Catafid2010.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Philosophical Foundations of Health Education
PHILOSOPHICAL FOUNDATIONS OF HEALTH EDUCATION BL ACK FURNEY Philosophical Foundations of Health Education covers the philosophical and ethical foundations of the practice of health education in school, community, work site, and GRAF hospital settings, as well as in health promotion consultant activities. The book presents NOLTE personal philosophies of health educators, essential philosophical perspectives, and a range of philosophical issues that are relevant to health education practice. Philosophical PHILOSOPHICAL Foundations of Health Education is organized around the fi ve major philosophical traditions: cognitive-based, decision-making, behavior change, freeing/functioning, and social change. Co-published with the American Association for Health Education, this important work is an essential resource for student and professional. Each section contains a challenge to the reader that suggests critical thinking questions to reinforce the key points of the chapter, EDUCATION HEALTH FOUNDATIONS invite comparison with other perspectives, refl ect on the implications of the perspective, note themes that run through the chapters, and consider practical applications of the OF FOUNDATIONS PHILOSOPHICAL various philosophical approaches. The Editors OF Jill M. Black, PhD, CHES, is an associate professor in the Department of Health, Physical Education, Recreation, and Dance at Cleveland State University and coordinator of the Community Health Education Program. She is a fellow of the American Association for Health Education. Steven R. Furney, EdD, MPH, is a professor of Health Education and director of the Division of Health Education at Texas State University. He is a fellow of the American Association for HEALTH Health Education. Helen M. Graf, PhD, is an associate professor and undergraduate program director in the Department of Health and Kinesiology at Georgia Southern University. -
The Book Collection at the Veggie Center FAR from COMPLETE, THIS LIBRARY of VEGETARIAN SOURCES SHOWS the BREADTH of OUR CULTURE
2 WHAT YOU’LL FIND AT THE VEGETARIAN CENTER OF NYC: A RESOURCE GUIDE The Vegetarian Center is the If you’re a vegetarian, we’ve brightest jewel in VivaVegie’s got the answers! education and outreach crown. The Vegetarian Center of NYC is a unique clearinghouse for information. On a daily basis, it receives numerous The VivaVegie Society has a solid history of service to phone calls and walk-in visits from inquisitive people in- the vegetarian community. Since 1991 it has distributed terested in the vegetarian lifestyle. People are always tens of thousands of copies of its hallmark publication, grateful for what the center has to offer them, usually “101 Reasons Why I’m a Vegetarian” by Pamela free of charge. Rice. It has continuously published its journal, The Viva- Vine, for over 10 years. It has been tireless in its dedication This place is here for you. to creative and effective vegetarian street outreach. Hun- Today we vegetarians have a place to call home—a fa- dreds of people, and perhaps thousands, have adopted cility that is there strictly on our behalf. In the long run, the vegetarian lifestyle because of the efforts of the group. the center will grow into whatever the vegetarian com- VivaVegie’s proudest accomplishment, however, has munity of New York City decides it should be. VivaVegie been the opening of its Vegetarian Center. Here is a has laid a foundation. The challenge for us as a com- place that focuses on projecting the vegetarian point of munity is to come together and build this center into a view as its primary mission. -
World View Pages (Page 1)
FALL 1998 | ISSUE #15 As a nonprofit, totally independent magazine, Stay Free! depends on your support. PLEASE SUBSCRIBE. 3 issues are $10 from P.O. Box 306 Prince Street Station, New York, NY 10012. (Canada & Mexico: $11; C. & S. America, Europe: $15; Elsewhere: $17) Another season, another issue, and an local stunts and pranks. If you’re in New acedote: A young man interning where I York, reliable, and interested in this sort of work recently introduced himself as a huge thing, feel free to get in touch. It would also fan of Stay Free! We chatted and he elabo- be great to have some help with the rated. He is majoring in marketing, has long magazine itself. been fascinated with advertising, and hopes Since the last issue, I’ve started writing some day to make really cool ads. about advertising for the Village Voice. Four Not exactly the hoped-for response. articles here were originally published there. Sure, readers take what they will. No point The back cover this issue breaks house getting uptight about that or trying to shove rules against hassling people about what something down throats (not that I haven’t they buy. Forgive us. Sport utility vehicles tried). But it does give one pause. (For the must be stopped! record, Stay Free!’s policy on what to major in is as follows: Find out which department Carrie McLaren at your school has the best teachers—ask Fall/Winter 1998 around—and then major in that.) I got a call the other day from Tommy Hilfiger’s publicist offering me a chance to go ride in Tommy’s plane or ship (it was a vehicle) if I wrote about it. -
View Full Issue As
VOLUME SEVEN, NO. 6—March 17, 1994—March 30, 1994—Issue 150 FREE Give the People Light and they will find their own way. IV The Wisconsin Light Statewide Organization Formed [Madison]- The entire Lesbian, Gay and Bisexual community of Wisconsin is uniting to create a statewide network. This "congress" of organizations is To Fight Bigots and Hate Mongers expected to be a powerful political force in the next few years. "We are becoming extremely organized," said Dale Johnson, President of the Board of The United and an AIDS activist. "Bigots and hate mongers will no longer be able to attack any member of our community without a swift response from the Gay and Lesbian community. An attack on one of us is an attack on all of us." There is a Gay rights agenda," said Karl Hoagland of the Human Rights League. "We want equal, not special, protection under the law. We want our basic civil rights. We want to live without fear of violence. We want to be able to marry and raise families. We want to pursue our personal dreams and goals. We want the same opportunities that others take for granted." The statewide network has been the brainchild of State Rep. Tammy Baldwin (D-Madison). "We need to be unified to confront the assaults on our community," she said. "When I introduce Domestic Partnership legislation and same-sex marriage legislation, the Lesbian, Gay and Bisexual and supportive communities will be organized to lobby their representatives, talk to the media, and inform the public." The statewide network is still in formation with nearly 100 Lesbian/Gay/Bisexual and ally WEARING THE GREEN— marchers Gay and Lesbian make their debut during the San Francisco St. -
Été Indien 10E Édition 100 Ans De Cinéma Indien
Été indien 10e édition 100 ans de cinéma indien Été indien 10e édition 100 ans de cinéma indien 9 Les films 49 Les réalisateurs 10 Harishchandrachi Factory de Paresh Mokashi 50 K. Asif 11 Raja Harishchandra de D.G. Phalke 51 Shyam Benegal 12 Saint Tukaram de V. Damle et S. Fathelal 56 Sanjay Leela Bhansali 14 Mother India de Mehboob Khan 57 Vishnupant Govind Damle 16 D.G. Phalke, le premier cinéaste indien de Satish Bahadur 58 Kalipada Das 17 Kaliya Mardan de D.G. Phalke 58 Satish Bahadur 18 Jamai Babu de Kalipada Das 59 Guru Dutt 19 Le vagabond (Awaara) de Raj Kapoor 60 Ritwik Ghatak 20 Mughal-e-Azam de K. Asif 61 Adoor Gopalakrishnan 21 Aar ar paar (D’un côté et de l’autre) de Guru Dutt 62 Ashutosh Gowariker 22 Chaudhvin ka chand de Mohammed Sadiq 63 Rajkumar Hirani 23 La Trilogie d’Apu de Satyajit Ray 64 Raj Kapoor 24 La complainte du sentier (Pather Panchali) de Satyajit Ray 65 Aamir Khan 25 L’invaincu (Aparajito) de Satyajit Ray 66 Mehboob Khan 26 Le monde d’Apu (Apur sansar) de Satyajit Ray 67 Paresh Mokashi 28 La rivière Titash de Ritwik Ghatak 68 D.G. Phalke 29 The making of the Mahatma de Shyam Benegal 69 Mani Ratnam 30 Mi-bémol de Ritwik Ghatak 70 Satyajit Ray 31 Un jour comme les autres (Ek din pratidin) de Mrinal Sen 71 Aparna Sen 32 Sholay de Ramesh Sippy 72 Mrinal Sen 33 Des étoiles sur la terre (Taare zameen par) d’Aamir Khan 73 Ramesh Sippy 34 Lagaan d’Ashutosh Gowariker 36 Sati d’Aparna Sen 75 Les éditions précédentes 38 Face-à-face (Mukhamukham) d’Adoor Gopalakrishnan 39 3 idiots de Rajkumar Hirani 40 Symphonie silencieuse (Mouna ragam) de Mani Ratnam 41 Devdas de Sanjay Leela Bhansali 42 Mammo de Shyam Benegal 43 Zubeidaa de Shyam Benegal 44 Well Done Abba! de Shyam Benegal 45 Le rôle (Bhumika) de Shyam Benegal 1 ] Je suis ravi d’apprendre que l’Auditorium du musée Guimet organise pour la dixième année consécutive le festival de films Été indien, consacré exclusivement au cinéma de l’Inde. -
William C. Thompson, Jr
WILLIAM C. THOMPSON, JR. NEW YORK CITY COMPTROLLER Lesbian Gay Bisexual Transgender DIRECTORY OF SERVICES AND RESOURCES NEW YORK METROPOLITAN AREA JUNE 2005 www.comptroller.nyc.gov June 2005 Dear Friend, I am proud to present the 2005 edition of our annual Lesbian, Gay, Bisexual and Transgender Directory of Services and Resources. I know it will continue to serve you well as an invaluable guide to all the New York metropolitan area has to offer the LGBT community, family and friends. Several hundred up-to-date listings, most with websites and e-mail addresses, are included in this year’s Directory. You’ll find a wide range of community organizations, health care facilities, counseling and support groups, recreational and cultural opportunities, houses of worship, and many other useful resources and contacts throughout the five boroughs and beyond. My thanks to the community leaders, activists and organizers who worked with my staff to produce this year’s Directory. Whether you consult it in book form or online at www.comptroller.nyc.gov, I am sure you’ll return many times to this popular and comprehensive resource. If you have questions or comments, please contact Alan Fleishman in my Office of Research and Special Projects at (212) 669-2697, or send us an email at [email protected]. I look forward to working together with you as we continue to make New York City an even better place to live, work and visit. Very truly yours, William C. Thompson, Jr. PHONE FAX E-MAIL WEB LINK * THE CENTER, 208 WEST 13TH STREET, NEW YORK, NY 10011 National gay/lesbian newsmagazine. -
Bulletin De L'association Des Anciens Élèves De L'institut National Des
Bulletin de l’association des anciens élèves de l’Institut national des langues et civilisations orientales proposition_bulletin.indd 1 13/12/06 2:29:48 issn 0752-8477 Les opinions exprimées dans les articles n’engagent que les auteurs proposition_bulletin.indd 2 13/12/06 2:29:48 Association des anciens élèves Le Bulletin Décembre 2006 Institut national des langues et civilisations orientales proposition_bulletin.indd 3 13/12/06 2:29:49 Editorial............................................................................... 5 Actualité.............................................................................. 7 H. Marchal : Nouveaux regards sur les arts lointains .......................................9 P. Lamant : A propos du Musée du quai Branly : un regard ........................... 15 J. Perrin : Compte-rendu de : B. Dupaigne : « Le scandale des arts premiers » ............................................ 17 Carnets.de.route................................................................ 21 M.-J. Tubiana : Carnets de route au Dar For 1965-1970 (Bonnes feuilles) ................................................................... 23 Littérature.......................................................................... 35 N. Guy : Ivan Kraus, biographie et panorama de son œuvre ......................... 37 I.Kraus : Grand-père au cinéma (texte tchèque et traduction) .................. 41 D. Halbout : Hâfez de Chiraz ...................................................................... 47 Histoire............................................................................. -
Conference Program
THE TELOS INSTITUTETHE 2010 TELOS CONFERENCE: FROM LIFEWORLD TO BIOPOLITICS: EMPIRE IN THE AGE OF OBAMA NEW YORK CITY JANUARY 16th -17th 2010, 8:30 AM- 5:00PM IN THE CONTEXT OF A DRAMATIC REORGANIZATION OF THE RELATIONSHIPS AMONG STATE, MARKET, AND SOCIETY, THE 2010 TELOS CONFERENCE WILL TURN ITS ATTENTION TO COMPETING ACCOUNTS, BOTH THEORETICAL AND EMPIRICAL, OF THE NEW MODALITIES OF ADMINISTRATION, DOMINATION, AND POWER. FACING THE AUTHORITARIAN STATE AND A POLITICIZED MARKET AS WELL AS A TRANSFORMATION OF INTERNATIONAL POWER RELATIONS, HOW DOES ONE “defend socIety”? SPEAKERS RUSSELL BERMAN PAUL GOTTFRIED MICHAEL MARDER Aryeh BOTWINICK TIM LUKE ADRIAN PABST JAY GUPTA MICHAEL LEDEEN DAVID PAN TO REGISTER, PLEASE VISIT THE TELOS WEBSITE AT WWW.TELOSPRESS.COM LIMITED SEATING! DON’T MISS THIS SPECIAL EVENT! ONFERENCE Csummary FROM LIFEWORLD TO BIOPOLITICS: EMPIRE IN THE AGE OF OBAMA In the context of a dramatic no longer confronted with human rights reorganization of the relationships among state, expectations or a democratization agenda. The market, and society, the 2010 Telos conference resurgent control of society has taken on global will turn its attention to competing accounts, proportions: China, Russia, North Korea, Iran, both theoretical and empirical, of the new and Venezuela. How does international power modalities of administration, domination, operate in new forms of empire? Have “military- and power. Facing the authoritarian state and industrial complexes” been replaced by cultural a politicized market, how does one “defend hegemonies, defined by the spread of languages society”? and religions? Do developments such as political The conference will address the extension Islam or Chinese nationalism indicate that of politicized control into ever greater realms of “society” has been the hidden driver of state social life. -
Diss'ing the "Discovery
Diss'ing the "Discovery Political Prisoners and Prisoners of War in U.S. Prisons De-Celebrate the Columbus Quincentennary and affirm 500 Years Of Resistance with contributions from * Sundiata Acoli * Marilyn Buck * Mark Cook * Edwin Cortes * * Elizam Escobar * Larry Giddings * David Gilbert * Jaan Laaman * Mondo Langa * Ray Levasseaur * Alberto Rodriguez and updates on * Mumia Abu-Jamal * Norma Jean Croy * Leonard Peltier * BY WAY 8 From the first Native American warriors captured by Columbus' soldiers, political prisoners have been both part of and a result of resistance to imperialism and genocide. In the Spring of 1992, several of us who have done defense work in support of political prisoners and prisoners of war in the u.s. wrote and asked the prisoners to comment on the Columbus madness. This booklet represents the unedited complete text of all the responses we got. As such, this collection is not reflective of the breadth of national struggle within these borders, nor of the proportion of revolutionary women spending their lives behind bars. To the prisoners who responded: Thanks! To those who didn't, we hope that our letters reached you through the prison censors. What a year this has been. Smirking at the end of the war en Iraq, the imperialists started celebrating 500 years of genocide, rape, racism and conquest All over the world, their celebrations have been met with resistance. Wherever the replicas of the Nina, Pinta and Santa Maria have landed, Native American activists and others have demonstrated and disrupted. Right now, the corporation which contracted to bring the boats over is nearly bankrupt, and some of their engagements have been canceled. -
Films and Videos on Tibet
FILMS AND VIDEOS ON TIBET Last updated: 15 July 2012 This list is maintained by A. Tom Grunfeld ( [email protected] ). It was begun many years ago (in the early 1990s?) by Sonam Dargyay and others have contributed since. I welcome - and encourage - any contributions of ideas, suggestions for changes, corrections and, of course, additions. All the information I have available to me is on this list so please do not ask if I have any additional information because I don't. I have seen only a few of the films on this list and, therefore, cannot vouch for everything that is said about them. Whenever possible I have listed the source of the information. I will update this list as I receive additional information so checking it periodically would be prudent. This list has no copyright; I gladly share it with whomever wants to use it. I would appreciate, however, an acknowledgment when the list, or any part, of it is used. The following represents a resource list of films and videos on Tibet. For more information about acquiring these films, contact the distributors directly. Office of Tibet, 241 E. 32nd Street, New York, NY 10016 (212-213-5010) Wisdom Films (Wisdom Publications no longer sells these films. If anyone knows the address of the company that now sells these films, or how to get in touch with them, I would appreciate it if you could let me know. Many, but not all, of their films are sold by Meridian Trust.) Meridian Trust, 330 Harrow Road, London W9 2HP (01-289-5443)http://www.meridian-trust/.org Mystic Fire Videos, P.O. -
Questions for Kumar Shahani- Interview
Questions for Kumar Shahani by Aparna Franki umar Shahani is an internationally renowned filmmaker, who studied under Ritwik Ghatak and apprenticed with Robert Bresson. He is a K recipient of the prestigious Prince Claus Award (1998). His films have won several Indian Filmfare Awards and his film ‘Khayal Gatha’ won the FIPRESCI Prize at the Rotterdam International Film Festival in 1990. Mr. Shahani’s essays have been published in the journals Framework and Social Scientist and he co-edited Cinema and Television: Fifty years of Reflection in France with Jacques Kermabon. Aparna Frank: In your many past interviews and essays, you have questioned simple definitions of “identity” and “culture”, including the term “multiculturalism”; hence, I am curious, what does a phrase like “Indian cinema” mean to you? Kumar Shahani: The question of identity and culture was, as you know, the product of fascism, Nazism and imperial constructs. Right up to 1961, I remember filling up forms, which asked me not only what my nationality was, but also what my race, caste, etcetera were. Therefore, I have rejected these notions totally, fundamentally and I do not ever wish to build any ideology including that of multiculturalism upon notions that have brutalised millions of people. Corporate multiculturalism and state terror are the greatest threat to humanity—they work against the very ethos of individuation. So, what does Indian cinema mean to me or to you, or to anyone else, who has fought for freedom, be it from one sort of hegemony or another? For me, and my gurus, Ritwik Ghatak, D.D Kosambiii, Jal Balaporiaiii and their gurus-Eisenstein, Einstein, Rahmat Khaniv, anything with a geographical name like “Indian” meant self- liberation. -
Two Films: Devi and Subarnarekha and Two Masters of Cinema / Partha Chatterjee
Two Films: Devi and Subarnarekha and Two Masters of Cinema / Partha Chatterjee Satyajit Ray and Ritwik Ghatak were two masters from the Bengali cinema of the 1950s. They were temperamentally dissimilar and yet they shared a common cultural inheritance left behind by Rabindranath Tagore. An inheritance that was a judicious mix of tradition and modernity. Ray’s cinema, like his personality, was outwardly sophisticated but with deep roots in his own culture, particularly that of the reformist Brahmo Samaj founded by Raja Ram Mohan Roy to challenge the bigotry of the upper caste Hindu Society in Bengal in the early and mid-nineteenth century. Ghatak’s rugged, home- spun exterior hid an innate sophistication that found a synthesis in the deep-rooted Vaishnav culture of Bengal and the teachings of western philosophers like Hegel, Engels and Marx. Satyajit Ray’s Debi (1960) was made with the intention of examining the disintegration of a late 19th century Bengali Zamidar family whose patriarch (played powerfully by Chabi Biswas) very foolishly believes that his student son’s teenaged wife (Sharmila Tagore) is blessed by the Mother Goddess (Durga and Kali) so as able to cure people suffering from various ailments. The son (Soumitra Chatterjee) is a good-hearted, ineffectual son of a rich father. He is in and out of his ancestral house because he is a student in Calcutta, a city that symbolizes a modern, scientific (read British) approach to life. The daughter-in-law named Doyamoyee, ironically in retrospect, for she is victimized by her vain, ignorant father-in-law, as it to justify the generous, giving quality suggested by her name.