Where Fact Meets Fiction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Global Economic Prospects
Global 34320 Public Disclosure Authorized Economic ProspectsProspects Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized EconomicEconomic Implications Implications ofof RemittancesRemittances andand MigrationMigration 2006 Global Economic Prospects Economic Implications of Remittances and Migration 2006 © 2006 The International Bank for Reconstruction and Development / The World Bank 1818 H Street, NW Washington, DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org E-mail: [email protected] 1 2 3 4 09 08 07 06 This volume is a product of the staff of the World Bank. The findings, interpretations, and conclusions expressed herein do not necessarily reflect the views of the Board of Executive Directors of the World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of the World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Rights and Permissions The material in this work is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. The World Bank encourages dissemination of its work and will normally grant permission promptly. For permission to photocopy or reprint any part of this work, please send a request with complete information to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA, telephone 978-750-8400, fax 978-750-4470, www.copyright.com. All other queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, World Bank, 1818 H Street NW, Washington, DC 20433, USA, fax 202-522-2422, e-mail [email protected]. -
Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective. -
H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma.. -
Khorana Peepli Live FINAL
Peepli Live and No One Killed Jessica 66 Peepli Live and No One Killed Jessica: Remediating the “Bollywoodization” of Indian TV News Sukhmani Khorana Lecturer University of Wollongong Wollongong, Australia [email protected] Introduction: Evolution of “Bollywoodization” in Indian TV news In the third edition of her pioneering book on the Indian media business, Vanita Kohli-Khandekar makes the following observation: There are two media segments that define the contour, body and tastes of the Indian market. Television is one of them, the other being film. Both have a mesmerising hold over Indian audiences―and even over investors and advertisers.1 This article begins with this note because of the increasingly central place occupied by television in the Indian media sphere and the uniquely Indian context of the mutual interdependence of the television and film industries. While television has appropriated Hollywood film genres since its inception,2 in India, popular film culture is increasingly drawing on the pre-eminence of satellite television. A grasp of these facets of the subcontinent’s television story is essential before examining how TV news has taken on discursive and practice-based elements of the nation’s popular film culture, Bollywood. This will be undertaken through a close textual analysis of two recent Bollywood films, Peepli Live (2010) and No One Killed Jessica (2011). Both feature television journalism as an important narrative catalyst, or a remediator for the socio-political issues faced by the protagonist(s). In doing this, the films themselves turn into a remediation device for the Bollywoodization of news on Peepli Live and No One Killed Jessica 67 Indian television. -
Toward an Enhanced Strategic Policy in the Philippines
Toward an Enhanced Strategic Policy in the Philippines EDITED BY ARIES A. ARUGAY HERMAN JOSEPH S. KRAFT PUBLISHED BY University of the Philippines Center for Integrative and Development Studies Diliman, Quezon City First Printing, 2020 UP CIDS No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, without written permission from the publishers. Recommended Entry: Towards an enhanced strategic policy in the Philippines / edited by Aries A. Arugay, Herman Joseph S. Kraft. -- Quezon City : University of the Philippines, Center for Integrative Studies,[2020],©2020. pages ; cm ISBN 978-971-742-141-4 1. Philippines -- Economic policy. 2. Philippines -- Foreign economic relations. 2. Philippines -- Foreign policy. 3. International economic relations. 4. National Security -- Philippines. I. Arugay, Aries A. II. Kraft, Herman Joseph S. II. Title. 338.9599 HF1599 P020200166 Editors: Aries A. Arugay and Herman Joseph S. Kraft Copy Editors: Alexander F. Villafania and Edelynne Mae R. Escartin Layout and Cover design: Ericson Caguete Printed in the Philippines UP CIDS has no responsibility for the persistence or accuracy of urls for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. TABLE OF CONTENTS Acknowledgements ______________________________________ i Foreword Stefan Jost ____________________________________________ iii Teresa S. Encarnacion Tadem _____________________________v List of Abbreviations ___________________________________ ix About the Contributors ________________________________ xiii Introduction The Strategic Outlook of the Philippines: “Situation Normal, Still Muddling Through” Herman Joseph S. Kraft __________________________________1 Maritime Security The South China Sea and East China Sea Disputes: Juxtapositions and Implications for the Philippines Jaime B. -
Cyclopaedia 15 – Alternate History Overview
Cyclopaedia 15 – Alternate History By T.R. Knight (InnRoads Ministries * Article Series) Overview dimensions, or technological changes to explore these historical changes. Steampunk, Alternate History brings up many thoughts dieselpunk, and time/dimensional travel and feelings. To historical purists, this genre stories are good examples of this subcategory of fiction can look like historical revisionism. of Alternate History. Alternate History rides a Speculative fiction fans view these as “What fine line between Historical Fiction and If” scenarios that challenge us to think Science Fiction at this point. outside historical norms to how the world could be different today. Within the science Whatever type of Alternate History you fiction genre, alternate history can take on enjoy, each challenges your preconceived many sub-genres such as time travel, understandings and feelings for a time period alternate timelines, steampunk, and in history, perhaps offering you new dieselpunk. All agree that Alternate History perspectives on the people and events speculates to altered outcomes of key events involved. in history. These minor or major alterations Most common types of have ripple effects, creating different social, political, cultural, and/or scientific levels in Alternate History? the world. Alternate History has so many sub-genres Alternate History takes some queues from associated with it. Each one has its own Science Fiction as a genre. Just like Science unique alteration of history, many of which Fiction, Alternate History can be organized are considered genres or themes unto into two sub-categories that are “Hard” and themselves. “Soft” like Science Fiction. 80s Cold War invasion of United “Hard” Alternate History could be viewed as States stories and themes that stay as true to actual Axis victory in World War II history as possible with just one or two single Confederate victory in American changes that change the outcome, such as Civil War the Confederate Army winning the Civil War Dieselpunk or the Axis winning World War 2. -
Archived at the Flinders Academic Commons
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ "This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media & Cultural Studies, published online 12 March 2013. © Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/10304312.2 013.772110#.Ui0Jfcbdd8E“ Please cite this as: Erhart, J.G., 2013. ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies. Continuum: Journal of Media & Cultural Studies, DOI:10.1080/10304312.2013.772110 DOI: http://dx.doi.org/10.1080/10304312.2013.772110 © 2013 Taylor & Francis. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. ‘Your Heart Goes Out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley’s TV Comedies Since the year 2005 when We Can Be Heroes: Finding the Australian of the Year first appeared on TV, Chris Lilley’s name has been associated with controversy in the Australian and international press. Making fun of disabled and gay people, drug overdose victims, and rape survivors, are but a few of the accusations which have been levied. While some of the uproar has been due to factors beyond Lilley’s control (the notorious coincidence of a real- life overdose with Lilley’s representation -
Shot to Death at the Loft
SATURDAY • JUNE 12, 2004 Including The Bensonhurst Paper Brooklyn’s REAL newspapers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 16 pages • Vol. 27, No. 24 BRZ • Saturday, June 19, 2004 • FREE Shot to death at The Loft By Jotham Sederstrom Police say the June 12 shooting happened in a basement bathroom The Brooklyn Papers about an hour before the bar was to close. Around 3 am, an unidentified man pumped at least four shots into A man was shot to death early Saturday morning in the bath- Valdes, who served five years in prison after an arrest for robbery in room of the Loft nightclub on Third Avenue in Bay Ridge. 1989, according to Kings County court records. The gunman, who has Mango / Greg Residents within earshot of the club at 91st Street expressed concern thus far eluded police, may have slipped out the front door after climb- but not surprise at the 3 am murder of Luis Valdes, a Sunset Park ex- ing the stairs from the basement, say police. convict. Following the murder, Councilman Vincent Gentile voiced renewed “That stinkin’ place on the corner,” said Ray Rodland, who has lived support for legislation that would allow off-duty police officers to moon- on 91st Street between Second and Third avenues for 20 years. “Even light as bouncers — in uniform — at bars and restaurants. The bill is Papers The Brooklyn if you’re farther away, at 4 in the morning that boom-boom music currently stalled in a City Council subcommittee for public housing. -
Television Biopics: Questions of Genre, Nation, and Medium
Television biopics: Questions of genre, nation, and medium Book or Report Section Accepted Version Bignell, J. (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: https://doi.org/10.1002/9781119554783.ch4 Available at http://centaur.reading.ac.uk/89129/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: https://onlinelibrary.wiley.com/doi/abs/10.1002/9781119554783.ch4 To link to this article DOI: http://dx.doi.org/10.1002/9781119554783.ch4 Publisher: Wiley Blackwell All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Television Biopics: Questions of Genre, Nation, and Medium Book or Report Section Accepted Version Bignell, J. (2020) Television Biopics: Questions of Genre, Nation, and Medium. In: Cartmell, D. and Polasek, A. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, NJ, pp. 45-60. ISBN 978-1-119-55481-3 doi: https://doi.org/10.1002/9781119554783.ch4 Available at http://centaur.reading.ac.uk/89129/ It is advisable to refer to the publisher’s version if you intend to cite from the work. -
Thesis Final S R Perrin Pdf Version 1.Pdf
A critical analysis of the effect of copyright infringement on the UK film and cinema industries Stephen R Perrin Submitted in partial fulfilment for the degree LLM by Research School of Law University of Sheffield September 2017 ABSTRACT Film studios and major cinema operators strongly contend that copyright infringement, commonly known as piracy, is costing the worldwide industry many billions of dollars in lost revenue. A number of senior industry figures, as well as other commentators, foresee the industry’s slow death due to illegal consumption. Consequently, for the past two decades the industry has lobbied governments and legislators to provide legislation that restricts illegal online access to their product. During this period, however, the industry has witnessed significant growth in worldwide box office returns, admissions, film production investment and in the number and quality of cinema available for the exhibition of films. These two observations appear to be at odds. Arguing that film, and especially cinemas, provide socio-cultural as well as economic benefits, this thesis critically examines the industry and academic evidence pointing to the quantum of revenue loss, as well as academic evidence examining the effectiveness of the legal measures that the industry has been successful in establishing. The thesis reaches two conclusions. First, the equivocal nature of research findings regarding revenue losses suggests that estimates of infringement revenue effects appear to have been overstated. Second, the effectiveness of legal measures appears to be in doubt, with any positive effects being short-lived. However, it is argued that the equivocality of the evidence does not permit the counterfactual conclusion that the industry is totally unaffected by copyright infringement, or that legal measures are totally ineffective. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
576 the Contemporary Pacific • 27:2 (2015) Vilsoni Hereniko *
576 the contemporary pacific • 27:2 (2015) Wild felt familiar. I had experienced film, disguised as an ordinary road the same feelings in countless other movie. As such, it is a film that is easy mainstream movies. In The Pā Boys, to overlook, even at film festivals however, my emotional responses where it might be possible to discover emanated from the deep recesses of a fearlessly independent voice. my being, which very few films have When you accidentally stumble been able to touch. Rotumans call this on an authentic voice, like I did, you place huga, which literally translates know you’ve finally experienced as “inside of the body, esp. of the the film you have always hoped to abdomen”; Hawaiians call it the na‘au see when you go to the movies but while Māori call it the ngakau. thought the day would never come! It is in one’s gut that the truth of This was how it was with me. the ages resides. This kind of knowing vilsoni hereniko cannot be explained logically or ratio- University of Hawai‘i, nally. It is a knowing that is activated Mānoa when one experiences a universal truth, which in The Pā Boys, is this: *** For these Māori young people to be truly healed, they needed to reconnect Jonah From Tonga. 2014. Televi- with and learn about their ances- sion series, 180 minutes, dvd, color, tral pasts in order to become more in English. Written by Chris Lilley, humane, more compassionate, better produced by Chris Lilley and Laura human beings. This is the universal Waters, and directed by Chris Lilley message, told not through a sermon and Stuart McDonald; distributed but through a musical story about by hbo.