Press Releases from Cannes About Winners

Total Page:16

File Type:pdf, Size:1020Kb

Press Releases from Cannes About Winners Press Releases from Cannes about winners http://www.lionsfestivals.com/press_area/press_releases/index.cfm?page=1 Mobile 1,259 Cyber 2,886 Innovation 381 Creative Data 715 Media 2,984 Promo & Activation 3,458 Direct 3,097 Digital Craft 1,148 Design 2,856 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA Outdoor 5,367 PR 2,225 1 INNOVATION 5 GOLD Creative Effectiveness 109 8 SILVER Product Design 540 5 BRONZE Print & Publishing 3,777 Radio 1,410 Total submission across all categories: 32,212 LION SILVER LION Innovation: Creative Innovation Direct: Use of New Technology Press Releases from Cannes Lions about winners: http://www.lionsfestivals.com/press_area/press_releases/index.cfm?page=1GOLD LION SILVER LION Creative Data: Data Visualization Direct: Experience Design GOLD LION Mobile 1,259 SILVER LION Cyber: Live Digital Cyber 2,886 Entertainment: Innovation in Brand Experience Innovation 381 GOLD LION Creative Data 715 SILVER LION Design: Digital Installations & Events Media 2,984 Design: Live Events GOLD LION Promo & Activation 3,458 BRONZE LION Promo & Activation: Corporate Image Direct 3,097 Digital Craft: Virtual Reality Digital Craft 1,148 GOLD LION Design 2,856 BRONZE LION FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA Promo & Activation: Use of Exhibitions & Installations Outdoor 5,367 Digital Craft: Innovative Use of Technology PR 2,225 SILVER LION 1 INNOVATION BRONZE LION Outdoor: Ambient Experiential & Immersive Digital 5 GOLD Digital Craft: Technological Achievement in Digital Craft Creative Effectiveness 109 8 SILVER SILVER LION Product Design 540 BRONZE LION 5 BRONZE Outdoor: Use of Ambient Outdoor Print & Publishing 3,777 Media: Use of Stunts SILVER LION Radio 1,410 BRONZE LION Promo & Activation: Use of New Technology PR: Use of New Technology SILVER LION Total submissions across all categories: 32,212 SHORTLIST TITANIUM Cyber: Spatial Tech Winners (Creative Data Lions) Cat. No Entry Title Client Product Entrant Company Country Prize No A01 (Creative Data Enhancement) A01/019 00343 THE EMOTIONAL MELBOURNE THE MELBOURNE McCANN MELBOURNE AUSTRALIA Bronze Lion TRAILER INTERNATIONAL INTERNATIONAL FILM FESTIVAL FILM FESTIVAL A01/021 00409 MUSEUM OF SC JOHNSON GLADE OGILVY & MATHER USA Bronze Lion FEELINGS Chicago A01/035 00483 VACATION TENNESSEE TOURISM VML Kansas City USA Silver Lion MATCHMAKER DEPARTMENT OF TOURISM DEVELOPMENT A01/039 00395 THE NEXT ING ING J. WALTER THOMPSON THE Silver Lion REMBRANDT AMSTERDAM NETHERLANDS A01/043 00487 GASCALE MABE DOMESTIC GAS MARURI GREY Guayaquil ECUADOR Gold Lion SCALE A01/060 00192 OPEN ROAD TOYOTA TOYOTA I-ROAD DENTSU INC Tokyo JAPAN Bronze Lion PROJECT A02 (Data-Driven Targeting) A02/017 00392 SEARCH REFUGEES NPO )&%=h5,&+ SWITZERLAND Bronze Lion RACISM. FIND WELCOME TRUTH. A02/024 00140 THE 'ITALIAN' MASERATI MASERATI GHIBLI GEOMETRY GLOBAL GERMANY Silver Lion ART OF GERMANY Duesseldorf PERSUASION A02/041 00600 HINTS DIXONS CARPHONE CURRYS PC AMVBBDO London UNITED Silver Lion WORLD KINGDOM A02/043 00296 FEMALE DEFENCE FORCES FEMALE ROTHCO Dublin IRELAND Silver Lion RECRUITMENT RECRUITMENT A02/096 10886 THE IMPOSSIBLE SNCF SNCF ENGINEER TBWA\PARIS FRANCE Silver Lion GAME CHALLENGE A03 (Creative Data Client Strategy) A03/013 00193 OPEN ROAD TOYOTA TOYOTA I-ROAD DENTSU INC Tokyo JAPAN Silver Lion PROJECT 1 of 4 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA 3 of 158 Winners (Creative Data Lions) A04 (Data Storytelling) A04/018 00344 THE EMOTIONAL MELBOURNE THE MELBOURNE McCANN MELBOURNE AUSTRALIA Gold Lion TRAILER INTERNATIONAL INTERNATIONAL FILM FESTIVAL FILM FESTIVAL A04/034 00396 THE NEXT ING ING J. WALTER THOMPSON THE Silver Lion REMBRANDT AMSTERDAM NETHERLANDS A04/035 00577 BITTERSWEET PAUL RESTAURANTS McCANN WORLDGROUP ROMANIA Silver Lion PIES ROMANIA Bucharest A04/045 00182 LIVING BRAKE NZ ROAD SAFETY Y&R NZ Auckland NEW ZEALAND Bronze Lion MEMORIES A04/046 00221 NRG SOLAR NRG ENERGY DROGA5 New York USA Bronze Lion FORECAST A05 (Data Visualisation) A05/004 00138 PLAYDOWJONES J&T BANK INVESTMENTS WIKTOR LEO BURNETT SLOVAK Bronze Lion Bratislava REPUBLIC A05/007 00345 THE EMOTIONAL MELBOURNE THE MELBOURNE McCANN MELBOURNE AUSTRALIA Silver Lion TRAILER INTERNATIONAL INTERNATIONAL FILM FESTIVAL FILM FESTIVAL A05/024 00465 THE END OF UBISOFT UBISOFT BETC Paris FRANCE Bronze Lion SOCIETY SIMULATOR A05/025 00397 THE NEXT ING ING J. WALTER THOMPSON THE Bronze Lion REMBRANDT AMSTERDAM NETHERLANDS A05/027 00523 LIVE LOGO INEC: NATIONAL INNOVATIVE LOGO MARURI GREY Guayaquil ECUADOR Gold Lion STATISTICS DESIGN WITH LIVE INSTITUTE DATA A05/044 00640 THE FIELD TRIP LOCKHEED MARTIN GENERATION McCANN NEW YORK USA Gold Lion TO MARS BEYOND A06 (Data-Technology Models / Tools / Platforms) A06/017 00423 FOCUSMOTION FOCUSMOTION FOCUSMOTION R/GA New York USA Bronze Lion A06/024 00569 EMERGENCY SEKRON SECURITY SEKRON DIGITAL *5(<%5$=,/6mR3DXOR BRAZIL Bronze Lion PIN CODE SYSTEMS PROTECTION A06/039 00115 THE TRAIN 672&.+2/067c* STOCKHOLM'S .b51+86(76WRFNKROP SWEDEN Bronze Lion BRAIN PROJECT COMMUTER TRAIN SERVICE A06/046 00568 WIFIALARM WIFIALARM WIFIALARM *5(<%5$=,/6mR3DXOR BRAZIL Bronze Lion 2 of 4 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA 4 of 158 Winners (Creative Data Lions) A07 (Use of Real-time Data ) A07/059 00264 THE COLDER IT MARK'S SOFTGOODS 728&+e0RQWUpDO CANADA Bronze Lion GETS... A07/084 00583 BRAINBAND SAMSUNG SAMSUNG LEO BURNETT SYDNEY AUSTRALIA Silver Lion AUSTRALIA BRAINBAND A07/088 00482 THE THE SALVATION DONATIONS WMcCANN Rio De Janeiro BRAZIL Bronze Lion THERMOMETER ARMY THAT GETS COLD A07/098 00573 LIFE SIGNAL UNACEM UNACEM CIRCUS GREY Lima PERU Bronze Lion A07/111 00234 THE SECOND TELETICA, INAMU, DOMESTIC J. WALTER THOMPSON COSTA RICA Gold Lion SCOREBOARD FEDEFUTBOL VIOLENCE &267$5,&$6DQ-RVp A09 (Social Data ) A09/008 00112 BIGGER ISSUES LYNX, UNILEVER & LYNX & CAMPAIGN TMW UNLIMITED London UNITED Silver Lion CAMPAIGN AGAINST LIVING KINGDOM AGAINST LIVING MISERABLY MISERABLY A09/041 00580 MIRRORS OF NGO CRIOLA NGO :+$866mR3DXOR BRAZIL Bronze Lion RACISM A09/046 00599 UNTYPIC VUELING - LING XXXXXX THE CYRANOS//McCANN SPAIN Bronze Lion Barcelona A09/052 00235 THE SECOND TELETICA, INAMU, DOMESTIC J. WALTER THOMPSON COSTA RICA Bronze Lion SCOREBOARD FEDEFUTBOL VIOLENCE &267$5,&$6DQ-RVp A10 (Creative Data Collection & Research) A10/003 00295 HASHTAGS FOR PERUVIAN RED VOLUNTARY McCANN LIMA PERU Silver Lion LIFE. CROSS BLOOD DONORS A10/011 00399 THE NEXT ING ING J. WALTER THOMPSON THE Grand Prix REMBRANDT AMSTERDAM NETHERLANDS A10/019 00195 OPEN ROAD TOYOTA TOYOTA I-ROAD DENTSU INC Tokyo JAPAN Bronze Lion PROJECT 3 of 4 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA 5 of 158 Winners (Creative Data Lions) A11 (Data Integration ) A11/018 00336 ZYRTEC MCNEIL OTC ORAL J. WALTER THOMPSON USA Bronze Lion 'ALLERGY CONSUMER MEDICINE New York IMPACT' HEALTHCARE Total Entries: 40 4 of 4 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA 6 of 158 Winners (Creative Effectiveness Lions) Cat. No Entry Title Client Product Entrant Company Country Prize No A01 (Creative Effectiveness) A01/007 00058 MONTY'S JOHN LEWIS RETAIL ADAM&EVEDDB London UNITED Grand Prix CHRISTMAS KINGDOM A01/010 00006 INFREQUENT TIGERAIR TRAVEL/TOURISM McCANN MELBOURNE AUSTRALIA Silver Lion FLYERS A01/021 00083 THE WORLD'S AMERICAN AMERICAN MULLENLOWE Boston USA Bronze Lion TOUGHEST JOB GREETINGS GREETINGS A01/026 00031 SMELLCOME TO OLD SPICE MEN'S BODY CARE WIEDEN+KENNEDY USA Gold Lion MANHOOD Portland A01/031 00070 RABBIT RACE MEDIA MARKT MEDIA MARKT OGILVY GERMANY GERMANY Silver Lion Frankfurt A01/033 00040 MACITBETTER McDONALD'S BIG MAC DDB Sydney AUSTRALIA Bronze Lion A01/035 00016 UNDER ARMOUR UNDER ARMOUR UNDER ARMOUR DROGA5 New York USA Silver Lion I WILL WHAT I WANT A01/050 00038 #MYFAMILYCAN SPC ARDMONA SPC PACKAGED LEO BURNETT AUSTRALIA Bronze Lion FRUITS & MELBOURNE VEGETABLES A01/051 00069 RAISING THE ECONOMIST NEWSPAPER PROXIMITY LONDON UNITED Gold Lion EYEBROWS AND KINGDOM SUBSCRIPTIONS A01/057 00065 MADDEN NFL 15 EA SPORTS MADDEN NFL 15 HEAT San Francisco USA Bronze Lion A01/071 00074 ARIEL - SHARE PROCTER & ARIEL MATIC BBDO INDIA Mumbai INDIA Bronze Lion THE LOAD GAMBLE INDIA A01/084 00095 VF FAKKA VODAFONE EGYPT COMMUNICATION J. WALTER THOMPSON EGYPT Bronze Lion CAIRO A01/103 00094 CHRISTMAS IF SAINSBURY'S SUPERMARKET AMVBBDO London UNITED Silver Lion FOR SHARING - KINGDOM 1914: A CHRISTMAS TRUCE Total Entries: 13 1 of 1 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA 7 of 158 Winners (Cyber Lions) Cat. No Entry Title Client Product Entrant Company Country Prize No A01 (Food & Drinks ) A01/025 01677 SIZZL OSCAR MAYER OSCAR MAYER 360i New York USA Bronze Lion BACON A01/033 01314 GIVE EXTRA, WRIGLEY, A EXTRA GUM ENERGY BBDO Chicago USA Bronze Lion GET EXTRA SUBSIDIARY OF MARSORPORATED A02 (Fast Moving Consumer Goods ) A02/008 01129 THE FIRST EVER SHERWIN KRYLON DEUTSCH New York USA Bronze Lion PINTEREST WILLIAMS YARD SALE A03 (Durable Consumer Goods) A03/010 02795 MAGIC WORDS - HP HP $/0$3%%'26mR3DXOR BRAZIL Bronze Lion THE UNWRITTEN STORIES A04 (Cars & Automotive Products & Services) A04/005 00560 SLIDE AMAZING LEXUS LEXUS CHI & PARTNERS London UNITED Gold Lion IN MOTION INTERNATIONAL KINGDOM A05 (Retail, e-Commerce, Restaurants & Fast Food Chains) A05/005 00677 #OPTOUTSIDE REI REI VENABLES BELL & USA Gold Lion PARTNERS San Francisco A05/026 01641 COLORMAPS PPG COMEX COMEX J. WALTER THOMPSON MEXICO Gold Lion MEXICO Mexico City A06 (Travel, Transport & Leisure) A06/015 02420 THE SWEDISH SWEDISH TOURIST TOURISM INGO Stockholm SWEDEN Gold Lion NUMBER ASSOCIATION A06/029 02961 HOLIDAYS ON TRANSAVIA AIRLINE COMPANY LES GAULOIS Puteaux FRANCE Bronze Lion DEMAND 1 of 9 FIELD TRIP TO MARS 19 LIONS SUPPORTING DATA 8 of 158 Winners (Cyber Lions) A07 (Media & Publications) A07/001 00375 MTV VMA MTV 2015 MTV VIDEO MTV New York USA Silver Lion GREEN- MUSIC AWARDS SCREENS A07/005 00984 HOUSE OF NETFLIX HOUSE OF CARDS BBH NEW YORK USA Bronze Lion CARDS - FU 2016 A08 (Financial Products & Services) A08/003 00341 MEET HALFWAY PAYPAL FINANCIAL CP+B Boulder USA Bronze Lion SERVICE A08/009 01151 CLEVER KASH ASB BANK CLEVER KASH SAATCHI & SAATCHI NEW ZEALAND Gold Lion Auckland A08/017 02023 THE NEXT ING ING J.
Recommended publications
  • Hunt Cover C 5/2/08 2:43 PM Page 1
    Hunt cover C 5/2/08 2:43 PM Page 1 Want towin a week in paradise? Want tohave some good,crazy fun? Joinus today,May18,at noon downtown for an adventure you’ll never forget. TWPMFor details,turn toPage16. MAY 18,2008 Magazine Template 4/28/08 12:38 PM Page 1 -BTU%BZT -FBUIFSEBZT .BZUIUI EBZTPGWFSZBUUSBDUJWFQSJDFT UPEJTDPWFS3PDIF#PCPJTiTBWPJSGBJSFw 8"4)*/(50/ 8JTDPOTJO "WFOVF /8 8BTIJOHUPO %$ 5FM 4"-& )0634 .PO4BU BN QN 0QFO 4VO .BZ UI UI GSPN /PPO QN XXXSPDIFCPCPJTDPN /PU UP CF VTFE JO DPOKVODUJPO XJUI BOZ PUIFS QSPNPUJPOBM PGGFS BOE EPFT OPU BQQMZ UP QSJPS PSEFST 5_18 contents 5/2/08 3:58 PM Page 1 May18, 2008CONTENTS (1) Read the instructions on Page 16. (2) Join us before noon downtown. (3) Solve the Post Hunt Puzzles before anyone else. 10 (4) Spend an expense-paid vacation for four in this little corner of paradise. STORY ON PAGE 16 FIRST THINGS FIRST 2 Editor’s Note 2 Cul de Sac 4 Second Glance 6 Date Lab 8 Then & Again 10 Making It 11 Editor’s Query 12 First Person Singular 14 Dilbert 34 DEPARTMENTS 44 Dining Thai Ki and Ping by Charlie Chiang’s 16 BY TOM SIETSEMA COVER STORY After winning the Hunt, 46 The Puzzle you’ll need five nights ‘It’s Not What It Looks Like’ 16 at a Florida resort. BY MERL REAGLE GO! 47 Significant Others BY DAVE BARRY, GENE WEINGARTEN AND TOM SHRODER Home Invasion BY JEANNE MARIE LASKAS Join the first-ever Post Hunt, and spend an adventure-filled afternoon that you’ll 48 Below the Beltway Teddy Stole need years of therapy to forget.
    [Show full text]
  • In the Matter of ) ) GN Docket No
    Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 ____________________________________ ) ) In the Matter of ) ) GN Docket No. 17-183 Expanding Flexible Use in Mid-Band ) Spectrum between 3.7 and 24 GHz ) ) ____________________________________) COMMENTS OF BROADCOM LTD Christopher Szymanski Director, Product Marketing and Government Affairs Vinko Erceg Fellow, Systems Engineering BROADCOM LTD 5300 California Avenue Irvine, CA 92617 October 2, 2017 TABLE OF CONTENTS INTRODUCTION AND SUMMARY .......................................................................................... I. Broadcom Plays a Central Role in Expanding Wireless Broadband. ................................. 2 II. Unlicensed Services are at the Core of Today’s Wireless Economy. ................................. 3 III. e 6 GHz Band is an Important Opportunity to Make Needed Spectrum Available for Unlicensed Services. ........................................................................................................... 9 IV. e Commission Should Propose a 6 GHz Band Structure that Permits Different Technical Rules to Address Different Incumbent Operations. ......................................... 11 CONCLUSION ........................................................................................................................... INTRODUCTION AND SUMMARY As a leading Wi-Fi chip maker, Broadcom strongly supports the Commission’s Notice of Inquiry (“NOI”) seeking ways to expand flexible use of mid-band spectrum.1 It is now widely recognized, by industry
    [Show full text]
  • Kenji Mizoguchi Cinematographic Style (Long Take) in 'The Life of Oharu' (1952)
    KENJI MIZOGUCHI CINEMATOGRAPHIC STYLE (LONG TAKE) IN 'THE LIFE OF OHARU' (1952). Rickmarthel Julian Kayug Bachelor ofApplied Arts with Honours (Cinematography) 2013 UNIVERSITI MALAYSIA SARAW AK BORANG PENGESAHAN STATUS TESIS/LAPORAN JUDUL: Kenji Mizoguchi Cinematographic Style (Long Take) In The 'Life OfOharu' (1952). SESI PENGAJIAN: 200912013 Saya RICKMARTHEL JULIAN KA YUG Kad Pengenalan bemombor 890316126011 mengaku membenarkan tesisl Laporan * ini disimpan di Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dengan syarat-syarat kegunaan seperti berikut: 1. Tesisl Laporan adalah hakmilik Universiti Malaysia Sarawak 2. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan untuk tujuan pengajian sahaja 3. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat pengdigitan untuk membangunkan Pangkalan Data Kandungan Tempatan 4. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan tesisl laporan ini sebagai bahan pertukaran antara institusi pengajian tinggi 5. *sila tandakan rn (mengandungi maklumat yang berdarjah keselamatan SULIT 6·D atau kepentingan seperti termaktub di dalam AKTA RAHSIA 1972) TERHAD D (mengandungi maklumat Terhad yang telah ditentukan oleh Organisasilbadan di mana penyelidikan dijalankan) V ~IDAK TERHAD Disahkan Disahkan Oleh: c:dt~f • Tandatangan Penulis Tandatangan Penyelia Tarikh t:L~ 1"""~ ~ l3 Tarikh: '~I O-=l""/?4l ~ Alamat Tetap: Kg. Pamilaan, Peti Surat 129,89908 Tenom, Sabah. Mobil Jefri ~ samareoa Lect\Il'U . faculty ofApplie4 aM CrcallVe Catatan: *Tesis/ Laporan dimaksudkan sebagai tesis bagi Ijazah Doktor Falsafah,~a Muda • lika Tesis/ Laporan SULIT atau TERHAD, sila lampirkan surat daripada pihak berkuasal organisasi berkenaan dengan menyatakan sekali sebab dan tempoh tesis/ laporan ini perlu dikelaskan $ebagai SULIT atau TERHAD This project report attached hereto, entitled "KENJI MIZOGUCHI CINEMATOGRAPHIC STYLE (LONG TAKE) IN THE LIFE OF OHARU (1952)".
    [Show full text]
  • Broadband Mapping Across the Us: Local, State, and Federal Methods & Contradictions #Showmeyourmaps
    BROADBAND MAPPING ACROSS THE US: LOCAL, STATE, AND FEDERAL METHODS & CONTRADICTIONS #SHOWMEYOURMAPS MAY 2021 AUTHORS: Francella Ochillo Ryan Johnston Corian Zacher Lukas Pietrzak ABOUT NEXT CENTURY CITIES Next Century Cities (“NCC”) is a nonprofit, non-partisan organization that advocates for fast, affordable, and reliable broadband Internet access across the U.S. We work alongside local officials in communities of all sizes and political stripes to eliminate the digital divide. Communities that have widespread broadband access and adoption are better equipped to help reduce poverty, increase educational opportunities, improve public health, support aging in place, and boost civic engagement. Ensuring that every resident has access to digital opportunities starts with being able to measure the scope of the problem, which depends on accurate broadband data. As NCC has documented in filings and publications, the Federal Communications Commission’s (“FCC” or “Commission”) maps have long told a different story of broadband access than what residents across the country actually experience. It is widely known that the FCC’s broadband availability data understates the seriousness of, and lacks granularity to adequately address, persistent gaps in connectivity. IMPROVING FEDERAL BROADBAND DATA The FCC’s data perpetually overstates broadband availability and could be improved in a variety of ways. For example, collecting information on latency and pricing, as well as adopting more nuanced methods to determine service availability and validate data submitted by providers, would improve the accuracy and efficacy of its broadband maps. Additionally, improving federal data would support state and local mapping initiatives, which largely rely on the Commission’s data as a baseline.
    [Show full text]
  • The Global Publishing Industry in 2017
    The Global Publishing Industry in 2017 The Global Publishing Industry in 2017 The user is allowed to reproduce, distribute, adapt, translate and publicly perform this publication, including for commer- cial purposes, without explicit permission, provided that the content is accompanied by an acknowledgement that WIPO is the source and that it is clearly indicated if changes were made to the original content. Suggested citation: WIPO (2019). The Global Publishing Industry in 2017. Geneva: World Intellectual Property Organization. Adaptation/translation/derivatives should not carry any offi- cial emblem or logo, unless they have been approved and validated by WIPO. Please contact us via the WIPO website to obtain permission. For any derivative work, please include the following dis- claimer: “The Secretariat of WIPO assumes no liability or responsibility with regard to the transformation or translation of the original content.” When content published by WIPO, such as images, graphics, trademarks or logos, is attributed to a third-party, the user of such content is solely responsible for clearing the rights with the right holder(s). To view a copy of this license, please visit © WIPO, 2019 https://creativecommons.org/licenses/by/3.0/igo/ World Intellectual Property Organization The designations employed and the presentation of material 34, chemin des Colombettes, throughout this publication do not imply the expression of any P.O. Box 18 opinion whatsoever on the part of WIPO concerning the legal CH-1211 Geneva 20, status of any country, territory or area or of its authorities, Switzerland or concerning the delimitation of its frontiers or boundaries. ISBN: 978-92-805-3041-4 This publication is not intended to reflect the views of the Member States or the WIPO Secretariat.
    [Show full text]
  • (Lista Da Classificação De Canais De Programação De Programadoras
    CLASSIFICAÇÃO DOS CANAIS DE PROGRAMAÇÃO DAS PROGRAMADORAS REGULARMENTE CREDENCIADAS NA ANCINE 07/06/2013 Em cumprimento ao disposto no art. 22 da Instrução Normativa nº 100 de 29 de maio de 2012, a ANCINE torna pública a classificação atualizada dos canais de programação, das programadoras regularmente credenciadas na agência na presente data de 07 de junho de 2013, conforme segue: 1. CANAIS APTOS A CUMPRIR A OBRIGAÇÃO DE EMPACOTAMENTO NA CONDIÇÃO DE “CANAL BRASILEIRO DE ESPAÇO QUALIFICADO NOS TERMOS DO §5º DO ART. 17 DA LEI Nº 12.485/2011”: DE CONTEÚDO EM GERAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 259.30001 CINEBRASILTV 22831.30001 CURTA! O CANAL INDEP ENDENTE 4744.30001 / 4744.30002 PRIME BOX BRAZIL / PRIME BOX BRAZIL HD 2. CANAIS APTOS A CUMPRIR A OBRIGAÇÃO DE EMPACOTAMENTO NA CONDIÇÃO DE “CANAL BRASILEIRO DE ESPAÇO QUALIFICADO NOS TERMOS DO §4º DO ART. 17 DA LEI Nº 12.485/2011”: DE CONTEÚDO EM GERAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 1500.30001 CANAL BRASIL 259.30001 CINEBRASILTV 22831.30001 CURTA! O CANAL INDEP ENDENTE 4744.30001 / 4744.30002 PRIME BOX BRAZIL / PRIME BOX BRAZIL HD 1 3. CANAIS APTOS A CUMPRIR A OBRIGAÇÃO DE EMPACOTAMENTO NA CONDIÇÃO DE “CANAL BRASILEIRO DE ESPAÇO QUALIFICADO PROGRAMADO POR PROGRAMADORA BRASILEIRA INDEPENDENTE”: DE CONTEÚDO EM GERAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 22267.30001/ 22267.3 0002 CENNARIUM TV / CENNA RIUM TV HD 18160.30001 CHEF TV 259.30001 CINEBRASILTV 22831.30001 CURTA! O CANAL INDEP ENDENTE 4744.30007 / 4744.30008 FASHION TV BRAZIL / FASHION TV BRAZIL HD 22269.30001 / 22269.30002 FISHTV / FISHTV HD 22831.30002 MUNDO TV 4744.30001 / 4744.30 002 PRIME BOX BRAZIL / P RIME BOX BRAZIL HD 22270.30001 SUPERMIX 12273.30001 TAL – TELEVISÃO AMÉRICA LATINA 4744.30005 / 4744.30006 TRAVEL BOX BRAZIL / TRAVEL BOX BRAZIL HD 21229.30001 WOOHOO DE CONTEÚDO INFANTIL E ADOLESCENTE: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 1125.30001 TV RÁ TIM BUM! DE CONTEÚDO VIDEOMUSICAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 4744.30003 / 4744.30004 MUSIC BOX BRAZIL / MUSIC BOX BRAZIL HD 4.
    [Show full text]
  • Archiving Movements: Short Essays on Materials of Anime and Visual Media V.1
    Contents Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui ………… 2 Utilizing the Intermediate Materials of Anime: Royal Space Force: The Wings of Honnêamise Ishida Minori ………… 17 The Film through the Archive and the Archive through the Film: History, Technology and Progress in Royal Space Force: The Wings of Honnêamise Dario Lolli ………… 25 Interview with Yamaga Hiroyuki, Director of Royal Space Force: The Wings of Honnêamise What Do Archived Materials Tell Us about Anime? Kim Joon Yang ………… 31 Exhibiting Manga: Impulses to Gain from the Archiving/Unearthing Anime Project Jaqueline Berndt ………… 36 Analyzing “Regional Communities” with “Visual Media” and “Materials” Harada Ken’ichi ………… 41 About the Archive Center for Anime Studies in Niigata University ………… 45 Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui presumably, the majority are in various storage Background of the Project places after their production cycles. It is not The exhibition “A World is Born: The uncommon that they are forgotten, displaced or Emerg­­ing Arts and Designs in 1980s Japanese eventually discarded due to the expenses incurred Animation” (19-31 March 2018) hosted at DECK, for storage. In many ways, these materials an independent art space in Singapore, is encompass an often forgotten yet significant part of an ongoing research collaboration research resource essential for understanding between the researchers from Puttnam School key aspects of Japanese animation production of Film and Animation in Singapore and the cultures and practices. Archive Center for Anime Studies in Niigata “A World is Born” was an exhibition focusing University (ACASiN).
    [Show full text]
  • Los Grupos Editoriales Españoles Y Su Influencia En La Creación De Los Cánones Literarios Actuales
    Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez Los grupos editoriales españoles y su influencia en la creación de los cánones literarios actuales Luis PABLO NÚÑEZ CSIC, CCHS Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez Debemos evocar con claridad la distinción entre el texto literario y el producto editorial. Ambos son necesarios para el buen funcionamiento de la industria del libro, pero, con creciente intensidad, el primero es arrinconado por el segundo hasta ser suplantado por él. JUAN GOYTISOLO En EE. UU. hay dos categorías en las librerías: literatura y bestsellers. Mi libro, El ocho, no era una cosa ni otra. [...] Entre la gran literatura y la literatura más popular, [...] mis libros no encajan ni en una categoría ni en la otra. KATHERINE NEVILLE Escribir historias de detectives es escribir literatura ligera, puro entretenimiento. No es como escribir propaganda política o literatura clásica. El género negro, ya se sabe, es una de las formas más populares de entretenimiento que existen. Si además intentas decir algo con ello... Bueno, yo lo he intentado, por supuesto. STIEG LARSSON Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez FACTORES PARA LA HOMOGENEIZACIÓN FACTORES PARA LA HOMOGENEIZACIÓN DE LA INDUSTRIA DEL LIBRO DE LOS HÁBITOS DE LECTURA - Concentración editorial - Estrategias comerciales de difusión - Expansión (filiales) (acceso al lector a través de más medios) - Ventajas para la compra de derechos / - Librerías dependientes de grupos títulos comunes - Listados de libros más vendidos Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez RANKING MUNDIAL DE EDITORES (2009) [<http://publishingperspectives.com/?p=981>] [20/02/2010] (RANKING DE 2008: Delibros 224 (2008), pp.
    [Show full text]
  • Japan Content Showcase2016 マーケットレポート
    Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM (the affiliated market of Tokyo International Film Festival*1), Tokyo International Music Market (TIMM) and Tokyo International Anime Festival (TIAF) and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 : Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC / USA MALAYSIAN FILM PRODUCERS ASSOCIATION /Malaysia Primetrade Asia, Inc. / Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important.
    [Show full text]
  • Classpass Is a Monthly Membership That Grants Members Access to Thousands of Different Class at Studios and Gyms in 39 Cities Worldwide
    Backgrounder Overview: ClassPass is a monthly membership that grants members access to thousands of different class at studios and gyms in 39 cities worldwide. Memberships range depending on city and the number of classes preferred to take. ClassPass partners with over 8,500 fitness studios worldwide and offers options in boxing, martial arts, yoga, barre, pilates, spinning, HIIT training and much more. History: Founder of ClassPass, Payal Kadakia, found a way to channel her passion for dance into her work. As a graduate of MIT, Kadakia and her partner Mary Briggins began working on a startup called Classtivity which participated in a New York accelerator program TechStars. After participating, her original model transformed greatly. Classtivity went from a $49 monthly promotion to a $99 different pricing structure. Classtivity changed the name to ClassPass where they pitched a monthly gym-like membership for people who want a diverse exercise experience. By partnering with hundreds of studios, ClassPass offers its customers special prices at a variety of studios. Since its launch, ClassPass has had 30 million reservations made, partnered with 8,500 studios and branched to 39 cities. With a total of $84 million in seed money raised, ClassPass continues to move forward and expand. Headquarters: ClassPass headquarters are located in New York City, New York with additional offices in Sydney, San Francisco, and London. Founder & Management Team: Founder: Payal Kadakia Payal has been a dancer her entire life. In 2011, Payal’s passion for dance fueled her to start ClassPass. Before founding ClassPass, Payal graduated from MIT, worked as a consultant at Bain & Company and worked in the Strategy and Business Development department at Warner Music Group.
    [Show full text]
  • French Cinema Saw International Box Office Receipts Shrink, but Retained Its Place in Foreign Markets and Festivals
    23 rd RENDEZ-VOUS WITH FRENCH FILMS ON THE INTERNATIONAL MARKETPLACE FRENCH AND AT FESTIVALS CINEMA IN 2020 PARIS / JANUARY 13 - 15 2021 RESULTS FOR FRENCH FILMS ON THE INTERNATIONAL MARKET PLACE IN 2020 13.7* 86.6* MILLION MILLION ADMISSIONS EUROS down 69.8%* compared to 2019 IN RECEIPTS Note: In France, French films generated down 68.6%* compared to 2019 29.2** million admissions in 2020, down 60.7%** compared to 2019 IN 2020, FRENCH CINEMA SAW INTERNATIONAL BOX OFFICE RECEIPTS SHRINK, BUT RETAINED ITS PLACE IN FOREIGN MARKETS AND FESTIVALS » 9.5* million admissions (69.5%* of the total) for majority-French productions (38 million in 2019, down 75%*) » 10.6* million admissions (77.6%* of the total) for French-language films (26.9 million in 2019, down 60.6%*) » 611* French films on release in foreign theaters (869 in 2019, down 29.7%*) » 1,398* releases of French films (2,836 in 2019, down 50.7%*) » 2* French films sold more than 1 million tickets abroad (7 in 2019) » 28* French films drew more than 100,000 spectators abroad (68 in 2019) » Russia becomes the leading territory in terms of admissions for French films in 2020, ahead of Spain and Italy* » 163 French films were selected across 8 major international film festivals*** and accounted for 19.5% of the films presented (199 and 19% in 2019, down 18.1% and up 2.6%) Note: *The figures given in this brochure are provisional and non-exhaustive. The definitive figures will be available in the fall and will inevitably be higher.
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]