Crossroads in Cultural Studies Conference
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Coca-Cola Sustainability Report 2017
Coca-Cola Sustainability Report 2017 Digest Edition (English) coca cola sustinable report：マテリアリティ32P size: w210×h297mm Our Mission, Vision & Values Our Mission Prologue 1 To refresh the world 2 To inspire moments of optimism and happiness 3 To create value and make a difference Growing Sustainably Together with Local Communities Nine core areas in three domains. The Coca-Cola system views sustainability as Our Vision a prerequisite for business growth and the scope of our sustainability initiatives People Partners is broad, our activities diverse. However, there is a common element in all of them—the community. Precisely because we are the Coca-Cola system, Be a great place to work where people are Nurture a winning network of consumers, inspired to be the best they can be business partners, and suppliers, manufacturing and selling products throughout Japan, from Hokkaido to Okinawa, together we create mutual, enduring value we seek to tackle issues alongside people in communities so that we may grow together with them in a sustainable manner. Portfolio Planet This printed report zeroes in on the lives of people tying in with three particularly Bring to the world a portfolio of quality beverage brands Be a responsible citizen that makes a difference important themes of our diverse sustainability activities. Through them we that anticipate and satisfy people's desires and needs by helping build and support sustainable communities uncover the motivation behind individual activities and hopes for the future. Please enjoy the three stories herein as they contain the essence of the Coca-Cola system’s sustainability approach. Live Our Values Our values serve as a compass for our actions and describe how we behave in the world. -
First Nation Filmmakers from Around the World 10
MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words). -
Performing Arts Wellbeing Summit
MONDAY 13 NOVEMBER 2017 | 9am to 5.30pm PERFORMING ARTS WELLBEING SUMMIT THE STUDIO, SYDNEY OPERA HOUSE SUPPORTED BY CREATE NSW PROGRAM HOW CAN THE SHOW GO ON? PERFORMING ARTS WELLBEING SUMMIT This summit has been developed and implemented by the NSW Performing Arts & Screen Wellbeing Working Group made up of dedicated industry volunteers. This summit is produced by Theatre Network NSW and is made possible through the support of Sydney Opera House and Create NSW. The Welcome Desk at the main doors to The Studio acts as your Venues: For assistance in finding breakout venues or other facilities summit hub throughout the day. There you can get information please check the maps in the foyer or ask at our Welcome Desk. about the day, pick up resources and connect with other delegates. If you need to be escorted to a break-out location or to meet with a Social Media: If you are tweeting today please use the hashtag particular person our Working Group volunteers there can help. #wecandobetter which you’ll see on the screens and in your No question is too big or too small! programs. Please feel free to drive constructive feedback, ideas, conversations and connections into the summit conversations and Peer Workers: Peer Workers from Flourish Australia who are here actions through this hashtag or email Jane Kreis, Summit Producer, today for you to connect with and show you their work ‘in action’. Theatre Network NSW, [email protected] Mental Health Support: Psychologist, Peter Delany and Catering: Your summit ticket includes morning tea, a picnic lunch Psychotherapist, Lisa Schouw will be coming in to run a Health (which you can have inside or outside) and afternoon tea. -
Vector 285 Mcfarlane 2017-Sp
Vector The Critical Journal of the British Science Fiction Association Best of 2016 Issue No. 285 Spring 2017 £4.00 Vector The Critical Journal of the British Science Fiction Association Features, Editorial Anna McFarlane ARTICLES and Letters: [email protected] Twitter: @mariettarosetta Torque Control Editorial by Anna McFarlane....................... 3 Book Reviews: Susan Oke 18 Cromer Road, Death Mettle: Jason Arnopp interviewed Barnet EN5 5HT [email protected] by Scott K Andrews Production: Alex Bardy by Andrew Wallace ..................................... 4 [email protected] Best of Science Fiction Television 2016 British Science Fiction Association Ltd by Molly Cobb ............................................ 6 The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Best Films of 2016 Registered in England. Limited by guarantee. by various .............................................. 11 BSFA Website www.bsfa.co.uk Company No. 921500 2016 in SF Audio Registered address: 61 Ivycroft Road, Warton, by Tony Jones ............................................ 19 Tamworth, Staffordshire B79 0JJ Best Videogames of 2016 President Stephen Baxter by Conor McKeown .................................. 24 Chair Donna Scott [email protected] RECURRENT Treasurer Martin Potts 61 Ivy Croft Road, Warton, Kincaid in Short: Paul Kincaid ............... 28 Nr. Tamworth B79 0JJ [email protected] Foundation Favourites: Andy Sawyer .... 31 Resonances: Stephen Baxter .................. 34 Membership Services Dave Lally (incl. changes of address) [email protected] Your BSFA Membership No. is shown on the address label of the envelope this magazine came in, please note THE BSFA REVIEW it down NOW and use it in all BSFA communications re. Membership and Renewals. If using Paypal to renew, The BSFA Review please use the Comments/Notes box to quote your Edited by Susan Oke ................................. -
Music, TV & Film, Books & Reports by Trent Wallace, Former Australian
Cultural Resources: Music, TV & Film, Books & Reports By Trent Wallace, former Australian Pro Bono Centre AGS Secondee Policy & Project Officer A practical approach to supporting Indigenous people is by consuming music, television and film, books and reports. Whilst the list is not exhaustive, it provides a solid foundation! Music – There is a diverse and vast array of Aboriginal and Torres Strait Islander musicians. Thelma Plum, Mojo Juju, Jessica Mauboy, Baker Boy, Yothu Yindi, Christine Anu, Deborah Cheetham, Troy Cassar-Daley, Casey Donovan, Isaiah Firebrace, Archie Roach, Xavier Rudd, Dan Sultan, Dr G Yunupingu, Shakaya, A.B Original and Tiddas. Television and Film – TV shows such as Total Control, Redfern Now, Black Comedy, Cleverman, Wentworth -– in particular, anything featuring Leah Purcell. Also, the channel NITV. Anything by Stephen Oliver (look up his poetry and presentations). Movies such as The Sapphires, Rabbit-Proof Fence, Mabo, Radiance, Samson and Delilah, and Top End Wedding. Books – Dark Emu by Bruce Pascoe, First Australians by Rachel Perkins and Marcia Langton, Jandamarra and the Bunuba Resistance by Banjo Woorunmurra and Howard Pedersen, The Quiet Revolution by Marcia Langton, Hidden In Plain View by Paul Irish, It’s Our Country edited by Megan Davis and Marcia Langton, Butterfly Song by Terri Janke and anything by the incredible Anita Heiss. Reports – We also recommend reading the Report of the Royal Commission into Aboriginal Deaths in Custody,1 Closing the Gap reports,2 and Indigenous Expenditure reports.3 The Australian Institute of Health and Welfare has also produced the following helpful reports: Aboriginal and Torres Strait Islander people: a focus report on housing and homelessness,4 and Aboriginal and Torres Strait Islander Health Performance Framework (HPF) report 2017.5 1 See www.humanrights.gov.au/our-work/aboriginal-and-torres-strait-islander-social- justice/publications/indigenous-deaths. -
Exhibit Sales
Exhibit Sales are OPEN! Exhibit at InterBev for access to: • Beverage producers and distributors • Owners and CEOs • Sales/marketing professionals • Packaging and process engineers • Production, distribution and warehousing managers • R&D personnel Specialty Pavilions: • New Beverage Pavilion • Green Pavilion • Organic/Natural Pavilion NEW FOR 2012! “Where the beverage industry does business.” October 16-18, 2012 Owned & Operated by: Sands Expo & Convention Center Las Vegas, Nevada, USA Supported by: www.InterBev.com To learn more, email [email protected] or call 770.618.5884 Soft Drinks Internationa l – July 2012 ConTEnTS 1 news Europe 4 Africa 6 Middle East 8 India 10 The leading English language magazine published in Europe, devoted exclusively to the manufacture, distribution and marketing of soft drinks, fruit juices and bottled water. Asia Pacific 12 Americas 14 Ingredients 16 features Acerola, Baobab And Juices & Juice Drinks 18 Ginseng 28 Waters & Water Plus Drinks 20 Extracts from these plants offer beverage manufacturers the opportunity to enrich Carbonates 22 products in many ways, claims Oliver Sports & Energy 24 Hehn. Adult/Teas 26 Re-design 30 Packaging designed to ‘leave an impres - Packaging sion’ has contributed to impressive 38 growth, according to bottlegreen. Environment 40 People Closure Encounters 30 42 Rather than placing a generic screw top Events 43 onto a container at the very end of the design process, manufacturers need to begin with the closure, writes Peter McGeough. Adding Value To Bottled Water 34 From Silent Salesman 32 In the future, most volume growth in bot - Steve Osborne explores the marketing tled water will come from developing opportunities presented by multi-media markets, so past dynamics are likely to regulars technologies and how these might be continue. -
Media Release
MEDIA RELEASE Celebrating strength, pride and achievement of First Nations artists at National Indigenous Arts Awards The Australia Council for the Arts will celebrate the contribution of First Nations artists at the 12th National Indigenous Arts Awards, to be presented tonight at the Sydney Opera House. Respected elders actor Uncle Jack Charles and Pakana shell artist Aunty Lola Greeno will be honoured with the prestigious Red Ochre Awards for Lifetime Achievement. They will be joined by visual artist Jenna Lee, who receives The Dreaming Award for a young and emerging artist and theatre maker Jacob Boehme who is the recipient of the Aboriginal and Torres Strait Islander Arts Fellowship. The National Indigenous Arts Awards (NIAA) recognise the centrality of First Nations artists to Australian culture. They celebrate the significant contribution of First Nations artists to the vibrancy of Australian arts. The event is held on 27 May each year to coincide with the anniversary of the 1967 referendum. Australia Council Deputy Chair Lee-Ann Tjunypa Buckskin said, “On this auspicious date, it is significant that we are supporting and celebrating our First Nations artists at important stages in their careers. There is a profound sense of cultural strength as we acknowledge these artists from across the generations, from emerging to mid-career, to some our most celebrated and acclaimed elders.” First Nations artists have also received extensive acknowledgement in the Australia Council Awards and the Australia Council Fellowships this year. At the NIAA event, these artists will also be acknowledged. Fellowship recipients Vernon Ah Kee (visual art) and Ali Cobby Eckerman (literature) will be joined onstage by three more outstanding First Nations artists, who received Australia Council Awards earlier this year - Rachael Maza, Rhoda Roberts and Vicki Van Hout. -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
Unesco Creative Cities Membership Monitoring Report 2015-17 MEMBERSHIP MONITORING REPORT
unesco creative cities membership monitoring report 2015-17 MEMBERSHIP MONITORING REPORT GENERAL INFORMATION. CONTRIBUTION TO THE NETWORK’S GLOBAL MANAGEMENT. MAJOR INITIATIVES IMPLEMENTED AT LOCAL LEVEL. MAJOR INITIATIVES IMPLEMENTED THROUGH INTER-CITY COOPERATION. PROPOSED ACTION PLAN. ANGELINA JOLIE AT THE SYDNEY PREMIER OF UNBROKEN CONTENTS. 2015-17 MEMBERSHIP MONITORING REPORT With support from the NSW Government, the City of Sydney, and key screen industry stakeholders, Sydney was awarded the UNESCO City of Film designation in December 2010. The existing screen infrastructure in Sydney and the diversity and value of film culture of Sydney was a major reason for the success of Sydney’s bid. It placed Sydney as the second City of Film in the UCCN. As the specialist agency in screen matters, management of the status of the City of Film was given to the former agency Screen NSW, with the agreement of the City of Sydney and the support of the NSW Government and former Minister for the Arts. The UNESCO Creative City designation is consistent with the aims of the NSW Creative Industries Action Plan, which seeks to ensure that NSW, through Sydney, is recognised as a global creative centre and leader in creative industries. Sydney and its surrounds continue to be the location for high levels of both international and local production and post-production, as well as many Australian TV dramas. NSW is the dominant state for screen production in Australia with more than 60% of Australian production and post-production businesses located in here. With a suite of funding opportunities for the professional production sector, from early development to production finance and a range of industry development programs, the organization supports the continued growth and development of a creative sector that returns significant economic benefits, large numbers of jobs and high cultural and social returns to the community. -
Reconciliation News October 2017
News ReconciliationStories about Australia’s journey to equality and unity Recognition What next for constitutional reform? Karen Mundine Meet the woman spearheading reconciliation Indigenous style Top End fashions hot off the catwalk – and more ROB COLLINS THE WRONG GIRL STAR OPENS UP ABOUT HIS TIWI ROOTS AND ACTING FAME 38 October 2017 Reconciliation News is a national magazine produced by Reconciliation Australia twice a year. Its aim is to inform and inspire readers with stories relevant to the process of reconciliation between Aboriginal and Torres Strait Islander peoples and non-Indigenous Australians. CONTACT US JOIN THE CONVERSATION www.reconciliation.org.au/get-involved/ www.facebook.com/ReconciliationAus [email protected] twitter.com/RecAustralia 02 6273 9200 @reconciliation_australia Reconciliation Australia acknowledges the Traditional Reconciliation Australia is an independent, not-for- Owners of Country throughout Australia and profit organisation promoting reconciliation by building recognises their continuing connection to lands, relationships, respect and trust between the wider waters and communities. We pay our respects to Australian community and Aboriginal and Torres Strait Aboriginal and Torres Strait Islander cultures; and to Islander peoples. Visit reconciliation.org.au Elders both past and present. to find out more. Cover image: Logie Award-winning Indigenous actor Rob Collins from hit television drama The Wrong Girl. Issue no. 38 / October 2017 3 CONTENTS FEATURES 8 Changing the constitution 11 Continuing the fight for meaningful recognition 11 Leading man Rob Collins on acting, diverse roles and the Tiwi Islands 14 Australia Day Why we need a unifying national day 17 Making the grade Schools vie for national reconciliation awards 20 Bright sparkie Young Indigenous mum paves way for women in mining 26 Must-reads Ten important books on Indigenous cultures, histories and politics REGULARS 4 Reconciliation recap 4 24 6 CEO column 7 Calendar 22 In conversation 24 Style 17 4 Issue no. -
The Arts- Media Arts
Resource Guide The Arts- Media Arts The information and resources contained in this guide provide a platform for teachers and educators to consider how to effectively embed important ideas around reconciliation, and Aboriginal and Torres Strait Islander histories, cultures and contributions, within the specific subject/learning area of The Arts- Media Arts. Please note that this guide is neither prescriptive nor exhaustive, and that users are encouraged to consult with their local Aboriginal and Torres Strait Islander community, and critically evaluate resources, in engaging with the material contained in the guide. Page 2: Background and Introduction to Aboriginal and Torres Strait Islander Media Arts Page 4: Timeline of Key Dates in the Contemporary History of Aboriginal and Torres Strait Islander Media Arts Page 8: Aboriginal and Torres Strait Islander Media Arts and Artists— Television Page 10: Aboriginal and Torres Strait Islander Media Arts and Artists— Film Page 14: Aboriginal and Torres Strait Islander Media Arts and Artists— Newspaper, Magazine and Comic Book Page 15: Aboriginal and Torres Strait Islander Media Arts and Artists— Radio Page 17: Aboriginal and Torres Strait Islander Media Arts and Artists— Apps, Interactive Animations and Video Games Page 19: Aboriginal and Torres Strait Islander Media Arts and Artists—The Internet Page 21: Celebratory Aboriginal and Torres Strait Islander Media Arts Events Page 22: Other Online Guides/Reference Materials Page 23: Reflective Questions for Media Arts Staff and Students Please be aware this guide may contain references to names and works of Aboriginal and Torres Strait Islander people that are now deceased. External links may also include names and images of those who are now deceased. -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera.