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The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Want to Know What J.R. and Sue Ellen Ewing Talked About Behind the Scenes of “Dallas”?
Want to Know What J.R. and Sue Ellen Ewing Talked About Behind the Scenes of “Dallas”? Win Lunch with TV Star Linda Gray and Help Find a Cure for Alzheimer’s Disease SAN FRANCISCO (March 24, 2016) – Want to have a lunch you’ll never forget? On the 36th anniversary of J.R. being shot on TV’s “Dallas,” TV star Linda Gray (Sue Ellen Ewing) is offering new Brain Health Registry members a chance to win “Lunch with Linda.” The #GrayMatters contest, part of the actress’s ongoing effort to increase awareness for Alzheimer’s disease, encourages people to register for clinical trials and help find cures faster. The “Lunch with Linda” contest includes roundtrip airfare for two, ground transportation, hotel and lunch. For a chance to win, register by May 15, 2016 at http://join.brainhealthregistry.org/lunchwithlinda. #GrayMatters is part of a national outreach effort led by Global Alzheimer’s Platform Foundation to grow a registry of potential Alzheimer’s clinical trial candidates and accelerate a treatment for Alzheimer’s disease by 2025. Encouraging enrollment for clinical trials has been a major barrier in bringing promising medical treatments to the market, and more research is needed. Together with UC San Francisco’s Brain Health Registry, the national effort also includes support from major medical institutions across the country, including UCSF, researchers at Harvard Medical School, Emory University Alzheimer’s Disease Research Center, Alpert Medical School of Brown University, Cleveland Clinic’s Lou Ruvo Center for Brain Health, Neurostudies.net., and Brain Matters Research. Quote: “I lost my mother and a dear friend to Alzheimer’s disease and wanted to do something to help,” explained Linda Gray. -
Knots Landing
Genre en séries Cinéma, télévision, médias 8 | 2018 Femmes et féminité en évolution dans le cinéma et les séries anglophones Les héroïnes des nighttime soaps, figures du backlash des années 1980 Camille Dupuy Édition électronique URL : http://journals.openedition.org/ges/520 DOI : 10.4000/ges.520 ISSN : 2431-6563 Éditeur Presses universitaires de Bordeaux Référence électronique Camille Dupuy, « Les héroïnes des nighttime soaps, figures du backlash des années 1980 », Genre en séries [En ligne], 8 | 2018, mis en ligne le 01 décembre 2018, consulté le 18 février 2021. URL : http:// journals.openedition.org/ges/520 ; DOI : https://doi.org/10.4000/ges.520 Ce document a été généré automatiquement le 18 février 2021. La revue Genre en séries est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Les héroïnes des nighttime soaps, figures du backlash des années 1980 1 Les héroïnes des nighttime soaps, figures du backlash des années 1980 Camille Dupuy 1 Entre 1982 et 1987, Dallas (CBS, 1977-1991), Knots Landing (CBS, 1979-1991), Dynasty (ABC, 1981-1989) et Falcon Crest (CBS, 1981-1990) sont présentes systématiquement dans le classement des trente séries les plus regardées aux États-Unis, attirant des audiences très importantes. Ces quatre séries sont des nighttime soaps, des fictions diffusées de manière hebdomadaire en soirée dont le modèle narratif adapte celui des soap operas diffusés quotidiennement l’après-midi. L’une des caractéristiques principales du genre est la mise en scène d’intrigues concernant les relations personnelles et familiales. -
Dallas (1978 TV Series)
Dallas (1978 TV series) From Wikipedia, the free encyclopedia This article is about the original 1978–1991 television series. For the sequel, see Dallas (2012 TV series). Dallas is a long-running American prime time television soap opera that aired from April 2, 1978, to May 3, 1991, on CBS. The series revolves around a wealthy and feuding Texan family, the Ewings, who own the independent oil company Ewing Oil and the cattle-ranching land of Southfork. The series originally focused on the marriage of Bobby Ewing and Pamela Barnes, whose families were sworn enemies with each other. As the series progressed, oil tycoon J.R. Ewing grew to be the show's main character, whose schemes and dirty business became the show's trademark.[1] When the show ended in May 1991, J.R. was the only character to have appeared in every episode. The show was famous for its cliffhangers, including the Who shot J.R.? mystery. The 1980 episode Who Done It remains the second highest rated prime-time telecast ever.[2] The show also featured a "Dream Season", in which the entirety of the ninth season was revealed to have been a dream of Pam Ewing's. After 14 seasons, the series finale "Conundrum" aired in 1991. The show had a relatively ensemble cast. Larry Hagman stars as greedy, scheming oil tycoon J.R. Ewing, stage/screen actressBarbara Bel Geddes as family matriarch Miss Ellie and movie Western actor Jim Davis as Ewing patriarch Jock, his last role before his death in 1981. The series won four Emmy Awards, including a 1980 Outstanding Lead Actress in a Drama Series win for Bel Geddes. -
USA Cities Quiz
USA Cities Quiz Try our USA Cities Quiz & see how well you know the USA. Answers appear at the bottom. 1. Bobo, Burnt Corn, Eclectic and Intercourse are all located in which state? A) Alabama B) Ohio C) Mississippi D) New York 2. Which is not a New York City borough? A) Queens B) Coney Island C) Manhattan D) Brooklyn 3. How many museums and art galleries are in Los Angeles County? A) 561 B) 603 C) 699 D) 841 4. About which city did Carl Sandburg write a poem? A) New York City B) Boston C) Chicago D) Anchorage 5. The Jesse H. Jones Hall for the Performing Arts is located where? A) Los Angeles B) Houston C) Buffalo D) Fort Myers 6. Drexel University is located where? A) Philadelphia B) Hartford C) Seattle D) Boston 7. Hygiene, Last Chance, No Name, and Parachute are all located in which state? A) Michigan B) Missouri C) Colorado D) Georgia 8. John McCain’s home is here. A) Tucson B) Flagstaff C) Yuma D) Phoenix 9. Lackland Air Force Base is located here. A) Charleston B) Vandenberg C) Travis D) San Antonio 10. The economy of this city is influenced by its deepwater port, which includes the only major submarine and shipbuilding yards on the West Coast. A) Seattle B) San Diego C) San Francisco D) Portland 11. Dallas was a long-running American prime time television soap opera that revolved around a wealthy Texas family in the oil and cattle-ranching industries. The show was famous for its cliffhangers, including "Who shot J.R.?" Who played J.R.'s long-suffering, alcoholic wife Sue Ellen Ewing? A) Barbara Bel Geddes B) Karen Black C) Linda Gray D) Victoria Principal 12. -
Es Ist Das Öl, Stupid!
# 2012/26 dschungel https://www.jungle.world/artikel/2012/26/es-ist-das-oel-stupid »Dallas« kommt zurück Es ist das Öl, Stupid! Von robert zwarg Intrigen, Sex, Macht und Geld: Die US-amerikanische Achtziger-Jahre-Serie »Dallas« wird weitergeführt. Auch in der Neuauflage geht es um die Verderbtheit der Oberklasse. Es gehört zum Common Sense des kapitalistischen Alltagsbewusstseins, dass diejenigen, denen ein größerer Teil des Reichtums, der »ungeheuren Warensammlung« (Karl Marx), vergönnt ist, Ungeheuer sein müssen. Weil der gesamte Alltag darauf beruht, aus Geld mehr Geld zu machen, ist das Verhältnis zum Reichtum im strengen Sinne ambivalent. Zwei gegensätzliche Gefühle rumoren im Inneren des Subjekts: die Verlockungen von Luxus und Müßiggang und das Ressentiment gegen ihre Repräsentanten. Und so spiegelt es die Kulturindustrie den Konsumenten zurück: Zahlreiche Fernsehformate widmen sich dem Leben der »Superreichen«. Allerdings gibt es kaum einen Wohlhabenden in Film und Fernsehen, der nicht moralisch verdorben und skrupellos ist – außer, freilich, er ist Philanthrop. J. R. Ewing ist ein solcher Bösewicht. Als die Serie »Dallas« 1978 startete, gab es nur wenige Darstellungen von Reichtum und Luxus im amerikanischen Fernsehen. Es dominierten das Kleinbürgertum der Mittelklasse, das Arbeitermilieu oder das ländliche Amerika. Nicht nur wegen seines Milieus war »Dallas« für seine Zeit durchaus innovativ. Eine derart ausladende Inszenierung von familiären Intrigen, Sex und Alkoholsucht hatte das amerikanische Massenpublikum bis dahin nicht gesehen. In 14 Staffeln, bis zur Einstellung der Serie 1991, verfolgten Millionen von Menschen das Ränkespiel auf der texanischen Southfork Ranch und den Kampf um die Firma Ewing Oil. »Dallas« war nicht nur die erste Serie, die sich ausnahmslos auf die Oberklasse konzentrierte, sondern vielleicht auch das erste Fernsehformat, bei dem die Gesetze des Kapitals rücksichtslos auf die Produktion durchschlugen. -
Dallas, City of Hate
Alessandro Mercuri Dallas - City of Hate - "La commedia è finita !" (La comédie est terminée !) Pagliacci - opéra de Ruggero Leoncavallo - 1892 Telle une peinture de Roman Opalka, certains soap opéras durent toute une vie. La série télévisée Les Feux de l'amour (The Young and the Restless) est ainsi diffusée depuis quarante ans. En quarante saisons, printemps, étés automnes et hivers, des milliards de consommatrices et consommateurs (quatre fois plus de femmes) ont pu visionner plus de dix mille épisodes au rythme de deux cent cinquante numéros par an. En admettant qu'à vos risques et périls, vous puissiez en une autre dimension regarder en continu, vingt-quatre heures sur vingt-quatre, d'une seule traite, l'intégralité de ces 40 1 années (interruptions publicitaires exclues) de soap opéra, cela vous en coûtera, telle une grossesse, neuf mois de votre vie. Depuis les origines des Feux de l'amour, le nombre de chaînes de télévision d'information et de loisirs émettant sans interruption s'est démultiplié de manière exponentielle. Mais les dizaines de milliers de chaînes de par le monde sont en réalité peu nombreuses comparées à d'autres programmes télévisuels de l'absolue télé-réalité que constituent les caméras de surveillance. On n'en compterait pas moins d'un million en France et trente fois plus aux États-Unis, filmant de jour comme de nuit, sous la pluie, le soleil, en contre-jour, en sous sol, en hauteur, en extérieur, en intérieur, dans l'espace public, dans la sphère privée, sans même compter dans le creux de votre main... l'objectif vidéo de nos téléphones mobiles. -
The Daily Brief Podcast: 30 of TV's Most Diversity-Defining Moments
The Daily Brief Podcast: 30 of TV's Most Diversity-Defining Moments 04.02.2018 As a precursor to Tuesday's Multicultural TV Summit in New York City, which focuses on creating content for specific audience segments defined by age, ethnicity or race, gender, nationality or sexual preference, Daily Brief contributor Marc Berman compiled a timeline of some of TV's most important moments of diversity. The list highlights each of the aforementioned defining factors - including two shows featuring TV's favorite redhead, Lucille Ball; four Norman Lear sitcoms; three current series and, of course, Ellen DeGeneres' landmark coming-out episode. The list pinpoints some of the pivotal moments that helped turn today's TV landscape into the melting pot that it is, although there's always work to be done. Along with compiling the extensive list below, Berman spoke to PromaxBDA Editorial Director Paige Albiniak about his findings on today's episode of The Daily Brief Podcast. July 3, 1950: The Hazel Scott Show (DuMont) The common perception is The Nat King Cole Show in 1956 was the first variety series hosted by an African American performer. But it was actually this 15-minute summer series six years earlier, hosted by Trinidad-born singer and pianist Hazel Scott that owns that distinction. June 28, 1951: Amos 'N' Andy (CBS) Based on the radio of the same name, where two white actors originated the two lead characters, an all-black ensemble cast populated the Harlem, New York-based sitcom version (led by Alvin Childress as Amos and Spencer Williams, Jr. -
For Peer Review
Television and New Media Cult TV Revival: Generational Seriality, Recap Culture, and the “Brand Gap” of Twin Peaks: The Return Journal:For Television Peer and New MediaReview Manuscript ID TVNM-17-0076.R2 Manuscript Type: Special Issue <i>Twin Peaks</i>, David Lynch, cult revival, quality TV, seriality, Keywords: generation http://mc.manuscriptcentral.com/tvnm Page 1 of 34 Television and New Media 1 2 3 Cult TV Revival: Generational Seriality, Recap Culture, and the “Brand 4 5 Gap” of Twin Peaks: The Return 1 6 7 8 9 10 Of late, TV seriality has become not just a matter of textual analysis but also 11 12 intertextual analysis as texts from the cultural past are variously revived and 13 14 reimagined. Critics have sought to name this trend, arguing for the ‘re-quel’ as 15 16 a useful term (Pinkerton 2016, 34). For example, writing in Sight & Sound 17 18 For Peer Review 19 Nick Pinkerton argues that re-quels act simultaneously as sequels and as 20 21 restatements of key elements from their previous textual incarnations. By 22 23 introducing new, younger characters alongside ageing favourites, franchises 24 25 can strategically facilitate a “baton passage of Q [diegetic] worlds from one 26 27 generation to the next” (Pinkerton 2016, 34). In such continuations, then, the 28 29 30 issue of cross-generational transfer necessarily becomes significant (Lizardi 31 32 2017). 33 34 Cult TV has proffered a number of re-quels (e.g. Doctor Who; Star 35 36 Trek: The Next Generation; The Prisoner) given that it tends to have 37 38 39 established fan loyalty and brand recognition. -
Watching Dallas Again 3 Heesakkers, Toon; Van Hoof, Ward; Jager, Anne; Gilroy, Amanda
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen Watching Dallas again 3 Heesakkers, Toon; van Hoof, Ward; Jager, Anne; Gilroy, Amanda Published in: Transformative Works and Cultures DOI: 10.3983/twc.2015.0649 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2014 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Heesakkers, T., van Hoof, W., Jager, A., & Gilroy, A. (2014). Watching Dallas again 3: Reassessing Ien Ang's Watching Dallas. Transformative Works and Cultures, 19. https://doi.org/10.3983/twc.2015.0649 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 8/29/2018 View of Watching "Dallas" again 3: Reassessing Ien Ang's "Watching Dallas" | Transformative Works and Cultures P Watching Dallas again 3: Reassessing Ien Ang's Watching Dallas Toon Heesakkers, Ward van Hoof, Anne Jager, and Amanda Gilroy University of Groningen, Groningen, The Netherlands [0.1] Abstract—This audience reception project performs an audience study of the first season of the new Dallas (2012–14). -
A PARTIR DU SAMEDI 22 JUIN 2013 20:50 Le Grand Retour Des Ewing
A PARTIR DU SAMEDI 22 JUIN 2013 20:50 LE GRAND RETOUR DES EWING Achevée en 1991 après quatorze saisons, "Dallas, ton univers impitoyable…" cette pendant que le machiavélique J.R., la série la plus célèbre au monde fait chanson culte, remise au goût du jour, va à loin des tourments sentimentaux de son grand retour. Diffusée depuis juin nouveau résonner dans toutes les têtes.* son frère, défendait l’empire familial. 2012 sur la chaîne américaine TNT, la Diffusée de 1978 à 1991 sur la chaîne Aventures amoureuses, rebondissements, nouvelle version de DAllas compte américaine CBS et dans plusieurs pays, accidents, coups bas, enfants illégitimes, Dallas a rythmé les soirées de dizaines mensonges et trahisons ont bercé déjà deux saisons. Drames, trahisons, de millions de téléspectateurs à travers le les 356 épisodes que compte la série. querelles amoureuses sur fond d’indus- monde. La puissante et riche famille Ewing trie pétrolière, retour des anciens et installée dans son ranch de Southfork et LA NOUVELLE GÉNÉRATION conflits au sein de la nouvelle génération le clan Barnes, en froid depuis plusieurs Ewing, le nouveau DAllas tient toutes générations, se sont livré une lutte sans Vingt et un ans après l’arrêt de Dallas, merci. Au cœur de cette guerre incessante, les héros mythiques du feuilleton le plus ses promesses. Bobby Ewing et Pamela Barnes s’efforçaient connu au monde, J.R. (Larry Hagman), de vivre leur histoire d’amour impossible Bobby (Patrick Duffy) et Sue Ellen 2 (Linda Gray) font leur grand retour. présence d’Elena ( Jordana Brewster), J.R. et Bobby, font une apparition. -
November Events 2014.Xlsx
DATE TITLE NAME DESCRIPTION November 1, 2014 ALGERIA: REVOLUTION DAY ALGERI National holiday. Commemorates beginning of revolt against France in 1954. Roman Catholic Holy Day of Obligation. Commemorates the blessed, especially those who have no special feast days. Observed on Nov 1 since Pope Gregory IV set the date of recognition in AD 835. November 1, 2014 ALL HALLOWS or ALL SAINTS' DAY ALL HAL All Saints' Day is a legal holiday in Louisiana. Halloween is the evening before All Hallows Day. American Diabetes Month is designed to communicate the seriousness of diabetes and the importance of proper diabetes control and treatment to those diagnosed with the disease and their families. Throughout the month, the American Diabetes Association holds special events and Nov 1‐30 AMERICAN DIABETES MONTH AMERICAN DIABETES MO programs on a variety of topics related to diabetes care and treatment. November 1, 2014 ANTIGUA AND BARBUDA: INDEPENDENCE DAY ANTIGU NAT National holiday. Commemorates independence from Britain in 1981. Anniversary of aeronautical experiments in November 1782 (exact dates unknown) by Joseph Michel Montgolfier and Jacques Etienne Montgolfier, brothers living at Annonay, France. Inspired by Joseph Priestley's book Experiments Relating to the Different Kinds of Air, the brothers experimented with filling paper and fabric bags with smoke and hot air, leading to the invention of the hot‐air balloon, Nov 1‐30 AVIATION HISTORY MONTH AVIATI HI man's first flight and the entire science of aviation and flight. What sweet memories we share of family sitting down together eating their banana pudding dessert. Banana Pudding Lovers Month is a time for families to re‐create the memories of their happy childhood, or start creating memories for your own children! Let's pass the tradition from one Nov 1‐30 BANANA PUDDING LOVERS MONTH BANANA PUDDING generation to another.