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Pay TV in Australia Markets and Mergers
Pay TV in Australia Markets and Mergers Cento Veljanovski CASE ASSOCIATES Current Issues June 1999 Published by the Institute of Public Affairs ©1999 by Cento Veljanovski and Institute of Public Affairs Limited. All rights reserved. First published 1999 by Institute of Public Affairs Limited (Incorporated in the ACT)␣ A.C.N.␣ 008 627 727 Head Office: Level 2, 410 Collins Street, Melbourne, Victoria 3000, Australia Phone: (03) 9600 4744 Fax: (03) 9602 4989 Email: [email protected] Website: www.ipa.org.au Veljanovski, Cento G. Pay TV in Australia: markets and mergers Bibliography ISBN 0 909536␣ 64␣ 3 1.␣ Competition—Australia.␣ 2.␣ Subscription television— Government policy—Australia.␣ 3.␣ Consolidation and merger of corporations—Government policy—Australia.␣ 4.␣ Trade regulation—Australia.␣ I.␣ Title.␣ (Series: Current Issues (Institute of Public Affairs (Australia))). 384.5550994 Opinions expressed by the author are not necessarily endorsed by the Institute of Public Affairs. Printed by Impact Print, 69–79 Fallon Street, Brunswick, Victoria 3056 Contents Preface v The Author vi Glossary vii Chapter One: Introduction 1 Chapter Two: The Pay TV Picture 9 More Choice and Diversity 9 Packaging and Pricing 10 Delivery 12 The Operators 13 Chapter Three: A Brief History 15 The Beginning 15 Satellite TV 19 The Race to Cable 20 Programming 22 The Battle with FTA Television 23 Pay TV Finances 24 Chapter Four: A Model of Dynamic Competition 27 The Basics 27 Competition and Programme Costs 28 Programming Choice 30 Competitive Pay TV Systems 31 Facilities-based -
Foxtel in 2016
Media Release: Thursday November 5, 2015 Foxtel in 2016 In 2016, Foxtel viewers will see the return of a huge range of their favourite Australian series, with the stellar line-up bolstered by a raft of new commissions and programming across drama, lifestyle, factual and entertainment. Foxtel Executive Director of Television Brian Walsh said: “We are proud to announce the re- commission of such an impressive line-up of our returning Australian series, which is a testament to our production partners, creative teams and on air talent. In 2016, our subscribers will see all of their favourite Australian shows return to Foxtel, as well as new series we are sure will become hits with our viewers. “Our growing commitment to producing exclusive home-made signature programming for our subscribers will continue in 2016, with more Australian original series than ever before. Our significant investment in acquisitions will also continue, giving Foxtel viewers the biggest array of overseas series available in Australia. “In 2016 we will make it even easier for our subscribers to enjoy Foxtel. Our on demand Foxtel Anytime offering will continue to be the driving force behind the most comprehensive nationwide streaming service available to all customers as part of their package. Over the next year, Foxtel will provide its subscribers with more than 16,000 hours of programming, available anytime.” “To complement our outstanding on demand offering, our Box Sets channel is designed for our binge- watching viewers who want to watch or record full series of their favourite shows from Australia and around the world. It’s the only channel of its kind in our market and content on Box Sets will also increase next year, giving our subscribers even more freedom to watch what they want, when they want.” “Foxtel also continues to be the best movies destination in Australia. -
Vine Racial Comedy As a Sociopolitical Discourse Genre
! UNIVERSITY OF CALIFORNIA Santa Barbara “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Linguistics by Kendra Nicole Calhoun Committee in charge: Professor Mary Bucholtz, Chair Professor Stephanie Leigh Batiste Professor John W. Du Bois December 2016 ! ! The thesis of Kendra Nicole Calhoun is approved. _____________________________________________ Stephanie Leigh Batiste _____________________________________________ John W. Du Bois _____________________________________________ Mary Bucholtz, Committee Chair December 2016 ! ! “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre Copyright © 2016 by Kendra Nicole Calhoun iii! ! ABSTRACT “What, a Black man can’t have a TV?”: Vine Racial Comedy as a Sociopolitical Discourse Genre by Kendra Nicole Calhoun This thesis analyzes the generic features and social significance of Vine racial comedy, a genre of sociopolitical humor on the video-sharing social media platform Vine. Comedy is the most popular category of videos on the platform, and for the majority of Vine’s existence since its launch in 2013, comedy has been dominated by King Bach (pronounced “batch”). Andrew Bachelor, the actor and producer behind the King Bach persona, is a 28-year-old Black comedian with more than 16 million Vine followers (as of October 2016), making him the most followed comedy Viner and the most followed Viner overall. King Bach has created a dominant form of Vine racial comedy, a unique style of audio-visual comedy that incorporates features of both face-to-face and online discourse genres and adapts them to the affordances of the Vine platform. -
August 2009 Comedy Channel Highlights
Last Updated: July 21 www.comedychannel.com.au AUGUST 2009 HIGHLIGHTS 1. Summer Heights High 2. Everybody Hates Chris (Series 1) 3. The Best Of British Summer Heights High SUBSCRIPTION TV PREMIERE Thursdays at 8.30pm from August 13 Following the internationally acclaimed hit series WE CAN BE HEROES about the search for Australian on the Year, the award-winning high-school mockumentary SUMMER HEIGHTS HIGH spotlights the incisive observation and piercing comedy of Chris Lilley, who both wrote the series and portrays all three main characters. Filmed in a documentary style, with non-actors playing supporting characters Chris Lilley reveals what really happens in an average Australian high school as epitomised by its three main protagonists: Mr G - “Two words, deal with it” - The Megalomaniac "Director of Performing Arts" Mr G who, despite relentless opposition, cancels the traditional school musical so that he can write his own original "Arena Spectacular". Ja'mie King - “I don’t want to be a bitch, but…” - A self-absorbed, privileged teenager who is taking part in a swap scheme to bridge the divide between state and private schools, but finds she is way out of her comfort zone. Jonah Takalua - “Puck you Miss” - A contemptuous Tongan break-dancer and graffitist who was previously expelled for setting fire to lockers and defacing the principal's car. Hilarious, absurd and frequently shocking, SUMMER HEIGHTS HIGH reveals a world where the seemingly huge traumas of friendship, staff politics, schoolwork and relationships are the fabric of life in the school universe. SUMMER HEIGHTS HIGH is followed at 9pm by Australian sketch comedy at it’s finest with BIG BITE – see the early days of Chris Lilley’s character Mr G (also look out for Deal Or No Deal’s Andrew O’Keefe). -
Foxtel Programming in 2015 (PDF)
FOXTEL programming in 2015 GOGGLEBOX Season 1 The LifeStyle Channel Based on the U.K. smash hit, Gogglebox is a weekly observational series which captures the reactions of ordinary Australians as they watch the nightly news, argue over politics, cheer their favourite sporting teams and digest current affairs and documentaries. Twelve households will be chosen and then rigged with special, locked off cameras to capture every unpredictable moment. Gogglebox is like nothing else ever seen on Australian television and it’s set to hook audiences in a fun and entertaining way. The series has been commissioned jointly by Foxtel and Network Ten and will air first on The LifeStyle Channel followed by Channel Ten. DEADLINE GALLIPOLI Season 1 showcase Deadline Gallipoli explores the origin of the Gallipoli legend from the point of view of war correspondents Charles Bean, Ellis Ashmead-Bartlett, Phillip Schuler and Keith Murdoch, who lived through the campaign and bore witness to the extraordinary events that unfolded on the shores of Gallipoli in 1915. This compelling four hour miniseries captures the heartache and futility of war as seen through the eyes of the journalists who reported it. Joel Jackson stars as Bean, Hugh Dancy as Bartlett, Ewen Leslie as Murdoch, and Sam Worthington as Schuler. Charles Dance plays Hamilton, the Commander of the Gallipoli campaign, Bryan Brown plays General Bridges and John Bell plays Lord Kitchener. Deadline Gallipoli will be broadcast to coincide with the World War I Centenary commemorations. THE KETTERING INCIDENT Season 1 showcase Elizabeth Debicki, Matt Le Nevez, Anthony Phelan, Henry Nixon and Sacha Horler star in The Kettering Incident drama series. -
The Development of the UK Television News Industry 1982 - 1998
-iì~ '1,,J C.12 The Development of the UK Television News Industry 1982 - 1998 Thesis submitted for the degree of Doctor of Philosophy by Alison Preston Deparent of Film and Media Studies University of Stirling July 1999 Abstract This thesis examines and assesses the development of the UK television news industry during the period 1982-1998. Its aim is to ascertain the degree to which a market for television news has developed, how such a market operates, and how it coexists with the 'public service' goals of news provision. A major purpose of the research is to investigate whether 'the market' and 'public service' requirements have to be the conceptual polarities they are commonly supposed to be in much media academic analysis of the television news genre. It has conducted such an analysis through an examination of the development strategies ofthe major news organisations of the BBC, ITN and Sky News, and an assessment of the changes that have taken place to the structure of the news industry as a whole. It places these developments within the determining contexts of Government economic policy and broadcasting regulation. The research method employed was primarily that of the in-depth interview with television news management, politicians and regulators: in other words, those instrumental in directing the strategic development within the television news industry. Its main findings are that there has indeed been a development of market activity within the television news industry, but that the amount of this activity has been limited by the particular economic attributes of the television news product. -
Supplementary Budget Estimates 2011-12
Senate Finance and Public Administration Legislation Committee ANSWERS TO QUESTIONS ON NOTICE Supplementary Budget Estimates 17-20 October 2011 Prime Minister and Cabinet Portfolio Department/Agency: arts portfolio agencies Outcome/Program: various Topic: Media Subscriptions Senator: Senator Ryan Question reference number: 145A Type of Question: Written Date set by the committee for the return of answer: 2 December 2011 Number of pages: 7 Question: 1. Does your department or agencies within your portfolio subscribe to pay TV (for example Foxtel)? ? If yes, please provide the reason why, the cost and what channels. ? What was the cost for 2010-11? ? What is the estimated cost for 2011-12? 2. Does your department or agencies within your portfolio subscribe to newspapers? ? If yes, please provide the reason why, the cost and what newspapers. ? What was the cost for 2010-11? ? What is the estimated cost for 2011-12? 3. Does your department or agencies within your portfolio subscribe to magazines? ? If yes, please provide the reason why, the cost and what magazines. ? What was the cost for 2010-11? ? What is the estimated cost for 2011-12? Answer: The Australia Council 1. No 2. Yes. In order to keep abreast of current issues that directly and indirectly impact on the arts and culture sector, the Australia Council subscribes to the following newspapers: the Sydney Morning Herald, The Australian, The Age, The Daily Senate Finance and Public Administration Legislation Committee ANSWERS TO QUESTIONS ON NOTICE Supplementary Budget Estimates 17-20 October 2011 Prime Minister and Cabinet Portfolio Telegraph, and the Australian Financial Review and the Australia Financial Review Online. -
Administrative Appeals Tribunal
*gaAg-k Administrative Appeals Tribunal ADMINISTRATIVE APPEALS TRIBUNAL No: 2010/4470 GENERAL ADMINISTRATIVE DIVISION Re: Australian Subscription Television and Radio Association Applicant And: Australian Human Rights Commission Respondent And: Media Access Australia Other Party TRIBUNAL: Ms G Ettinger, Senior Member DATE: 30 April 2012 PLACE: Sydney In accordance with section 34D(1) of the Administrative Appeals Tribunal Act 1975: in the course of an alternative dispute resolution process, the parties have reached an agreement as to the terms of a decision of the Tribunal that is acceptable to the parties; and the terms of the agreement have been reduced to writing, signed by or on behalf of the parties and lodged with the Tribunal; and the Tribunal is satisfied that a decision in those terms is within the powers of the Tribunal and is appropriate to make. Accordingly the Tribunal sets aside the decision of the Respondent and substitutes a decision that reflects the conditions jointly agreed by the parties and annexed to this decision. [ IN THE ADMINISTRATIVE APPEALS TRIBUNAL File Number 2010/4470 AUSTRALIAN SUBSCRIPTION TELEVISION AND RADIO ASSOCIATION Applicant AND AUSTRALIAN HUMAN RIGHTS COMMISSION Respondent AND MEDIA ACCESS AUSTRALIA Joined Party BY CONSENT THE TRIBUNAL MAKES THE FOLLOWING ORDERS PURSUANT TO SECTION 55 OF THE DISABILITY DISCRIMINATION ACT 1992 (CTI1): 1. Exemption 1.1 Each of the Entities is exempt from the operation of ss 5, 6, 7, 8,24, 122 and 123 of the Disability Discrimination Act 1992 (Cth) in respect of the provision of Captioning from the date of this Order until 30 June 2015 on the condition that it complies with the conditions outlined below that are applicable to it by reason of its operation as either a Channel Provider or a Platform. -
Channel-Guide-27-May-2018.Pdf
FIND ALL OF YOUR FAVOURITE CHANNEL GUIDE CHANNELS DIGITAL +2 DIGITAL +2 DIGITAL +2 § 111 funny .....................................111 154 Discovery Turbo .............. 634/620* 635/640* MTV Dance .............................. 804 13th STREET ........................118/117* 160 Disney Channel ......................... 707 MTV Music ............................... 803 On channels 831-860, you can access 30 ad-free A&E ........................................... 122 614/611* Disney Junior ............................ 709 MUTV ........................................ 518 audio channels playing your favourite music, Disney Movies ................. 404/400* 415/401* Action Movies ................. 406/409* 412/411* National Geographic ......... 610/613* 641 news and current affairs with no interruptions. Adults Only ............................ 960-1 Disney XD ................................. 708 foxtel tunes is part of your ENTERTAINMENT pack˚ Nat Geo WILD .................. 616/622* Al Jazeera English..................... 651 E! .............................................. 125 MAX 70s Hits Animal Planet ................... 615/621* ESPN ........................................ 508 NHK World ............................... 656 MAX 80s Hits Antenna .................................... 941 ESPN2 ...................................... 509 Nickelodeon ............................. 701 MAX 90s Hits Arena .................................105/112* 151 Eurosport ................................... 511 Nick Jr. ..................................... -
Using Video-Taped Examples of Stand-Up Comedy Routines to Teach Principles of Public Speaking
DOCUMENT RESUME ED 428 414 CS 510 035 AUTHOR Siddens, Paul J., III TITLE Using Video-Taped Examples of Stand-Up Comedy Routines To Teach Principles of Public Speaking. PUB DATE 1994-04-00 NOTE 20p.; Paper presented at the Annual Meeting of the Central States Communication Association (Oklahoma City, OK, April 6-9, 1994). PUB TYPE Reports - Descriptive (141) -- Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; *Comedy; Higher Education; *Public Speaking; *Videotape Recordings ABSTRACT This paper investigates the use of stand-up comedy routines to demonstrate principles of public speaking to college students in communication classes. The paper examines particular elements of the public speaking process, which include the structural elements of speeches: (1) introductions;(2) the body of the speech, including organization, transitions, signposts, and aspects of vocal and physical delivery; (3) conclusions; and (4) non-structural elements of speeches, including language, visual aids, and modes of delivery. Specific elements of this process are defined as they are presented in contemporary basic communication course textbooks. The paper then applies examples of parallel elements and behaviors observed in videotaped clips of standup comedy routines to these principles of public speaking to demonstrate how video clips of comedians can teach students how to apply these elements and techniques to their classroom and public presentations. Contains 35 references.(SR) ******************************************************************************** -
BET Networks Appoints Pete Danielsen As Executive Vice President
BET Networks Appoints Pete Danielsen as Executive Vice President Former Nickelodeon Executive to Lead Program Planning, Scheduling & Acquisitions for BET and Centric NEW YORK--(BUSINESS WIRE)-- BET Networks today announced that it has appointed Pete Danielsen as Executive Vice President of Program Planning, Scheduling & Acquisitions. Danielsen, a former Nickelodeon executive, will lead the team responsible for all aspects of program planning, scheduling and acquisitions at BET Networks. He will report to Debra L. Lee, the Chairman and CEO of BET Networks, and will be based in New York. As the head of the Program Planning, Scheduling & Acquisitions team, Danielsen will direct the long-term planning and short-term scheduling of both BET and Centric. BET is a top 20 cable network and the #1 network for the African American audience. Centric is the first network designed for Black women and recently inked an exclusive co-production deal with Queen Latifah's Flavor Unit Entertainment. "Pete is a strong addition to our team and we look forward to his strategic and creative expertise as we expand our programming on BET and Centric with even more new original shows, smart acquisitions and feature films in the coming year," said Debra L. Lee, Chairman and CEO, BET Networks. Danielsen's career spans programming, marketing and executive ranks BET Networks appoints Pete Danielsen as EVP of with leading television brands, including 13 years at Viacom. He was program planning, scheduling & acquisitions for BET most recently the Executive Vice President of Worldwide Programming at and Centric (Photo: Business Wire) Viacom Media Networks where he was responsible for 39 Nickelodeon networks in 190 countries. -
Comedy Channel Highlights
www.comedychannel.com.au MAY 2010 HIGHLIGHTS 1. Jimeoin Over The Top 2. Festival Month 3. The Chaser’s War On Everything – Red Button Edition Jimeoin Over The Top Thursday at 9pm from May 6 WORLD PREMIERE Brought up in Portstewart, Northern Ireland, comedian Jimeoin stars in JIMEOIN: OVER THE TOP which follows the star’s antics on the road and on stage while touring across the northern-most parts of Australia, his adoptive home. This funny warts-and-all series is part travelogue, part fishing trip and part stand-up show which sees Jimeoin travel all over Australia - from Broome via Darwin to Byron Bay and beyond! Included in this series will also be his performances at the iconic Sydney Opera House, World Famous Spiegel tent and the highly popular Jimeoin's Cooking Show filmed in Adelaide. Jimeoin’s crew is also his friends, cameraman Hamish and childhood pal and tour manager Fergus. Viewers will also get to know the trio travel across country by car, van, planes and skateboard. The gig venues are unconventional too - cattle stations, police stations, pubs and restaurants, as well as the occasional swimming pool. If you’ve had the pleasure of enjoying his comedy shows, you’ll love this series as Jimeoin not only delivers some brilliant stand-up, but also takes us on the most extraordinary fun road trip across Australia. FESTIVAL MONTH Thursdays at 9.30pm from May 6 INCLUDES TWO WORLD PREMIERES To celebrate this year's Sydney Comedy Festival and Melbourne International Comedy Festival THE COMEDY CHANNEL is proud to showcase the world premieres of CRACKER NIGHT 2010 and A Night At the Festival Club 2010.