Bonhams 1793 : Prints http://www.bonhams.com/auctions/19781/?list_grid_result=results&print_...

Prints

Auction 19781 London, Knightsbridge 16 May 2012, starting at 13:00 BST. Sessions

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Auction highlights

Sold for £13,750 inc. Sold for £8,750 inc. Sold for £8,125 inc. Sold for £5,000 inc. premium premium premium premium Henry George Rushbury, Christopher Richard R.A. Patrick Hughes (British, RA, RWS, RE (British, Wynne Nevinson A.R.A. (British, born 1937) Paper born 1939) St. Ives 2007 1889-1968) An Extensive (British, 1889-1946) Les Pools (MCA Tokyo 234) Hand painted multiple with Collection Comprising Bibliophiles Drypoint, Lithograph in colours, lithography, 2007, signed etchings, drypoints and a 1931, on laid, signed in 1980, on Arches cover and numbered 4/45 in ... single wood engraving, pencil, from the ... paper ... various ...

1 Various Artists A Collection of Old Master, Eighteenth and Nineteenth Century Prints Including a loose sheet album of architectural £ 525 designs, theatrical scenes and some frontispieces such as 'Theatrum Sive Hollandiae' by H.Hondius, plus a collection of miscellaneous prints of portraits, religious, literary and mythological subjects, by various artists including S.Mulinari, W.Walker, J.Collyer, J.Macardell, on various papers, album size 285 x 233mm (11 1/4 x 9 1/8in) Coll 2 Jacques Callot (French, 1592-1635) The Temptation of St Anthony Etching, 1635, final fifth state with traces of the scratch between £ 137 the devil's right claw and wing, on laid, with small margins, 355 x 465mm (14 x 18 1/4in)(PL) 3 Hendrik Goltzius (Venlo 1558-1617 Haarlem) Christ and the Apostles Engravings, c.1589, thirteen from the series, on laid, each £ 937 trimmed to just within the plate mark, 146 x 101mm (5 3/4 x 4in)(SH) 13 unframed 11 James Gillray (British, 1757-1815) A Cognocenti contemplating ye Beauties of ye Antique Etching with handcolouring, 1801, on £ 687 wove, published Feb. 11th by H.Humphrey, 360 x 250mm (14 1/8 x 10in)(PL); together with 'An Old Maid on a Journey' etching with handcolouring, 1804, on wove, published Nov. 20th by H.Humphrey, 250 x 380mm (10 x 15in)(PL)(2) 12 John Boydell (Publisher) A Collection of Prints from Pictures Painted for the purpose of illustrating The Dramatic Works of £ 1,000 Shakespeare by the Artists of Great Britain Large Folio, 1803, containing seventy-seven loose sheets of engravings, together with a preface, a dedication each to the King and Queen by Josiah Boydell and two engraved frontispiece plates for Volume I and II, printed by W.Bulmer & Co., St James's, published by John and Josiah Boydell, 925 x 630mm (35 3/8 x 24 3/4in)(Folio) 15 Rodolphe Bresdin (French, 1822-1885) Le Repos en Egypte a l'ne Bâté Lithograph, 1871, on chine-applique, 230 x 198mm (9 1/8 x £ 687 7 3/4in)(I), together with 'Mon Rêve'(VG150), etching, 1883, final second state, on thick laid, with wide margins, 215 x 138mm 2 unframed 16 Rodolphe Bresdin (French, 1822-1885) Les Villes derrière le marecage Lithograph, 1878, on chine-applique, with a pencil £ 1,062 inscription by the artist, 190 x 155mm, together with 'Le Cours d'eau'(VG144), etching, 1880, on thick laid, 135 x 210mm 2 unframed 18 Samuel Palmer (British, 1805-1881) Christmas - folding the last sheep, from Samuel Palmer A Memoir Etching, 1850, on wove, £ 937 fourth state of five, with the inscription 'From Bampfylde's Sonnet', 120 x 100mm (4 7/8 x 3 7/8in)(PL) unframed 19 Samuel Palmer (British, 1805-1881) The Early Ploughman (Lister 9) Etching, circa 1861, a good impression of the VIII state of IX, £ 812 on laid, 130 x 198mm (5 1/8 x 7 3/4in)(PL) unframed 20 Samuel Palmer (British, 1805-1881) The Skylark (Lister 2vii) Etching, 1850, on chine collé, a good impression of the seventh state £ 2,000 (of eight), published in 'Etchings of the Art Union of London by the Etching Club', 1857; 117 x 98mm (4 7/8 x 3 7/8in)(PL)

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21 Samuel Palmer (British, 1805-1881) The Herdsman's Cottage (Sunset) (Lister 3ii) Etching, 1850, on laid, a good impression of the £ 1,000 second and final state, with Palmer's etched initials in the lower margin, as published in 'The Portfolio', 1872, with wide margins, 95 x 75mm (3 3/4 x 3in)(PL) 22 A Collection Early 20th century Prints Including three Lovis Corinth lithographs including Schartz 259 & 265, each signed in pencil; £ 750 Muirhead Bone, two lithographs; Charles Meryon 'Tourelle de la rue de la Tixéranderie, Paris', c.1852, etching; Joseph Gottlieb Prestel aquatint in colours; Lawrence Alma-Tadema, photogravure; William Nicholson, an unsigned woodcut; Maurice Utrillo, an unsigned lithograph in colours; and Stanley R.Wilson 'Canada Geese'& 'Pintail', two woodcuts in colours; various sizes 12 2 unframed 23 A Collection of Modern British Etchings Including three by E H Lacey "A Chelsea Madonna"; "The Barrow Woman" and £ 375 "Camdenia", Lionel Lindsay "A Street in Guadalupe" and "The Smithy, Avila", "Stonehaven" by Patrick Hall, "Glass Blowers", "Repairing Barges", "Molo" and a signed Christmas card by James McBey, "Gairloch" by Fred Fassel and figures standing by a medieval door by W R Flint 12 1 framed 24 A Collection Early British Prints Five wood engravings, two etchings and four woodcuts including Ethelbert White 'Hollybush Hill, £ 937 Hampstead', Clifford Cyril Webb and Alice M.Coats 'Houses by the bridge', JM Bent 'Cat', Roger Peach, Elizabeth Field, Joyce Francis 'Stoat', Elizabeth Eden and three others, each signed in pencil, on various papers, 300 x 200mm (11 3/4 x 8in)(SH)(and smaller) 11 unframed 25 Robert Sargent Austin (British, 1895-1973) Woman of Scanno Engraving, 1927, on watermarked laid, signed in pencil, with wide £ 875 margins, 200 x 155mm (7 7/8 x 6 1/8in)(PL); together with three others by the same hand, 'Plane Tree Cottage'(CD66), 1926, 'Sisters of Assisi', 1925, and a trial proof of 'Donkeys of Selva' (CD78), each on watermarked laid, signed in pencil and E.Owen Jennings 'The Market Place at Settle', etching with drypoint, 1930, on laid; 5 unframed 26 Charles Frederick Tunnicliffe R.A. (British, 1901-1979) The Bull Etching, on J Whatman laid, the full sheet, signed and numbered £ 500 48/75 in pencil; 225 x 275mm (8 7/8 x 10 7/8in)(PL) unframed 27 Charles Frederick Tunnicliffe R.A. (British, 1901-1979) To the slaughter Etching, a fine impression, on laid, printed with tone, £ 400 signed and numbered 8/75 in pencil, 280 x 210mm (11 x 8 1/4in)(PL) unframed 28 Henry George Rushbury, RA, RWS, RE (British, 1889-1968) An Extensive Collection Comprising etchings, drypoints and a single £ 13,750 wood engraving, various states and proofs, on various papers, a large number from the artist's own collection. Together with "Rome" by Sir Rennell Rodd and "Paris" by Sidney Dark featuring illustrations by Rushbury, "Modern Masters of Etching - H Rushbury A.R.A., R.E.". Also, "Twenty Five years of the National Art Collections Fund" and "Fine Prints of the Year, 1926". 87 unframed prints; 5 volumes 29 Sydney Mackenzie Litten (British, 1887-1949) Night and the Salute Etching with drypoint, a richly inked impression with excellent £ 375 contrasts, on wove, signed in pencil, the full sheet, 255 x 425mm (10 x 16 3/4in)(PL). With another small signed etching by the same hand of a Venetian scene. 2 1 unframed 30 Joseph Webb, A.R.E. (British, 1908-1962) Chepstow Etching, 1928, on wove, signed, titled and inscribed '1st state' in pencil, 235 x £ 625 395mm (9 1/4 x 15 1/2 in)(PL); together with two others, 'The Glory Hole, Lincoln', etching in sepia, 1932-33, on laid, signed, titled, dated and inscribed '1st state' in pencil, 200 x 250mm (8 x 9 3/4 in)(PL); and 'The Horseshoe bend in the Wye', etching, 1928, on wove, signed, titled and inscribed '1st state' in pencil, 210 x 275mm (8 1/4 x 10 3/4in)(PL), each with collectors' ink stamps of Beryl Gascoigne and Jane Furst verso(3)(unframed) 31 James McBey, LLD (British, 1883-1959) Etchings and Dry Points from 1902 to 1924 by James McBey The catalogue raisonne by £ 100 Martin Hardie, copy number 339 of 500 of which twenty-five were for presentation, signed and dated by the artist, containing an original etching, signed in pen and ink. Together with "The Etchings of James McBey" by Malcolm C. Salaman, copy number 22 from an edition of 100, signed by the artist, published 1929 and Ernest M. Lang's catalogue of Anders Zorn's etchings 3 volumes 32 James McBey, LLD (British, 1883-1959) Sotto Portico, Venice Etching with drypoint, a good impression, on antique laid, the full £ 237 sheet, signed and numbered XXIX in pen and ink, 315 x 220mm (12 3/8 x 8 5/8in)(PL) unframed 33 David Young Cameron (Scottish, 1865-1945) A Collection Etchings, including - The Royal Scottish Academy; The Old Museum, £ 400 Beauvais; Tepidarium; Beauvais; Monzie; The Scuir of Eigg; Tarff; John Knox's house and a Venetian Palace, on various types of laid paper, various conditions 9 Royal Academy framed 34 David Young Cameron (Scottish, 1865-1945) Reference books Including copies of Frank Rinder's "D.Y.Cameron - An Illustrated £ 125 Catalogue of his Etchings", from the special edition on hand-made paper, accompanied by an original etching of "Castle Moyle", numbered 77 from the edition of 200 and "D.Y.Cameron - An Illustrated Catalogue of his Etched Work with Introductory Essay and Descriptive Notes on each Plate by Frank Rinder", copy number 87 from an edition of 200, containing a signed etching by the artist entitled "The Lion and the Unicorn". R B Cunninghame Graham's "The District of Monteith, with illustrations by D Y Cameron", containing an original, signed etching entitled "Lake of Mentieth", signed by the author and artist, numbered 137 from the edition of 250, in complete original condition and "The Etchings of D.Y.Cameron" by Arthur M. Hind, in the original black and gold binding, complete with the box 4 volumes, 1 mounted etching in a paper slipcase 35 Ernest S. Lumsden (British, 1883-1948) A Collection of Asian Landscapes Five etchings, 1911-1922, on laid, each signed in pen or £ 275 pencil, some numbered from the edition of 50, 210 x 335mm (8 1/4 x 13 1/4in)(PL)(and smaller) 36 Francis Seymour Haden (British, 1818-1910) Newcastle in Emlyn Etching and drypoint, 1864, on laid, signed in pencil, with £ 62 margins, 115 x 150mm (4 1/2 x 6in)(PL) 37 A Collection £ 137

38 Robin Tanner (British, 1904-1988) The Roadmaker Etching, 1928, on laid, signed, dated and numbered XL in pencil, with full £ 500 margins, 100 x 147mm (3 7/8 x 5 3/4in)(PL) 39 Graham Sutherland O.M. (British, 1903-1980) The Village (Tassi 20; Mann 23) Etching, 1925, signed and titled in pencil, one of a £ 2,750 small number of early proofs, with haystacks in the distant field top left, before their replacement by a horse and a plough, printed by the artist, published by Twenty-one Gallery, London, 175 x 225mm (6 7/8 x 8 7/8in)(PL) 40 Paul Dalou Drury (British, 1903-1988) September Etching, 1928, a good impression, on antique laid, initialled in pencil, with £ 1,750 margins, 105 x 130mm (4 1/8 x 5 1/8in)(PL) 41 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Les Bibliophiles Drypoint, 1931, on laid, signed in pencil, from £ 8,750 the edition of 75, with margins, 212 x 160mm (8 3/8 x 6 1/4in)(PL) 42 Paul Nash (British, 1889-1946) Coronilla No.2 (Postan W88) Woodcut, 1925-30, on thin, off white japon, signed, dated, titled and £ 1,125 numbered 2/25 in pencil, 114 x 89mm (4 1/2 x 3 1/2in)(B)

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43 Prunella Clough (British, 1919-1999) Float Lithograph printed in black and green, c.1950, on wove, signed in pencil, from an £ 1,875 unknown edition size, 175 x 115mm (7 x 4 1/2in)(I) 44 Walter Richard Sickert A.R.A. (British, 1860-1942) Et Delator Es Engraving, 1915, on J. Whatman laid, a good impression of the £ 562 third and final state with lettering, published by Carfax & Co. 24, Bury Street, St. James's, with margins, 145 x 95mm (5 7/8 x 3 3/4in)(PL) unframed 46 Sir Augustus Edwin John (British, 1878-1961) A Girl's Head- E Etching printed with tone, 1919, on laid, signed in pencil, from the £ 812 edition of 50, 175 x 140mm (6 7/8 x 5 1/2in)(PL) 47 Dame Laura Knight, R.A., R.W.S. (British, 1877-1970) A Crowd Aquatint, 1923, on laid, signed in pencil, from the edition of 55, £ 562 with wide margins, 100 x 125mm (4 x 5in)(PL)(unframed) 49 James Abbott McNeill Whistler (American, 1834-1903) The Little Putney, No.2 Etching, final third state, with the butterfly £ 1,062 monogram, plus the title added by another hand lower left, on laid, with margins, 124 x 200mm (4 7/8 x 7 7/8in)(PL) 51 James Abbott McNeill Whistler (American, 1834-1903) Fumette Etching, 1859, on wove, the fourth and final state, inscribed on £ 625 bottom of the matrix 'Whistler' and 'Imp. Delatre Rue St. Jacques 171', from the series 'Twelve Etchings from Nature', with wide margins, 162 x 110m (6 1/3 x 4 1/3in)(I), 318 x 235mm (12 1/2 x 9 1/4)(SH) unframed 52 Sandra Blow R.A. (British, 1925-2006) Canvas on Chrome Screenprint in colours with collage, on wove, signed, titled and numbered £ 562 40/125 in pencil, 710 x 710mm (28 x 28in)(I) 54 Sandra Blow R.A. (British, 1925-2006) Blue Brown Interweave Screenprint in colours with collage, on wove, signed and numbered £ 531 2/125 in pencil, 710 x 710mm (28 x 28in)(I) 56 Sir Terry Frost, R.A. (British, 1915-2003) Lemon Glow Screenprint in colours, 1991, on Saunders Waterford rough, signed, dated £ 1,000 and numbered 23/50 in pencil, as included in 's 'Six Artists' portfolio, 1992, printed and published at the Royal College of Art, London, the full sheet printed to the edges, 561 x 763mm (22 x 30in)(SH) unframed 57 Sir Terry Frost R.A. (British, 1915-2003) Blue Circle Screenprint in colours, 2002, on Arches, signed and numbered 5/125 in pencil, £ 1,875 printed by Coriander Studio, London, published by CCA Galleries, Tilford, 740 x 550mm (29 1/4 x 21 3/4in)(I) 58 Sir Terry Frost R.A. (British, 1915-2003) The Quay St.Ives Photogravure and aquatint in colours, 2003, on heavy wove, signed, £ 625 dated and inscribed 'A/P 1' in pencil, aside from the numbered edition of 200, printed by Stoneman Graphics, Cornwall, published by Publishing, London, 420 x 140mm (16 1/2 x 5 1/2in)(I) 59 Sir Terry Frost R.A. (British, 1915-2003) Timberaine A from Timberaine A-J (Kemp 207) The triptych of woodcuts printed in £ 4,750 colours, 2000-2001, on Velin Arches blanc, signed in pencil verso, from the edition of 16, printed by Stoneman Graphics, Cornwall, published by The Paragon Press, London, each sheet printed to the edges, each 1048 x 500mm (41 1/4 x 19 3/4), overall 1048 x 1500mm (41 1/4 x 59in)(SH) 60 Sir Terry Frost R.A. (British, 1915-2003) Blue Brad (Kemp 244) Screenprint in colours with collage, 2003, on Arches, signed and £ 750 numbered 36/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, 837 x 290mm (33 1/2 x 11 1/2in)(I) 61 Sir Terry Frost R.A. (British, 1915-2003) Malaga Blue and Orange (Kemp 181) Screenprint in colours, 1998, on Arches, signed and £ 875 numbered 143/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, 490 x 500mm (19 1/4 x 19 3/4in)(I) 62 Sir Terry Frost R.A. (British, 1915-2003) Yellow Curtain Lithograph printed in colours, 1972, on BFK Rives, signed, dated and £ 562 numbered 42/65 in pencil, published by Leslie Waddington Prints, London, printed at Emil Matthieu Atelier, Zurich, 640 x 508mm (25 1/4 x 20in)(I) 64 John Wells (British, 1907-2000) A Collection Twelve monotypes with pastel, on various wove papers, a few dated in pencil verso, £ 4,375 1963-1965, all with the studio blindstamp, 175 x 215mm (6 7/8 x 8 7/8in)(SH)(12)(unframed) 66 Ben Nicholson O.M. (British, 1894-1982) Pisa Etching, 1966, on Zerkall Butten, signed, dated and numbered 1/50 in pencil, £ 1,875 published by Ganymed original Editions and Marlborough Fine Art, London, the full sheet, 322 x 379mm (12 3/4 x 15in) (SH) unframed 67 Dame (British, 1903-1975) Assembly of Square Forms, from Opposing Forms Screenprint in colours, 1970, on £ 1,250 wove, signed in pencil, an unnumbered impression aside from the edition of 60, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, the full sheet, 767 x 578mm (30 1/4 x 22 3/4in)(SH) 68 Dame Barbara Hepworth (British, 1903-1975) Moon Landscape Lithograph printed in colours, 1973, on T.H. Saunders, signed and £ 2,250 numbered 48/90 in pencil, as included in the 1973 Penwith portfolio, printed by Curwen Studio, published by Penwith Galleries Ltd, 572 x 775mm (22 x 30 1/2in)(SH) 69 William Scott R.A. (British, 1913-1989) Green Predominating Lithograph printed in colours, 1976, signed, dated and numbered 9/40 £ 2,375 in pencil, published by Editions Alecto, London, with their blindstamp at lower left, the full sheet printed to the edges, 569 x 769mm (22 3/8 x 30 1/4in)(SH) unframed 70 William Scott R.A. (British, 1913-1989) White bowl, black pan, on brown Screenprint in colours, 1970, signed, dated and numbered £ 1,750 53/100 in pencil, with full margins, 590 x 780mm (23 1/4 x 30 3/4in)(I) unframed 71 Bryan Ingham (British, 1936-1997) Bouquet Etching, 1972, on wove, signed, dated, titled and inscribed 'AP' and 'For Kathleen and £ 375 Stanley from Bryan' in pencil, as included in the Penwith Portfolio No.15, printed by the Penwith Gallery print workshop and Curwen Press, Chilford, published by the Penwith Society of Artists, St. Ives, with margins, 310 x 250mm (12 1/8 x 9 3/4in)(PL) 72 Bryan Ingham (British, 1936-1997) Lamplight and Moonlight I Etching, 1988, on wove, signed, titled, dated and numbered 'xii/xii' £ 687 and inscribed 'For Aysel with love Bryan' in pencil, 208 x 595mm (11 x23 1/2in)(PL) 74 Bernard Leach (British, 1887-1979) Fish Vase Lithograph printed in colours, 1974, on T.H. Saunders, signed and numbered 35/100 £ 500 in pencil, printed at Curwen Studio, 773 x 565mm (30 3/8 x 22 1/4in)(SH), together with two others by the same hand, 'Bird Dish', signed and numbered 26/125 and 'Deer Plate', signed and numbered 16/200 3 unframed 75 Breon O'Casey (British, 1928-2011) Square on Squares Woodcut in colours, 2003, on wove, signed and numbered 11/15 in pencil, £ 200 published by Stoneman Graphics, Penzance, 400 x 415mm (15 3/4 x 16 1/4in)(I) 76 Patrick Hughes (British, born 1939) St. Ives 2007 Hand painted multiple with lithography, 2007, signed and numbered 4/45 in pencil, £ 5,000 430 x 950 x 190mm (17 x 37 1/2 x 7 1/2in)(overall) 77 Bryan Pearce (British, 1929-2007) St Michael's Mount Screenprint in colours, 1980, on wove, signed, dated and numbered 44/75 in £ 750 pencil; together with 'Courtyard St Ives School of ', screenprint in colours, 1983, on wove, signed, dated and numbered

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59/75 in pencil; 495 x 640mm (19 1/2 x 25 1/4in)(I)(and smaller) 2

78 Laurence Stephen Lowry R.A. (British, 1887-1976) Tree in the Square Lithograph in black and cream, 1969, on Arches, signed and £ 4,000 numbered 59/75 in pencil, published by Ganymed Editions, London, with full margins, 478 x 610mm (18 3/4 x 24in)(I) unframed 79 Laurence Stephen Lowry R.A. (British, 1887-1976) Old Steps, Stockport Lithograph in cream and black, 1969, on wove, signed in £ 2,500 pencil, numbered 57/75, published by Ganymed Originals, London, with wide margins, 620 x 480mm (24 3/8 x 18 7/8in)(I) unframed 80 Laurence Stephen Lowry R.A. (British, 1887-1976) Punch and Judy Offset lithograph printed in colours, 1947, on wove, the edition £ 750 was 6000, printed for School Prints Ltd., London, 445 x 685mm (17 1/2 x 27in)(I)(unframed) 81 Dame Eileen Mayo (British, 1906-1994) The Squirrel Woodcut, c.1932, on tissue thin Japan, signed, titled and numbered 69/80 in £ 625 pencil, with margins, 185 x 150mm (7 1/4 x 6in)(I) 82 Dame Eileen Mayo (British, 1906-1994) Prowling Cat Woodcut, c.1932, on tissue thin Japan, signed, titled and numbered 3/50 in £ 600 pencil, with margins, 120 x 162mm (4 3/4 x 6 3/8in)(I) 84 Lill Tschudi (Swiss, 1911-2001) Farmers with Milkcans Linocut printed in black, yellow ochre and light blue, 1947, on buff oriental £ 2,375 laid tissue, signed and numbered 3/50 in pencil top left, with the title in German 'Bauern im Gespräch' in the lower margin and inscription 'vollständig von Hand geschaffen - Bauern im Gespräch - Handdruck' in left margin, with margins, 500 x 355mm (19 5/8 x 14in)(B)(unframed) 85 Edward Bawden R.A. (British, 1903-1989) Covent Garden, Foreign Fruit Market, from London Markets Lithograph printed in £ 2,375 colours, 1967, on wove, signed and titled in pencil, a proof aside from the numbered edition of 75, published by Curwen Prints, London, with full margins, 585 x 770mm (23 x 30 1/4in)(SH) unframed 86 Edward Bawden R.A. (British, 1903-1989) Kew Palace Lithograph printed in colours, 1960, on Fabriano, signed, titled and £ 1,000 numbered 110/160 in pencil, printed and published by Curwen Studio, London, with full margins, 470 x 610 mm (18 1/2 x 24in)(I) unframed 87 Paul Nash (British, 1889-1946) Wood on the Downs Offset lithograph in colours, on wove, published by the Fine Art Trade Guild, £ 1,500 420 x 530mm (16 1/2 x 20 7/8in)(SH) 88 Arthur Boyd (Australian, 1920-1999) Old men enter carrying faggots to smoke out the women, from Lysistrata Etching with £ 375 aquatint, 1970, on wove, signed and numbered 9/50 in pencil, with full margins, 350 x 400mm (13 3/4 x 15 3/4in)(PL) 89 Edward Burra (British, 1905-1976) Mary Queen of Scots Eight woodcuts from the set of nine, printed in 1971, on japan laid, each £ 1,625 numbered 9/45, the illustrated image signed, the other images initialled 'EB' in pencil, published by Nicholas Treadwell Gallery, various sizes (8) 90 Cecil Collins (British, 1908-1989) Angel Aquatint, 1977, on wove, signed, titled, dated and numbered 34/45 in pencil, with full £ 750 margins, 374 x 279mm (14 3/4 x 11in)(SH); together with 'Masked Fool' lithograph, 1958, on wove, signed and numbered 2/30 in pencil, 620 x 435mm (24 1/2 x 17 1/8in)(SH) 2 unframed 91 Cecil Collins (British, 1908-1989) A Collection 'Fool & Bird', a trial proof impression with pencil inscriptions, together with 'Masked £ 1,750 Fool', lithograph, unsigned printer's proof impression; 'Angels', unsigned proof impression on cartridge paper, 'Angel of the Abyss', 1961, signed, titled, dated and numbered 2/50 in pencil, and 'The Great Happiness', 1965, signed, titled, dated and numbered 41/70 in pencil, 790 x 540mm(31 x 21 1/4in)(and smaller) 5 unframed 92 John Minton (British, 1917-1957) Thames-side Lithograph printed in colours, 1952, on wove, signed and numbered 30/50 in pencil, £ 1,250 printed at the Royal College of Art, London, with margins, 358 x 480mm (14 1/8 x 18 7/8in)(SH) 93 Keith Vaughan (British, 1912-1977) Finistere Lithograph printed in colours, 1952, on wove, signed and dated in pencil, from the £ 1,875 edition of approximately 50, published by the Redfern Gallery, London, with margins, 355 x 455mm (14 x 18in)(I) 94 Duncan Grant (British, 1885-1978) At the ballet Autolithograph in colours, circa 1938, on machine-made lithographic cartridge £ 1,625 paper, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, 695 x 530mm (27 3/8 x 20 7/8in)(SH) unframed 95 John Piper C.H. (British, 1903-1992) Nursery Frieze II Autolithograph in colours, 1936, on machine-made lithographic cartridge £ 3,750 paper, unsigned as published from an unspecified edition, printed by Waterlow & Sons, published by Contemporary Lithographs, 460 x 1215mm (18 1/5 x 44 1/3in)(I) unframed 96 Edward Ardizzone (British, 1900-1979) The Bus Stop Autolithograph in colours, circa 1938, on machine-made lithographic cartridge £ 600 paper, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, 508 x 672mm (20 x 26 1/2in)(SH) unframed 97 Barnett Freedman (British, 1901-1958) Charade Autolithograph in colours, circa 1937-38, on machine-made lithographic cartridge £ 625 paper, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, 585 x 840mm (23 x 33in)(SH) unframed 98 Ivon Hitchens (British, 1893-1979) Still Life Autolithograph in colours, circa 1938, on machine-made lithographic cartridge paper, £ 1,062 printed by Curwen Press, published by Contemporary Lithographs Ltd., London, 695 x 530mm (27 3/8 x 20 7/8in)(SH) unframed 99 John Piper C.H. (British, 1903-1992) Abstract Composition Autolithograph in colours, 1936, on machine-made lithographic £ 3,375 cartridge paper, one of a small number of impressions signed in pencil, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, 610 x 458mm (24 x 18in)(I) unframed 100 John Piper C.H. (British, 1903-1992) Binham Abbey Lithograph printed in colours, 1981, on Grand Velin Arches, signed and £ 2,125 numbered 37/70, printed by Kelpra Studio, published by Marlborough Fine Art, 550 x 767mm (19 2/3 x 30 1/5in)(I) 101 John Piper C.H. (British, 1903-1992) Conisbrough Castle, South Screenprint in colours, 1982, on Arches, signed and £ 1,750 inscribed 'A.P.' in pencil, an artist's proof aside from the numbered edition of 100, printed by Kelpra Studio, published by CCA, 570 x 770mm (22 3/8 x 30 3/8in)(I) 102 John Piper C.H. (British, 1903-1992) The Royal Holloway College, from Victorian Dream Palaces Screenprint in colours, 1977, on £ 1,625 Velin Arches, signed and numbered 53/75 in pencil, published by Marlborough Fine Art, London, printed by Kelpra Studio, London, 529 x 700mm (20 3/4 x 27 1/2in)(I) 103 John Piper C.H. (British, 1903-1992) Foliate Head I Lithograph printed in colours, 1953, on Arches, signed and numbered 3/70 in £ 1,250 pencil, printed by Mourlot Fréres, published by Robert Erskine, 475 x 635mm (18 5/8 x 25in)(I) 104 John Piper C.H. (British, 1903-1992) John Piper's Stowe The book, 1983, deluxe edition, comprising two offset lithographs in £ 1,500 colours, 'The Palladian Bridge, Stowe' & 'Boycott Pavillion, Stowe', on wove, each signed in brown ink and numbered 8/50, the book also signed and numbered, published by Hurtwood Press, Westerham, Kent, in association with Tate Gallery, London, overall 490 x 400mm (19 1/4 x 15 3/4in); together with 'Bridgeman's Stowe', 1987, a folio of offset lithographs after designs of Monf.Rigaud, this

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copy numbered 74/450, published by BW publications, Ltd., London, (2 & 2 folios)

105 John Piper C.H. (British, 1903-1992) Whithorne Priory, from Five Scottish Chapels (in ruins) Screenprint in colours, 1975, on Velin £ 875 Arches, signed and inscribed 'A.P.' in pencil, aside form the numbered edition of 70, published by Marlborough Fine Art, London, printed by Kelpra Studio, London, 634 x 836mm (25 x 33in)(I) 106 John Piper C.H. (British, 1903-1992) Swansea West Screenprint in colours, 1989, on Velin Arches, bearing signature, inscribed 'AP' £ 1,062 in pencil, a proof aside from the edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, 595 x 783mm (23 1/2 x 30 3/4in)(SH)(unframed) 107 Craigie Aitchison C.B.E., R.A. (British, 1926-2009) Daffodils and Candlestick Screenprint in colours, 1998, on thick wove, signed £ 625 and inscribed 'A.P. VI/XV' in white ink, an artist's proof aside from the edition of 75, together with 'Ship Vase and Rose', 2008, signed and numbered 21/85 in silver ink, each sheet printed to the edges, 550 x 455mm (21 3/4 x 18in)(SH)(or smaller) (unframed)(2) 108 Craigie Aitchison C.B.E., R.A. (British, 1926-2009) Yellow Bird on a Bell Screenprint in colours, 2003, on wove, signed, dated and £ 750 numbered 33/75 in pencil, verso, published by Advanced Graphics, London, the full sheet printed to the edges, 260 x 200mm (10 1/4 x 8in)(SH) 110 Dame Elisabeth Frink R.A. (British, 1930-1993) Reclining Horse (Not in Wiseman) Lithograph printed in brown, 1972-1976, on £ 750 Arches, signed and numbered 55/70 in pencil, published by Daniéle Crégut, Nimes, with full margins, 508 x 660mm(20 x 26in)(SH) (unframed)

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