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Crossroads in Cultural Studies Conference
Association for Cultural Studies Crossroads in Cultural Studies Conference 14-17th December, 2016 WITH STUDENT PRE-CONFERENCE EVENT 13TH DECEMBER Program Index CREDITS SCHEDULE 01 04 INTERNET VENUES AND ACCESS AND MAPS OTHER FACILITIES 14 15 FULL PROGRAM INVITED OF EVENTS SPEAKERS AND ABSTRACTS 18 24 PARALLEL INDEX OF SESSION PANELS REGISTERED AND ABSTRACTS DELEGATES 48 399 Crossroads 2016 (#XR2016) For the first time in its history, Crossroads in Cultural Studies has come to the southern hemisphere. The 11th Association for Cultural Studies “Crossroads in Cultural Studies” conference is being hosted by the University of Sydney and Western Sydney University. Crossroads 2016 will bring scholars together in the beautiful summertime setting of Sydney University to engage with the past, present and future of cultural studies scholarship. The Crossroads conference has played an important role in the creation of a global discussion of Cultural Studies. It has become a major international conference where scholars from all five continents gather regularly to exchange research, views, and insights. Organized by the Association for Cultural Studies (ACS), the Crossroads conference is held every other year in different parts of the world. Previous conferences have taken place in Birmingham (United Kingdom), Urbana-Champaign (USA), Istanbul (Turkey), Kingston (Jamaica), Hong Kong (China), Paris (France), and Tampere (Finland). This conference program is also available as an iPhone and Android app. Go to either app store and search for “Crossroads2016”. On this app the full program is available with links to social media resources for the conference and to venue maps. Credits The steering committee is Catherine Driscoll (Sydney), Tony Bennett (WSU), Elspeth Probyn, (Sydney), Brett Neilson (WSU), Tess Lea (Sydney), Shanthi Robertson (WSU), and Guy Redden (Sydney), with key additional roles played by Kane Race (Sydney), Greg Noble (WSU), and Prudence Black (Sydney). -
Your Candidates Metropolitan
YOUR CANDIDATES METROPOLITAN First Peoples’ Assembly of Victoria Election 2019 “TREATY TO ME IS A RECOGNITION THAT WE ARE THE FIRST INHABITANTS OF THIS COUNTRY AND THAT OUR VOICE BE HEARD AND RESPECTED” Uncle Archie Roach VOTING IS OPEN FROM 16 SEPTEMBER – 20 OCTOBER 2019 Treaties are our self-determining right. They can give us justice for the past and hope for the future. The First Peoples’ Assembly of Victoria will be our voice as we work towards Treaties. The First Peoples’ Assembly of Victoria will be set up this year, with its first meeting set to be held in December. The Assembly will be a powerful, independent and culturally strong organisation made up of 32 Victorian Traditional Owners. If you’re a Victorian Traditional Owner or an Aboriginal or Torres Strait Islander person living in Victoria, you’re eligible to vote for your Assembly representatives through a historic election process. Your voice matters, your vote is crucial. HAVE YOU ENROLLED TO VOTE? To be able to vote, you’ll need to make sure you’re enrolled. This will only take you a few minutes. You can do this at the same time as voting, or before you vote. The Assembly election is completely Aboriginal owned and independent from any Government election (this includes the Victorian Electoral Commission and the Australian Electoral Commission). This means, even if you vote every year in other elections, you’ll still need to sign up to vote for your Assembly representatives. Don’t worry, your details will never be shared with Government, or any electoral commissions and you won’t get fined if you decide not to vote. -
Cultural Heritage Series
VOLUME 4 PART 2 MEMOIRS OF THE QUEENSLAND MUSEUM CULTURAL HERITAGE SERIES 17 OCTOBER 2008 © The State of Queensland (Queensland Museum) 2008 PO Box 3300, South Brisbane 4101, Australia Phone 06 7 3840 7555 Fax 06 7 3846 1226 Email [email protected] Website www.qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the Editor in Chief. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed at the Queensland Museum web site A Queensland Government Project Typeset at the Queensland Museum CHAPTER 4 HISTORICAL MUA ANNA SHNUKAL Shnukal, A. 2008 10 17: Historical Mua. Memoirs of the Queensland Museum, Cultural Heritage Series 4(2): 61-205. Brisbane. ISSN 1440-4788. As a consequence of their different origins, populations, legal status, administrations and rates of growth, the post-contact western and eastern Muan communities followed different historical trajectories. This chapter traces the history of Mua, linking events with the family connections which always existed but were down-played until the second half of the 20th century. There are four sections, each relating to a different period of Mua’s history. Each is historically contextualised and contains discussions on economy, administration, infrastructure, health, religion, education and population. Totalai, Dabu, Poid, Kubin, St Paul’s community, Port Lihou, church missions, Pacific Islanders, education, health, Torres Strait history, Mua (Banks Island). -
DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
DNA Nation Press
PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world. -
Tudawali Tail Credits
Closing titles: Majingwanipini, also known as Bobby Wilson and Robert Tudawali, died in Darwin Hospital on July 26th 1967. (A further line then popped on beneath this title) His grave, like that of many Aboriginals buried in Darwin Cemetery, is marked only by a number - 103 (Ernie Dingo scores a kind of eponymous credit by being the figure in the canoe beneath the tail cast credits) Ernie Dingo Robert Tudawali Jedda Cole Peggy Wilson Peter Fisher Harry Wilkins Frank Wilson Charles Chauvel Charles Tingwell Dr. Rayment Suzanne Peveril Elsa Chauvel Bill McClusky Jack Everett Michelle Torres Kate Wilson DARWIN: Shane Wynne Jimmy Deakin Chris Sampi Willy Frank Nannup Denny Davies Michael Carman Conroy John Low Detective Colin McEwen Harper Syd Davis Magistrate David Hough Tough Cop Syd Plummer Spruiker Matt Hayden Reporter Raphael Hunter Young Tudawali Christelle Sampi Christine SYDNEY: Doug Foley TV Producer Murray Dowsett Editor Julie Hudspeth Sarah Wilkins Rod Hall Jedda 1st A.D. Charmaine Cole Rose Kunoth Tom Martin Heavy in Pub Tolis Papazoglu Greek in Pub Graham Bell Reporter 1 Ross Bryant Reporter 2 Michael O'Rourke Reporter 3 Damien O'Doherty Reporter 4 Fight Arranger: Jim Richards Boxers: Phil Meacham Joe Schweiger Jim Richards Production Manager Julie Forster 1st Ass. Director Corrie Soeterboek Continuity Jenny Quigley Location Manager Rose Wise 2nd Ass. Director Ross Reading 3rd. Ass. Director Peter Armstrong Production Co-Ordinator Toni Lush Unit Runner Adam Sallur Production Accountant Eric Sankey Assistant Accountant Shobha Focus Puller Felicity Surtees Clapper Loader Mark Zagar Gaffer Phil Golombick Best Boy Guy Bessell-Browne Assistant Andrew Mission Sound Recordist Bob Hayes Boom Wayne Barker Costume Designer Noel Howell Standby Wardrobe Denise Napier Makeup/Hair Marilyn Smits Seamstress Sue Kerr Art Director Julieanne Mills Construction Matthew Nelson Administrator Trish Robinson Set Dressers Aldis Bernsteins Tish Phillips Draughting David Dorrington Sue Vivien Graphic Artist Lorna Webb Art Dept. -
MS 5014 C.D. Rowley, Study of Aborigines in Australian Society, Social Science Research Council of Australia: Research Material and Indexes, 1964-1968
AIATSIS Collections Catalogue Manuscript Finding Aid Index Australian Institute of Aboriginal and Torres Strait Islander Studies Library MS 5014 C.D. Rowley, Study of Aborigines in Australian Society, Social Science Research Council of Australia: research material and indexes, 1964-1968 CONTENTS COLLECTION SUMMARY………………………………………….......page 5 CULTURAL SENSITIVITY STATEMENT……………………………..page 5 ACCESS TO COLLECTION………………………………………….…page 6 COLLECTION OVERVIEW……………………………………………..page 7 BIOGRAPHICAL NOTE………………………………...………………page 10 SERIES DESCRIPTION………………………………………………...page 12 Series 1 Research material files Folder 1/1 Abstracts Folder 1/2 Agriculture, c.1963-1964 Folder 1/3 Arts, 1936-1965 Folder 1/4 Attitudes, c.1919-1967 Folder 1/5 Bibliographies, c.1960s MS 5014 C.D. Rowley, Study of Aborigines in Australian Society, Social Science Research Council of Australia: research material and indexes, 1964-1968 Folder 1/6 Case Histories, c.1934-1966 Folder 1/7 Cooperatives, c.1954-1965. Folder 1/8 Councils, 1961-1966 Folder 1/9 Courts, Folio A-U, 1-20, 1907-1966 Folder 1/10-11 Civic Rights, Files 1 & 2, 1934-1967 Folder 1/12 Crime, 1964-1967 Folder 1/13 Customs – Native, 1931-1965 Folder 1/14 Demography – Census 1961 – Australia – full-blood Aboriginals Folder 1/15 Demography, 1931-1966 Folder 1/16 Discrimination, 1921-1967 Folder 1/17 Discrimination – Freedom Ride: press cuttings, Feb-Jun 1965 Folder 1/18-19 Economy, Pts.1 & 2, 1934-1967 Folder 1/20-21 Education, Files 1 & 2, 1936-1967 Folder 1/22 Employment, 1924-1967 Folder 1/23 Family, 1965-1966 -
First Nation Filmmakers from Around the World 10
MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words). -
Performing Arts Wellbeing Summit
MONDAY 13 NOVEMBER 2017 | 9am to 5.30pm PERFORMING ARTS WELLBEING SUMMIT THE STUDIO, SYDNEY OPERA HOUSE SUPPORTED BY CREATE NSW PROGRAM HOW CAN THE SHOW GO ON? PERFORMING ARTS WELLBEING SUMMIT This summit has been developed and implemented by the NSW Performing Arts & Screen Wellbeing Working Group made up of dedicated industry volunteers. This summit is produced by Theatre Network NSW and is made possible through the support of Sydney Opera House and Create NSW. The Welcome Desk at the main doors to The Studio acts as your Venues: For assistance in finding breakout venues or other facilities summit hub throughout the day. There you can get information please check the maps in the foyer or ask at our Welcome Desk. about the day, pick up resources and connect with other delegates. If you need to be escorted to a break-out location or to meet with a Social Media: If you are tweeting today please use the hashtag particular person our Working Group volunteers there can help. #wecandobetter which you’ll see on the screens and in your No question is too big or too small! programs. Please feel free to drive constructive feedback, ideas, conversations and connections into the summit conversations and Peer Workers: Peer Workers from Flourish Australia who are here actions through this hashtag or email Jane Kreis, Summit Producer, today for you to connect with and show you their work ‘in action’. Theatre Network NSW, [email protected] Mental Health Support: Psychologist, Peter Delany and Catering: Your summit ticket includes morning tea, a picnic lunch Psychotherapist, Lisa Schouw will be coming in to run a Health (which you can have inside or outside) and afternoon tea. -
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture Benjamin Miller A thesis submitted to the School of English, Media and Performing Arts at the University of New South Wales in fulfilment of the requirements for the award of Doctor of Philosophy 2009 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname: MILLER First name: BENJAMIN Other name/s: IAN Degree: PhD School: ENGLISH, MEDIA AND PERFORMING ARTS Faculty: ARTS AND SOCIAL SCIENCES Title: MR ABSTRACT This dissertation argues that a fantasy of white authority was articulated and disseminated through the representations of blackness and Aboriginality in nineteenth-century American and Australian theatre, and that this fantasy influenced the representation of Aboriginality in twentieth- century Australian culture. The fantasy of whiteness refers to the habitually enacted and environmentally entrenched assumption that white people can and should superintend the cultural representation of Otherness. This argument is presented in three parts. Part One examines the complex ways in which white anxieties and concerns were expressed through discourses of blackness in nineteenth-century American blackface entertainment. Part Two examines the various transnational discursive connections enabled by American and Australian blackface entertainments in Australia during the nineteenth century. Part Three examines the legacy of nineteenth-century blackface entertainment in twentieth-century Australian culture. Overall, this dissertation investigates some of the fragmentary histories and stories about Otherness that coalesce within Australian culture. This examination suggests that representations of Aboriginality in Australian culture are influenced and manipulated by whiteness in ways that seek to entrench and protect white cultural authority. Even today, a phantasmal whiteness is often present within cultural representations of Aboriginality. -
Vector 285 Mcfarlane 2017-Sp
Vector The Critical Journal of the British Science Fiction Association Best of 2016 Issue No. 285 Spring 2017 £4.00 Vector The Critical Journal of the British Science Fiction Association Features, Editorial Anna McFarlane ARTICLES and Letters: [email protected] Twitter: @mariettarosetta Torque Control Editorial by Anna McFarlane....................... 3 Book Reviews: Susan Oke 18 Cromer Road, Death Mettle: Jason Arnopp interviewed Barnet EN5 5HT [email protected] by Scott K Andrews Production: Alex Bardy by Andrew Wallace ..................................... 4 [email protected] Best of Science Fiction Television 2016 British Science Fiction Association Ltd by Molly Cobb ............................................ 6 The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Best Films of 2016 Registered in England. Limited by guarantee. by various .............................................. 11 BSFA Website www.bsfa.co.uk Company No. 921500 2016 in SF Audio Registered address: 61 Ivycroft Road, Warton, by Tony Jones ............................................ 19 Tamworth, Staffordshire B79 0JJ Best Videogames of 2016 President Stephen Baxter by Conor McKeown .................................. 24 Chair Donna Scott [email protected] RECURRENT Treasurer Martin Potts 61 Ivy Croft Road, Warton, Kincaid in Short: Paul Kincaid ............... 28 Nr. Tamworth B79 0JJ [email protected] Foundation Favourites: Andy Sawyer .... 31 Resonances: Stephen Baxter .................. 34 Membership Services Dave Lally (incl. changes of address) [email protected] Your BSFA Membership No. is shown on the address label of the envelope this magazine came in, please note THE BSFA REVIEW it down NOW and use it in all BSFA communications re. Membership and Renewals. If using Paypal to renew, The BSFA Review please use the Comments/Notes box to quote your Edited by Susan Oke .................................