Paganism and Counseling: the Development of a Clinical Resource
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Satanic Ritual Calendar Difficult Dates Please Note That Not All Cults Observe All Holidays
Satanic Ritual Calendar Difficult Dates Please note that not all cults observe all holidays. Dates with significance to individual groups, like leaders&rsquo birthdays, may also be celebrated. Those groups that utilize numerology mark dates whose numbers add up to ‘‘power numbers’’ or dates with repeating numbers, such as October 10, 2010. More information on some of the major holidays is found at http://www.survivorship.org/resources/articles/holidays.html S = satanic N = nazi P = polytheistic (belief in and worship of more than one god) T = thelemic Ritual Calendar: 2012 January 1/1 S New Year's Day 1/5 P Shivaratri (night of Shiva creator/destroyer) 1/5 or 1/6 S Twelfth Night 1/6 P Dionysian Revels 1/6 P Kore gives birth/manifestation of divinity 1/6 S Epiphany 1/7 S St Winebalt's Day 1/9 S Full Moon 1/12 N Birth of both Rosenburg and Goering, Nazi leaders in WWII 1/13 S Satanic New Year 1/17 S Feast of Fools (Old Twelfth Night) /satanic and demon revels 1/18 S Old Epiphany 1/17 N Martin Luther King Day 1/18 - 1/22 P Dream Festival (Pleiades) 1/19 N (starts evening of 1/20) N Tu B'Shevat (Jewish celebration of spring) 1/20 S St. Agnes' Eve 1/23 S New Moon 1/26 S? Australia Day 1/30 N Hitler named Chancellor of Germany February 2/1 - 3 P Mysteries of Persephone 2/2 S Candlemas (Imbolc) 2/7 S Full Moon 2/12 S Lincoln's Birthday 2/14 S N Valentine's Day 2/14 S Fertility Rituals 2/15 P Lupercalia (she-wolf mother of Romulus and Remus: honoring of Pan) 2/21S? President's Day 2/ 21 - 2/22 P Feralia/Terminalia (Roman All Souls'/boundary day) 2/21 S New moon 2/21 or 2/22 S? Washington's Birthday 2/25 N Walpurgis Day March 3/1 S St. -
Wicca 1739 Have Allowed for His Continued Popularity
Wicca 1739 have allowed for his continued popularity. Whitman’s According to Gardner, witchcraft had survived the per- willingness to break out of hegemonic culture and its secutions of early modern Europe and persisted in secret, mores in order to celebrate the mundane and following the thesis of British folklorist and Egyptologist unconventional has ensured his relevance today. His belief Margaret Murray (1862–1963). Murray argued in her in the organic connection of all things, coupled with his book, The Witch Cult in Western Europe (1921), that an old organic development of a poetic style that breaks with religion involving a horned god who represented the fertil- many formal conventions have caused many scholars and ity of nature had survived the persecutions and existed critics to celebrate him for his innovation. His idea of uni- throughout Western Europe. Murray wrote that the versal connection and belief in the spirituality present in a religion was divided into covens that held regular meet- blade of grass succeeded in transmitting a popularized ings based on the phases of the moon and the changes of version of Eastern theology and Whitman’s own brand of the seasons. Their rituals included feasting, dancing, sac- environmentalism for generations of readers. rifices, ritualized sexual intercourse, and worship of the horned god. In The God of the Witches (1933) Murray Kathryn Miles traced the development of this god and connected the witch cult to fairy tales and Robin Hood legends. She used Further Reading images from art and architecture to support her view that Greenspan, Ezra, ed. The Cambridge Companion to Whit- an ancient vegetation god and a fertility goddess formed man. -
On the Pagan Parallax a Sociocultural Exploration of the Tension Between Eclecticism and Traditionalism As Observed Among Dutch Wiccans 1
Proof version [The pomegranate 12.1 (2010) 49-70] On the Pagan Parallax A Sociocultural Exploration of the Tension between Eclecticism and Traditionalism as observed among Dutch Wiccans 1 Léon A. Van Gulik Abstract Post-modern nature religions face the challenge of justifying their practices and theology since there is no unbroken line between the classic and contemporary Paganisms of the Western world. Against the background of progressing historical knowledge, these religions constantly have to reinvent or recon- struct their traditions. At the same time, the present context is entirely different to that of when the classic Paganisms emerged. By discussing their roots in romanticism and expressivism, both the rele- vancy of the revived nature religions and the challenges they face, are explained. These issues are illus- trated by drawing on initial results of discourse analyses of on-line discussions between Dutch Wic- cans, yielding imaginative narratives of self-justification and self-identification amidst a continuous tension between traditionalism and eclecticism. Generalising these findings to contemporary Paganism at large, I have argued that the latter movement is counterbalancing sociohistorical developments by its changing acts of sanctioning, its aims to remain the maverick, and its constant striving for experien- tial receptivity creating an illusory idea of autonomous movement: the Pagan parallax. The Dutch cabaret artist Theo Maassen once said about dancing: “die eerste stap is altijd lullig” – “that first step is always shitty.”2 That is, the transition from walking to dancing is experienced as awkward. Picture this: one walks onto the dance floor, seemingly unaffected by the music, and then, merely as a function of reaching the desired spot, the bodily posture changes dramatically to facilitate the getting into the groove. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
The Ritual Performance and Liminal Bleed of the Beltane Fire Festival, Edinburgh
Please note: this is a final draft version of the manuscript, published in the book Rituals and Traditional Events in the Modern World (2014). Edited by Jennifer Laing and Warwick Frost. Part of the Routledge Advances in Event Research Series: http://www.routledge.com/books/details/9780415707367/ Layers of passage: The ritual performance and liminal bleed of the Beltane Fire Festival, Edinburgh Ross Tinsley (a) Catherine M Matheson (b) a – HTMi, Hotel and Tourism Management Institute Switzerland, 6174 Soerenberg, Kanton Luzern, Switzerland T: +41 (0) 41 488 11 E: [email protected] b – Division of Business, Enterprise and Management, School of Arts, Social Sciences and Management, Queen Margaret University, Edinburgh, Queen Margaret University Drive, Musselburgh, East Lothian EH21 6UU T: +44 (0) 131 474 0000 E: [email protected] Introduction This chapter examines the ritual performance of the Beltane Fire Festival (BFF) which occurs annually on the 30th April on Calton Hill, Edinburgh. The BFF is a contemporary reinterpretation of an ancient Celtic festival celebrating the passage of the seasons. It is a spring festival marking the end of winter and the beginning of summer. As such, the underlying symbolism of the BFF is renewal and rebirth, given the relationship to the passage of the seasons and, furthermore, fertility of people, land and livestock (BFS 2007; Frazer 1922). The contemporary BFF is an interesting context as while it is based on a traditional agrarian and calendrical rite of passage celebrating the passage of a season, it also embodies life-crises style rites of passage for many of the performers in its modern re-interpretation as a liminoid experience (Turner 1975). -
Chapter Four Celtic Spirituality
CHAPTER FOUR CELTIC SPIRITUALITY 4.1 Introduction The rediscovery of Celtic spirituality, particularly Celtic prayers and liturgical forms, has led to a popular movement, inter alia, among Anglicans around the world, including those in South Africa. Celtic spirituality has an attraction for both Christian and non-Christian, and often the less formal services are easier for secularized people, who have not been raised in a Christian environment, to accept. A number of alternative Christian communities wit h an accent on recovering Celtic spirituality have been established in recent years in the United Kingdom and in other parts of the world. The Northumbria Community, formed in 1976 (Raine & Skinner 1994: 440) is described as follows: The Community is clearly Christian, but with members from all kinds of Christian tradition, and some with no recognisable church background at all. We are married and single: some are unemployed, most are in secular jobs, some in full-time service which is specifically Christian, others are at home looking after families….Some of the most loyal friends of the Community are not yet committed Christians, but they are encouraged to participate as fully as they feel they can in our life. The Northumbria Community is one of several newly established communities with clear links to Celtic Spirituality. The near-universal appeal and flexibility reflected in the quotation above, is a feature of Celtic spirituality. For many in secularized Europe, the institutional church has lost its meaning, and traditional Christian symbols have no significance. Some of these people are now re-discovering Christianity through the vehicle of Celtic spirituality. -
Renee: 0:01 This Is Renee Cyr Doing an Interview with Camille on July 11 2019, Discussing Paganism in Lawrence
Renee: 0:01 This is Renee Cyr doing an interview with Camille on July 11 2019, discussing Paganism in Lawrence. How do you define your religion and spiritual path? Camille: 0:19 To define my religion would be, the umbrella term is Paganism. But that means anything that's out of Judaism, or Christianity, or Catholicism. Technically I would be classified as a Wiccan. I'm very nature based, but I also incorporate a specific goddess that I like to make offerings to her. She makes me feel protected and safe. And I think everybody deep down inside, spiritually humans need to believe in something higher than themselves. Not just for accountability of what happens to them in life, but the idea that we're just here alone on this big planet, it's kind of sad. I think people are naturally drawn to religious idols. Mine would be Hekate. Renee: 1:03 How long have you practiced Paganism? Camille: 1:06 Since 2002. I discovered it when I was going to high school. When I was younger, I was forced to go to Catholic school. My family is Romani Gypsy, and Italians on my mom's side. So they're very much about adopting a major religion to kind of help us blend in more. And my grandmother and my mother actually really did take it to heart. It wasn't just like, a chameleon tactic to blend in. Going to Catholic school I realized that it just didn't feel right. Like I would leave church feeling worse than when I went in. -
2006 AEN Conference Special Issue
SPECIAL ISSUE ––– 2006 AEN CONFERENCE VOLUME V ISSUE 1 2010 ISSN: 1833-878X Pages 27-34 Olivia Caputo Water and Stone: The Re-Enactment of the Masculine in the Pagan ‘Reclaiming’ Tradition ABSTRACT This paper seeks to explore models of masculinity present within the contemporary spiritual community of the Reclaiming Collective in San Francisco, United States of America. The Reclaiming Collective is part of the wider contemporary Goddess spirituality movement, a movement which promotes the importance of changing patriarchal images of the divine through focus on the Goddess. Through an analysis of both the writings of Starhawk, the most read and published member of the collective, and the discussions and articles with the collective's long-running journal Reclaiming Quarterly this paper reveals the conflict between patriarchal and more radical models of masculinity. It concludes that the fluidity of gender promoted within the Reclaiming Collective stimulates members to understand masculinity as positive, anti-sexist and multifaceted. BIOGRAPHY Olivia Caputo is a PhD candidate at The University of Queensland's School of History Philosophy Religion and Classics. Her research involves critique of gender theory in the writing of two pioneers of the feminist Goddess movement, Carol P. Christ and Starhawk. Olivia has travelled to both the U. S. and the U. K. to gather material about contemporary Goddess communities such as the Reclaiming Collective in San Francisco and the Priestesses of Avalon in Glastonbury. She has presented papers at the Alternative 27 Expressions of the Numinous conference in 2006 and at the Association for Research on Mothering conference in 2007. Her other research interests include community radio, sustainable agriculture and the alternative D. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
BRT Past Schedule 2016
Join Our Mailing List! 2016 Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule JANUARY 2016 NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. If you show up at the door with no reservations OR call in your reservations on the day of the show, you will pay the day of show price. TO MAKE RESERVATIONS, CALL BRT AT: 401-725-9272 Leave your name, number of tickets desired, for which show, your phone number and please let us know if you would like a confirmation phone call. Mondays in January starting Jan. 4, $5.00 per class, 6:30-7:30 PM ZUMBA CLASSES WITH APRIL HILLIKER Thursday, January 7 5:00-6:00 PM: 8-week class Tir Na Nog 'NOG' TROUPE with Erika Damiani begins 6:00-7:00 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:00-8:00 PM: 8-week class Tir Na Nog GREEN TROUPE (performance troupe) with Erika Damiani begins Friday, January 8 4:30-5:30 PM: 8-week class Tir Na Nog RINCE TROUPE with Erika Damiani begins 5:30-6:30 PM: 8-week class BEGINNER/ADVANCED BEGINNER HARD SHOE with Erika Damiani begins 6:30-7:30 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:30-8:30 PM: 8-week class Tir Na Nog CEOL TROUPE with Erika Damiani begins Saturday, January 9 9:00 AM: 8-week class in BEGINNER IRISH STEP DANCE for children 5-10 with Erika Damiani begins 10:00 AM: 8-week class in CONTINUING -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Irish Folklore and Mythology in Irish Young Adult Fantasy Literature: Kate Thompson’s The New Policeman, and O.R. Melling’s The Hunter’s Moon.“ Verfasserin Monika Kraigher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, im Januar 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer To my grandmother, for her love, guidance and support... I would like to express my gratitude to Prof. Wöhrer for his exceptional guidance and patience. Thank you to my mother who has supported and motivated me unconditionally during my studies and in my everyday life. Finally, I would like to thank my friends and colleagues, notably the “gang“ from the Australian literature room, who were a great mental support during the work on this diploma thesis. DECLARATION OF AUTHENTICITY I confirm to have conceived and written this Diploma Thesis in English all by myself: Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Table of contents 1. Introduction ................................................................................................................ 1 2. Irish Children’s and Young Adult Literature ........................................................ -
Is Modern Paganism True?
KRONMAN FINAL TO PRINT (1).DOCX (DO NOT DELETE) 5/13/2019 1:40 PM Is Modern Paganism True? ANTHONY T. KRONMAN* TABLE OF CONTENTS I. INTRODUCTION ........................................................................................ 419 II. PROGRESSIVE PAGANS? ........................................................................... 422 III. ARISTOTLE .............................................................................................. 427 IV. PAGANS AND CHRISTIANS ........................................................................ 436 V. A THIRD THEOLOGY ................................................................................ 438 VI. THE TRUTH ABOUT GOD?............................................................. ........... 443 VII. CONCLUSION ........................................................................................... 447 I. INTRODUCTION I agree with so much in Steven Smith’s splendid new book1 that it seems ungenerous to focus, as I shall, on the principal disagreement between us. But the disagreement is an important one. It goes to the heart of the question Smith raises in the final pages of his book: which has more “religious truth,” Christianity or modern paganism?2 Before I examine our theological differences, it is important to note a few of the political, legal, and constitutional points on which Smith and I agree. In practical terms these are surely more important than the theological subtleties that distinguish his understanding of God from mine. So far as worldly matters are concerned,