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Contemporary Art Society Annual Report 1964-65

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Contemporary Patron Art Society Her Majesty Queen Elizabeth the Queen Mother Tate Gallery Executive Committee Millbank Whitney Straight CBE MC DFC Chairman SW1 Anthony Lousada Vice-Chairman Peter Meyer Honorary Treasurer G L Conran Honorary Secretary Sir Colin Anderson Raymond Mortimer CBE Eardley Knollys Eric Newton CBE Sir John Rothenstein CBE Mrs Oliver Parker Dr Alistair Hunter Derek Hill Bryan Robertson OBE The Hon Michael Astor The Lord Croft 2 3 Alan Bowness Prunella Roger James Melvin Clough Cook Mrs Elizabeth Heygate The Hon John Sainsbury Dr Kenneth Marsh 5 6 Pauline Vogelpoel MBE Organising Secretary Allen Eduardo Jones Paolozzi 8 9 Victor Keith Vasarely Vaughan July 1965 most difficult exhibition we have ever attempted particularly in terms of organisation. We were greatly honoured that Her Royal Highness Princess Margaret was present at this occasion and more than seven hundred of our members > period from 23rd June, the date of our last Annual General Meeting, until today as far as and their guests. is you will know, our financial year ended on the 31 st December 1964. I would like to thank and congratulate Burton, Ahrends and Koralek, the architects who showed such imagination and lal practice we appoint two buyers each year. For the year ended December 1964 our originality in their installation of this fine exhibition, also the many people who so kindly helped us, in particular enstein and Dr Kenneth Marsh. They spent the allotted sum of £4,500 and bought thirty- the Pieter Stuyvesant Foundation whose most generous grant of £2,000 made the whole thing possible. 23,350 orthe current year were Mr Eardley Knollys and Mr Eric Newton. Mr Newton who had people paid to visit the exhibition and we sold over 9,000 catalogues - as far as we know this is a record for any imittee since 1951 died in March. Mr Newton made a very great contribution to the world exhibition of sculpture in recent years. i most delightful member of our Committee. We shall all miss him very much. Mr Peter Our Architectural visits this year have proved interesting, worthwhile, and well supported. On March 27th we were Mon as our second buyer for this year. privileged to be able to visit the new Royal College of Physicians where Mr Denys Lasdun, the architect, and Dr id to our buyers, we have bought works from our exhibition "British Sculpture in the Bamford, the Treasurer of the College, met the members and answered their questions. The visit to the new Economist Anthony Caro, Anthony Hill, Bryan Kneale, Mary Martin and Gillian Wise. The total cost Building on May 4th was also most interesting and we are grateful indeed to Sir Geoffrey Crowther and all those :ed the Whitworth Gallery with a grant of £140 towards their purchase of a large Brian Wall. concerned with making both these visits possible. On May 1 st Mr Turner kindly allowed members to visit his most interesting collection in Hyde Park Gardens Mews. {,000 to the Tate Gallery towards the purchase of the magnificent Picasso, £270 towards / Barbara Hepworth for the National Gallery of New Zealand, £100 to the Wellingborough Gallery owners have been very kind to CAS members this year. We are grateful to Mr Eric Estorick, of the Grosvenor the new John Piper Window, £75 to the City M useum and Art Gallery, Plymouth, as a Gallery, Miss Erica Brausen, of the Hanover Gallery, and Mr Philip Granville, of the Lords Gallery, for most entertaining urchase of a Robert Medley. and interesting special evening viewings of important exhibitions. we have had a very busy time in many ways. From July 17th until August 8th we were During the year we accepted with great regret the resignation of Mrs Parker who has been a very useful member of our lent the Arts Council's Galleries for an exhibition of our recent purchases and some of the Committee. Also Mr Raymond Mortimer who had at one time been a most illustrious Chairman. A/iddup Bequest. We like to arrange these exhibitions every two or three years to enable At an Extraordinary General Meeting held immediately before this meeting certain resolutions were passed which will minate the works they would like to have for their own permanent collections. These ensure that members of your Committee will automatically retire in rotation in order of seniority. Any members ood opportunity for members and the interested public to see what we have bought. retiring in this way may be re-elected after one year. lution to Galleries which has totalled 135 since our last meeting, we loan pictures on a At this meeting, therefore, we must note with regret the retirement by rotation of Sir Colin Anderson, who as our ities, and many other institutions. The increase in demand during the last year has been Chairman for many years has been so closely associated with the work of the Society. I would like, with great respect, to thank Sir Colin on your behalf for his outstanding personal contribution. lening of the Recent Acquisitions Exhibition we had a preview party for members and their I have also to report with much regret the retirement by rotation of Sir John Rothenstein who has made an important ed the atmosphere of 4 St James's Square enormously. It was a most successful evening contribution to the work of the Society, and during his many years as Director of the Tate was a very sympathetic D the Arts Council. host. id their guests were invited to a special evening viewing of the Miro Exhibition at the Tate During the year Mr Loraine Conran who was our very efficient Hon Secretary felt it necessary to resign from this arranged by Miss Pauline Vogelpoel and was successful. position due to the heavy calls on his time as Director of the Manchester City Art Gallery. Mr John Sainsbury has th October to 1 st November we had our first and most enjoyable trip to Cornwall. Fifty of kindly accepted this responsibility. >s in and around St. Ives. The Penwith Society arranged a delightful evening party at its In accordance with Article 33 we co-opted Mr Norman Reid, the new Director of the Tate, to our Committee. Apart e to view works by its members. Barbara Hepworth allowed us to visit her studio where we from receiving the benefit of Mr Reid'swise advice, I feel sure that this will help us to maintain the very excellent led to tea and were given the opportunity of seeing her wonderful work both in the studio relationship which has existed with the Trustees of the Tate Gallery for so many years. and his wife also generously entertained members for drinks and picture viewing and the ouse at Zennor. Our grateful thanks are due to Miss Pauline Vogelpoel, MBE, for her splendid and efficient work during this year of great activity, and also to her hard working Assistant, Mrs Wren, who has spared no effort in our interests. Droved a great success and has led us to hope that we may be able to organise other lat are interesting and not too inaccessible. As you will learn from the Hon Treasurer's report our financial position is good. However, your Committee is not satisfied with the growth of membership, and I hope each member will do everything heorshecanto help us to we gave an evening party in honour of the Peggy Guggenheim Exhibition which was much expand and thereby extend our ability to make an even greater contribution to the development of Contemporary Art who were also thrilled to have the opportunity of meeting the great Peggy Guggenheim in in this country. d the preview of our exhibition "British Sculpture in the Sixties". This was probably the 's Report July 1965 List of purchases for the year 1964 Contemporary Art Society Exhibitions 'Recent Acquisitions of the Contemporary Art Society' Buyer it shows a deficit of £522, but I am glad to say that this is more than counter-balanced by Arts Council Gallery, August 1964 sdited direct to the Accumulated Fund in the Balance Sheet. This arises from the sale of Sir John Rothenstein lup's house, which I referred to in my report last year. Anthea Alley Sculpture 1963 (brass) Loans made by the Society to exhibitions ie, the various items do not show a great difference from last year, except of course that we Edward Burra Storm in the Jungle, 1931 (water-colour) al profit which we made on our Exhibition. Our Subscriptions, I regret to say, dropped for Peter Blake The Lettermen (oil) Camargo Sculpture (white painted wood) years. This is due to a levelling out process following the introduction of the higher rate, in Allen Jones The Third big bus (oil) Diana Cumming Portrait of Laetitia Yhap Howard Hodgkin Staff meeting (oil) lually getting new members, some old ones are failing to renew their covenants when Anthony Green Lovemaking in Lissenden Gardens Howard Hodgkin Husband and wife (oil) s year the balance will fall the other way. Richard Hamilton Interior Study (a) 1964 (collage and oil) Arts Council of Northern Ireland 'The New Howard Hodgkin Husband and wife, 1963 i to which I should draw your attention is the proceeds of our parties. For the first time I Image' Exhibition Allen Jones Man-woman 1963 ing the sales of tickets and expenses, from which you will see that the overall profit was David Hockney Marriage of styles, No 2 (oil) David Kossoff Riverside Building Site, No 2,1951 Peter Blake The Lettermen (oil) ;t. This is much too fine a margin and in any event is largely due to the Far East trip.
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