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Adult Contemporary
ADULT CONTEMPORARY Click to open ‘bookmarks’ on left side for easier search Song Title Artist Song Title Artist TURN THE BEAT AROUND GLORIA ESTEFAN POMP & CIRCUMSTANCE BOSTON POPS FADE INTO YOU MAZZY STAR NOBODY DOES IT BETTER CARLY SIMON DREAM ON AEROSMITH POWER OF LOVE CELINE DION ALL OUT OF LOVE AIR SUPPLY BEHIND CLOSED DOORS CHARLIE RICH HEAD OVER FEET ALANIS MORISSETTE THE MOST BEAUTIFUL GIRL CHARLIE RICH IRONIC ALANIZ MORISSETTE WICKED GAME CHRIS ISAAK EVERY HEARTBEAT AMY GRANT I WILL TAKE YOU FOREVER CHRISTOPHER CROSS LOVE STORY ANDY WILLIAMS SAILING CHRISTOPHER CROSS MAY EACH DAY ANDY WILLIAMS LONGER DAN FOGELBERG MOON RIVER ANDY WILLIAMS SOMETIMES WHEN WE TOUCH DAN HILL MORE ANDY WILLIAMS GOOD TIMES DAN SEALS THEME FROM THE GODFATHER ANDY WILLIAMS WHERE ARE YOU GOING DAVE MATTHEWS WISHIN & HOPIN ANI DEFRANCO WAIT A LITTLE WHILE DAVEKOZ I ONLY HAVE EYES FOR YOU ART GARFUNKEL LADY IS A TRAMP DAVID HUNTSINGER EVERGREEN BARBARA STREISAND THAT'S WHAT FRIENDS ARE FOR DIONNE WARWICK MEMORY BARBARA STREISAND NEVER ON A SUNDAY DON COSTA BARBRA STREISAND / HEARTACHE TONIGHT EAGLES I FINALLY FOUND SOMEONE BRYAN ADAMS SHINING STAR EARTH WIND & FIRE BARBRA STREISAND / NEIL LA VIE EN ROSE EDITH PIAF YOU DON'T BRING ME FLOWERS DIAMOND I'LL BE EDWIN MCCAIN COPACABANA 1993 BARRY MANILOW BLESSED ELTON JOHN I WRITE THE SONGS BARRY MANILOW CIRCLE OF LIFE ELTON JOHN MANDY BARRY MANILOW ROCKET MAN ELTON JOHN BOOGIE WOOGIE BUGLE BOY BETTE MIDLER TINY DANCER ELTON JOHN FROM A DISTANCE BETTE MIDLER ENGELBERT THE ROSE BETTE MIDLER AFTER THE LOVIN' HUMPERDINCK -
The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T. -
The Tim Ferriss Show Transcripts Episode 124: Jamie Foxx Show Notes and Links at Tim.Blog/Podcast
The Tim Ferriss Show Transcripts Episode 124: Jamie Foxx Show notes and links at tim.blog/podcast Tim Ferriss: Jamie, welcome to the show. Jamie Foxx: Man, thanks buddy. Tim Ferriss: I am so excited to be here. I'm admiring your setup, here. Jamie Foxx: Crazy, right? Tim Ferriss: This is where the magic happens. Jamie Foxx: To be honest with you, a lot of magic happens here. For the people that are listening, we are actually in my studio, my home studios. Studios – we’re talking about tech world. Studios, because of tech world, a lot of them dissipated in closed doors. Because if you think about when LMFAO came around, they didn’t need studios. They did all of their music on a laptop, flying from here to Germany or whatever like that and just dumped it onto – just pressed up the CD or the iTunes. So studios have almost become obsolete. But there’s something very interesting about this studio. First, just for people that are listening, this studio – and I'll describe it – it’s sort of plush, the carpet’s great, we can sit next to a grand piano. You hear the grand piano? [Plays piano] So we keep a grand piano around just to make sure we don’t get too techy. But what’s interesting about it is, it’s actually electric. But it’s an electric grand piano so we still have the wood to give you that warm sound. I think it makes a lot of sense because as music starts to progress, because of the way we record now, sometimes you lose a little bit of the heart of it. -
A Rhythmic Analysis of Rap - What Can We Learn from ‘Flow’?
A Rhythmic Analysis of Rap - What can we learn from ‘flow’? A thesis submitted in partial fulfilment of the requirements for the degree of Masters of Linguistics in the University of Canterbury by Iskandar Rhys Davis March 2017 Contents Chapter I: Introduction ........................................................................................................... 1 1.1 Purpose and goals of investigating rap rhythm ........................................................... 1 1.2 Hip-Hop roots .............................................................................................................. 2 1.2.1 MCs and DJs ........................................................................................................ 2 1.2.2 Where rap began .................................................................................................. 3 1.2.3 Progression of rap content ................................................................................... 4 1.2.4 The use of sampling ............................................................................................. 6 1.3 An introduction to flow ............................................................................................... 7 1.4 Rap arenas and their influence on rap style............................................................... 10 1.4.1 Different rap forms ............................................................................................ 11 1.4.2 The mainstream vs. underground debate .......................................................... -
Introduction a FIRST Music DJ Is a Part of the Team/Crew Firstly, and Must Understand That the Event and the Games Are the Show
Introduction A FIRST music DJ is a part of the team/crew firstly, and must understand that the event and the games are The Show. The DJ's performance, however, can make or break the event. Hitting the cues, playing the right tunes, and being consistent, brings out a sense of professionalism that will endure the performance to everyone involved. This is a sporting event, not a radio-station, or someone's iPod, or even a club. The focus is much different. The music must be upbeat and positive, may contain interactive elements, and during matches can create tension and suspense. But the bottom line is that at the end of the day "everybody has a good time", including the DJ. This playbook is written with the intent of taking some of the guesswork out of "what to play and when". It is written with much love for this genre that I call Sportsmusic… The Goal Create a playlist of music that will not only be inspiring, motivating, and uplifting but one that will also create a positive atmosphere that promotes gracious professionalism. We will accomplish this by creating files that are edited to give a "tighter" flow to the games. Create a pattern that is easy to follow with limited chance for downtime or "dead-air". The Game Every year the organizers create a different "game" for the robots. But the pattern and process is the same for the DJ. The "M.C." introduces each team in a 3-team alliance, which plays another 3-team alliance. The robots get in place for part 1 of the match: The Autonomous Period, where the robots must compete without any human intervention. -
Death of Roger Troutman
Death of Roger Troutman Written by Westside ID132 Friday, 24 September 2004 15:37 - Brothers Roger and Larry Troutman, founding members of seminal ''80s funk outfit Zapp, were found dead Sunday (April 25) morning near their Dayton, Ohio recording studio in an apparent murder-suicide. Roger Troutman, 47, was found just outside the studio with several gunshots to his torso, according to the Associated Press. He died while in surgery at the Good Samaritan Hospital and Health Center. Roger's brother Larry was found dead in a car a few blocks away with a single gunshot wound to the head. Investigators believe the wound was self-inflicted, but won''t know for a few days whether a handgun found in the vehicle was the same as that responsible for Roger's death. Roger and Larry Troutman founded Zapp in 1975, along with their brothers Lester and Terry Troutman. The group became an important part of the funk scene in the early ''80s with such hit records as "More Bounce to the Ounce," "Dance Floor," and "Doo Wa Ditty." Roger, lead singer and guitarist for the group, frequently used a vocoder voice- distortion box for his lead vocals. The group's future-funk vibe provided the transition between the sloppy grooves of Parliament in the late ''70s and the early electro foundations of hip-hop in the early ''80s. Later in the decade, Roger went solo and earned a crossover hit with the record "I Want To Be Your Man." He later rejoined the family group under the moniker Zapp & Roger. -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
Music Therapy Master Song Resource List
University of Kansas Music Therapy Song Repertoire Resource List Spring 2021 The KU music therapy song repertoire resource list acts as a reference for music therapy students as they work to develop a diverse repertoire of songs for use in their musical, pre-clinical, and clinical work. As such, it is a both a document of important songs that have historically been used in music therapy processes, and a living, breathing document that will be updated intermittently to maintain the dynamic of new musics. Songs are categorized and divided into music genres. Genres provide some level of diversity. Current genres in the book are provided as a general list on page 2, and then each genre is presented alphabetically, with songs in each genre also presented alphabetically. This approach helps to make finding songs easier. Some songs will be cross-referenced. Each song will include either an original artist or the song’s author (or both), as well as the year the song was written. This list can help students learn more songs, not only for singing and accompaniment purposes, but also for using recordings of songs when appropriate. Students are strongly encouraged to locate and listen to original recordings of songs to help their learning processes. Original notation in lead sheets is also helpful, especially for students that excel in reading. A good ear and solid music reading skills help for music therapists to be efficient in their learning of new songs. Also, looking up the history of a song helps a clinician make important decisions on how the music may connect with a client, increasing the potential for its effective use. -
`T|Äéüwxü Vtàtäéz ÇÉA GC
Mutant Pop `t|ÄÉÜwxÜ VtàtÄÉz ÇÉA GC • REV. NØRB • MAXIE SOMETHINGTON • JESSE KIMBALL • • LEW A-GO-GO • J.B. RUTLEDGE • T. CHANDLER • • ENOUGH CRAP TO BUY TO KEEP YA BROKE FOR WEEKS • free ^Gjg_Geyrthc& dct[ cnhfy› cjtlbyzqntcmˆ • Gjlgbcfyj d gtxfnm% 20.V.02 • Nbhf;% 3 000 ”rp= ™ get you another backdoor Anthony-Mason-ing) (or Cardinal Sin, which is actually the name of the guy who runs the Catholic Church in like Reverend Nørb the Philippines or El Salvador or somewhere [seriously] [oh well, i THE MAN WHO RESEMBLES shouldn’t be surprised — the name of the current bishop of the Green Bay diocese is Rob Banks]) that the CD-R thang is the “future of the A GIANT GESTICULATING underground label.” I mean, yeah, it kinda makes sense -- control the means of production, bro’ — peace, land, bread, Fruity Pebbles™, GRASSHOPPER power to the people, etc. etc. etc.— but, then again, what the fuck’s a CD burner other than the newfangled version of the dual cassette deck? Dear Timbo... Furthermore, if anyone who really gives a rat’s ass goes out and se- cures CD-R-making apparatus, wouldn’t that eliminate the need for What You Did Was Not Very Nice, underground record labels entirely? I mean, if Dee Dee Brockington So Now I Will Have To KILL YOU from the Brockingtons™ decides that he wants to burn a hundred or ten or a thousand copies of his band’s recording onto CD-R, buys a ...Or, Worse Yet, Review Your SRCDs! CD burner and has at it, of what use is the pocket-stuffing middleman (er, that’s actually a permutation of a Eugene Chadbourne album title, who is Mutant Pop™ or Bulge? Okay, sure, Mutant Pop™ has like a inflicted on you for no apparent reason other than the fact that i al- catalog and a website and a mailing list and all that good stuff, which ways liked that album title. -
The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie . -
Istanbul Technical University Graduate School of Arts
ISTANBUL TECHNICAL UNIVERSITY « GRADUATE SCHOOL OF ARTS AND SOCIAL SCIENCES RELATIONSHIP BETWEEN SAMPLE SELECTION AND TECHNOLOGICAL DEVELOPMENTS OF SAMPLERS IN SAMPLE BASED HIP-HOP M.A. THESIS Kerem ERGENER Department of Music Music Programme JUNE, 2019 ISTANBUL TECHNICAL UNIVERSITY « GRADUATE SCHOOL OF ARTS AND SOCIAL SCIENCES RELATIONSHIP BETWEEN SAMPLE SELECTION AND TECHNOLOGICAL DEVELOPMENTS OF SAMPLERS IN SAMPLE BASED HIP-HOP M.A. THESIS Kerem ERGENER (409161110) Department of Music Music Programme Thesis Advisor: Assist. Prof. Gökhan Deneç JUNE, 2019 İSTANBUL TEKNİK ÜNİVERSİTESİ « SOSYAL BİLİMLER ENSTİTÜSÜ ÖRNEKLEMEYE DAYALI HIP-HOP MÜZİKTE ÖRNEK SEÇİMİ VE ÖRNEKLEYİCİLERİN TEKNOLOJİK GELİŞİMİ ARASINDAKİ İLİŞKİ YÜKSEK LİSANS TEZİ Kerem ERGENER (40916110) MüZik Anabilim Dalı MüZik Programı TeZ Danışmanı: Dr. Öğr. Üyesi Gökhan Deneç HAZİRAN, 2019 Kerem Ergener, a M.A. student of ITU Graduate School of Arts and Social Sciences student ID 409161110, successfully defended the thesis/dissertation entitled “The Relationship Between Sample Selection and Technological Developments of Samples in Sample-Based Hip-Hop”, which he prepared after fulfilling the requirements specified in the associated legislations, before the jury whose signatures are below. Thesis Advisor : Assist. Prof. Gökhan DENEÇ ............................. Istanbul Technical University Jury Members : Assoc. Prof. Cevdet EREK ............................. Istanbul Technical University Assoc. Prof. Yahya Burak TAMER .............................. Bahçeşehir University Date of Submission : 03 May 2019 Date of Defense : 13 June 2019 v vi To my grandparents, Keriman and Ahmet Erdoğan Sakarya, vii viii FOREWORD In my childhood, the vinyl record was in its silent period. I bought my first vinyl record in 2010 and it was a reissue of Pink Floyd’s “Dark Side of The Moon”. I didn’t have a turntable, but I bought it anyways. -
The Blues/Funk Futurism of Roger Troutman 119
The Blues/Funk Futurism of Roger Troutman 119 The Blues/Funk Futurism of Roger Troutman Scot Brown More than a decade after his tragic death, the sonic innovations of Roger Troutman—known simply as Roger and leader of the group called Zapp— continue to influence pop music. Contemporary artists such as Kanye, Akon, and T-Pain owe a tremendous debt to Roger’s brand of electronic funk. Though reigning supreme during the 1980s, his sound built on the commingling of technology and futuristic representations in film and television decades earlier. Beyond television and movie screens, African American musical artists cre- ated accessible avenues for futuristic representation through musical art. Lyr- ics, concepts, costumes, and album cover art, from a range of musical styles, evoked futuristic imagery set in outer space or imaginary places to frame com- mentaries on love, human possibility, politics, and racial conflict. Musical il- lustrations of the future were often textured by new technologies of sound used in scores for postwar science fiction film and television. Tonal companions to the American Aquarian age were wrought with technological enthusiasm and anxieties—most notably expressed in numerous guitar effects (popularized by Jimi Hendrix) and the synthesizer, which, in keeping with its namesake, created analogues to traditional sounds and synthesized altogether new ones. Roger Troutman is most known for expanding the range and melodic possi- bilities of the talk box or voice box—a device that allows an artist to fuse vocal patterns with the sound emitted by electronic instruments and mimic speech. After more than twenty years as a regional midwestern act, Roger and his broth- 0026-3079/2013/5204-119$2.50/0 American Studies, 52:4 (2013): 119-123 119 120 Scot Brown ers’ group Zapp emerged with the 1980 single “More Bounce to the Ounce,” which introduced audiences to his signature talk box style.