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April 1928) James Francis Cooke

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April 1928) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1928 Volume 46, Number 04 (April 1928) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 46, Number 04 (April 1928)." , (1928). https://digitalcommons.gardner-webb.edu/etude/755 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. w l 7he Journal of the ^Musical Home Everywhere'vncnnP'TP ' PRICE 25 CENTS $2.00 A YEAR April, 1928 Three Far-Famed American Song Composers A Wide Variety of Song Material for Concert, Home and Studio Use - NEIDLINGER ^ O’HARA The range of each song is indicated with small and capital letters. The first letter is the lowest note in \\ WILLIAM HAROLD NEIDLING- 1 A LTHOUGH Geoffrey O’Hara the song and the second letter is the highest note. A W ER, vocalist and composer, was ** ?" was bom in Chatham, Ontario, small letter tells that the note is helow or above the bom in Brooklyn in the year 1863. He >4 j Canada (in 1882), nevertheless he is ac- staff and the CAPITAL letter tells that it is on a took up the study of music in a serious if cepted as an American, his works having line or in a space within the staff. way at an early age first with Dudley •mrc been produced, and most of his life spent, Buck and C. C. Muller in New York, \ in this country. His early musical edu- later going to London to study with E. ^ ^ cation—vocal and composition—was the Dannreuther. During this early period sasssssa^f sSSt 1712-1714 CHESTNUT STRE THEODORE PRESSER CO. PHILADELPHIA, PA. DAY; APRIL 1928 Page 255 the etude THE ETUDE Huge Professional We Delight Directory Qan Tou T5ell? » POPULAR MUSIC In .Aiding SYNCOPATION RAPID PIANO 1. What two great vocal forms came into existence in 1600? You to Find 2. Who were John Bull and Ole Bull ? 3. In what two operas is a celebrated “Mad Scene” to be COURSE Suitable found; and who were their composers? POPULAR MUSIC and- 4. Who has been mentioned as “The greatest American com¬ Music poser ever born in Ireland and educated in Germany? SYNCOPATION 5. (a) In what Italian opera is the famous song, La Donna e Shefte Rapid Course-Vol. 1—Price $1.00 in U. S. A. Mobile? (b) What do these words mean? For beginners with no knowledge of music or who have had little teaching. 6. Who wrote the “Nutcracker Suite?” Shefte Rapid Course—Vol. 2—Price $1.00 in U. S. A. For those with fair knowledge of music. 7. What American singer was the first internationally Shefte Rapid Course—Vol. 3—Price $1.00 in U. S. A. known Carmen? For the advanced student and professional fianist. 8. How can one-twelfth of a beat, in four-four (common) A legitimate—fundamentally correct Piano Method endorsed by lead¬ time, be represented? ing American Authorities, a few of which endorsements appear below. 9. What is an overture ? 10. Who was t)ie greatest of American women violinists? TURN TO PAGE 326 AND CHECK UP YOUR ANSWERS. lave these questions and answers as ley appear in each^issue of The Etude Music Mao if ter month, and you will have fine e r-' riends. Teachers can make a scrap Dk of them for the benefit of early pupils or others wl f ?°/ffUe/hf rNewe,York :eception room reading table. e&*= What is a Symphony Concert ? By Dr. Orlando A. Mansfield The classical symphonies and, to a term symphony' concerts came to be ap¬ certain extent, modern symphonies also, plied, although somewhat inaccurately, to are, in substance, sonatas for full or¬ any series of concerts at each of which chestra ; that is, they ' are compositions a symphony was performed, or even to each of which consists of three or four choral or miscellaneous concerts at which movements, contrasted in form and style the performance of a symphony was and scored for the instruments found in merely occasional. This use of the term the best orchestras existing at the time of was scarcely justifiable, and the expression their production. And, of course, as com¬ has now become more properly and per¬ pared with the movements of the ordinary sistently applied to concerts given by pianoforte sonata, those of the symphony celebrated and more or less permanent are considerably longer and much more musical institutions or societies, in Europe fully developed. and America, at which “the performance Gradually, as the performances of of symphonic works is the main object in symphonies increased in importance and view.” No musical movement has grown frequency, during the last century, the more rapidly in the last twenty-five years. Jytusical Appreciation and ^Musical Form . By Eutoka Heller Nickelsen ^ v Every child should know: formed. It is named “Melodic,'’ because it 1. That each major scale has a relative avoids the harsh augmented second. minor scale. 6. That by a combination of the Melodic 2. That number six (the sub-mediant) Minor ascending and the Harmonic de¬ of a major scale becomes the tonic for its scending, the mixed Minor scale is formed. relative minor. 7. That the “raised seventh” occurs very 3. That the Natural Minor scale has no frequently throughout any composition altered tones. written in the minor mode. 4. That by raising the seventh tone one- 8. By a glance when the tonic close of a half step both ascending and descending, composition is in a major or minor key. the Harmonic Minor scale is formed. 9. That any key signature represents two 5. That by raising the sixth and seventh keys, either that of a major key or its rela- tones one-half step in the ascending scale and by canceling the altered tones in the 10. That the Minor mode is used to ex¬ descending scale, the Melodic Minor scale is press mystery, distress and sorrow. Knowledge acquired by students through the study of this course an Inventory ' makes an excellent foundation for more serious study. By Sarah A. Hanson Sent on approval to Piano Teachers EUROPEAN MUSIC TOUR The first of the year is a good time in what respects he can be further im- mentioning “THE ETUDE” with DR. EDGAR STILLMAN KELLEY to take an inventory of your musical pro- proved during the remainder of the school and DR. LeROY B. CAMPBELL gress during the past year and to make year. Such a review with an eye to com- HEAR TO0h^MSh>“'EtauSS»• f®reu,!Nteer. your plans for the future. Come to some mg events not only summarizes effectively FORSTER MUSIC PUBLISHER, Inc. SEE f„”d“n<i' aetm,SendrmnBooSet decision as to what you mean in your the work accomplished in the past but also LrttOY B. CAMPBELL. W4RRKX. PA. community musically and otherwise. gives a fresh outlook for the future, which 218 South Wabash Ave., Chicago, Ill. Take each pupil individually and see is very stimulating. -Please mention THE ETUDE when addressing our adversers. Page 257 TEE ETUDE THE ETUDE APRIL 1928 Page 2 56 APRIL 192ft iMothers and JYCusic Wee\ THE MAIN purpose of this depart¬ intendents and the principals. Under the ment is to assist the mother in guid¬ impetus of National Music Week such a ing and making pleasant the path of campaign ought to be successful. In pur¬ her children along the musical highway. suance of this movement she should write ^Mien the Band played We believe that she has a distinct re¬ the National Bureau for the Advancement sponsibility in this direction and that it of Music, 45 West 45th Street, New York is possible for her, even without actual City, and ask for copy of pamphlet en¬ his OWfl March... training in' the subject, to develop, control titled, “The Value of Musical Training To and keep alive a musical atmosphere in Children in the Schools of America,” and “A band in the street — a band — Our beautifully illustrated brochure tire home and, to a certain extent, in the "A Speech That Raised $2,000 for the a band!” Youngsters running, beckon- “Childhood and Music” will give you community. Band.” ing, shouting. Among them was a an intimate insight into child growth With this in view we want to emphasize Further: She can start a movement for boy of eleven whose voice was heard through music. i the mothers’ part in National" Music Week, the purchase of reproducing instruments above their clamor. It was his music You Are the Judge! which is from May the sixth to the and an adequate supply of rolls and records V/URLlIzER twelfth. It is not too early now to begin that the band was playing—the mili¬ for the public schools in order that the STUDIO UPRIGHT thinking about and planning for it, because, older children of the community, who have tary march he had composed for the Professional musicians for many years have taken our Extension Courses and pro- if it is a success, the mother will need missed out on music training in the early great Constantin, Grand Duke of all “The perfect instrument for small the cooperation of the children, their music fited by them.
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