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Archived at the Flinders Academic Commons
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ "This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media & Cultural Studies, published online 12 March 2013. © Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/10304312.2 013.772110#.Ui0Jfcbdd8E“ Please cite this as: Erhart, J.G., 2013. ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies. Continuum: Journal of Media & Cultural Studies, DOI:10.1080/10304312.2013.772110 DOI: http://dx.doi.org/10.1080/10304312.2013.772110 © 2013 Taylor & Francis. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. ‘Your Heart Goes Out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley’s TV Comedies Since the year 2005 when We Can Be Heroes: Finding the Australian of the Year first appeared on TV, Chris Lilley’s name has been associated with controversy in the Australian and international press. Making fun of disabled and gay people, drug overdose victims, and rape survivors, are but a few of the accusations which have been levied. While some of the uproar has been due to factors beyond Lilley’s control (the notorious coincidence of a real- life overdose with Lilley’s representation -
576 the Contemporary Pacific • 27:2 (2015) Vilsoni Hereniko *
576 the contemporary pacific • 27:2 (2015) Wild felt familiar. I had experienced film, disguised as an ordinary road the same feelings in countless other movie. As such, it is a film that is easy mainstream movies. In The Pā Boys, to overlook, even at film festivals however, my emotional responses where it might be possible to discover emanated from the deep recesses of a fearlessly independent voice. my being, which very few films have When you accidentally stumble been able to touch. Rotumans call this on an authentic voice, like I did, you place huga, which literally translates know you’ve finally experienced as “inside of the body, esp. of the the film you have always hoped to abdomen”; Hawaiians call it the na‘au see when you go to the movies but while Māori call it the ngakau. thought the day would never come! It is in one’s gut that the truth of This was how it was with me. the ages resides. This kind of knowing vilsoni hereniko cannot be explained logically or ratio- University of Hawai‘i, nally. It is a knowing that is activated Mānoa when one experiences a universal truth, which in The Pā Boys, is this: *** For these Māori young people to be truly healed, they needed to reconnect Jonah From Tonga. 2014. Televi- with and learn about their ances- sion series, 180 minutes, dvd, color, tral pasts in order to become more in English. Written by Chris Lilley, humane, more compassionate, better produced by Chris Lilley and Laura human beings. This is the universal Waters, and directed by Chris Lilley message, told not through a sermon and Stuart McDonald; distributed but through a musical story about by hbo. -
August 2009 Comedy Channel Highlights
Last Updated: July 21 www.comedychannel.com.au AUGUST 2009 HIGHLIGHTS 1. Summer Heights High 2. Everybody Hates Chris (Series 1) 3. The Best Of British Summer Heights High SUBSCRIPTION TV PREMIERE Thursdays at 8.30pm from August 13 Following the internationally acclaimed hit series WE CAN BE HEROES about the search for Australian on the Year, the award-winning high-school mockumentary SUMMER HEIGHTS HIGH spotlights the incisive observation and piercing comedy of Chris Lilley, who both wrote the series and portrays all three main characters. Filmed in a documentary style, with non-actors playing supporting characters Chris Lilley reveals what really happens in an average Australian high school as epitomised by its three main protagonists: Mr G - “Two words, deal with it” - The Megalomaniac "Director of Performing Arts" Mr G who, despite relentless opposition, cancels the traditional school musical so that he can write his own original "Arena Spectacular". Ja'mie King - “I don’t want to be a bitch, but…” - A self-absorbed, privileged teenager who is taking part in a swap scheme to bridge the divide between state and private schools, but finds she is way out of her comfort zone. Jonah Takalua - “Puck you Miss” - A contemptuous Tongan break-dancer and graffitist who was previously expelled for setting fire to lockers and defacing the principal's car. Hilarious, absurd and frequently shocking, SUMMER HEIGHTS HIGH reveals a world where the seemingly huge traumas of friendship, staff politics, schoolwork and relationships are the fabric of life in the school universe. SUMMER HEIGHTS HIGH is followed at 9pm by Australian sketch comedy at it’s finest with BIG BITE – see the early days of Chris Lilley’s character Mr G (also look out for Deal Or No Deal’s Andrew O’Keefe). -
From Squatting to Tactical Media Art in the Netherlands, 1979–1993
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979–1993 Amanda S. Wasielewski The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3125 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BETWEEN THE CRACKS: FROM SQUATTING TO TACTICAL MEDIA ART IN THE NETHERLANDS, 1979–1993 by AMANDA WASIELEWSKI A dissertation submitted to the Graduate Faculty in Art History in partiaL fulfiLLment of the requirements for the degree of Doctor of PhiLosophy, The City University of New York 2019 © 2019 AMANDA WASIELEWSKI ALL Rights Reserved ii Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of PhiLosophy. Date David JoseLit Chair of Examining Committee Date RacheL Kousser Executive Officer Supervisory Committee: Marta Gutman Lev Manovich Marga van MecheLen THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski Advisor: David JoseLit In the early 1980s, Amsterdam was a battLeground. During this time, conflicts between squatters, property owners, and the police frequentLy escaLated into fulL-scaLe riots. -
Why Australia Won't Face up to a Problem Like Chris Lilley
www.junkee.com Why Australia Won’t Face Up To A Problem Like Chris Lilley By Patrick Marlborough 4 July 2017 Chris Lilley is a minstrel. Hailed as a genius actor, a startling mimic, an enigmatic artist, and showered with Logies, Lilley is often seen as a wunderkind who took the Australian TV comedy landscape by storm. In the mid-2000s, he elevated social satire to prestige dramedy, capturing the hearts of fans and critics by “going there” and distilling the basic essence of contemporary Australia. Or so the narrative goes. Lilley was depicted as a comic savant: an uncanny reflection of a nation undergoing change. Whether or not you believe all that, he’s also a minstrel. What was often lost in all the fawning and re-runs was an appreciation of this essential fact. Lilley’s comedy was a continuation of a comic tradition rooted in colonialism and slavery, fundamental to the formation of Western entertainment. It was steeped in a violent cultural racism prevalent in countries where the discourse is directed by a national identity which centres on whiteness (see: Australia.) Yes, Lilley was a genius minstrel, but a minstrel nonetheless. 2 What Exactly Is Minstrelsy? More than just blackface (though that’s of course a large part of it), early minstrelsy was comprised of observational sketches and musical numbers, focusing on the lifestyles and culture of American slaves. As Eric Lott argues in his seminal text on the subject, Love and Theft, minstrelsy was “the first and most popular” original form of the 19th Century: it was an act of cultural appropriation, oppression, and fetishisation. -
'Partly Made Politicians': the Youth Wings of the British Political Parties
‘PARTLY MADE POLITICIANS’: THE YOUTH WINGS OF THE BRITISH POLITICAL PARTIES, 1918-1939 The Complete Imp, The Imp, April 1931, p. 16. A dissertation submitted in partial fulfilment of the degree of History PhD by Matthew David Seddon, Lancaster University, May 2020. Abstract This thesis is a comprehensive study of the youth wings of the major political parties between the wars. It examines the Conservative Party’s Junior Imperial League, the Labour Party’s League of Youth, the Liberal Party’s National League of Young Liberals, and the Communist Party of Great Britain’s Young Communist League. This thesis makes a significant contribution to our understanding of how the 1918 and 1928 Franchise Acts changed British political culture, and how young people were inducted into the British political system. The central premise of this thesis is that it is only by looking at these groups comparatively that we can get the full story of politicised youth. It will argue that, while their primary purpose was to recruit activists and party workers, these organisations were far more than insular, narrow interest groups. Rather than operating in isolation, these organisations learned from one another, adapted and reacted to each other’s activities, and actively sought to cast their recruiting nets as wide as possible to counter each other’s influence. Whereas studies of the class and gender dynamics of interwar politics abound, this thesis brings youth to the forefront of its examination of political culture between the wars. This thesis uses youth as a new lens through which to explore the themes of citizenship, the relationship between people and politicians, the blurring of the boundaries between public and private lives, and how mass democracy changed the practice of politics. -
Class, Culture and Morality: a Sociological Analysis of Neo-Conservatism
Class, culture and morality: a sociological analysis of neo-conservatism Brian Elliott and David McCrone Abstract In Britain, as in many other westem countries, there emerged in the micl-1970s a variety of business associations, policy and research institutes and political leagues, committed not only to the restoration of a Conservative government, but also to a much broader refurbishing of conservatism. A network of organizations, individuals and ideas grew up that became identified as the New Right. The New Right, which clearly has an international character, was generated by economic and political crises, but it was nurtured by a variety of resentments and discontents whose roots lay in structural and cultural changes that had developed over the whole post-war period. Drawing, in part, upon interviews with leaders of the organisations that did most to mobilize opinion behind the New Right in Britain, the article examines the major changes - particularly those in class structure and in culture - to which the new conservatives were reacting. It explores the major ideological strands - libertarian, neo-liberal and conservative - and looks at the attempts by the New Right to use these to produce changes not only in economic policy but in the cultural and moral fabric of society. The 1970s was a decade of social movements. In Britaiti, as in most western countries, there was evident dissatisfaction with the working of liberal democratic institutions. Parliament was claimed to have lost power to the executive; the mass parties, it was said, fudged and compromised and were no longer respmnsive to their rank and file supporters; important issues were inadequately represented in political debate. -
A Brief History of the Freedom Association
A BRIEF HISTORY OF THE FREEDOM ASSOCIATION BY PURE CHANCE, in May 1975, on a British Airways flight from London to New York, the late Lord de L’Isle VC found himself sitting next to Norris McWhirter, who was travelling to promote a new edition of his Guinness Book of Records. The two had a detailed discussion about the seriousness of Britain’s decline since the death of Winston Churchill. Lord de L’Isle had just received a letter from Michael Ivens, asking him to consider leading a new association pledged to support individual freedom and to resist ever Bigger Government. As a result of the long flight, Ross and Norris McWhirter were invited to Lord de L’Isle’s home at Penshurst Place in Kent for a further discussion. It was on the hottest day of the year, Thursday 12 June 1975. At a light lunch on a small round table that Lord de L’Isle had acquired at an auction at Chartwell, home of Sir Winston Church- ill, plans were hatched to convene a meeting of fifty prominent people from politics, business, the armed services, the church and the professions at the Grosvenor House Hotel in London on Thursday 31 July. These were the original council members of what was then called the National Association for Freedom. They included figures as varied as Field Marshal Sir Gerald Templer, the constitutional expert Lord Blake and the cricketer Alec Bedser. On Thursday 27 November 1975, Ross McWhirter, who had drawn up our fifteen point Charter of Rights and Liberties, was murdered by a gang of four IRA terrorists at his home in North London. -
Unions and Right-To-Work Laws the Global Evidence of Their Impact on Employment
Unions and Right-to-Work Laws The Global Evidence of Their Impact on Employment EDITED BY FAZIL MIHLAR The Fraser Institute Vancouver British Columbia Canada 1997 Copyright © 1997 by The Fraser Institute. All rights reserved. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. The authors of this book have worked independently and opin- ions expressed by them are, therefore, their own, and do not nec- essarily reflect the opinions of the supporters, trustees, or staff of the Fraser Institute. Printed in Canada. Canadian Cataloguing in Publication Data Main entry under title: Unions and right-to-work laws Includes bibliographical references. ISBN 0-88975-179-X 1. Open and closed shop--Law and legislation. 2. Right to labor. 3. Union security--Law and legislation. I. Mihlar, Fazil, 1966- II. Fraser Institute (Vancouver, B.C.) HD4903.U54 1997 344.01’8892 C97-910687-7 Contents Foreword: Closed-Shop Provisions Violate the Charters of Rights and Freedoms Roger J. Bedard xv Introduction Fazil Mihlar and Michael Walker 1 Canada’s Labour Laws: An Overview Dennis R. Maki 19 Unionization and Economic Performance: Evidence on Productivity, Profits, Investment, and Growth Barry T. Hirsch 35 Right-to-Work Laws: Evidence from the United States James T. Bennett 71 Economic Development and the Right to Work: Evidence from Idaho and other Right-to-Work States David Kendrick 91 The Process of Labour Market Reform in the United Kingdom John T. Addison and W. Stanley Siebert 105 Economic Impact of Labour Reform: Evidence from the United Kingdom Charles Hanson 137 Free to Work: The Liberalization of New Zealand’s Labour Markets Wolfgang Kasper 149 Critique of Alberta’s Right-to-Work Study Fazil Mihlar 215 About the Authors JOHN T. -
Representation of Minorities in Textbooks Representation
Beyond the initial socialization at home textbooks are often the first point of contact for the children to the outside world. Few, if any, educational and pedagogical materials, shape and condition the worldviews, personalities, and identities of young pupil citizens than the textbooks used in schools and beyond. In some societal and national contexts, textbooks are cultural icons that come second only to religious texts. They REPRESENTATION OF are used as instruments of nation-building, ideological con- MINORITIES trol, and at times for outright indoctrination depending on the IN TEXTBOOKS national, social, and cultural contexts. Contributions in this volume examine the impact of text- books in contexts of diversity. Especially, using a comparative perspective the contributors critically examine the repre- sentations of minorities in pedagogical texts and how these INTERNATIONAL COMPARATIVE PERSPECTIVES representations impact social relations in increasingly di- verse societies. Selections in the volume examine discursive and empirical evidence from Canada, Brazil, Australia, South Africa, Norway, Iran, Spain, and Columbia to deconstruct the representations of minorities in textbooks and suggest ways in which these pedagogical tools could be made more inclu- sive. REPRESENTATION OF MINORITIES IN TEXTBOOKS REPRESENTATION EDITORS Colaboration: M. AYAZ NASEEM ADEELA ARSHAD-AYAZ JESÚS RODRÍGUEZ RODRÍGUEZ REPRESENTATION OF MINORITIES IN TEXTBOOKS: INTERNATIONAL COMPARATIVE PERSPECTIVES EDITORS: M. Ayaz Naseem Adeela Arshad-Ayaz Jesús Rodríguez Rodríguez Santiago de Compostela, 2016 International Association for Research on Textbooks and Educational Media (IARTEM) Edited by: M. Ayaz Naseem, Adeela Arshad-Ayaz, Jesús Rodríguez Rodríguez © Text: authors Cover design: José María Mesías Lema ISBN: 978-84-8408-927-8 DL: C 1292-2016 Printed in Spain by Tórculo Comunicación Gráfica, S. -
Twin Concordance for Kleine-Levin Syndrome
Twin Research and Human Genetics (2020), 23,61–65 doi:10.1017/thg.2020.9 News, Views and Comments Twin Data: The Lives That Drive the Findings/Twin Research Reviews: Twin Concordance for Kleine–Levin Syndrome; Twin Study of Political Discussion; Twin Relationship Quality and Urinary Cortisol Level; Twin Research Guide/In the News: Twins’ Same Day Deliveries; Death of a Twin Holocaust Survivor; Identical Vindman Twins; Twin Festival in France; Tiniest Twins Nancy L. Segal Department of Psychology, California State University, Fullerton, CA, USA Abstract Twin data and the results generated by research are driven by the behavioral and physical attributes of twin participants. However, many investigators working with twin data have limited personal contact with actual twin-pairs. This situation may be limiting with respect to interpretation of results and formulation of new hypotheses. In an attempt to rectify this issue, key aspects of the interconnected lives of co-twins in three monozygotic male twin-pairs are presented. The section that follows includes a review of twin research on Kleine– Levin syndrome, political discussion, twin relationship quality and urinary cortisol level, and guidelines for determining sample sizes. The final part of this report presents twin-related news items relating to twins’ same day deliveries, death of a twin Holocaust survivor, the Vindman twins, a twin festival in France and the tiniest twins on record. Twin Data: The Lives That Drive the Findings by their physical identity that caused many people, even those who knew them well or who did not know they had a twin, to confuse Twin data maintained by local, national and international registries them from time to time. -
Political Interviews, Talk Show Interviews, and Debates on British Tv: a Contrastive Study of the Interactional Organisation of Three Broadcast Genres
UNIVERSIDADE DE SANTIAGO DE COMPOSTELA Facultade de Filoloxía Departamento de Filoloxía Inglesa POLITICAL INTERVIEWS, TALK SHOW INTERVIEWS, AND DEBATES ON BRITISH TV: A CONTRASTIVE STUDY OF THE INTERACTIONAL ORGANISATION OF THREE BROADCAST GENRES Doctoral thesis submitted by Mª Esperanza Rama Martínez and supervised by Dr. Tomás Jiménez Juliá 2000 Vº Bº o Director A Doutoranda Dr. Tomás Jiménez Juliá Mª Esperanza Rama Martínez Acknowledgements I am indebted to a number of people who have contributed to the realisation of this work in various ways. It is to them that I want to express my special thanks now. Foremost, I owe my deepest gratitude to my supervisor, Dr. Tomás Jiménez Juliá, for his invaluable academic guidance, keen intellectual judgement and unfailing personal support over the years. He devoted more time and attention to my work than I could reasonably have expected. I want to thank Dr. Susan Thompson for her collaboration in collecting the data for this research. I should also mention that it was she who kindled my interest in spoken discourse early in my postgraduate career at the University of Liverpool. I am also grateful to the distinguished reporter and political interviewer Mr. Jonathan Dimbleby for the personal interview that he so generously accepted to give me at his address. I have greatly benefited from the clear explanations about the world of broadcast interviewing he provided me with. My friends Paul Mardlin and Eugenia Alende Sixto have revised most of the hours of transcribed talk. My heartfelt thanks to them for this time-consuming task. Of course, all transcription mistakes that remain are my responsibility alone.