Representation of Minorities in Textbooks Representation
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Archived at the Flinders Academic Commons
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ "This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media & Cultural Studies, published online 12 March 2013. © Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/10304312.2 013.772110#.Ui0Jfcbdd8E“ Please cite this as: Erhart, J.G., 2013. ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies. Continuum: Journal of Media & Cultural Studies, DOI:10.1080/10304312.2013.772110 DOI: http://dx.doi.org/10.1080/10304312.2013.772110 © 2013 Taylor & Francis. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. ‘Your Heart Goes Out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley’s TV Comedies Since the year 2005 when We Can Be Heroes: Finding the Australian of the Year first appeared on TV, Chris Lilley’s name has been associated with controversy in the Australian and international press. Making fun of disabled and gay people, drug overdose victims, and rape survivors, are but a few of the accusations which have been levied. While some of the uproar has been due to factors beyond Lilley’s control (the notorious coincidence of a real- life overdose with Lilley’s representation -
Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's -
576 the Contemporary Pacific • 27:2 (2015) Vilsoni Hereniko *
576 the contemporary pacific • 27:2 (2015) Wild felt familiar. I had experienced film, disguised as an ordinary road the same feelings in countless other movie. As such, it is a film that is easy mainstream movies. In The Pā Boys, to overlook, even at film festivals however, my emotional responses where it might be possible to discover emanated from the deep recesses of a fearlessly independent voice. my being, which very few films have When you accidentally stumble been able to touch. Rotumans call this on an authentic voice, like I did, you place huga, which literally translates know you’ve finally experienced as “inside of the body, esp. of the the film you have always hoped to abdomen”; Hawaiians call it the na‘au see when you go to the movies but while Māori call it the ngakau. thought the day would never come! It is in one’s gut that the truth of This was how it was with me. the ages resides. This kind of knowing vilsoni hereniko cannot be explained logically or ratio- University of Hawai‘i, nally. It is a knowing that is activated Mānoa when one experiences a universal truth, which in The Pā Boys, is this: *** For these Māori young people to be truly healed, they needed to reconnect Jonah From Tonga. 2014. Televi- with and learn about their ances- sion series, 180 minutes, dvd, color, tral pasts in order to become more in English. Written by Chris Lilley, humane, more compassionate, better produced by Chris Lilley and Laura human beings. This is the universal Waters, and directed by Chris Lilley message, told not through a sermon and Stuart McDonald; distributed but through a musical story about by hbo. -
August 2009 Comedy Channel Highlights
Last Updated: July 21 www.comedychannel.com.au AUGUST 2009 HIGHLIGHTS 1. Summer Heights High 2. Everybody Hates Chris (Series 1) 3. The Best Of British Summer Heights High SUBSCRIPTION TV PREMIERE Thursdays at 8.30pm from August 13 Following the internationally acclaimed hit series WE CAN BE HEROES about the search for Australian on the Year, the award-winning high-school mockumentary SUMMER HEIGHTS HIGH spotlights the incisive observation and piercing comedy of Chris Lilley, who both wrote the series and portrays all three main characters. Filmed in a documentary style, with non-actors playing supporting characters Chris Lilley reveals what really happens in an average Australian high school as epitomised by its three main protagonists: Mr G - “Two words, deal with it” - The Megalomaniac "Director of Performing Arts" Mr G who, despite relentless opposition, cancels the traditional school musical so that he can write his own original "Arena Spectacular". Ja'mie King - “I don’t want to be a bitch, but…” - A self-absorbed, privileged teenager who is taking part in a swap scheme to bridge the divide between state and private schools, but finds she is way out of her comfort zone. Jonah Takalua - “Puck you Miss” - A contemptuous Tongan break-dancer and graffitist who was previously expelled for setting fire to lockers and defacing the principal's car. Hilarious, absurd and frequently shocking, SUMMER HEIGHTS HIGH reveals a world where the seemingly huge traumas of friendship, staff politics, schoolwork and relationships are the fabric of life in the school universe. SUMMER HEIGHTS HIGH is followed at 9pm by Australian sketch comedy at it’s finest with BIG BITE – see the early days of Chris Lilley’s character Mr G (also look out for Deal Or No Deal’s Andrew O’Keefe). -
Cultural Profiles for Health Care Providers
Queensland Health CCoommmmuunniittyy PPrrooffiilleess for Health Care Providers Acknowledgments Community Profiles for Health Care Providers was produced for Queensland Health by Dr Samantha Abbato in 2011. Queensland Health would like to thank the following people who provided valuable feedback during development of the cultural profiles: x Dr Taher Forotan x Pastor John Ngatai x Dr Hay Thing x Ianeta Tuia x Vasanthy Sivanathan x Paul Khieu x Fazil Rostam x Lingling Holloway x Magdalena Kuyang x Somphan Vang x Abel SIbonyio x Phuong Nguyen x Azeb Mussie x Lemalu Felise x Nao Hirano x Faimalotoa John Pale x Surendra Prasad x Vaáaoao Alofipo x Mary Wellington x Charito Hassell x Rosina Randall © State of Queensland (Queensland Health) 2011. This document is licensed under a Creative Commons Attribution Non-Commercial 2.5 Australia licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by-nc/2.5/au. You are free to copy, communicate and adapt the work for non-commercial purposes, as long as you attribute Queensland Health. For permissions beyond the scope of this licence contact: Intellectual Property Officer Queensland Health GPO Box 48 Brisbane Queensland 4001 email [email protected] phone 07 3234 1479 Suggested citation: Abbato, S. Community Profiles for Health Care Providers. Division of the Chief Health Officer, Queensland Health. Brisbane 2011. i www.health.qld.gov.au/multicultural Table of contents Acknowledgments............................................................................................................ -
MCMPL NEWSLETTER Mary C
MCMPL NEWSLETTER Mary C. Moore Public Library Announcements & Events About Us Online newsletter: http://www.lacombelibrary.com/newsletter/ Hours Monthly feature display: Come hither and check out our display of fiction set in Medieval Monday-Thursday times! 10am-8pm Friday Join our Reading Challenge!: Explore new authors and titles, and grow as a reader. Pick up a 10am-5pm Reading Challenge bookmark at the library and read a book for each category listed. When you com- Saturday plete your challenge, fill in your info and drop off your bookmark at the library to be entered into the 10am-5pm draw for a fabulous prize, before September 28. You can also post book reviews on our facebook Sunday & Stat Holidays page or hand in a written review to be posted on the bulletin board in the library and featured in our Closed newsletter! For even more reading fun, do your challenge with your friends and family! Colouring Club for Adults: Wednesdays, September 7 & 21, drop-in 6-8pm in the library. Relax, Library Services unwind and enjoy quiet conversation while being creative! All materials provided. This program is free to attend! Adults only and older teens only, please. See our website for upcoming dates. Free Wi-Fi Film Club: For our September 27 meeting we are watching Still M ine, directed by Michael Free public computer access McGowan. Still Mine is an exquisitely crafted and deeply affecting love story about a couple in their twilight years. Based on true events and laced with wry humor, Still Mine tells the heartfelt tale of Printing Craig Morrison, who comes up against the system when he sets out to build a more suitable house for Faxing his ailing wife Irene. -
Won't Bow Don't Know
A NEW SERIES FROM THE CREATORS OF SM WON’T BOW DON’T KNOW HOW New Orleans, 2005 ONLINE GUIDE MAY 2010 SUNDAYS 10 PM/9C SATURDAYSATURDAY NIGHTSNIGHTS The prehistoric pals trade the permafrost for paradise in this third adventure in the Ice Age series. As Manny the Mammoth and his woolly wife prep for parenthood, Sid the Sloth decides to join his furry friend by fathering a trio of snatched eggs...which soon hatch into dinosaurs! It isn’t long before Mama T-Rex turns up looking for her tots and ends up leading the pack of glacial mates to a vibrant climate under the ice where dinos rule. “The best of the three films...” (Roger Ebert). Featuring the voices of Ray Romano, Screwball quantum paleontologist Will Ferrell and three companions time warp back John Leguizamo, Denis to the prehistoric age in this comical adventure based on the cult 1970s TV series. Leary, Josh Peck and Danny McBride, Anna Friel and Jorma Taccone star as Ferrell’s cohorts whose routine Queen Latifah. (MV) PG- expedition winds up leaving them in a primitive world of dinosaurs, cave-dwelling 1:34. HBO May 1,2,4,9,15, lizards, ape-like creatures and hungry mosquitoes. Directed by Brad Silberling; 19,23,27,31 C5EH written by Chris Henchy & Dennis McNicholas, based on Sid & Marty Krofft’s Land STARTS SATURDAY, of the Lost. (AC,AL,MV) PG13-1:42. HBO May 8,9,11,16,20,22,24,27,30 C5EH MAY 1 STARTS SATURDAY, MAY 8 A NEW MOVIE EVERY SATURDAY—GUARANTEED! SATURDAYSATURDAY NIGHTSNIGHTS One night in Vegas She was born to save proves to be more her sister’s life, but at than four guys arriving what cost to her own? for a bachelor party Cameron Diaz and can handle in this Abigail Breslin star in riotous Golden Globe®- this heart-pulling drama winning comedy. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
UNCORRECTED PAGE PROOFS 2.1 Why Can Multimodal Narratives Be Interpreted in So Many Ways? 57 Literacy Language Literature
Why can narrative texts be INTERPRETED in so many ways? UNCORRECTED PAGE PROOFS 2.1 Why can multimodal narratives be interpreted in so many ways? 57 Literacy Language Literature 2.1 Why can multimodal narratives be interpreted in so many ways? XX 2.2 Why can written narratives be interpreted in so many ways? 2XX 2.3 How can we use language to shape the views of others? XX 2.4 Why do we understand the same narrative texts differently? XX big ideas: Assessment tasks XX Text list In this Part you will read or view and discuss MULtimODAL extracts from: Australian texts Kriv Stenders (director) Red Dog (film) WRITTEN Summer Heights High (television program) Australian texts Steven Amsterdam ‘Things I just didn’t see coming’ World texts The Age (news article) Samuel Taylor Coleridge, with illustrations by Gustave Alice Pung Unpolished Gem (autobiography) Doré ‘The Rime of the Ancient Mariner’ (illustrated poem) Aboriginal and Torres Strait Islander texts Samuel Taylor Coleridge, with illustrations by Hunt Jane Harrison Stolen (play) Emerson ‘The Rime of the Ancient Mariner’ (illustrated poem) World texts Art Spiegelman Maus (memoir/graphic novel) John Boyne The Boy in the Striped Pyjamas (novel) Steven Spielberg (director) Schindler’s List (film) Robert Frost ‘Mending Wall’ (poem) William Golding Lord of the Flies (novel) George Orwell Animal Farm (novel) UNCORRECTED2.1 Why can multimodal PAGE narratives be interpreted inPROOFS so many ways? 57 Why can multimodal 2.1 narratives be interpreted in so many ways? Narrative texts don’t have just one meaning. When we read or view any narrative To revise the meaning of text – and certainly multimodal narratives – we have to remember that words and ‘multimodal’, go to page XX. -
Presto in August a Place to Call Home an SVOD Exclusive While Glee Season 5 Tunes Up; Plus Louis Season 4 Arrives and the Affair Starts, Only on Presto
Media Release: Friday, July 31, 2015 Presto in August A Place to Call Home an SVOD exclusive while Glee season 5 tunes up; plus Louis season 4 arrives and The Affair starts, only on Presto Presto today announced key programming premiering in August, featuring the exclusive SVOD arrival of A Place to Call Home seasons 1-2 coming on 21 August. The landmark Australian drama, set in Country New South Wales in the years following World War II, follows Sarah Adams (Marta Dusseldorp), who has come back to Australia after 20 years overseas to start a new life. The period series examines love and loss against the backdrop of social change during the 1950s. The arrival of A Place to Call Home on Presto is the perfect way to see the series before its highly anticipated third series premieres on Foxtel’s SoHo Channel. Also coming to Presto is the addition of Glee season 5. Glee takes viewers to McKinley High School to experience the hopes and realities of the school’s glee club in this highly-praised musical comedy – drama that pits ambitious and talented students against the challenge of the harshness of high-school life. Glee season 5 starts on 2 August Comedy fan favourite Louis C.K. plays a fictionalised version of himself in Louis, and Presto adds season 4 to its line-up on 19 August. Louis takes a hilarious look at the life of a newly single father as he navigates the ins and outs of everyday life in the big city. The series includes cameo appearances of other well-known comics who also play ‘versions’ of themselves. -
Community Profiles for Health Care Providers Was Produced for Queensland Health by Dr Samantha Abbato in 2011
Queensland Health CCoommmmuunniittyy PPrrooffiilleess for Health Care Providers Acknowledgments Community Profiles for Health Care Providers was produced for Queensland Health by Dr Samantha Abbato in 2011. Queensland Health would like to thank the following people who provided valuable feedback during development of the cultural profiles: • Dr Taher Forotan • Pastor John Ngatai • Dr Hay Thing • Ianeta Tuia • Vasanthy Sivanathan • Paul Khieu • Fazil Rostam • Lingling Holloway • Magdalena Kuyang • Somphan Vang • Abel SIbonyio • Phuong Nguyen • Azeb Mussie • Lemalu Felise • Nao Hirano • Faimalotoa John Pale • Surendra Prasad • Vaáaoao Alofipo • Mary Wellington • Charito Hassell • Rosina Randall © State of Queensland (Queensland Health) 2011. This document is licensed under a Creative Commons Attribution Non-Commercial 2.5 Australia licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by-nc/2.5/au. You are free to copy, communicate and adapt the work for non-commercial purposes, as long as you attribute Queensland Health. For permissions beyond the scope of this licence contact: Intellectual Property Officer Queensland Health GPO Box 48 Brisbane Queensland 4001 email [email protected] phone 07 3234 1479 Suggested citation: Abbato, S. Community Profiles for Health Care Providers. Division of the Chief Health Officer, Queensland Health. Brisbane 2011. i www.health.qld.gov.au/multicultural Table of contents Acknowledgments............................................................................................................