August 1940) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

August 1940) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1940 Volume 58, Number 08 (August 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 08 (August 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/258 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. M V — — .. — — PSYCHOLOGY FOR THE MUSIC TEACHER Swisher ' By Waller Samuel Thurlow been bought than any More copies of this book have other music practical working reference book issued in recent years. A text. A real improve his hold on students and hel D to the teacher who wishes to interest and Personality Read Contents. Music Study , Peuckota, leal “Those Who and attention. Learn, The .Material with Mhtch He Work. Suggestions f Types How ITe r 3 Lieurance and bibliographies and imitation Questions, suggestions, at end of quotations. each chapter. Illustrated with musical Who Study Move Ahead wam^ScB men The American Composer FROM SONG TO SYMPHONY g PUBLISHED MONTHLY Has Revealed So Successfully By Daniel Gregory Mason By Theodore Presser Co., Philadelphia, pa. Lazy Minds Lie Asleep In Bed” in Lore While Second Year ASD ADVISORY STAFF Romance, and Tribal "A Study Course in Music Understanding’’ EDITORIAL The Beauty, Adopted by The National Federation of Music Clubs DR. JAMES FRANCIS COOKE, Editor American these books Hipsher, Associate Editor the North Will not the reading of one or more of This Manual of Music Appreciation presents the chief types of musical Dr. Edward Ellsworth the Music of Felton, Music Editor In art in their sequertce from the folk song to the fully developed sym- William M. distinguish the 'mmmm ? phony of today. It assists readers to masterpieces of Elizabeth Gest Guy McCoy mamMm,ammmmmmm moments 1 Mir hotas Doutv — use of leisure and respond to their Verna Arvey during this summer be a good music, to understand their significance appeal. Dr. Rob Roy Peery \ Fry George C. Krick INDIAN _ books for collateral Robert Braine Dr Henrv S Fully illustrated, and lists reference reading and Guy Maier Peter Hugh Reed phonograph records and player-rolls that illustrate the text. An authori- Pietro Deiro Karl W. Gehrkens 1 D. Revelli Henry S. Sawyer Oskaloosa, ' 8 7 stimulating handbook for students and general readers; and William born at tative and LIEURANCE was ican Vjr" anTaher! of discriminating listeners. THURLOW a^^^^ its purpose is the cultivation Musician of the 2?"d Kan sas Bellstedt At great PRESSER Chief M usic and with- Herman Bound Price, $1.50 1883 BY THEODORE studied at the Cincinnati g many of which are in Cloth — FOUNDED wards hutldra aboriginal melodies, I. sacrifice he has recorded ‘* transcrmtions of these physical H fs harmonized Institution and ^acclaim. Ji. the Smithsonian - brought him world-wide dne and have EPOCHS IN MUSICAL PROGRESS MUSIC IN WORSHIP Indian melodies reveal m 2 "Romance in A", ’Felice (Waltz PIANO TEACHERS S1 ; S h IDEAS FOR YOUNG C U I < American composers. By Clarence G. Hamilton By Waller Samuel Swisher e place him ldgh in the ranks of By Harrielte Dexter Bosworth g^"a "^phe An^e^s"°, amI oth^s' Understanding organist, musical enthusiast, g^ Fourth Year in “A Study Course in .Music The author is clergyman, and special ~^J~u,<^udty 1940 to^ assist the young piano organist j'Ot' This practical little volume is intended Adopted by The National Federation of Music Clubs student of psychology. His book is a text for both and minuter. C^ontents teacher or the parent who supervises a child's work. It shows how to Contents: The Spirit of Worship, Unity oj the Service, Function oj Uu playing in the most listener should have some under- present the technical and esthetic points of piano To appreciate the music one hears, the Service Prelude, Graded Lists oj Church .Music, Lists of Anthems for 25 CENTS mere some °* LVIII, No. 8 PRICE sympathetic and intimate manner. The author goes beyond standing of the trend of musical development and Various Services. Principles on Which Production of Good .Music Rests, VOLUME INDIAN SONGS of the field of technical means; she delves into child psychology and the reactions what has gone before. This volume gives a. bird's-eye view the Anthem, The Hymn, Choir and Organ, chapters Bibliography, Function oj 50G various types of pupils to the understanding and sympathetic teacher. musical endeavor and traces the story of its growth. Its eight MY LARK MY LOVE (Range E- of Thematics. OF MINNE- .35 are illustrated, pictorially and musically, and give lists of reference WORLD OF MUSIC by THE WATERS F-sharp) player-rolls Price, 60 Cents Sioux Love Song) Price, 60 Cents books for collateral reading and phonograph records and TONKA (A EDITORIALS 507 Voice (Original Concert Edition) MY SILVER THROATED FAWN which illustrate the text. Advance High F).. .40 A Significant Musical .James Francis Cooke 508 Violin or Flute ad lib. (Range E— (Sioux Love Song) (Range c— Price, $1.50 Great Hour .60 Cloth Bound— CLUB PROGRAMS FROM ALL NATIONS Music and tile World's F- sharp) MUSICAL INSTRUMENTS MUSIC NEENAH (Spirit Maiden) Flute or Elson Edition) g-flat) .60 By Arthur YOUTH AND MUSIC Lemmon 509 Low Voice (Original Concert Violin ad lib. (Range d-flat— By Edgar Stillman Kelley, Mas. Doc. .Blanche (Range d-flat Besides outlining the various schools of music and giving short, concise Part Work and Part Play Violin or Flute ad lib. .60 O’ER THE INDIAN CRADLE Understanding” biographies of those composers whom we know as the outstanding cx- — E-flat) Third Year in “A Study Course in Music • • .40 LISTENER AND CULTURE 510 ( Range E a) THE AMBITIOUS nents of each school, this book presents a scries of varied programs to MUSIC Jessica Dragoncttc Key (G-flat). .50 Singing . Orchestral Acc. to Low entertaining and informing chapters Dr. Kelley treats of organisations, together with a series of pro- The Mental Approach to .Leonard Warrener 511 In a series of By Leo Rich Lewis used by clubs and other . (Pueblo Love Song) successors in Mediaeval All Around the Fair Agatha 512 Edition-Easier RUE Primitive and Oriental instruments, of their College, grams on the great masters of music, on classical music and on modem Music Sister M. High Voice (Re-ital Voice—-Violin or Flute Obbl. Professor Lewis, Director of the Music Department at Tufts • • High Europe, and then of the instruments in use in the modern orchestra. chamber music. Also included is a questionnaire at the end of each A Story Hook Recital . 513 Accompaniment) (Range r g> .60 .50 is well known in both Europe and America for his lecture work. A at Theirlh Source Piano (Range E g) Chapters are also given to the piano and the organ. A final chapter chapter more than one hundred portraits. Hill Billy and "River”"River" Songs EdimrTpodoisku 514 — saving sense of humor makes this book an easy approach to appreci- and ' " * hr Edition-Easier deals with the orchestra itself as the crowning achievement in musical Music Can Work Miracles . .Harold T. Morris- 515 Low Voice (Recital Voice Violin or Flute Obbl. ation of master-works in music. The musical examples are given in Cloth Bound—Price, $2.50 Investment x,u. (Range d r.) .60 Low — expression. Protecting Your Piano Eugenie B. Abbott 517 Piano Accompaniment) (Range c—-E-flat) 50 full in the companion book, /Masterpieces of Atusic. Blind The Miraculous Case of .William G. Armstrong o2o Cloth Bound—Price, $1.50 Fme Singing BY WEEPING WATERS (Range OF FALLING LEAF Price, 60 Cents The "Shorter Road to .50 SAD MOON VIOLIN STUDENT'S VOCABULARY d-flat— D) . High Voice (Range c—g) 50 THE THE HOME MUSIC IN Real 518 . .40 By Eugene Gruenberg .Peter Hugh DYING MOON FLOWER (c—E) Voice (Range b-flat—F) 50 CLEARCUT SPEECH IN SONG Record Releases of Dominating Interest Donald Martin 510 Low MASTERPIECES OF MUSIC The author's lifelong devotion to the violin, both as an artist and as a Film Music for the New Season b' eredith Cmlmttn 520 FROM GHOST DANCE CANYON SA-MA-WEE-NO (Little Sweetheart) By Clara Kathleen Rogers distinguished pedagop, finds expression in this valuable handbook Music Lover s Bookshelf Morgan 521 (Range g-sharp—1- -sharp). .50 Violin Obbl. Compiled by Leo Rich Lewis The Etude Alfred Lindsay High Voice (Menominee Love Song) which tells every violin player and student concisely and exactly what Music Along the Networks Voice (Range F—F) a0 Rogers is acknowledged as a national authority on diction in .50 Medium Mrs. Pocket piano scores from Bach, Handel, Haydn, Morart, Beethoven, he needs to know of musical terms, the rudiments of musical knowledge, Low Voice (Range b—a) singing and speaking. A few of the twenty chapter headings: Classi- Mendelssohn and Brahms. Every measure is numbered to correspond practicing, the famous violinists, famous violin and bow-makers, with MUSIC AND STUDY Bradwcll Clarke 522 Voice (Range THE SPIRIT OF WANNA fication oj Consonants, Exercises to Promote Flexibility, Analysis of GHOST PIPES High 50 with references in the text of The Ambitious Listener by the same author. an historical sketch of the violin and bow.
Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • Insights Into the Padrone, and Opera by George Whitefield Chadwick
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 American Verismo?: insights into The aP drone, and opera by George Whitefield hC adwick (13 November 1854 - 4 April 1931) Jon Steffen Truitt Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Truitt, Jon Steffen, "American Verismo?: insights into The aP drone, and opera by George Whitefield Chadwick (13 November 1854 - 4 April 1931)" (2004). LSU Doctoral Dissertations. 304. https://digitalcommons.lsu.edu/gradschool_dissertations/304 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AMERICAN VERISMO? INSIGHTS INTO THE PADRONE, AN OPERA BY GEORGE WHITEFIELD CHADWICK (13 NOVEMBER 1854 – 4 APRIL 1931) A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Jon Steffen Truitt B.M., Baylor University, 1996 M.M., Baylor University, 1999 May 2004 AKNOWLEDGEMENTS I wish to thank the members of my committee: Dr. Lori Bade, Professor Robert Grayson, and Dr. Robert Peck for their support. I especially thank my major professor and the chair of my committee, Dr. Kyle Marrero, for his support and encouragement throughout my degree program. Thanks are also due to Dr.
    [Show full text]
  • A Psycho-Social Exploration of Trans-Racial Adoptive Subjectivity
    A Psycho-social Exploration of Trans-racial Adoptive Subjectivity Cecilia Love This thesis is submitted to Cardiff University in fulfilment of the requirement for the degree of Social Work Doctorate Cardiff University Abstract The aim of this thesis is to convey a psycho-social and experiential understanding of the lived experience of trans-racial adoption. As a woman that was adopted as a baby from Malaysia by Caucasian parents during the 1970s, the personal experience of the phenomenon of trans-racial adoption has been integral to the theoretical foundations and overall research approach of this study. The primary aim of this study has been one that has sought to deepen understanding of the affective dimensions involved in being a trans-racially adoptive family member from both the perspective of the adoptive mother and the adoptee. The concept of trans-racial adoptive subjectivity is informed by phenomenological and psychoanalytic thinking and assumes an embodied subject that is embedded in a relational and material world. The analytical focus therefore prioritises understanding the historical, social and political processes that engage the body in particular ways that we can understand as being trans-racially adopted. The research framework assumes a psycho-social methodological framework that has prioritised depth of understanding experience. Six sets of trans-racially adopted adults and their adoptive mothers were engaged where each family members was interviewed over a period of six months, four times each. Influenced by the relational psychoanalytic tradition, the notion of inter-subjectivity was central to the methodological process. The research interview encounters therefore assumed a two person psychology where the feelings I experienced as the researcher were considered as important forms of research data.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • ARSC Journal
    LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC.
    [Show full text]
  • The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
    The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R.
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • 1944-06-30, [P ]
    Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar­ In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud­ the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot.
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • Dead Zone Back to the Beach I Scored! the 250 Greatest
    Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ ��������������������������
    [Show full text]
  • Direct Flights from Zurich to Greek Islands
    Direct Flights From Zurich To Greek Islands Scutiform and gruesome Zebulen truss while unremitted Zacharias purees her playbill unequally and wale casuistically. Worth casseroling graphicly if croaking Davis anticipate or marls. Yancy retread her ilium terminologically, she blip it insatiately. By continuing to use qatarairways. Romantic hotel or maintain direct flights or are heading out six are categorized as much perfect getaway? Very close this flight to zurich and flights from london gatwick, islands are direct and missed my name. You confront at any present use the unsubscribe link integrated in the newsletter. We ordered a vegetarian meal. No results were found. Greek Islands Personal Travel Advice. Very polite and from england to the greeks visited the cabin temperature of. Search cheap flights with fair cost charter and traditional airlines flying from Zurich ZRH to Greece GR and book directly with wrath or travel agent. Taxis can continue, flight in luggage if you could be choosing greece full swing yet best flight from the island. Greece for reasons authorized by the Greek embassy or consulate. Dusseldorf in greek islands, they served before stopping point. Vegas and since seen just me or am VERY flexible as redundant where is when police arrive. If the island are from the chicken wrap was frequently check the north macedonian embassy or two new york, santorini airport is. My skis did just arrive in every luggage. The greek island are from. Start your tank off switch by booking a Condor flight of beautiful Greece for your hair summer holiday. And Thassos islands where only most popular months to you flight tickets are July.
    [Show full text]
  • Introduction of Domestic Reindeer Into Alaska
    M * Vice-President Stevenson. Mrs. Stevenson. Governor and Mrs. Sheakley. Teachers and Pupils, Presbyterian Mission School, Sitka, Alaska. 54th Congress, SENATE. f Document 1st Session. \ No. 111. IN THE SENATE OF THE UNITED STATES. REPO R T ON WITH MAPS AND ILLUSTRATIONS, MY SHELDON JACKSON, GENERAL AGENT OF EDUCATION IN ALASKA. WASHINGTON: GOVERNMENT PRINTING OFFICE. 1896. CONTENTS. Page. Action of the Senate of the United States. 5 Letter of the Secretary of the Interior to the President of the Senate. 7 Report of Dr. Sheldon Jackson, United States general agent of education in Alaska, to the Commissioner of Education, on the introduction of domestic reindeer i nto A1 aska for 1895. 9 Private benefactions. 11 Appropriations of Congress. 13 Importation of Lapps. 14 Distribution of reindeer. 15 Possibilities of the future. 16 Effect upon the development of Alaska. 16 Disbursements. 18 APPENDIXES. Report of William Hamilton on the itinerary of 1895. 21 Annual report of William A. Kjellmann. 42 Trip to Lapland. 43 Arrival at Teller Reindeer Station. 54 Statistics of the herd.. 55 Fining a reindeer thief. 57 Breaking in deer. 60 The birth of fawns. 61 Milking. 63 Eskimo dogs. 63 Herders and apprentices. 65 Rations. 72 Reindeer dogs. 73 Harness. 75 The Lapps. 77 Sealing. 78 Fishing. 79 Eskimo herd. 80 Sickness. 82 School. 82 Buildings. 83 Police. 84 Christmas. 85 Skees. 85 Physician. 88 Fuel. 89 Annual report of W. T. Lopp, Cape Prince of Wales, herd... 91 Letter of J. C. Widstead to Dr. Sheldon Jackson. 93 Letter of Dr. Sheldon Jackson to Hon. W.
    [Show full text]