20TH CENTURY & CONTEMPORARY

20th Century & Contemporary

Tuesday 11th June 2019

I 11th JUNE 2019

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU CC02

01392 413100 I [email protected] I www.BHandL.co.uk SALEROOM FORTHCOMING SALE DATES 2019 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

MANAGING DIRECTOR JUNE C.J. Hampton, A.S.F.A.V. Tues 18th Antiques & Interiors EX230 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. JULY Tues 2nd Antiques & Interiors EX231 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tues 9th & Weds 10th Quarterly Fine Art FS43 Department offer a complete and comprehensive service to Executors, Solicitors and Bank Tues 23rd Antiques & Interiors EX232 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. AUGUST

th Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience Tues 6 Antiques & Interiors in preparing insurance valuations and inventories for the purpose of substantiating claims in the including jewellery EX233 event of losses resulting from accident, fire or theft. Weds 14th Maritime MA19 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or Tues 20th Antiques & Interiors EX234 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. SEPTEMBER For further information please contact: Andrew Thomas or Christopher Hampton Weds 4th Antiquarian Books, Maps and Prints BK22 ADMINISTRATION Tues 17th Antiques & Interiors Operations Director: Rachel Littlewood Company Secretary: Susan Tharby including jewellery EX235

SPECIALIST DEPARTMENTS OCTOBER Books, Manuscripts and Photographs Rachel Littlewood, Roger Collicott (Consultant) Tues 1st Antiques & Interiors EX236 Ceramics and Glass Nicholas Saintey, Andrew Thomas Tues 15th & Weds 16th Quarterly Fine Art FS44 Clocks Leigh Extence th Furniture Christopher Hampton, Tues 29 Antiques & Interiors EX237 Gillian Westell (Consultant) Jewellery Lucy Marles, Jethro Marles NOVEMBER Maritime and Sporting Brian Goodison-Blanks IMPORTANT: Pictures Daniel Goddard, Please note this list Weds 6th & Thurs 7th Sporting & Collectors SC29 Martin Scadgell (Consultant) is printed only as a Tues 12th Antiques & Interiors EX238 Silver Brian Goodison-Blanks, Martin McIlroy guide and clients are Works of Art, Collectors’ Items Martin McIlroy requested to contact Tues 26th Antiques & Interiors Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton including jewellery EX239 Christopher Hampton, & Littlewood for confirmation of sale SALE ADVICE dates and special DECEMBER Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. Tues 3rd 20th Century & Contemporary CC03 their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. Tues 10th Antiques & Interiors EX240 Alternatively a representative will be pleased to call by appointment without charge or obligation. Catalogue production by Acanthus Press Ltd Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 01823 663339 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter © Bearnes Hampton & Littlewood 2019 Ref CC02 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

20th Century & Contemporary

Tuesday 11th June 2019 Auction commences at 12.00 noon

ON VIEW: Friday 7th June 9.00am to 5.15pm Saturday 8th June 9.00am to 12.00 noon Monday 10th June 9.00am to 5.15pm Tuesday 11th June 9.00am to 12.00 noon

SALE ENQUIRIES: Dan Goddard: [email protected] Nic Saintey: [email protected]

Illustrated Catalogue £6

Members of the Society of Fine Art Auctioneers Front cover lot 213 Back cover lot 118 When leaving commission bids this sale may be referred to as CC02 1 • Alan Davie [1920-2014] Fox Watch [1970] lithograph in colours, signed and dated 70 in pencil along the bottom border, numbered 39/75, sheet size 59 x 77.5cm, unframed, [loosely laid down on card]. *£300 - 500

2 • Alan Davie [1920-2014] Magic Picture [1977], lithograph in colours, signed and dated 77 in pencil along the bottom border, numbered 94/500, sheet size 58 x 77cm. *£250 - 350

3 • Terry Frost [1915-2003] Sun Bow, coloured etching signed, inscribed and numbered 25/50 in the margin plate size 30 x 59.5cm, together with one copy of Terry Frost Act & Image. Works on paper through six decades. [2] *£300 - 500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 2 4 • Patrick Heron [1920-1999] January 1973, screenprint in colours signed and numbered 45/72 in the bottom margin sight size 63 x 86cm. *£1200 - 1800

5 • William Brown [1953-2008] Ceffylhud 2000, oil on canvas 53 x 80cm. *£200 - 300

* All lots subject to a buyers premium of 23% plus vat @ 20% 3 6 • Marc Vaux [b.1932] Screen Print No.1, 1966; Screen Print No.3, 1966, a pair, both signed and dated ‘66 and numbered 2/35 & 11/25 respectively each 59 x 59cm. [2] *£150 - 200

Provenance. Hamilton Galleries, Hanover Square, London W1.

7 • David Leverett [b.1938] Abstract figure, interior, signed in pencil on the mount bottom right mixed media on paper 20 x 21cm. *£200 - 300

8 • David Leverett [b.1938] Diagonal shapes, lithograph, signed in pencil and numbered 1/100 image size 51 x 71cm. *£100 - 150

9 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 4 10 • Robyn Denny [1930-2014] Waddington Suite, No.1, 1968, set of five serigraphs in colour each signed and numbered 71/75 in pencil bottom right each 60 x 52.5cm. [5] *£1000 - 1500

Provenance. With Annely Juda Fine Art, Tottenham Mews, London W1.

* All lots subject to a buyers premium of 23% plus vat @ 20% 5 11 Pablo Picasso [1881-1973] Dove of Peace, 1962, lithograph 53 x 65cm. *£600 - 800 12 • Rose Hilton [b.1931] Bedroom interior with figure, cat and pigeon, signed and dated ‘70 pen and ink drawing, 36 x 43cm. *£200 - 300 Provenance. Rev Bennett Collection.

13 • Heidi Konig [b.1964] Ama Dablam, signed, inscribed and numbered in pencil along the bottom margin etching with aquatint, sight size 44 x 77cm. *£80 - 120

14 • Julian Trevelyan [1910-1988] Stonehenge, 1961 aquatint etching signed, inscribed and numbered 46/50 sight size 76 x 57cm *£300 - 500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 6 15 • Alan Munroe Reynolds [1926-2014] ‘Modular Study - Mirror 21’, signed with initials, inscribed with title and dated ‘88 along the bottom margin, further signed, inscribed and dated ‘88 on the backboard pencil drawing on paper laid down on card 53 x 61cm. *£1000 - 1500

Provenance. With Annely Juda Fine Art, Tottenham Mews, London.

* All lots subject to a buyers premium of 23% plus vat @ 20% 7 16 • Alan Cotton [b.1936] Topsham Lock, signed bottom right pastel drawing 58 x 41cm *£200 - 300

17 • Alan Cotton [b.1936] Venice - Workmen and Barges, signed bottom right oil on canvas, 25.5 x 30.5cm, unframed. *£400 - 600

18 • Clifford Fishwick [1923-1997] Coastal Fields. signed and dated ‘71 oil on board 60 x 75cm. *£300 – 500

19 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 8 20 • Alan Cotton [b.1936] Hartland. Dramatic Coastline in Silver Light, signed, oil on canvas 71 x 91cm. *£3000 - 5000

* All lots subject to a buyers premium of 23% plus vat @ 20% 9 21 • Denys Laws [1907-1981] Cape Cornwall, signed oil on panel, 40 x 50cm. *£200 - 300

22 • Graham Payn [1981-2005] Provence, signed, oil on canvas, 29 x 39cm. *£200 - 300

Provenance. With The Music Theatre Gallery.

23 • Bernard Dunstan [1920-2017] Ronda, signed with initials, pencil drawing, 17 x 18.5cm. *£100 - 200

24 • Thelma Hulbert [1913-1995] Landscape, signed bottom right watercolour, 34 x 17cm. *£60 - 90

25 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 10 26 • Rowland Hilder [1905-1993] Crockham Hill, Kent, signed bottom right watercolour 31.5 x 51.5cm. *£600 - 900 Exhibited. R.O.I. London.

27 • Arthur Homeshaw [1933-2011] Winter Branches, signed bottom left pastel drawing, 35 x 43cm. *£80 - 120

28 • Lionel Bulmer [1919-1992] Chelsea Reach, signed bottom left inscribed with title on a label attached to the reverse oil on board, 21 x 38cm. *£300 - 500 29 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 11 30 • Anthony Amos [1950-2010] Trawlers, Low Tide, signed bottom right mixed media 40 x 47cm. *£400 - 600 31 • Anthony Amos [1950-2010] Breton Schooners, signed bottom right further signed, inscribed and dated 2001 [Topsham] on the reverse mixed media, 63 x 95cm, unframed, *£300 - 500 32 • Peter Cosslett [b.1927] Moonlit Surf, signed oil on canvas, 29.5 x 75cm. *£200 - 300

33 • Peter Cosslett [b.1927] Evening Surf, a pair, both signed oils on canvas, each 30 x 39cm. [2] *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 12 34 • Fred Yates [1922-2008] Harbour, signed and dated ‘70 bottom left oil on board, 60 x 90cm. *£1000 - 1500

35 • Fred Yates [1922-2008] Topsham Sunset, signed bottom right oil on board, 31 x 83cm. *£700 - 1000

36 • Fred Yates [1922-2008] The Strand, Topsham, signed bottom left oil on board, 47.5 x 80.5cm. *£300 - 500

37 • Fred Yates [1922-2008] Topsham Gardens and the Exe, signed bottom right crayon drawing and mixed media on buff paper 69 x 86cm. *£400 - 600

38 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 13 39 • Anthony Amos [1950-2010] Stooping harvester and rainbow signed bottom right, mixed media, 27 x 19.5cm, together with a pen and ink study of Man on Crutches, signed. [2] *£200 - 300

40 • Anthony Amos [1950-2010] Remembrance Day, signed bottom right mixed media 50 x 52cm. *£300 - 500

41 • Anthony Amos [1950-2010] Terrace Houses, signed bottom right mixed media on card 53 x 59cm. *£250 - 350

42-3 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 14 44 • James Ravilious [1939-1999] Apple blossom and sheep in an orchard, black and white photograph on gloss paper, signed and dated 1989 in ink bottom right of image, sheet size 30.5 x 40cm, unframed, together with a folio group of Cider Making photographs on fibre based and gloss paper, sizes range from 20.5 x 25cm to 51 x 61cm, and one other of a man on a bicycle. [23] *£300 - 500

45 • Robin Tanner [1904-1988] The Meadow Stile, etching, signed in pencil in the margin image size 20 x 15cm. *£200 - 300 46 After Charles Turnicliffe Long-Eared Owl, 1955 wood engraving published by Larkhall Fine Art 2009 38 x 18.5cm. *£30 - 40

47 • Sophie Ryder [b.1963] Hare, multiple print, serigraph signed in pencil Ryder ‘95 Ed.6/50 53.5 x 40cm. *£200 -300

48 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 15 49 • Graham Vivian Sutherland [1903-1980] Bees, etching in colours signed and numbered H.C 6/20 in pencil in the bottom margin sight size 43 x 33cm. *£250 - 350

50 • Philip Sutton [b.1928] Hawaii, lithograph in colours signed and numbered 193/250 bottom right border sheet size 58 x 78cm *£60 - 100

51 • Frank Roth [b.1936] Abstract, 1967, signed and dated 3/4/67 mixed media, 31 x 34cm, and one other similar. [2] *£300 - 500 52 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 16 53 • Roger Hilton [1911-1975] Untitled, gouache 17.5 x 25cm. *£2000 - 3000

Provenance. Waddington Galleries Ltd, circa 1990.

* All lots subject to a buyers premium of 23% plus vat @ 20% 17 54 British School mid 20th Century Figure studies and conversation, a folio group of 19 charcoal drawings, four indistinctly signed each sheet size 41 x 57cm. *£50 - 100 one of 19 in lot

55 • Sue MaCartney-Snape [b.1957] Glyndebourne, coloured print, signed in pencil in the margin and 736/750 52 x 62cm. *£100 - 150

56 • Csaba Marcus [b.1952] Lady Alexandria, mixed media serigraph signed, inscribed and numbered 163/350. 46 x 84cm. *£120 - 180

57-8 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 18 59 Bryan Ingham [1936-1997] St Ives Cottage, pencil drawing, 38 x 50cm, together with a mixed folio group of etchings, lithographs etc, including Sandy Brown, Paul Biddle, William Brown, Roland Vivian Pitchforth, Michael Honnor, Sam Deakin and Richard Demarco. *£150 - 250

60 • Ralph Freeman [b.1945] The Eight, signed with initials RF bottom right inscribed and dated 1998 on the backboard watercolour, 39 x 28cm. *£60 - 90

61 • Michael Hale [b.1934] Blue Print, 1966, artist’s proof signed, inscribed and dated ‘66 in pencil in the bottom margin, sheet size 90 x 57cm. *£80 - 120

Provenance. Hamilton Galleries, Hanover Square, London.

62-3 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 19 64 Helen Reid [20th Century, New Zealander] Chicken under a blue sun, signed bottom right watercolour, 40 x 29.5cm, together with an oil painting by Adrian Campbell titled Dazzling Yellow Daisies. [2] *£80 - 120

65 • Heidi Konig [b.1964] Herbst Laub., signed mixed media, 56 x 56cm. *£100 - 150

66 • Mary Cossey [Contemporary] The Apple Tree, coloured etching signed and inscribed Artist’s Proof sight size 48 x 48cm. *£50 – 80

67-8 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 20 69 • Jaques Engel [1940-1982] Abstract with three green slats, signed and dated ‘80 mixed media collage on board 82 x 85cm. *£250 - 350

70 • Patrick Procktor [1936-2003] Forbidden City, Peking, aquatint signed and numbered 34/75 in pencil in the border blindstamp in border, sheet size 68 x 81cm. *£500 - 700

Provenance. Redfern Gallery, Cork Street, London W1. 1980.

71 Victor Vasarely [1906-1997] Blue Circle, coloured print, 84 x 74cm. *£100 - 150

72 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 21 73 Gilbert and George Time Out - London Bridge Poster, 2009 signed, 70 x 48cm, unframed. *£80 - 120

74 • Peter Blake [b.1932] Pretty Taxing, fast ink print on archival paper numbered 167/500, 14 x 20cm, in original Art Cart Boot Fair packaging. *£150 - 250

75 • Heather Jansch [b.1948] Eight Horse studies, seven signed, felt pen, ink and mixed media on buff card postcard size each 10.5 x 15cm, together with Heather Jansch’s Diary, published 2009, edited by Andy Christian. [9] *£100 - 200

76-77 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 22 78 Edwardo Paolozzi for Habitat The Opening of Their Stores in Kings’ Road, London & Paris, September 1973, coloured poster, 89 x 59cm. *£80 - 120

79 • Glen Baxter [b.1944] I would have chosen carpet for the hall, but Brenda clearly had ideas of her own, lithograph with colour signed and dated ‘88, numbered 24/75 in the bottom margin sheet size 67 x 50 *£80 - 120

80 Hockney Paints the Stage, Two Dancers Exhibition Poster, Walker Arts Centre 1983, bears signature and date 83, 63 x 87cm. *£100 - 200

81-2 No Lots.

* All lots subject to a buyers premium of 23% plus vat @ 20% 23 83 A set of four Elizabeth II silver wine goblets, maker Warwickshire Reproduction Silver, Birmingham, 1971/72 two crested, the bowl of inverted bell design with gilded interior, raised on a knopped and bark design stem, on circular spreading foot, 14.5cm high, 486gms, 15.63ozs. *£150 - 200

84 85 A George Jensen silver specimen vase, A pair of clear Perspex obelisks, each stamped marks of slender tapering 46cm. [2] form, on a knopped stem and circular *£30 - 50 foot, 22.5cm. high, 196gms, 6.30ozs. *£120 - 150 86 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 24 87 Georg Jensen. A Georg Jensen silver ‘Moonlight Grapes’ bracelet design number 96, the circular clasp stamped ‘GJLd’, ‘Georg Jensen’, ‘925S’, ‘Denmark’, and with import hallmarks for London 1973, together with a pair of Georg Jensen drop earrings of acorn design. *£250 - 300

88 An Egyptian Revival scarab beetle motif bracelet on bolt ring clasp. *£40 - 60

89 A 20th Century multi-stone-set bracelet stamped ‘925’, on lobster clasp. *£40 - 60

* All lots subject to a buyers premium of 23% plus vat @ 20% 25 90 A Georg Jensen silver Acorn pattern serving spoon, assay master Christian Heise, 1925 with pear shaped bowl with knopped and beaded stem , 20cm. long, 76gms, 2.45ozs *£70 - 90 91 A Georg Jensen silver fish slice, assay master Christian Heise, 1922 the oval blade with pierced flowerhead decoration with shell decorated handle 26cm. long, 129gms, 4.16ozs. *£80 - 120 92 A 20th Century Danish silver serving spoon, assay master Christian Heise, 1922 with leaf shaped bowl, slender stem terminating in reeded scrolls, 25cm. long, 59gms, 1.92ozs. *£40 - 60

93 A Georg Jensen silver pastry slice, stamped marks together with a salt spoon and a pair of salts, total weight of silver 115gms, 3.71ozs. *£60 - 80 94 A pair of 20th Century German silver ice tongs, stamped 925 of plain design, 18cm. long, 89gms, 2.88ozs. *£40 - 60 95 No Lot. • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 26 96 A modernist silver caddy spoon, maker Brett Payne, Sheffield, 2012 the oval bowl with lozenge- shaped handle 13cm. long, together with a silver salt spoon or espresso spoon by Martyn Pugh, 7.5cm. long, total weight of silver 67gms, 2.19ozs. *£150 - 180

97 A Georg Jensen Acorn pattern silver spoon and fork stamped marks, contained in their original case, 59gms, 1.92ozs. *£120 - 180

99 A late 1960’s Omega ‘Dynamic’ manual wind wristwatch the two- tone bullseye dial with 98 baton hour markers, A 20th Century silver white luminescent plaid brooch in the form hands and orange of a stylised flower head seconds hand, the oval and set with domed dial approximately panels of Connemara 42mm overall, case marble centring a circular, back numbered ‘107’ single-stone amethyst, and on integrated the reverse with Chester blue strap with Omega assay marks and stamped buckle. (lacking box or ‘S & Co’ for Shipton & papers) Co, approximately 52mm *£200 - 300 diameter overall. *£100 - 150 100 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 27 101 102 A pair of stylish Continental silver Phillipe Starck for Flos, a pair of Ara plated candlesticks with cylindrical chrome table lamps the adjustable nozzles, lobed drip trays, on lozenge horn-shaped lamp mounted on a pattern and knopped stems raised on tapering stem with weighted circular circular lobed bases, 31cm. high. base. 57cm. high together with in line *£300 - 400 transformers. *£100 - 200

104 A John Prip Denmark pattern silver 103 plated four-piece tea and coffee service A modernist silver jar and cover, maker for Reed & Barton, comprising; coffee Brian Asquith, Sheffield, 1971 of plain pot, tea pot, cream jug and sugar basin cylindrical design with textured pull-off with cover. *£400 - 600 cover, 10cm. high, 277gms, 8.93ozs. *£100 - 150 105 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 28 106 107 • J Brown (Contemporary), a pair of modern • J Brown (Contemporary), a bronze figures of male and female nudes each bronze study of a female nude signed to the bronze J Brown, 1/6, mounted on signed to the bronze J Brown square polished marble bases, each 45cm. high. 99, 2/6, on a naturalistic base *£400 - 500 58cm. high. 108 No Lot. *£250 - 350

* All lots subject to a buyers premium of 23% plus vat @ 20% 29 109 • Lucy Kinsella (b.1960) Two Otters Playing a bronze sculpture depicting the two otters in graceful swimming pose on a rustic base, signed Kinsella to base, 19.5 cm high, number 2/20. *£600 - 900

Provenance Purchased from Jonathan Poole, Compton Cassey Gallery, Cheltenham May 2004.

110 A modernist abstract bronze of a winged horse unsigned, 52cm. long. *£200 - 300

111 A Frank Meisler metal sculpture of a seated camel with articulated head and neck, signed Frank Meisler, Israel, 294/730, 21cm. high. *£200 - 300

112 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 30 113 114 • Jean Mahie • Jean Mahie (20th/21st century Continental) (20th/21st century Continental) Abstract bronze study ‘Admiration’ Abstract bronze study of a bearded indistinctly signed to the bronze, 11cm. man signed to the bronze Jean Mahie, high. *£300 - 500 on a polished wood plinth numbered 173, total height including plinth 22cm. high. *£600 - 800

115 • Jean Mahie (20th/21st century Continental) ‘Degradation’ signed to the bronze Jean Mahie, bears Venturi Arte foundry mark and numbered 11/60 on a polished wood base, overall height including base, 12cm. high. *£300 - 500

* All lots subject to a buyers premium of 23% plus vat @ 20% 31 116 Greens Weathervanes, an Alice’s White Rabbit copper weather vane the rabbit in traditional costume holding a gilded herald’s trumpet in his right hand and a scroll in the other,91cm. high. *£2000 - 3000

117 A pair of large 20th Century copper circular plaques entitled Electricity and Chemistry, decorated with neo-classical figures to an embossed background, each 71cm. wide. *£600 - 800

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 32 118 • Kenneth Carter [b.1928] Bronze bust of John Lennon, wearing the ‘New York City’ sleeveless t-shirt, after a photograph by Bob Gruen, signed in the bronze ‘Carter. 81’ and numbered 9/15, on a square polished marble base, overall height 40cm. *£1000 - 1500

119 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 33 Lots 120 – 158 Val Barry [1937-2018]

Born into a Barnsley mining family, Val Barry aspired to become a fashion designer, but became a nurse instead. However, at the age of 29, she left nursing and moved to Crouch End in London with her husband where a passion for studio pottery was realised. In spite of a period of ill health and rejections from the Craftsman Potters Association (CPA) and the Crafts Council, recognition came in 1971 with a solo exhibition in Gallery 273, Queen Mary’s College. Throughout the 1970s and 80s her work was well received and taken into collections by a number of international museums including the Victoria & Albert. In addition she was awarded a Gold Medal in the 1975 Florence International Ceramics Competition. As well as solo exhibitions, she exhibited in Hong Kong with Bernard, David and Janet Leach, Katherine Playdell-Bouverie, Michael Cardew, Colin Pearson, Henry Hammond and John Maltby amongst others.

The greatest influence on Val Barry’s work was a Craftsman Potters Association sponsored trip to China in 1978 where she drew inspiration from the Oriental aesthetic. An exhibition of Chinese jades inspired sword-form narrow pieces with dynamically cut rims and a blade-like appearance that looked as if they had received a precision strike from steel. From this came a series of flattened geometric forms, often with a discrete curve, primarily in muted colours, sparse brushwork or wax resist decoration. Produced in varying sizes and forms they were intended to be seen in groups, the spaces between them being equally important as the objects.

120 • Val Barry (1937-2018) three stoneware ‘spheres’ and two ‘compressed spheres’ of thrown form 121 with narrow circular aperture, the former • Val Barry (1937-2018) a stoneware with wax resist bands of green, grey vessel of narrow profile and rounded, and cream, the latter with light banding tapering form with arcing rim in a and a textured grey finish, impressed crawling slate grey finish, impressed personal seals, 11 - 6cm high. (5) personal seal, 43cm high. *£150 - 200 *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 34 Val Barry, Crouch End,1970s

* All lots subject to a buyers premium of 23% plus vat @ 20% 35 122 • Val Barry (1937-2018) three stoneware ‘spheres’ and a ‘compressed sphere’ of thrown form with narrow circular aperture, the former with wax resist bands of green, grey and cream, the latter with wave banding, impressed personal seals, 12 - 5cm high. (4) *£120 - 180

123 • Val Barry (1937-2018) three porcelain ‘egg’ vessels each with a narrow serrated aperture, the largest under white and pink tinged glaze, the remainder under ivory or pale celadon, impressed personal seals, 12 - 8cm high. *£120 - 180 124-5 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 36 126 • Val Barry (1937-2018) four stoneware ‘spheres’ of thrown form with narrow circular aperture, the former with radial wax resist bands of green grey and matt white tinges, impressed personal seals, 7 - 8cm high. *£150 - 180

Illustration from the artist’s note book where similar vessels were designed for inclusion in her first solo exhibition at Gallery 273, Queen Mary College, London, 1971. See subsequent similar illustrations.

127 • Val Barry (1937-2018) six stoneware boxes and covers of circular domed form with wax resist decoration in green, grey and ivory with pink tinges, impressed personal seals, 6 - 8cm diameter *£120 - 180

128 • Val Barry (1937-2018) two small stoneware ‘landscape sail’ vases and two similar of narrow slab built form, the former with distorted profile, one with notched rim, decorated with wax resist landscapes, together with two similar oviform vases, all under ivory finish with some pink tinges, impressed personal seals, 14-15cm high. (4) *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 37 129 • Val Barry (1937-2018) five porcelain bowls of thinly thrown footed conical form decorated variously with bands, spots and speckles under bronze and matt ivory finishes, impressed personal seals, 16 - 19cm diameter. *£150 - 200

130 • Val Barry (1937-2018) three stoneware ‘sail’ vases each of narrow slab built profile, the largest with off white and grey vertically veined decoration, the smaller with stencilled decoration and grey stone glazes, impressed personal seals, 27, 22 and 21cm high. *£150 - 250

Following a trip to China in April 1978 organised by the Craftsman Potters Association and a switch from the wheel to slab building, ‘Sail’ vases were one of the first new forms Val Barry conceived apparently influenced by the sails of becalmed junks.

131 • Val Barry (1937-2018) a large stoneware shallow dish of circular form applied with raised rectangular paving under volcanic gun metal glazes, impressed personal seal 41cm diameter. *£120 - 180

132 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 38 133 • Val Barry (1937-2018) a large stoneware shallow dish of circular form, the centre with a ‘rosette’ of red and clear glaze reserved on a bronzed ground, impressed personal seal, 44.5cm diameter, [small chip under rim] *£100 - 200

134 • Val Barry (1937-2018) a large stoneware shallow dish of circular form applied with relief abstract paving in matt white on a bronzed ground, impressed personal seal, 44cm diameter, *£180 - 220

It is likely that these dishes formed part of Val Barry’s first solo exhibition at Gallery 273, Queen Mary’s College, London, 1971, see illustration from the artist’s note book

135 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 39 136 • Val Barry (1937-2018) two stoneware ‘moon’ vases of narrow slab built form with distorted profile, one decorated with wax resist zebra stripes in dark grey and pale green, the other under a white and olive tinged ‘scratched’ ground, impressed personal seals, 18cm high. *£120 - 180

137 • Val Barry (1937-2018) two stoneware ‘moon’ vases of narrow slab built form with asymmetric mouths, the larger twice dipped in grey and pale green, the smaller similarly dipped and allowed to run, the smaller with impressed personal seal, 25 and 11.5cm high. *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 40 138 139 • Val Barry (1937-2018) a stoneware • Val Barry (1937-2018) a stoneware ‘landscape sail’ vase of narrow slab ‘landscape sail’ vase of narrow slab built built form with distorted profile form with distorted profile and notched decorated with a wax resist misty rim, decorated with a wax resist wooded mountain landscape on an ivory ground, mountain landscape on an ivory ground, impressed personal seal, 31.5cm high. impressed personal seal, 26.5cm high. *£180 - 220 *£120 - 180

140 • Val Barry (1937-2018) two stoneware ‘landscape sail’ vases of narrow slab built form with distorted profile and notched rim, decorated with wax resist landscapes containing trees and buildings respectively, under an ivory ground, impressed personal seals, 21cm high. *£150 - 200

141 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 41 142 • Val Barry (1937-2018) four porcelain vases and a bowl of thrown and ‘squashed’ form the former with horizontally ribbed rims and all under gold bronze glazes, impressed personal seals, 13.5 - 7.5cm high. (5) *£150 - 200

143 • Val Barry (1937-2018) three stoneware teapots and a terracotta teapot the former of flattened cylindrical form with over head handle under ivory, the latter of flattened and shouldered cylindrical form with overhead bamboo handle supported by lugs, with incised linear decoration, [glue repair to spout] impressed personal seals, the former 16cm high. *£80 - 120

144 • Val Barry (1937-2018) an interesting group of studio miniatures comprising a stoneware ‘sail’ vase, ‘moon’ vase, ‘rocking’ vase, five bowls, two porcelain vases and a terracotta bottle, decorated variously, impressed personal seals to most. (11) *£180 - 220

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 42 145 • Val Barry (1937-2018) five porcelain ‘chimney’ vases of thrown and squashed tapering form under vertically banded white and grey dolomite glazes, impressed personal seals, 27 - 28.5cm *£200 - 300

146 • Val Barry (1937-2018) a porcelain ‘chimney’ vase and four slender oviform vases of thrown and squashed form with spiral satin bands on pale matt green pink grounds, impressed personal seals, 13.5 - 24.5cm high. (5) *£150 - 200

* All lots subject to a buyers premium of 23% plus vat @ 20% 43 147 • Val Barry (1937-2018) a white stoneware ‘rocking’ vessel of narrow slab built profile with angular rim with paired pastel grey and pale blue staining on a matt ivory ground, impressed marks, 19cm high. *£100 - 150

148 • Val Barry (1937-2018) two white stoneware vessels each of narrow slab built profile with angular rims with pastel grey, pale blue and green staining on a matt ivory ground, impressed marks, 17.5 and 18cm high. *£180 - 220

149 • Val Barry (1937-2018) three stoneware ‘flattened bowls’ of narrow profile on demi-lune bases variously with notched and shouldered rims, two with arbitrary grey and green staining, one under bronze, impressed personal seals, 13.5 - 15cm high. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 44 150 • Val Barry (1937-2018) three stoneware ‘sword forms’ each of narrow slab built profile with angular rims, the largest under a matt buff finish, the smaller under matt white and black speckles and gloss ivory with a blue tinge, impressed personal seals, 36, 23 and 19cm high. *£200 - 300

151 • Val Barry (1937-2018) two stoneware vessels each of narrow slab built profile with diagonal rims all with glossy white and blue tinged glazes, impressed personal seals, 28, 24cm high. *£120 - 180

152 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 45 153 • Val Barry (1937-2018) a ‘sentry’ vase each of narrow profile with notched margin under banded bronze glaze, impressed personal seals, 44cm high. *£150 - 200

The ‘sentry’ form was also later used by Val Barry in her civic bronze sculpture on a much larger scale and was exhibited at the Barbican Feeling Through Form Exhibition in 1986 and later that year in Canon Hall Country Park, Yorkshire

154 • Val Barry (1937-2018) two ‘sentry’ vases each of narrow profile with notched margin and diagonal rims under banded bronze glaze, impressed personal seals, 38 and 39cm high. *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 46 155 • Val Barry (1937-2018) four stoneware vessels each of narrow profile with notched margins comprising a large ‘abstract figure in reverse motion’ under a matt buff finish, a ‘sentry’ vase under a banded bronze glaze and two small ‘double sentry’ vases under matt white with black speckles, impressed personal seals, 45 - 24cm high. *£250 - 350

156 • Val Barry (1937-2018) four porcelain ‘sword forms’ each of narrow slab built form with distorted profile and notched margins extending into incised lines and an angular rim, under pale celadon glazes, two with additional brown staining, impressed personal seals, 30 - 33cm high. *£200 - 300

Val Barry conceived her sword forms after her 1978 CPA sponsored trip to China and a subsequent visit to an exhibition of jade sword hilts at the British Museum.

* All lots subject to a buyers premium of 23% plus vat @ 20% 47 157 • Val Barry (1937-2018) two slab built stoneware vessels each of narrow tapering form with arcing rim under a banded matt bronze glaze, impressed personal seals, 44 and 36cm high. *£220 - 280 158 • Val Barry (1937-2018) three porcelain ‘double sentry’ vases each of narrow profile with notched margins under a diagonally banded bronze glaze, impressed personal seals, 19 - 26cm high. *£180 - 220

159 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 48 Val Barry, Crouch End,1970s

* All lots subject to a buyers premium of 23% plus vat @ 20% 49 160 Parisian School 20th Century The Dressing Table; Lady in Red, two, oils on board, each 23.5 x 19cm. [2] *£200 - 300

161 Parisian School 20th Century Fashionable ladies, three, oils on board, each 23.5 x 19cm. [3] *£300 - 400

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 50 162 163 • Nicholas St John Rosse [b.1945] • Nicholas St John Rosse [b.1945] Rock pooling, Girl paddling, signed signed, oil on board, 29.5 x 27cm. oil on board, 29 x 24cm. *£200 - 300 *£200 - 300

164 • Donald McKinlay [1929-2017] Girl on the Promenade, New Brighton, oil on canvas 58 x 48.5cm. *£500 - 700

Provenance. Bought directly from the artist.

165 • Beth Pearson [Contemporary] Smile, signed, inscribed and dated 2012 on the reverse mixed media 69 x 49cm. *£200 - 300

* All lots subject to a buyers premium of 23% plus vat @ 20% 51 166 • David Eustace [b.1950] The Daily Struggle; Dog at The Window, two, both signed bottom right and further signed and inscribed on the reverse oils on board, each 22 x 18.5cm. [2] *£200 - 300

167 Tony Price [Contemporary] ‘He closed his eyes for just a moment ...’, coloured etching signed, inscribed and numbered 81/150 in pencil along the bottom margin image size 21 x 22.5cm, together with a Martin Langford [20th Century] mezzotint titled The Bigger Picture, image size 22 x 35cm. [2] *£100 - 150

168-9 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 52 170 • John Boyd [b.1957] Dithyramb - Doot; self-portrait signed bottom left further signed and inscribed on a label on the reverse oil on board, 35 x 35cm. *£1000 - 1500

* All lots subject to a buyers premium of 23% plus vat @ 20% 53 171 • Orlando Greenwood [1892-1989] Glowing fireside interior; a resting tabby cat and woman reading a newspaper, oil on canvas, 74 x 102cm. *£500 - 700

Provenance. Greenwood Studio Sale Christie’s South Kensington, 11th October 1990, Reed & Long Gallery, Station Parade, Harrogate where purchased by the present owner.

172 • Stanislav Vladimirovitch Plutenko [b.1961] Pierrot Pierette, signed and dated 1992 further signed, inscribed and dated 1992 on the reverse oil on canvas 98 x 118cm. *£500 - 800

173 • Stanislav Vladimirovitch Plutenko [b.1961] Moscow Island, signed and darted 1996 further signed, inscribed and dated 1996 on the reverse oil on canvas 117 x 146cm *£500 - 800

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 54 174 • Robert Lenkiewicz [1941-2002] The Painter with Lisa - Aristotle & Phyllis Theme limited edition ink jet print published by Washington Green signed, inscribed and numbered in pencil 109/395 image size 81 x 75cm. *£200 - 300

175 • Spacy Eva [Contemporary] Ladies in a tea room interior, signed oil on board, 41 x 57cm. *£100 - 150

176 • Beryl Cook [1926-2008] Clubbing in The Rain, coloured print published by Alexander Gallery signed and numbered 211/650 in pencil along the bottom margin image size 51 x 36cm. *£120 - 160

177 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 55 178 179 • Peter Howson [b.1958] • Horace Panter [b.1953] The Boxer, Angel of Bruge. signed and dated ‘87 signed bottom right red chalk drawing further signed, inscribed and dated 29 x 22cm. *£300 - 500 August 2012 on the reverse, acrylic on board, 28 x 18cm. *£200 - 300

Provenance. The White Room Gallery, Leamington Spa, 2012. Horace Panter Artist, Ska and New Wave Musician [The Specials], Teacher.

180 • Nathan Ford [b.1976] Joachim signed and inscribed on the reverse oil sketch on canvas 28 x 20cm. *£80 - 120

181 • Raymond Mason [1922-2010] Self-Portrait in Sailor’s uniform, etching, image size 19 x 15cm. *£80 - 120 Provenance. With Abbott & Holder Ltd.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 56 182 • David Hockney [b.1937] The Print Collector, a portrait of Felix Mann, 1969 lithograph, artist’s proof signed in pencil 67 x 53cm. *£600 - 800

183 • Guy Worsdell [1908-1978] Portrait of Bernard Leach, signed bottom right pencil drawing, 27 x 21cm. *£50 - 70

184 • Naomi Frears [b.1963] Eyes Closed, signed and inscribed in pencil on the mount further signed, inscribed and dated 1997 on the backboard collograph mixed media 39 x 36cm overall. *£150 - 250

185 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 57 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 58 186 187 • Billy Childish [b.1959] • Billy Childish [b.1959] Again I Am Me; self-portrait Shorts and Hat; High Atlas, Morocco, monogrammed and dated 09 bottom artist’s monogram bottom right right further monogrammed and dated ‘08 on further inscribed, monogrammed and the reverse dated on the reverse oil on canvas oil on canvas, 87 x 67cm *£6000 - 8000 30 x 25cm. *£2000 - 3000

Exhibited. Billy Childish. High Atlas 2009; David Lilford Fine Art, Canterbury.

* All lots subject to a buyers premium of 23% plus vat @ 20% 59 188 189 • Lydia Corbett [b.1934] • Alexandre Vassiliev [b.1938] Lucie & Iris, The Municipal Ballet of Chile, Santiago, signed Sylvette David / Lydia Corbett signed and dated Paris 1989 watercolour, pen and ink, 48.5 x 39cm. inscribed with title *£200 - 300 mixed media, 40 x 28cm. *£100 - 150

With The Music Theatre Gallery.

190 • Lydia Corbett [b.1934] One King; Mother Earth, two, painted driftwood sculpture each signed and inscribed on the reverse largest 48 x 18cm, together with one other painted pine panel and a fish ornament. [4] *£250 - 350

191 R. White [20/21st Century] Fish heads, 1995 oil on board 25 x 30cm. *£60 - 100

192 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 60 193 • Anita Klein [b.1960] Concerned Angel, signed with initials and dated AK’81 bottom right watercolour and bodycolour 49 x 41cm. *£200 - 300

194 • Anita Klein [b.1960] Yellow Tulips, signed and dated ‘10 in pencil along the bottom margin numbered 37/50 print in colours signed size 65 x 47cm. *£120 - 180

195 • Roy Fairchild-Woodward [b.1935] Masked Figure, mixed media serigraph signed, inscribed and numbered AP42/45 69 x 56cm. *£100 - 150

196 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 61 197 • Ed Hoskins [Contemporary] Bedroom interior with reclining figure and chair, sign Ed bottom left oil on board 40 x 39cm, together with two other similar interior oil paintings by the same hand. [3] *£300 - 500

198 European School 20th Century Youth, indistinctly signed bottom right mixed media 37 x 24.5cm. *£200 - 300

199 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 62 200 • Andrew Wooldridge [b.1949] Clowns, two, both signed mixed media, bodycolour and pencil drawing each 33 x 28cm [2] *£80 - 120

201 • Ed Hoskins [Contemporary] Kneeling Figure, signed bottom left oil on board 39 x 22cm. *£80 - 120

202 • Louise McClary [b.1958] Boy with Dove, signed bottom right charcoal drawing, 27.5 x 18.5cm. *£60 - 90

203 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 63 204 • Richard Teschner [1879-1948] Seated Nude, signed with a monogram and dated ‘26 pastel drawing 62 x 47cm. *£400 - 600 205 • Richard Teschner [1879-1948] Crouching Nude, signed with a monogram and dated ‘26 pastel drawing 62 x 47cm *£400 - 600 206 • Richard Teschner [1879-1948] Off the Shoulder, blue dress, signed with a monogram and dated ‘29 pastel drawing 61 x 48cm *£400 - 600

Biography. Born in Western Bohemia and living in Vienna from 1909, Teschner was a member of the Wiener Werkstatte community. He worked across several art disciplines including creating beautiful and intricate Javanese inspired rod puppets and figurative sculpture in a variety of mediums.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 64 207 Attributed to Christine Nisbet [1902-1990] Temptation in the Garden of Eden, oil on board, 60 x 44cm. *£100 - 150

208 • Christine Nisbet [1902-1990] Bathsheba, signed bottom right oil on board, 59 x 44cm. *£300 - 500

209 • Lin Jammet [1958-2017] The First Ride, signed and dated 1990 bottom left mixed media, 95 x 67cm. *£200 - 300

Provenance. The Artist’s Studio Christmas Exhibition, 1990. Lin Jammet was the son of Elizabeth Frink and Michel Jammet.

* All lots subject to a buyers premium of 23% plus vat @ 20% 65 210 • Corinna Button [b.1960] On The Pull II, collograoph, hand-painted signed in pencil, inscribed with title and numbered 12 of 30 along the bottom, plate size 85 x 59cm *£500 - 700

211 • Todd White [b 1969] Stopped By To Say Hi, colour print, mixed media signed and numbered 100/150 sheet size 29 x 13cm. *£100 - 150

212 • Todd White [b 1969] She Never Sleeps Alone, artist’s proof inkjet print, signed, inscribed and numbered 164/295 along the bottom margin image 46 x 63cm, in gallery frame, with Aurora Fine Art Certificate *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 66 213 • David Hockney [b.1937] Cushions, 1968 etching, signed in pencil, dated ‘68 and numbered 33/75 along the bottom margin, sheet size 57 x 51.5cm, unframed. *£2500 - 3500

* All lots subject to a buyers premium of 23% plus vat @ 20% 67 214 215 A Kosta Boda ‘Tobago’ bottle vase by • Mario Badioli (b.1940) a Murano Kjell Engman of slender elongated form glass ‘face vase’ of tear drop form in clear, pale blue and purple, diamond with bifurcated and scrolling neck, the point etched under base Kosta Boda, K. amber, green and blue sommerso body Engman, 2080222, 52cm high. cased in clear glass and applied with *£60 - 90 coloured glass features, 33.5cm high. *£120 - 180

216 A Murano glass bowl, probably Zanetti of oval form, the clear glass body applied on the interior with concentric bands of green, blue and red, 42.5cm long. *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 68 217 • Mario Badioli (b.1940) two Murano glass head sculptures of hollow oviform, the green and blue banded body applied with clear and colourful features, 20cm high. *£180 - 220

218 F & M Ballarin (Murano) three pezatto glass scent bottles and stoppers one of square profile with dark blue, red and yellow tiles on a blue ground, another with dark blue, red, green and pale yellow tiles on a blue ground and a smaller square profile example with red, green, blue and yellow vertical stripes, each with diamond point signature for ‘Angello Bellarin, Murano’, 16, 13 and 12cm high, two with retailers labels. *£100 - 150

219 • Badioli (Murano) glass ‘double head’ sculpture and a larger similar example of flattened and abstract form, the clear orange, yellow and blue body applied with coloured features, set on a square base, marked in diamond point under base ‘Gaston Bali’, 11cm high, retailer’s label for Vinciprova, the latter with horizontal bands of orange, yellow, blue and clear glass applied with colourful features, canes and a roundel on a square base, 20cm high. *£180 - 220

* All lots subject to a buyers premium of 23% plus vat @ 20% 69 220 • Gentian Sims (Contemporary) a white stoneware vessel of egg shaped form with raised mildly flaring and bifurcated neck under turquoise glazes, on a tooled spiral steel stand, 77cm high overall, [rim chip]. *£200 - 250 221 Joyce Morgan for Chelsea Pottery, a terracotta dish and a wall plaque the former of oval form on three peg feet incised with a family of owls in muted tones on a yellow ground, signed lower right, 29 cm long, the latter of circular convex form incised with sun mask in orange tones on a yellow ground, signed lower right, 22cm diameter, both with impressed marks. *£120 - 180

222 Dartington Crystal, four ‘Horses Heads’ goblets each bucket shaped bowl intaglio engraved with a band of five stallion heads, diamond point signature for Nick Davey, set on a hollow bulbous stem and spreading foot, diamond point etched under foot, Dartington, 2001 and numbered 26, 27, 28 and 29/250 respectively, 16cm high, with presentation boxes. *£120 - 180

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 70 223 • Richard Godfrey (1949 - 2014) a slab built modernist teapot of ‘rocket ship’ form under vivid yellow, orange and green glazes and bright foliate and berry decoration in coloured slips, 21cm high. *£80 - 120

224 • Philip Eglin (b.1939) a large terracotta ‘fecundity’ plaque of circular form incised with a seated nude nursing three infants in a leafy glade, under tortoiseshell glazes, signed lower right, 53cm diameter, [firing cracks]. *£50 - 80

225 A Troika pottery ‘Love Plaque’ of typical moulded rectangular form embossed with figure, heart and other motifs under subdued colours on a matt black ground and within a white gloss border, 13 x 37.5cm, inscribed verso Troika, St Ives with decorator’s monogram. *£500 - 600 226 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 71 227 • Bernard Leach (1887 - 1979) a porcelain shallow dish of footed circular form, the interior incised with a bird in flight, under pale celadon glaze, impressed personal and St Ives seals, 12cm diameter, *£180 - 220

228 • Takeshi Yasuda (b.1943) a stoneware platter of robustly potted circular form with notched rim and textured lug handles decorated with flown patches of green and brown on an ivory ground, impressed personal seal under handle, 32cm wide. *£80 - 120

229 • Laurel Keeley (Contemporary) a stoneware dish of mildly ovoid form with off centre base incised with a pair of ducks within a border of oranges on a textured black ground, signed and captioned verso Laurel Keeley Duck ‘a l’orange, 47cm wide. *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 72 230 Lisa Larson for Gustavsberg, a porcelain wall plaque of square form decorated with the ‘Heartwarming Horsemen’ (Ryttare) design decorated in blues, green and yellow, impressed Lisa L lower right, with paper label verso, circa 1961, 22cm square. *£80 - 120

231 232 A stoneware plaque in • Alice Mara (b.1972) a pottery commemorative the manner of Helmut dish of shallow square form brightly printed Schaffenacker of rectangular with Walthamstow Stadium, marked verso form, the centre with raised Walthamstow Dog Track, A.M. 3/4, 31cm square. abstract decoration in the *£100 - 200 form of an owl under cream, manganese, blue and green glazes within a black border, 59 x 35cm. *£100 - 200

* All lots subject to a buyers premium of 23% plus vat @ 20% 73 233 • Peter Wright (1919 - 2003) a stoneware dish of slab built rounded rectangular form with pale blue rectilinear decoration on a black ground, inscribed verso ‘Wright’, 51cm long. *£50 - 100

234 • Siddig el Nigoumi (1931 - 1996) a terracotta dish of rounded square form, the burnished brown and red banded interior with a profuse repeat pattern including a small bird and his personal device, the underside inscribed Nigoumi 1985, 27.5cm wide. *£80 - 120

Provenance - Purchased from exhibition ‘When the Kiln was opened’, Copernican Connection, Beverley, November 1986.

235 • David Leach (1911 - 2005) a stoneware plate of shallow circular form decorated with alternating pencilled diagonal bands in tenmoku and blue with some red slip jewelling, impressed personal and Lowerdown seals inside foot rim, 18cm diameter. *£80 - 120 236 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 74 237 • John Nuttgens (Contemporary) a stoneware dish of robust circular form with lug handles, the centre with bold white meander on a fire burnished gloss black ground, impressed personal seal mark to the unglazed reverse, 51cm wide. *£80 - 120

238 • Clive Bowen (b.1943) a pottery bowl of circular form with ribbed rim decorated with cream slip trails on a lustrous brown ground, 33.5cm diameter. *£50 - 80

239 A St Ives slipware dish, attributed to Bernard Leach of shallow circular press moulded form with notched rim with combed decoration in chocolate and mustard slips, impressed St Ives seal, circa 1930, 20cm diameter. *£200 - 300

* All lots subject to a buyers premium of 23% plus vat @ 20% 75 240 • Shoji Hamada (1894 - 1978) a stoneware bottle vase of rectangular slab built form with short raised neck decorated front and verso with finger trailed decoration on a tenmoku ground below nuka glazed shoulders, 19.5cm high. *£1000 - 1500

Provenance. Purchased from the Goldmark Gallery, Rutland, December 2006

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 76 241 • Shoji Hamada (1894-1978) a set of six stoneware dishes of oval press moulded form each decorated in red and green brushwork with two circular motifs reserved on an olive ground, circa 1970, 21.5 x 12.5cm, with box, inscribed beneath the cover ‘candy-coloured glaze, red paint and circle design, oblong shaped dish, one set’ Shoji with personal seal. *£2000 - 3000

Provenance. Purchased from the Goldmark Gallery, Rutland, December 2006

* All lots subject to a buyers premium of 23% plus vat @ 20% 77 242 • Emmanuel Cooper (1938 - 2012) a stoneware jug of flattened elliptical form with raised spout and strap handle under pitted white and blue flecked volcanic glazes, applied personal seal under base, 22cm high. *£300 - 400

Provenance - purchased Surrey University Craft Centre

243 • Emmanuel Cooper (1938 - 2012) a stoneware jug of flattened elliptical form with raised spout and strap handle under deeply pitted white and grey flecked volcanic glazes, applied personal seal under base, 24cm high. *£300 - 500 Provenance - purchased Surrey University Craft Centre

244 • David Roberts (b.1947) a large hand built raku fired vase of swelling conical form with notched ‘natural’ rim, the interior with crazed off white glaze, the unglazed exterior with decorative smoke staining, indistinct impressed personal seal above foot, 38cm high. *£250 - 350 Provenance - purchased direct from the potter’s studio in Holmfirth, Yorkshire by the current owner.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 78 245 • John Ward (b.1938) a stoneware bowl of raised and indented circular form, the exterior with alternating arcing bands of matt copper and ivory glazes, impressed personal seal under foot, 17cm high. *£2000 - 2500

Provenance. Purchased direct from the potter’s studio by the current owner.

* All lots subject to a buyers premium of 23% plus vat @ 20% 79 246 • Shoji Hamada (1894 - 1978) s stoneware bottle vase of shouldered rectangular form with short tapering neck, with quartered wax resist and tenmoku decoration, 19.5cm high, with fitted box, the cover inscribed Shoji Hamada with mongama seal and ‘Square bottle decorated with cross design’. *£1000 - 1200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 80 247 • Lucie Rie (1902-1995) a stoneware bowl of ‘squeezed’ circular form decorated with banded brown, cream and green matt glazes, impressed personal seal to base, circa 1970-80, 25cm wide. *£1000 - 2000

* All lots subject to a buyers premium of 23% plus vat @ 20% 81 248 • Mansour Eskandary (Contemporary) a raku fired stoneware jar and cover of squat form, the shoulders with incised radial bands partially dipped in copper lustre glazes, applied personal seal above foot, 25cm diameter. *£60 - 90

249 • Bernard Leach (1887 - 1979) a stoneware vase of squat form with flaring neck under brown and white speckled glazes, impressed personal and St Ives seals above foot, 10cm high. *£100 - 200

250-1 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 82 252 • Ken Matsuzaki (b.1950) a stoneware chawan with textured finish under Yohen wood ash glazes in ivory, ochre and brown tones, 9cm high, with wooden box inscribed on the cover ‘Yohen, haikaburi, chawan’ with personal seal. *£400 - 600

Provenance - purchased from the Goldmark Gallery, Rutland, June 2009

* All lots subject to a buyers premium of 23% plus vat @ 20% 83 253 • Sylvia Fox-Strangways (1900 - 1975) three stoneware tiles and one similar the former painted with delicate stylised foliage and blooms on a green wash, painted monograms verso one dated ‘28, 15cm square together with a similar smaller tile, the lot also includes a single volume of her poems. (5) *£200 - 300

254 • Marianne de Trey (1913 - 2016) a stoneware dish of swollen rectangular form, the interior finely painted with abstract geometric panels in muted blue, green and cream on a grey ground, impressed personal seal, 36cm long. *£80 - 120

255 Chelsea Pottery two terracotta bowls from the ‘Fossil Fish’ series of thinly potted footed form, incised and decorated in coloured slips with a single fossil on a speckled ‘birds egg’ ground, incised under foot E II R, Chelsea Pottery, 1953, 20cm diameter. *£200 - 250

256 • Chris Carter (b.1945) four ‘open form’ stoneware vessels comprising a slender waisted vessel, a wing form, an antler form and one similar all under cream with green tinged silicon carbide glazes, impressed personal seals under foot, 40 - 14cm high. *£200 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 84 257 • Marianne de Trey (1913 - 2016) five porcelain vessels comprising two footed bowls, two shallow circular dishes and an oviform vase with raised flaring neck each decorated with blue, white and grey spirals with some red tinges, impressed personal seals,14 - 3.5cm high. *£100 - 150

258 • Marianne de Trey (1913 - 2016) five porcelain bowls and dishes comprising a footed bowl, one of pentagonal form, one of triangular profile and two circular, each with incised or brightly painted decoration, impressed personal seals, 16 - 8cm diameter. *£100 - 150 259 • Marianne de Trey (1913 - 2016) six porcelain vessels comprising a footed dish, a vase of flaring trefoil profile, a small pair of waisted and flaring vases, a small oviform vase and a conical beaker each brightly painted on an ivory ground, impressed personal seals, 13 x 7cm high. *£150 - 200

260 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 85 261 • David Leach (1911 - 2005) a porcelain bowl of footed circular form with incised linear decoration under pale celadon glazes, impressed personal seal, 9.5cm high. *£70 - 90

262 • David Leech (1911 - 2005) a porcelain vase of thinly potted egg-shaped form with narrow aperture under crazed white dolomite glazes with pink tinges, impressed personal seal and incised date for 1973, 20cm high. *£120 - 180

263 • Katherine Pleydell Bouverie (1895 - 1985) a stoneware vase of globular externally ribbed form with short flared neck under pale celadon glazes, impressed personal seal, 12cm high. *£80 - 120

264 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 86 265 • David Roberts (b.1947) a large hand built raku fired dish of shaped circular form with ‘natural’ rim, the interior with crazed off- white glaze, the unglazed exterior with decorative smoke staining, indistinct impressed personal seal above foot, 57cm diameter. *£300 - 400

Provenance. Purchased direct from the potter’s studio in Holmfirth, Yorkshire by the current owner.

266 • David Roberts (b.1947) a large raku fired dish of circular form, the interior and exterior with crazed off-white glaze, impressed personal seal above foot, 56cm diameter. *£300 - 400

Provenance - with World’s End Gallery, Chelsea

267 • David Roberts (b.1947) a large raku fired dish of deep circular form with everted rim, the interior and exterior with crazed off -white glaze, impressed personal seal above foot, 54cm diameter. *£300 - 400

Provenance. With World’s End Gallery, Chelsea

* All lots subject to a buyers premium of 23% plus vat @ 20% 87 268 A stoneware vessel of faceted slab built ‘kettle weight’ form with two triangular necks, the flanks with incised bronzed linear and chevron decoration on a black ground, impressed personal seal ‘HS’ to base, 24cm high. *£50 - 80

269 No Lot.

270 271 • Leonard Robert (Bob) Rogers • Robert Tinnyunt (b.1940) a stoneware (active 1965-92) a stoneware sculpture vase of footed oviform, the exterior modelled as a hilltop city, impressed with grooved chevron and palmette personal seal, circa 1975, 31.5cm high. decoration under ivory glazes, *£50 - 80 impressed personal seal to exterior of foot, 29.5cm high. *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 88 272 A contemporary stoneware lamp base of gnarled abstract form, the black speckled body with profuse linear decoration, impressed seal above foot, 101cm high excluding fitting, [top repaired]. *£50 - 80

273 • Takeshi Yasuda [b.1943] a stoneware bucket shaped form of robust ribbed and tapering form with bold ribbed overhead handle, the ivory body with 274 running brown decoration, impressed • Ray Finch (1014 - 2012) a stoneware personal seal inside handle, 30cm high. vase of waisted cylindrical form *£120 - 180 impressed with three star motifs, under Provenance. Purchased direct from the pale grey glaze, impressed seal above maker’s studio 1990. foot, 15cm high. *£50 - 70

* All lots subject to a buyers premium of 23% plus vat @ 20% 89 275 • Svend Bayer (b.1946) a wood fired stoneware vase, jar and cover the former of oviform with raised flaring neck indented with shell motifs under dynamic ash glazes, 36cm high, the latter of oviform with domed cover with finger trailed circular motif under ash glazes. *£150 - 200

276 A St Ives vase and bowl the former of squat form with short flaring rim, the stoneware body incised with a band of stylised blooms under ash glazes, 11 cm diameter; the latter of squat inverted form, the terracotta body with wavy trailed decoration on cream, yellow and green ground, 9cm diameter, impressed St Ives seals to both, [minor rim flakes to latter]. *£80 - 120

277 • Ruthanne Tudball (b.1948) a stoneware tea kettle and mug of wrythen form under glossy soda glazes, impressed personal seal, 23 and 12cm high. *£70 - 90

278 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 90 279 • Siddig el Nigoumi (1991 - 1996) an earthenware vase of squat globular form with short raised neck the red burnished body with black staining, inscribed artist’s device on shoulder and inscribed under base Nigoumi 1982, 9.5cm high. *£50 - 80

280 • Nic Collins (b.1958) a stoneware bowl of shallow form with ribbed rim and lug handles under shino glazes, signed to the base, 47cm diameter. *£50 - 80

281 • Alan Wallwork (b.1931) a stoneware vessel of spherical organic seed-like form with pierced and dimpled surface under white and pooled pale green glazes, incised A.W., 13.5cm high. *£100 – 200

282 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 91 283 A raku tea bowl, St Ives cylinder vase, small bowl and Tenmoku glazed globular vase. *£50 - 80

284 • Anya Coper (Contemporary) two stoneware bowls of circular footed form, one under white glazes, the other with pale green interior and off white exterior, 15.5 and 15cm diameter each. *£50 - 80

Anya is the daughter of Hans Coper Provenance - purchased from Derek & Mary Nice, Wells, Somerset

285 • John Nuttgens (Contemporary) two porcelain vases the smaller of heavily potted footed form with smoke burnished ivory glazes, impressed personal seal on foot rim, 10 cm high and an oviform vase with black stained interior and crazed ivory exterior, applied personal seal under base, 16cm high. *£120 - 180

286 •John Nuttgens (Contemporary) a pair of porcelain vases of heavily potted footed form under smoke burnished ivory glazes, impressed personal seal on foot rim, 16 and 16.5cm high, [touched in rim chip to one]. *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 92 287 • Rupert Spira (b.1960) three graduating lidded cylinders each of thinly potted mildly tapering form with flat lid and lug handle under pale grey glazes, impressed personal seal, 10, 12 and 14cm high. *£300 - 500

Provenance purchased The Oxford Gallery, 1998

288 • David Leach (1911-2005) a porcelain tea service comprising six cups with exterior fluting and six saucers under celadon glazes, impressed personal and Lowerdown seals. (12) *£100 - 150

289 • Chris Prindl (Contemporary) a group of porcelain table wares comprising eight breakfast cups, ten espresso cups and seven saucers under mustard, pale green or white, incised initials under glaze. *£50 - 80

Provenance - purchased direct from the potter’s studio in Lanhydrock, Cornwall by the current owner.

* All lots subject to a buyers premium of 23% plus vat @ 20% 93 290 • Felicity Aylieff (b.1954) a pottery vase of narrow and flattened baluster profile the matt turquoise body with narrow pink, yellow, white and black horizontal stripes, inscribed under base F. Aylieff, 22cm high. *£150 - 200

Provenance. Purchased in 1978 from the Corsham Students’ 1978 degree show.

291 • Dennis Farrell (b.1939) a slab built stoneware vessel ‘Window IV’ of leaning and collared rhomboid form with asymmetric rim with black brushwork on a matt blue, green and yellow stained ground with a textured unglazed interior, 23cm high. *£70 - 90

Provenance. Purchased Copernican Connection, Beverley, 1985

292 • David Leach (1911 - 2005) three stoneware bowls and a kettle comprising a deep bowl, the exterior with brushwork decoration on an oatmeal ground 24 cm diameter, another with a celadon glazed interior, (22 cm diameter) a shallow circular dish with grey and white brushwork interior beneath a tenmoku rim, the kettle with overhead bamboo handle with banded brushwork decoration, 22cm high overall, variously impressed with personal and Lowerdown seals., *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 94 293 • John Maltby (b.1936) a stoneware vase of footed cup-like form, the exterior stencilled and incised with abstract landscape forms on a matt grey ground, the interior under lustrous black, signed Maltby under foot, 13cm high. *£300 - 500

294 • David Leach (1911 - 2005) a porcelain bowl of deep footed form the exterior incised with a broad arcing foliate band under a pale celadon glaze, impressed personal seal, 12cm high. *£150 - 200

* All lots subject to a buyers premium of 23% plus vat @ 20% 95 295 • John Maltby (b.1936) a stoneware sculpture modelled as an enthroned Queen sporting press moulded ear- rings, with wax resist decoration and matt white staining on brown, set on a black base, impressed personal seal, 25.5cm high. *£200 - 300

296 • John Maltby (b.1936) two pieces of stoneware comprising a ‘Waterfall’ vase of footed inverted triangular profile with asymmetric rim decorated with pale blue and chocolate splashes on a clear and white dipped ground, 19.5 cm high, together with a narrow dresser inset with a small mirror, topped with a chamberstick, under brown salt glaze, applied personal seal, 16.5cm high. *£120 - 180 Provenance. Purchased Godfrey & Twatt, Harrogate, May 1993

297 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 96 298 • John Maltby (b.1936) two stoneware sculptures one modelled with a pair of slender angels under beige staining standing before a notched black monolith and rectangular base with applied personal seal, together with a small figure of a slender crow-like figure with white staining on black seat on a buff stoneware cube, worn signature to base, 21.5 and 18cm high. *£200 - 400

299 A stoneware vase of rectangular slab built profile, the base with circular piecing and with an offset flaring neck, under patinated copper finish, the flank incised V.I. 87, 44cm high. *£50 - 80

300 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 97 301 • Harry D. Reeks [1920-1982] Golden Gate Bridge, San Francisco; Fisherman’s Wharf, San Francisco, a pair of lithographs, each signed and inscribed in pencil along the bottom margins 24 x 31cm. [2] *£50 - 70

302 • Marietta Rose Stevens [20/21st Century, American] Garden Harmony I, coloured print, signed and inscribed in the margin image size 61 x 91cm. *£100 - 150

303 • Ruskin Spear [1911-1990] The Bar Maid, lithograph, signed in pencil bottom right 34 x 46cm. *£150 - 250

304 • Robert Mason [b.1946] East End Assemblage I, signed, inscribed and dated 1972 mixed media and collage 38 x 50.5cm. *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 98 305 • Sam Wilson [20/21st Century] Havin’ Fun; Board Babes; Surf in Style; Beach Life, set of four screenprints, all signed in pencil sheet size each 46 x 46cm. [4] *£120 - 180

306 British School Circa 1950 .... incident during the inspection of the flotilla..., watercolour and pencil drawing 26 x 36.5cm. *£60 - 90

* All lots subject to a buyers premium of 23% plus vat @ 20% 99 307 • John Trentham [b.1939] Concorde over London, aquatint, signed and dated 1988, inscribed and numbered 6/16 in pencil in the margin plate size 24.5 x 20cm. *£40 - 60

308 • Michael Kenny [1941-2000] Substantia, screenprint signed, inscribed and dated 1999 in pencil along the bottom margin sheet size 56 x 76cm. *£100 - 150

309 • Maurits Cornelis Escher [1898-1972] Waterfall, 1961, half-tone photo print sheet size 52 x 42cm. *£100 - 200

310 • Paul Waplington [b.1938] Harbour, low tide, signed bottom left oil on board, 29 x 38.5cm. *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 100 311 • William Brown [1953-2008] Bryncoch I, signed and inscribed on a label attached to the stretcher oil on canvas 126 x 150cm. *£300 - 500

312 • Bob Rudd [b.1944] Somerset Place, Bath, signed watercolour, 25 x 33cm. *£150 - 200

313 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 101 314 British School mid 20th Century Big cats and performers in a circus ring, oil on paper laid on board 74 x 110cm. *£100 - 200

315 • Helena Adamoff [b.1906] Le Joyeux Grand Pere; figures in an orchard, signed bottom right inscribed with title on the reverse acrylic on canvas, 37 x 53cm. *£100 - 200

316 AMC (Francaise), 20th Century Tobiasse, Une Musique Qui Incruste le Desir, abstract, Figure and Musician with Cello mixed media 70 x 101cm *£250 – 350

317-8 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 102 319 • Lionel Bulmer [1919-1992] Rose Still Life, signed bottom right inscribed with title on a label on the reverse oil on board, 68 x 42cm. *£600 - 800

320 • Barry Burman [1943-2001] The Ghost of a Horse, signed and dated ‘90 bottom right mixed media, 24 x 17.5cm. *£300 - 500

* All lots subject to a buyers premium of 23% plus vat @ 20% 103 321 • Ian Humphreys [b.1956] Washed-Up, still life signed bottom oil on paper, 50 x 70cm. *£400 - 600

322 • Ray Wooldridge [b.1934] Interior; Nude and Still Life, signed bottom left oil on canvas, 34 x 44cm. *£100 -200 Provenance. Hyde Park Gallery, 1994.

323-4 No Lots

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 104 325 • Anne Tallentire [b.1949] Still life with Box; Flowers and vases, two, the first signed bottom left oils on canvas, each 24 x 30cm. (2) *£300 - 500

326 • Attributed to Pier Steensma [b.1939] Still life of beaker and card, signed with initials PS bottom right watercolour 33 x 36cm. *£80 - 120

327 • Heidi Konig [b.1964] Rosy Fingered Dawn, signed and inscribed in pencil mixed media, 56 x 77cm. *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 105 328 • Constance H. Bradshaw [fl.1898-1961] Houses on a Harbour Quay, signed bottom right inscribed with title on a label attached to the reverse oil on board, 27.5 x 33cm. *£200 - 300

329 • Franco Chiarani [b.1946] Estate a Poia, signed bottom right oil on board, 49 x 59cm. *£100 - 150

330 Frances Richardson [20th Century] Circus at Audierne, signed bottom right, further signed and inscribed on a label attached to the reverse oil on board, 47 x 37cm. *£150 - 250

331 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 106 332 • Andrew Macara [b.1944] The Cafe, Salou, signed and dated 1983 bottom right oil on canvas 49.5 x 90cm. *£700 - 900

Provenance. New Academy Gallery, Windmill St., London.

333 • Gladys MacCabe [1918-2018] Market Day, Tipperary, signed bottom left inscribed with title on a label attached to the reverse oil on board, 22 x 45cm. *£400 - 600

334 • Vernon B Smith [1894-1969] Provincetown, Cape Cod, signed and dated 1950 oil on board, 49 x 59cm *£400 - 600 335 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 107 336 • Clifford John Bayly [b.1927] Spring Hop Garden, Kent, signed dated ‘84 bottom right watercolour, 37 x 50cm. *£150 - 200

Provenance. The Royal Society of Painters in Watercolours.

337 • Inez Estella Hoyton [1903-1983] Surf on a Cornish beach, signed, bottom right oil on board, 41 x 51cm, unframed. *£200 - 300

338 British School Circa 1930 Hospital ward interior, oil on board, 76 x 114cm. *£100 - 200

With London Group, 1930.

339 • Patrick Hayman [1915-1988] Cornish landscape, signed Hayman bottom right inscribed and dated 1953 on the backboard watercolour, 18 x 26cm. *£300 - 500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 108 340 • Graham Smithies [20/21st Century] Abstract, 1973 signed and dated collage and mixed media 44 x 59cm. *£100 - 200

341 • Richard Nott [b.1963] Plain (A), signed, inscribed and dated 2008 mixed media on board 40 x 40cm. *£200 - 300

342 • Clifford Fishwick [1923-1997] Mountain Barrier, signed, further signed, inscribed and dated ‘91 on the backboard oil on board, 23 x 17cm. *£150 - 250

343 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 109 344 • Bryan Senior [b.1935] Hampstead Heath, signed and ‘71 oil on canvas, 70 x 70cm. *£150 - 200

345 • Anne Tallentire [b.1949] Collecting seaweed, shoreline and quay with hills beyond, possibly Connemara, signed bottom right, watercolour, 37.5 x 54cm. *£300 - 500

346 • Simon John Garden [b.1960] House by the Sea, signed and inscribed on the reverse mixed media 39 x 39cm. *£500 - 700

347 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 110 348 • Richard Robbins [1927-2009] Woodland Path, signed bottom right oil on canvas, 111 x 101cm. *£150 - 250

349 • Margo Maeckelberghe [1933-2014] Towards Nancledra, Cornwall signed, oil on board 44 x 62.5cm. *£300 - 500

350 • Charles Pierce [20th Century] Pattern of Pantiles, Cadaques, signed bottom right oil on board 39 x 49cm. *£100 - 200

351 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 111 352 • Graham Clarke [b.1941] The Four Seasons, coloured etchings, each signed, inscribed and numbered 185/300 sheet sizes each 38 x 45.5cm. [4] *£250 - 350

353 • Graham Clarke [b.1941] Teapot Clipper, coloured etching, signed, inscribed and numbered 226/250 image size 54 x 68cm. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 112 354 • Laurence Stephen Lowry [1887-1976] Our Town, signed in pencil in the margin and number 617/850 coloured print published by Grove Galleries image size 42.5 x 61cm. *£800 - 1200

355 • Laurence Stephen Lowry [1887-1976] Industrial Scene, signed in pencil in the margin 1974 Venture Prints Ltd., image size 34.5 x 24.5cm. *£600 - 900

356 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 113 357 • John Piper [1903-1992] St Mary’s Church, Ottery St Mary, 1987 signed in pencil bottom right screenprint, image size 57 x 76cm. *£600 - 900

358 • John Piper [1903-1992] Whithorn Priory, 1975, signed in pencil bottom right, numbered 2/70 screenprint, image size 61 x 91cm. *£400 - 600

359 • John Piper [1903-1992] Swansea East [1989] screenprint in colours signed and numbered 54/70 sight size 44 x 62cm. *£600 - 800

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 114 360 • John Piper [1903-1992] Garn Fechan, signed bottom right inscribed bottom left Hill Farm October further inscribed on the reverse of the sheet, No.23 Garn Fechan mixed media 38 x 57cm. *£5000 - 7000

Exhibited. Solo exhibition The Soloman Gallery, Dublin, January 1982, No.23.

Garn Fechan, Pembrokeshire, Wales, has two hill forts and was a subject often drawn and painted by Piper. Garn Fechan sits a few hundred meters east of Garn Fawn where Piper and his wife Myfanwy bought a ruined cottage, as a retreat, in 1962.

361 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 115 362 Vernor Panton (1926-1998) for Herman Miller, a red plastic ‘Panton’ S-chair, of single shaped form, maker’s marks to underside, circa 1970s [some scratches and wear]. *£60 - 100

363 A pair of teak and canvas folding director- style chairs, unsigned, reputedly from The Great Hall, Dartington (2) *£50 - 80

364-5 No Lots

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 116 366 A pair of orange fibreglass and chrome plated chairs in the manner of Charles & Ray Eames, by Modernia, Los Angeles, DSS stackable version, signed to the bottom as per title, (2) *£50 - 60

Designed by Charles Eames in 1950 the ‘Moulded Shell Chair’ was produced by Herman Miller in various forms such as the bench version or ‘Eiffel-Tower’ base version. In 2014 Herman Miller and Modernica were engaged in a legal dispute and there is still an ongoing debate. Herman Miller retains the ‘Eames’ name while Modernica have been using Eames’ original chair moulds since 1999.

367 A pair of late 20th Century wire work side chairs in the manner of Harry Bertoia, unsigned, with black velcro fastening seat pads (2) *£50 - 70

368 Niels Moller (1920-1982) for J L Mollers; a set of six Model 75 teak dining chairs, the shaped back over a strung seat , raised on tapering legs, maker’s label and ‘Danish Furniture makers Control’ label to sub frame.(6) *£300 - 500

* All lots subject to a buyers premium of 23% plus vat @ 20% 117 369 A Contemporary fossilised marbled effect four fold screen, of large size, in principal colour of sage green, each panel 245cm (8ft 0 1/2in) x 61.5cm (2ft 0 1/4in). *£200 - 300

370 Terence Disdale trained under the late By Terence Disdale. Jon Bannenberg as a member of the An Eggshell parquetry design low ‘Chelsea University’ before setting centre table, of square form with two up his own studio in the 1970’s. He curved sides, each with a recessed shelf continues to be one of the most sought on interwoven brown speckled plinth, after yacht designers and is responsible 110cm (3ft 7 1/4in) x 40.5cm (1ft 4in) for several of the longest superyachts high, together with a smaller matching in the world including Al Salamah and table 90cm (2ft 11 1/2in) x 45cm (1ft 5 Pelorus. These tables reputedly came 3/4in). *£500 - 700 from MY Pelrous.

371 By David Oddy, Exeter. A contemporary burr walnut inlaid and brass mounted attache case, banded in ebony, bordered with boxwood lines, the cream leather lined and fitted interior with lidded compartments and stationery racks, having an amboyna veneered hinged writing flap with tooled leather inset panel to the obverse, within a kingwood crossbanded and boxwood and ebony border, 43cm x 39cm x 12.5cm. *£150 - 250 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 118 372 A large orange painted metal plinth of rectangular outline, 270 x 50 x 50cm. *£150 - 250

373 A mid 20th Century ‘Wentworth’ afromosia teak day bed by Toothill, the upholstered panelled fold over back on brass and iron supports above a seat with adjustable shelves to either side, raised on copper supports, iron and teak sub frame, raised on short tapering legs, 226cm long. *£700 - 900

374 Two late 1960s/early 1970s printed curtain panels with orange, brown, olive and black floral pattern decoration to a chocolate brown ground, single curtain 226 x 145cm. and a double sided curtain panel 320 x 290cm. *£60 - 80

375 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 119 376 A mid 20th Century Danish rectangular teak coffee table by A Mikeal Laursen, Aarus, the plank top raised on chamfered leg supports, maker’s label as per title to underside, 63 x 165cm. *£50 - 80

377 A mid 20th Century Swedish teak oval extending dining table by Troeds Bjarnon, stamped as per title to sub frame, the oval top with two additional leaves 100 x 265cm fully extended. *£150 - 200

378 A nest of three Scandinavian teak tile topped occasional tables, the rectangular top with inset brown glaze sunflower decorated tiles, raised on square leg supports, unknown maker, size of largest table 47x 60cm. *£80 - 100

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 120 379 A G-Plan eight piece teak dining suite, comprising a table and six chairs with cream vinyl upholstery, maker’s labels to subframe, sideboard and display cabinet, together with a matching corner bureau. (9) *£250 - 300

380 A nest of three Danish rosewood occasional tables, on tapering leg supports united by a shaped stretcher, the smallest table stamped with ‘Danish Furniture Makers Control’ stamp to underside, largest table 57 x 40cm (some fading to largest table) (3) *£100 - 150 Note Article -10 certificate number 580331/01

381 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 121 382 A pair of Art Deco style mirrors, of geometric angular stepped design, having black bevelled panels within mirrored bevelled plate surrounds, 121cm (3ft 11 1/2in) x 81cm (2ft 7 3/4in). *£200 - 300

383 A pair of ‘Cubist’ style mirrors, of oval polygonal shape, the central octagonal bevelled plates within raised pyramidal surrounds, 101cm (3ft 3 1/2in) x 74cm (2ft 5in). *£300 - 400

384 Doria Leuchten, two 1960’s metal circular six light centre light fittings, with a lower bowl and corona of thirty six glass tubes, 56cm. diameter, together with three smaller matching circular lights, 26cm. diameter plus spare tubes and bulbs. *£400 - 600 85 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 122 386 An Art Deco style rectangular mirror, of large size, the central bevelled plate within a geometric surround with dark tinted panels interspersed with circular convex effect panels in square reserves, 208cm (6ft 10in) x 121cm (3ft 11 1/2in). *£300 - 500

387 A mirrored rectangular console table with over mirror, having dimpled decoration, the mirror with a central rectangular plate, within a square panel surround, 140cm (4ft 7in) x 60cm (1ft 11 3/4in), the table on square tapered legs 131.5cm (4ft 3 3/4in) x 43cm (1ft 5in) x 85cm (2ft 9 1/2in) high. *£400 - 600

* All lots subject to a buyers premium of 23% plus vat @ 20% 123 388 A wrought iron clock face reputedly from Euston Station adapted as a dining table, with plate glass top, on tripod splayed supports with circular glass inset undertier, 152 cm (5ft) diameter, together with a set of four Contemporary blackened steel dining chairs with X frame panelled backs and upholstered seats, on plain slightly splayed legs. *£600 - 800

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 124 389 A mid 20th Century Danish circular rosewood extending dining table, possibly by Mobler, the plain top raised on square legs, remains of printed factory mark to underside, together with one leaf, 120 x 180 fully extended. *£250 - 350

* Note Article -10 certificate number 580573/02

390 Arne Voder (1926-2009) for Sibast Mobler, a set of eight rosewood dining chairs, the short elbow supports with a pivoted upholstered panel back, over an upholstered pad seat, raised on tapering stretchered leg supports, makers stamp to underside of seat ‘GM Anno 195*’. (8) *£1000 - 1500

Arne Vodder (1926-2009) was one of the leading Danish designers of the mid 20th century along with Vernor Panton. Attending the Royal Danish Academy of Fine Arts in Copenhagen he studied under Finn Juhl. In 1950 along with Anton Borg he set up his own design and architecture studio. His designs were used by President Carter in the White House.

* Note Article-10 certificate number 580573/01

* All lots subject to a buyers premium of 23% plus vat @ 20% 125 Artist Index

ARTIST LOT NUMBER ARTIST LOT NUMBER ARTIST LOT NUMBER Adamoff (H.) 315 315 Frost (T.) 3 Oddy (D.) 371 Amos (A.) 30, 31, 39, 40, 41 Garden (S. J.) 346 Panter (H.) 179 Aylieff (F.) 290 Gilbert & George 73 Panton (V.) 362 Badioli (M.) 215, 217, 219 Godfrey (R.) 223 Paolozzi (E.) 78 Ballarin (F & M) 218 Greens 116 Payn (G.) 22 Barry (V.) 120, 121, 122, Weathervanes Pearson (B.) 165 123, 126, 127, Greenwood (O.) 171 Picasso (P.) 11 128, 129, 130, Hale (M.) 61 Pierce (C.) 350 131, 133, 134, Hamada (S.) 240, 241, 246 Piper (J.) 357, 358, 359, 136, 137, 138, Hayman (P.) 339 360 139, 140, 142, Heron (P.) 4 Plutenko (S. V.) 172, 173 143, 144, 145, Hilder (R.) 26 Price (T.) 167 146, 147, 148, Hilton (R.) 12, 53 Prindl (C.) 289 149, 150, 151, Hockney (D.) 182, 213 Prip (J.) 104 153, 154, 155, Homeshaw (A.) 27 Procktor (P.) 70 156, Hoskins (E.) 197, 201 Ravilious (J.) 44 Baxter (G.) 79 Howson (P.) 178 Reeks (H. D.) 301 Bayer (S.) 275 Hoyton (I. E.) 337 Reid (H.) 64 Bayly (C. J.) 336 Hulbert (T.) 24 Reynolds (A. M.) 15 Bjarnon (T.) 377 Humphreys (I.) 321 Richardson (F.) 330 Blake (P.) 74 Ingham (B.) 59 Rie (L.) 247 Boda (K.) 214 Jammet (L.) 209 Robbins (R.) 348 Bouverie (K. P.) 263 Jansch (H.) 75 Roberts (D.) 244, 265, 266, Bowen (C.) 238 Jensen (G.) 84, 87, 90, 91, 267 Boyd (J.) 170 93, 97 Rogers (L. R.) 270 Bradshaw (C. H.) 328 Keeley (L.) 229 Rosse (N St John) 162, 163 Brown (J.) 106, 107 Kenny (M.) 308 Roth (F.) 51 Brown (W.) 5, 311 Kinsella 109 Rudd (B.) 312 Bulmer (L.) 28, 319 Klein (A.) 193, 194 Ryder (S.) 47 Burman (B.) 320 Konig (H.) 13, 65, 327 Senior (B.) 344 Button (C.) 210 Larson (L.) 230 Sims (G.) 220 Carter (C.) 256 Laursen (A. M.) 376 Smith (V. B.) 334 Carter (K.) 118 Laws (D.) 21 Smithies (G.) 340 Chiarani (F.) 329 Leach (B.) 227, 249 Spear (R.) 303 Childish (B.) 186, 187 Leach (D.) 235, 261, 262, Spira (R.) 287 Clarke (G.) 352, 353 288, 292, 294 Starck (P.) 102 Collins (N.) 280 Lenkiewicz (R.) 174 Stevens (M. R.) 302 Cook (B.) 176 Leuchten (D.) 384 Sutherland (G. V.) 49 Cooper (E.) 242, 243 Leverett (D.) 7, 8 Sutton (P.) 50 Coper (A.) 284 Lowry (L. S.) 354, 355 Tallentire (A.) 325, 345 Corbett (L.) 188, 190 Macara (A.) 333 Tanner (R.) 45 Cossey (M.) 66 MacCabe (G.) 332 Teschner (R.) 204, 205, 206 Cosslett (P.) 32, 33 MacCartney-Snape 55 Tinnyunt (R.) 271 Cotton (A.) 16, 17, 18, 20 (S.) Trentham (J.) 307 De Trey (M) 254, 257, 258, Maechelberghe (M.) 349 Trevelyan (J.) 14 259 Mahie (J.) 113, 114, 115, Tudball (R.) 277 Denny (R.) 10 Maltby (J.) 293, 295, 296, Vassarely (V.) 71 Disdale (T.) 370 298 Vassiliev (A.) 189 Dunstan (B.) 23 Mara (A.) 232 Vaux (M.) 6 Eglin (P.) 224 Marcus (C.) 56 Wallwork (A.) 281 Engel (J.) 69 Mason (R.) 181, 304 Waplington (P.) 310 Escher (M. C.) 309 Matsuzaki (K.) 252 Ward (J.) 245 Eskandary (M.) 248 McClary (L.) 202 White (R.) 191 Eustace (D.) 166 McKinlay (D.) 164 White (T.) 211, 212 Eva (S.) 175 Meisler (F.) 111 Wilson (S.) 305 Fairchild-Woodward 195 Moller (N.) 368 (R.) Wooldridge (R.) 322 Morgan (J.) 221 Farrell (D.) 291 Woolridge (A.) 200 Nesbet (C.) 207, 208 Finch (R.) 274 Wordsell (G.) 183 Nigoumi (S.) 234 Fishwick (C.) 342 Wright (P.) 233 Nigoumi (S.) el 279 Ford (N.) 180 Yasuda (T.) 228, 273 Nott (R.) 341 Fox-Strangeways (S.) 253 Yates (F.) 34, 35, 36, 37 Nuttgens (J.) 237 Frears (N.) 184 Nuttgens (J.) 285, 286 Freeman (R.) 60

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 126 The art of insurance

From fine art and precious jewellery to antiques and collectables, Lycetts has nearly 60 years’ experience of protecting clients’ most treasured possessions.

We offer specialist, impartial advice on your personal insurance requirements, in addition to an extensive range of products and services for estates, farms, equestrian and commercial enterprises.

01392 479 111 [email protected] www.lycetts.co.uk

Lycetts is a trading name of Lycett, Browne-Swinburne & Douglass Limited which is authorised and regulated by the Financial Conduct Authority. Lycetts is a trading name of Lycetts Financial Services Limited which is authorised and regulated by the Financial Conduct Authority.

Proud to protect your home and your valued possessions Information for Buyers 1. Introduction. The following informative notes are intended whether an export licence is required and (b) whether there is to assist Buyers, particularly those inexperienced or new any specific prohibition on importing goods of that character to our salerooms. All sales are conducted on our printed because, e.g. they may contain prohibited materials such as Conditions of Sale which are readily available for inspection ivory. Ask us if you need help. and normally accompany catalogues. Our staff will be happy 9. Bidding. Bidders may be required to register before the to help you if there is anything you do not fully understand. sale commences and lots will be invoiced to the name and 2. Agency. As auctioneers we usually contract as agents for address on the registration form. Some form of identification the seller whose identity, for reasons of confidentiality, is may be required if you are unknown to us. Please enquire in not normally disclosed. Accordingly if you buy your primary advance about our arrangements for telephone bidding. contract is with the seller. 10. Commission bidding. Commission bids may be left with 3. Estimates. Estimates are designed to help buyers gauge the auctioneers indicating the maximum amount to be what sort of sum might be involved for the purchase of a bid excluding buyers’ premium. They will be executed as particular lot. The lower estimate may represent the reserve cheaply as possible having regard to the reserve (if any) and price and certainly will not be below it. Estimates do not competing bids. If two buyers submit identical commission include the Buyer’s Premium or VAT (where chargeable). bids the auctioneers may prefer the first bid received. Please Estimates are prepared some time before the sale and may enquire in advance about our arrangements for the leaving of be altered by announcement before the sale. They are in no commission bids by telephone. sense definitive. 11. Methods of Payment. If a purchaser is unknown to the 4. Buyer’s Premium. The Conditions of Sale oblige buyers auctioneers and is intending to pay by credit or debit card we to pay a buyer’s premium at 23% + VAT (27.6%) which shall will require the card holder to attend in person with suitable include VAT on the premium at the rate imposed by law (see photographic identification, otherwise payment is required by below). There is a surcharge when bidding on the internet. BACS/CHAPS or electronic bank transfer. As a general rule any cheques tendered will need to be cleared before removal of the 5. VAT. A ‘dagger’ symbol indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the goods is permitted. Please discuss with our Office in advance of hammer price as well as being an element in the buyer’s the sale if other methods of payment are envisaged. premium. This imposition of VAT is likely to be because the Card payments where the card holder is not present will only seller is registered for VAT within the European Union and is be accepted for transactions up to £1,000 not operating the Dealers Margin Scheme or because VAT is Collection and storage. Please note what the Conditions of Sale due at 15% on importation into the UK. The double ‘dagger’ state about collection and storage. It is important that goods are symbol indicates that the lot has been imported from outside paid for and collected promptly. Any delay may involve the buyer the European Union and the present position is that these in paying storage charges. lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols Methods of Payment indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin All payments by mail, bank transfer, etc, must be made in Scheme and it should be noted that the VAT included within sterling. The following methods of payment are available: the Premium is not recoverable as input tax. CASH (up to a sterling equivalent of the EU limit) CHEQUE; STERLING BANK DRAFT; ELECTRONIC 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may BANK TRANSFER IN STERLING; CREDIT CARD inspect lots and act reasonably in taking a general view about (VISA AND MASTERCARD ISSUED IN THE UK them we are normally unable to carry out a detailed or any ONLY); DEBIT CARDS (SWITCH, CONNECT, ETC) examination of lots in order to ascertain their condition in the Cheques and drafts should be made payable to way in which it would be wise for a buyer to do. Intending Bearnes, Hampton & Littlewood . buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and ELECTRONIC BANK TRANSFERS should be made to: investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of National Westminster Bank, lots contained in the Conditions of Sale. Neither the seller 59 High Street, Exeter. EX4 3DP nor we, as the auctioneers, accept any responsibility for their Sort Code: 56-00-49 condition. In particular, mechanical objects of any age are For all the account of Bearnes, Hampton & not guaranteed to be in working order. However, in so far Littlewood. as we have examined the goods and make a representation Account Number 32303483 about their condition, we shall be liable for any defect which IBAN Number GB88 NWBK 560049 32303483 that examination ought to have revealed to the auctioneer SWIFT Number NWBK GB2L but which would not have been revealed to the buyer had Card payments where the card holder is not present will the buyer examined the goods. Additionally, in specified only be accepted for transactions up to £1,000 circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). Clearance Times Sterling cheques drawn on UK banks and supported by 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with a cheque card valid for the amount due can be cleared safety regulations by a qualified electrician first. immediately. All other sterling cheques drawn on UK banks will generally clear on the fifth working day after receipt. 8. Export of goods. The export of any lot from the UK or import into any other country may be subject to one or more Sterling bank drafts drawn on UK banks can generally be export or import licences being granted. It is the buyers cleared immediately. responsibility to obtain any relevant export or import licence. Bank transfers clear as soon as our bank receives funds The denial of any licence required or delay in obtaining such (which does not happen instantaneously after payment licence cannot justify the cancellation of the sale or any delay instructions are given). in making payment of the total amount due. Credit and debit card payments can be cleared immediately, Buyers intending to export goods should ascertain (a) subject to paragraph 11 above. Glossary of cataloguing terms Any statement as to authorship, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. 1. SIDNEY RICHARD PERCY – In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.) 2. ATTRIBUTED TO SIDNEY RICHARD PERCY – In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. 3. STUDIO OF SIDNEY RICHARD PERCY – In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed by under the artist’s direction. 4. CIRCLE OF SIDNEY RICHARD PERCY - In our opinion a work by an as yet unidentified but distinct hand – closely associated with the named artist but not necessarily his pupil. 5. STYLE OF . . . ; FOLLOWER OF SIDNEY RICHARD PERCY - In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. 6. MANNER OF SIDNEY RICHARD PERCY – In our opinion a work in the style of the artist and of a later date. 7. AFTER SIDNEY RICHARD PERCY – In our opinion a copy of a known work of the artist. 8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10. Dimensions are given height before width. Artist’s resale right (“droit de suite”) If a lot is affected by this right it will be identified by the symbol ”•” next to the lot number. The buyer agrees to pay Bearnes Hampton & Littlewood an amount equal to the resale royalty and we will pay such amount to the artist’s collecting agent. Resale royalty applies where the hammer price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows: Royalty for the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.1 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 00.25% in excess of 500,000 Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro ratio rate of exchange will be European Central Bank reference rate on the day of the sale. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Cites Regulations Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Bearnes Hampton & Littlewood certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Bearnes Hampton & Littlewood Fine Art Auctioneers. Items are clearly marked with their certificate number where appropriate. Conditions of Sale Bearnes, Hampton & Littlewood carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS S. VALUE ADDED TAX In these Conditions: Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘dagger’ or double ‘dagger’. Value Added (a) “auctioneer” means the firm of Bearnes, Hampton & Tax is charged at the appropriate rate prevailing by law at the Littlewood or its authorised auctioneer, as appropriate; date of sale and is payable by buyers of relevant lots. (Please (b) “deliberate forgery” means an imitation made with the refer to “Information for Buyers” for a brief explanation of the intention of deceiving as to authorship, origin, date, age, VAT position). period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator 6. PAYMENT and SHIPPING and which at the date of the sale had a value materially less (1) Immediately a Lot is sold you will: than it would have had if it had been in accordance with the (a) give to us, if requested, proof of identity, and description; (b) pay to us the total amount due in cash or in such other way as is agreed by us. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the (2) Any payments by you to us may be applied by us towards hammer; any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether (d) “terms of consignment” means the stipulated terms and express or implied. rates of commission on which Bearnes Hampton & Littlewood accepts instructions from sellers or their agents; (3) Unfortunately Bearnes Hampton and Littlewood are unable to provide any other wrapping, packing and despatch service (e) “total amount due” means the hammer price in respect of their own but can provide a list of Companies to contact. of the lot sold together with any premium, Value Added Competitive rates have been negotiated with Mail Boxes Etc., Tax chargeable and any additional charges payable by a specialist in the provision of wrapping, packing and despatch defaulting buyer under these Conditions; services to the Antiques and Fine Art business sector. They (f) “sale proceeds” means the net amount due to the seller, provide for all services for lots purchased from our saleroom. being the hammer price of the lot sold less commission at Mail Boxes Etc. collect items weekly from our saleroom, the stated rate, Value Added Tax chargeable and any other though special collections can be arranged if required. They amounts due to us by the seller in whatever capacity and offer a professional, domestic and International service by however arising; post, courier, road, air and sea, depending on the lot size, (g) “You”, “Your”, etc. refer to the buyer as identified in destination and speed required. Bespoke cases can also Condition 2. be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing (h) The singular includes the plural and vice versa as appropriate. is agreed after wrapping and packing prior to despatch. 2. BIDDING PROCEDURES AND THE BUYER The minimum cost with Mail Boxes Etc., is £24.50 plus VAT, which will include collection, professional (a) Bidders are required to register their particulars before wrapping, packing and domestic delivery. bidding and to satisfy any security arrangements before Payment can be made with all major credit and debit cards. entering the auction room to view or bid; (b) The maker of the highest bid accepted by the auctioneer 7. TITLE AND COLLECTION OF PURCHASES conducting the sale shall be the buyer at the hammer (1) The ownership of any Lots purchased shall not pass to you price and any dispute about a bid shall be settled at the until you have made payment in full to us of the total amount auctioneer’s absolute discretion by reoffering the Lot during due. the course of the auction or otherwise. The auctioneer shall (2) You shall at your own risk and expense take away any lots act reasonably in exercising this discretion. that you have purchased and paid for not later than 3 working (c) Bidders shall be deemed to act as principals. days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be (d) Our right to bid on behalf of the seller is expressly reserved responsible for any removal, storage and insurance charges. up to the amount of any reserve and the right to refuse any bid is also reserved. (3) No purchase can be claimed or removed until it has been paid for. 3. INCREMENTS 8. EXPORT Bidding increments shall be at the auctioneer’s sole discretion. The export of any lot from the UK or import into any other country 4. THE PURCHASE PRICE may be subject to one or more export or import licences being The buyer shall pay the hammer price together with a premium granted. It is the buyers responsibility to obtain any relevant of 23% + VAT (27.6%), which shall include VAT on the premium export or import licence. The denial of any licence required or at the rate imposed by law. There is a surcharge when using delay in obtaining such licence cannot justify the cancellation of internet bidding. the sale or any delay in making payment of the total amount due. 9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT 14. TERMS OF SALE PURCHASES The seller acknowledges that Lots are sold subject to the (1) If any Lot is not paid for in full and taken away in accordance stipulations of these Conditions in their entirety and on the with these Conditions or if there is any other breach of Terms of Consignment as notified to the consignor at the time these Conditions, we, as agent for the seller and on our of the entry of the lot. own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to 15. DESCRIPTIONS AND CONDITION exercise one or more of the following rights and remedies: (1) Whilst we seek to describe lots accurately, it may be impractical (a) to proceed against you for damages for breach of contract; for us to carry out exhaustive due diligence on each lot. (b) to rescind the sale of that Lot and/or any other Lots Prospective buyers are given ample opportunities to view and sold by us to you; inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy (c) to resell the Lot (by auction or private treaty) in of any description applied to a lot. Prospective buyers also which case you shall be responsible for any resulting bid on the understanding that, inevitably, representations or deficiency in the total amount due (after crediting statements by us as to authorship, genuineness, origin, date, any part payment and adding any resale costs). Any age, provenance, condition or estimated selling price involve surplus so arising shall belong to the seller; matters of opinion. We undertake that any such opinion (d) to remove, store and insure the Lot at your expense shall be honestly and reasonably held and accept liability and, in the case of storage, either at our premises or for opinions given negligently or fraudulently. Subject to the elsewhere; foregoing neither we the auctioneer nor our employees or (e) to charge interest at a rate not exceeding 1.5% per agents nor the seller accept liability for the correctness of month on the total amount due to the extent it such opinions and all conditions and warranties, whether remains unpaid for more than 3 working days after the relating to description, condition or quality of lots, express, sale; please note there will be an additional late implied or statutory, are hereby excluded. This Condition is payment penalty of £40 if your account is unpaid subject to the next following Condition concerning deliberate after 28 days. forgeries and applies save as provided for in paragraph 6 “information to buyers”. (f) to retain that or any other Lot sold to you until you pay the total amount due; (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any 16. FORGERIES such bids shall be accepted; Notwithstanding the preceding Condition, any Lot which proves (h) to apply any proceeds of sale of other Lots due or in to be a deliberate forgery (as defined) may be returned to us future becoming due to you towards the settlement by you within 21 days of the auction provided it is in the same of the total amount due and to exercise a lien (that is condition as when bought, and is accompanied by particulars a right to retain possession of) any of your property in identifying it from the relevant catalogue description and a our possession for any purpose until the debt due is written statement of defects. If we are satisfied from the evidence satisfied. presented that the Lot is a deliberate forgery we shall refund the (2) We shall, as agent for the seller and on our own behalf money paid by you for the lot including any buyer’s premium pursue these rights and remedies only so far as is provided that (1) if the catalogue description reflected the reasonable to make appropriate recovery in respect of accepted view of scholars and experts as at the date of sale or breach of these conditions (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. 10. THIRD PARTY LIABILITY The right of return provided by this Condition is additional to any All members of the public on our premises are there at their right or remedy provided by law or by these Conditions of Sale. own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor GENERAL our employees or agents shall incur liability for death or personal 17. We shall have the right at our discretion, to refuse admission injury (except as required by law by reason of our negligence) or to our premises or attendance at our auctions by any person. similarly for the safety of the property of persons visiting prior to or at a sale. 18. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these 11. COMMISSION BIDS Conditions and any exclusions provided by them shall be Whilst prospective buyers are strongly advised to attend the available to the seller and/or the auctioneer as appropriate. auction and are always responsible for any decision to bid (2) Such rights and exclusions shall extend to and be deemed for a particular Lot and shall be assumed to have carefully to be for the benefit of employees and agents of the seller inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. and/or the auctioneer who may themselves enforce them. Neither the auctioneer nor our employees or agents shall be 19. Any notice to any buyer, seller, bidder or viewer may be given responsible for any failure to do so save where such failure is by first class mail or Swiftmail in which case it shall be deemed unreasonable. Where two or more commission bids at the same to have been received by the addressee 48 hours after posting. level are recorded we reserve the right in our absolute discretion 20. Special terms may be used in catalogue descriptions of to prefer the first bid so made. particular classes of items in which case the descriptions must 12. WARRANTY OF TITLE AND AVAILABILITY be interpreted in accordance with any glossary appearing at The seller warrants to the auctioneer and you that the seller the commencement of the catalogue. is the true owner of the property consigned or is properly 21. Any indulgence extended to bidders buyers or sellers by us authorised by the true owner to consign it for sale and is able notwithstanding the strict terms of these Conditions or of the to transfer good and marketable title to the property free from Terms of Consignment shall affect the position at the relevant any third party claims. time only and in respect of that particular concession only; in all 13. AGENCY other respects these Conditions shall be construed as having full force and effect. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 22. English law applies to the interpretation of these Conditions. Wrapping, Packing and Despatch

Preferential rates have been negotiated with Mail Boxes Etc., specialist in the provision of wrapping, packing and despatch services to the Antiques and Fine Art business sector. They provide for all services for lots purchased from our saleroom.

Unfortunately Bearnes Hampton & Littlewood are unable to provide any other wrapping, packing and despatch service of their own.

Mail Boxes Etc. collect items regularly from our saleroom, though special collections can be arranged if required. They offer a professional, domestic and International service by post, courier, road, air and sea, depending on the lot size, destination and speed required. Bespoke cases can also be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing is agreed after wrapping and packing prior to despatch. The minimum cost with Mail Boxes Etc. is £15.00 plus VAT for small, lightweight non fragile items under 2kgs. This will include collection, professional wrapping, packing and domestic delivery. Payment can be made with all major credit and debit cards.

Insurance If you do not have your own transit insurance, enhanced compensation cover is available from Mail Boxes Etc., to provide either full cover or loss only, as required. For any further information please call the team at Mail Boxes Etc. Tel: 0800 783 1381 or 01752 257224 Email: [email protected] Fax: 01752 257225 Website: www.mbeplymouth.co.uk Mail Boxes Etc., 91 Mayflower Street, Plymouth PL1 1SB

Delivery instructions Please complete the following and leave or return to: Bearnes Hampton & Littlewood St. Edmund’s Court, Okehampton Street, Exeter EX4 1DU. Telephone 01392 413100 or send direct to Mail Boxes Etc.

Name

Address

Postcode

Telephone Mobile

Lot No. Description

Lot No. Description

Lot No Description Mail Boxes Etc. will call you after collecting prior to despatch to confirm costs and payment instructions SALEROOM FORTHCOMING SALE DATES 2019 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

MANAGING DIRECTOR JUNE C.J. Hampton, A.S.F.A.V. Tues 18th Antiques & Interiors EX230 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. JULY Tues 2nd Antiques & Interiors EX231 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tues 9th & Weds 10th Quarterly Fine Art FS43 Department offer a complete and comprehensive service to Executors, Solicitors and Bank Tues 23rd Antiques & Interiors EX232 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. AUGUST

th Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience Tues 6 Antiques & Interiors in preparing insurance valuations and inventories for the purpose of substantiating claims in the including jewellery EX233 event of losses resulting from accident, fire or theft. Weds 14th Maritime MA19 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or Tues 20th Antiques & Interiors EX234 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. SEPTEMBER For further information please contact: Andrew Thomas or Christopher Hampton Weds 4th Antiquarian Books, Maps and Prints BK22 ADMINISTRATION Tues 17th Antiques & Interiors Operations Director: Rachel Littlewood Company Secretary: Susan Tharby including jewellery EX235

SPECIALIST DEPARTMENTS OCTOBER Books, Manuscripts and Photographs Rachel Littlewood, Roger Collicott (Consultant) Tues 1st Antiques & Interiors EX236 Ceramics and Glass Nicholas Saintey, Andrew Thomas Tues 15th & Weds 16th Quarterly Fine Art FS44 Clocks Leigh Extence th Furniture Christopher Hampton, Tues 29 Antiques & Interiors EX237 Gillian Westell (Consultant) Jewellery Lucy Marles, Jethro Marles NOVEMBER Maritime and Sporting Brian Goodison-Blanks IMPORTANT: Pictures Daniel Goddard, Please note this list Weds 6th & Thurs 7th Sporting & Collectors SC29 Martin Scadgell (Consultant) is printed only as a Tues 12th Antiques & Interiors EX238 Silver Brian Goodison-Blanks, Martin McIlroy guide and clients are Works of Art, Collectors’ Items Martin McIlroy requested to contact Tues 26th Antiques & Interiors Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton including jewellery EX239 Christopher Hampton, & Littlewood for confirmation of sale SALE ADVICE dates and special DECEMBER Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. Tues 3rd 20th Century & Contemporary CC03 their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. Tues 10th Antiques & Interiors EX240 Alternatively a representative will be pleased to call by appointment without charge or obligation. Catalogue production by Acanthus Press Ltd Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 01823 663339 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter © Bearnes Hampton & Littlewood 2019 Ref CC02 20TH CENTURY & CONTEMPORARY

20th Century & Contemporary

Tuesday 11th June 2019

I 11th JUNE 2019

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU CC02

01392 413100 I [email protected] I www.BHandL.co.uk