (61-2) 9247 2455 Canberra Level 12, 15 London Circuit Canberra ACT 2600 GPO Box 418, Canberra ACT 2601 Telephone: (61-2) 6230 0185 Facsimile: (61-2) 6230 0149 Perth Level 21, 44 St George’s Tce Perth WA 6000 Telephone: (61-8) 9221 9911 Facsimile: (61-8) 9221 9922 Brisbane Level 11, 77 Eagle St Brisbane QLD 4000 PO Box 7034, Riverside Centre, Brisbane QLD 4001 Telephone: (61-7) 3221 7266 Facsimile: (61-7) 3221 7255 Online Email: [email protected] Website: www.allenconsult.com.au Disclaimer: While The Allen Consulting Group endeavours to provide reliable analysis and believes the material it presents is accurate, it will not be liable for any claim by any party acting on such information. © The Allen Consulting Group 2005 The Allen Consulting Group ii Acknowledgments The Allen Consulting Group would like to thank the members of the mobile telecommunications industry who contributed to this report. A working group of ten industry representatives (listed in appendix A) provided guidance and feedback on the project. This included providing guidance on industry issues and supplying information on various aspects of the industry. The working group was established and run by the Australian Mobile Telecommunications Association (AMTA). -
Vine Racial Comedy As a Sociopolitical Discourse Genre
! UNIVERSITY OF CALIFORNIA Santa Barbara “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Linguistics by Kendra Nicole Calhoun Committee in charge: Professor Mary Bucholtz, Chair Professor Stephanie Leigh Batiste Professor John W. Du Bois December 2016 ! ! The thesis of Kendra Nicole Calhoun is approved. _____________________________________________ Stephanie Leigh Batiste _____________________________________________ John W. Du Bois _____________________________________________ Mary Bucholtz, Committee Chair December 2016 ! ! “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre Copyright © 2016 by Kendra Nicole Calhoun iii! ! ABSTRACT “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre by Kendra Nicole Calhoun This thesis analyzes the generic features and social significance of Vine racial comedy, a genre of sociopolitical humor on the video-sharing social media platform Vine. Comedy is the most popular category of videos on the platform, and for the majority of Vine’s existence since its launch in 2013, comedy has been dominated by King Bach (pronounced “batch”). Andrew Bachelor, the actor and producer behind the King Bach persona, is a 28-year-old Black comedian with more than 16 million Vine followers (as of October 2016), making him the most followed comedy Viner and the most followed Viner overall. King Bach has created a dominant form of Vine racial comedy, a unique style of audio-visual comedy that incorporates features of both face-to-face and online discourse genres and adapts them to the affordances of the Vine platform. -
Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's -
576 the Contemporary Pacific • 27:2 (2015) Vilsoni Hereniko *
576 the contemporary pacific • 27:2 (2015) Wild felt familiar. I had experienced film, disguised as an ordinary road the same feelings in countless other movie. As such, it is a film that is easy mainstream movies. In The Pā Boys, to overlook, even at film festivals however, my emotional responses where it might be possible to discover emanated from the deep recesses of a fearlessly independent voice. my being, which very few films have When you accidentally stumble been able to touch. Rotumans call this on an authentic voice, like I did, you place huga, which literally translates know you’ve finally experienced as “inside of the body, esp. of the the film you have always hoped to abdomen”; Hawaiians call it the na‘au see when you go to the movies but while Māori call it the ngakau. thought the day would never come! It is in one’s gut that the truth of This was how it was with me. the ages resides. This kind of knowing vilsoni hereniko cannot be explained logically or ratio- University of Hawai‘i, nally. It is a knowing that is activated Mānoa when one experiences a universal truth, which in The Pā Boys, is this: *** For these Māori young people to be truly healed, they needed to reconnect Jonah From Tonga. 2014. Televi- with and learn about their ances- sion series, 180 minutes, dvd, color, tral pasts in order to become more in English. Written by Chris Lilley, humane, more compassionate, better produced by Chris Lilley and Laura human beings. This is the universal Waters, and directed by Chris Lilley message, told not through a sermon and Stuart McDonald; distributed but through a musical story about by hbo. -
SQ Annual Review 2017-18
17 > Celeste ANNUAL REVIEW 18 CONTACT Head Office Address: Gold Coast Office Address: Suite 1/30 Florence Street c/o Village Roadshow Studios Newstead Qld 4006 Building 9A, Entertainment Road Australia Oxenford QLD 4210 T. +61 7 3248 0500 Australia E. [email protected] Postal Address: PO Box 15094 City East Brisbane Qld 4002 Australia Screen Queensland's purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. > Harrow Screen Queensland ACN 056 169 316 ABN 20 056 169 316 Published by Screen Queensland 2018 Also published on screenqld.com.au -------------------------------------------------------------------------------------------------------------------------------------------------------- All figures noted in this Annual Report, including Queensland Production Expenditure (QPE) and jobs, are for the productions given funding in the 2017-18 Financial Year which may or may not have gone into principal photography. > Cover image - Tidelands In the 2017–18 Financial Year, Screen Queensland funded 28 film and television screen productions and games, which generated an estimated $168 million in direct Queensland Production Expenditure (QPE) and more than 1,960 employment opportunities for Queenslanders. > CONTENTS Message from The Premier of Queensland 5 Screen Queensland Chair 7 Look What We Achieved Together 8 2017-18 Highlights 10 Production in Queensland 14 New Initiatives in Screen 18 Screen Support Programs 26 Production Attraction Funding Program 30 Dora the -
MCMPL NEWSLETTER Mary C
MCMPL NEWSLETTER Mary C. Moore Public Library Announcements & Events About Us Online newsletter: http://www.lacombelibrary.com/newsletter/ Hours Monthly feature display: Come hither and check out our display of fiction set in Medieval Monday-Thursday times! 10am-8pm Friday Join our Reading Challenge!: Explore new authors and titles, and grow as a reader. Pick up a 10am-5pm Reading Challenge bookmark at the library and read a book for each category listed. When you com- Saturday plete your challenge, fill in your info and drop off your bookmark at the library to be entered into the 10am-5pm draw for a fabulous prize, before September 28. You can also post book reviews on our facebook Sunday & Stat Holidays page or hand in a written review to be posted on the bulletin board in the library and featured in our Closed newsletter! For even more reading fun, do your challenge with your friends and family! Colouring Club for Adults: Wednesdays, September 7 & 21, drop-in 6-8pm in the library. Relax, Library Services unwind and enjoy quiet conversation while being creative! All materials provided. This program is free to attend! Adults only and older teens only, please. See our website for upcoming dates. Free Wi-Fi Film Club: For our September 27 meeting we are watching Still M ine, directed by Michael Free public computer access McGowan. Still Mine is an exquisitely crafted and deeply affecting love story about a couple in their twilight years. Based on true events and laced with wry humor, Still Mine tells the heartfelt tale of Printing Craig Morrison, who comes up against the system when he sets out to build a more suitable house for Faxing his ailing wife Irene. -
Foxtel Programming in 2015 (PDF)
FOXTEL programming in 2015 GOGGLEBOX Season 1 The LifeStyle Channel Based on the U.K. smash hit, Gogglebox is a weekly observational series which captures the reactions of ordinary Australians as they watch the nightly news, argue over politics, cheer their favourite sporting teams and digest current affairs and documentaries. Twelve households will be chosen and then rigged with special, locked off cameras to capture every unpredictable moment. Gogglebox is like nothing else ever seen on Australian television and it’s set to hook audiences in a fun and entertaining way. The series has been commissioned jointly by Foxtel and Network Ten and will air first on The LifeStyle Channel followed by Channel Ten. DEADLINE GALLIPOLI Season 1 showcase Deadline Gallipoli explores the origin of the Gallipoli legend from the point of view of war correspondents Charles Bean, Ellis Ashmead-Bartlett, Phillip Schuler and Keith Murdoch, who lived through the campaign and bore witness to the extraordinary events that unfolded on the shores of Gallipoli in 1915. This compelling four hour miniseries captures the heartache and futility of war as seen through the eyes of the journalists who reported it. Joel Jackson stars as Bean, Hugh Dancy as Bartlett, Ewen Leslie as Murdoch, and Sam Worthington as Schuler. Charles Dance plays Hamilton, the Commander of the Gallipoli campaign, Bryan Brown plays General Bridges and John Bell plays Lord Kitchener. Deadline Gallipoli will be broadcast to coincide with the World War I Centenary commemorations. THE KETTERING INCIDENT Season 1 showcase Elizabeth Debicki, Matt Le Nevez, Anthony Phelan, Henry Nixon and Sacha Horler star in The Kettering Incident drama series. -
Won't Bow Don't Know
A NEW SERIES FROM THE CREATORS OF SM WON’T BOW DON’T KNOW HOW New Orleans, 2005 ONLINE GUIDE MAY 2010 SUNDAYS 10 PM/9C SATURDAYSATURDAY NIGHTSNIGHTS The prehistoric pals trade the permafrost for paradise in this third adventure in the Ice Age series. As Manny the Mammoth and his woolly wife prep for parenthood, Sid the Sloth decides to join his furry friend by fathering a trio of snatched eggs...which soon hatch into dinosaurs! It isn’t long before Mama T-Rex turns up looking for her tots and ends up leading the pack of glacial mates to a vibrant climate under the ice where dinos rule. “The best of the three films...” (Roger Ebert). Featuring the voices of Ray Romano, Screwball quantum paleontologist Will Ferrell and three companions time warp back John Leguizamo, Denis to the prehistoric age in this comical adventure based on the cult 1970s TV series. Leary, Josh Peck and Danny McBride, Anna Friel and Jorma Taccone star as Ferrell’s cohorts whose routine Queen Latifah. (MV) PG- expedition winds up leaving them in a primitive world of dinosaurs, cave-dwelling 1:34. HBO May 1,2,4,9,15, lizards, ape-like creatures and hungry mosquitoes. Directed by Brad Silberling; 19,23,27,31 C5EH written by Chris Henchy & Dennis McNicholas, based on Sid & Marty Krofft’s Land STARTS SATURDAY, of the Lost. (AC,AL,MV) PG13-1:42. HBO May 8,9,11,16,20,22,24,27,30 C5EH MAY 1 STARTS SATURDAY, MAY 8 A NEW MOVIE EVERY SATURDAY—GUARANTEED! SATURDAYSATURDAY NIGHTSNIGHTS One night in Vegas She was born to save proves to be more her sister’s life, but at than four guys arriving what cost to her own? for a bachelor party Cameron Diaz and can handle in this Abigail Breslin star in riotous Golden Globe®- this heart-pulling drama winning comedy. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a