The Paper Vol. II No. 16

Total Page:16

File Type:pdf, Size:1020Kb

The Paper Vol. II No. 16 Academic Freedom Report rfie Masked Bureaucrat Rides Again! By MICHAEL KINDMAN In England, as every college fresh­ The responsibility to secure, re­ man knows, there is no written con­ spect and protect such opportunities stitution, but rather a complex set of and conditions is shared by all mem­ precedents and historical documents bers of the academic community. .." which together represent the sum of ". .If the Student Board of ASMSU English "common law." The United and the Faculty Committee of Student States, on the other hand, has a writ­ Affairs disagree over the regulations, ten constitution dripping with venera- the Vice President for Student Af­ bility, made up in the early days of fairs shall refer them to an ad hoc independence in an attempt to codify Conference Committee consisting of the legal basis of life in the chosen two students, appointed by the Chair­ land and steadily improved upon ever man of the Student Board of ASMSU, since. and two members of the Faculty Com­ The Faculty Committee on Student mittee on Student Affairs, appointed Affairs of Michigan State University, by the Chairman of that committee. never a group to pass up a good The Conference Committee shall thing, has over the past year or so study the points of disagreement and attempted to combine the two sys­ forward its recommendations to the tems—by including both down-home Student Board of ASMSU and to the folk wisdom and complex legalisms Faculty Committee on Student Af­ in its lengthy proposal of revised fairs. If both bodies accept the recom­ student regulations for the univer­ mendations, the Vice President for sity, which it painfully produced af­ Student Affairs shall make public his ter studying the existing rules for decision regarding the regulations several terms. The document the committee has produced—which is ". .The basic purposes of the now a mere two steps from becom­ University are the enlargement, dis­ ing university law—has a nearly un- semination and application of know­ matchable style and elan. Note the ledge. The most basic necessity for clever blending and counterpoint of the achievement of these purposes is traditions: freedom of expression and communi­ "Each right of an individual places cation. Without this freedom, effective a reciprocal duty upon others: the sifting and testing of ideas ceases duty to permit the individual to ex­ and research, testing, and learning ercise the right. ." are stifled. Knowledge is as broad "Cases involving alleged viola­ and diverse as life itself, and the tions of regulations under the juris­ need for freedom is equally broad diction of a living unit judiciary shall be referred to that judiciary by the Get the idea(s)? Somewhere in the administrative officer of the unit. A report, there is a little homespun living unit judiciary may waive jur­ platitude to explain or to rational­ isdiction over any case and refer it ize practically everything the uni­ to the All-University Student Judici­ versity does; there is also enough ary. ." bureaucratic circumlocution to choke "The freedom and effectiveness of any respectable cow. the educational process depend upon "BASICALLY A SOUM0 OOCUMEA/T --/VOW THAT I'VE There are some very good things in the provision of appropriate condi­ the report, I had better say for the tions and opportunities for learning. £Lir4tt4AT£D A FEVi MINOR FLAWS." continued on page 12 THE PAPER FORI HI MAN DEMONSTRATING HIS Sinclair on Sinclair SUPERIORITY OVER ANIMALS. that intellect bag The new PAPER just arrived, and analysis change, etc. All that's just I'll take it in lieu of a letter as it for his information, to demonstrate seems to happily answer my questions that I know where I'm at and why, etc. of last week, i.e. about the column, I mean these guys have got to stop poems, etc. Thanks for running the being so SCARED about everything W.S. poem last week, along with that's happening — their precious Tyner's cartoon—I was (we both were) intellects will still carry them happy to see them together in such through, if that's what they need. I a context, and of course that's one used to write for all kinds of non- of my favorite Cobb cartoons, too, left-hippy publications but now would the one you ran. much much rather write for the news­ Haven't had time yet asitjustcame papers and related publications as for to read the new PAPER through, but did read Larry Tate's critical "open letter"--it's too bad he's so hung up with all the "pure intellect- Another Open Letter ualism" etc.—maybe you can cool him out as far as his position on Sinclair is concerned by letting him Messrs. Kindman and Tate: an elaborate set of Carlylean clothes know that I too was once an under­ For your Missed Point Department: pretending to be an emperor. graduate intellectual, concerned with "I needn't defend my interest in The highest objective of a non- values, etc., edited my college news­ dialogue and freedom of expression" establishment paper should be the paper in the best modern liberal (Mike Kindman, "A Brief Response development of a style which cuts style (The Word, U of M Flint Col­ . .," 13 Feb.). The existence of through sartorial trappings to the lege), published in Liberation, read THE PAPER affirms Mr. Kindman's core, the meaning of ideas, events, Norman Mailer and almost Saul Bel­ interest in these, and defense is cer­ tendencies, etc. Such a paper would low seriously, went to B ergman flicks, tainly not necessary to the readers assist the earnest intellect to per­ president of U of M Flint College of any non-establishment paper. But ceive the absurdity both of the State Cinema Guild, Unitarian Church, etc., THE PAPER falls far short of demon­ Department's be-f r ee-or»die pro­ Grad School in English Lit at Wayne, strating that essential activity and the nouncements and of rhe advertise­ all credits completed, Master's Essay reason is not a subordination of style ment (Feb. 13 issue) on William B ur rough's "Naked me they're the most exciting literary to "Other considerations"; rather it is book of poetry-prayers, whose Lunch," etc., and it's taken me all development in the world as far as a burying of those considerations un­ is the transcension of mere salf* I can see. My own identity was bound der stylistic poses trying to pass for AUTOgraphed by the author. I have--^ this time to work through all that come to doubt that such honest bal­ shit to get where I'm at now—and the up with the existence of the little ideas. magazines, but as far as I'm present­ If THE PAPER'S primary function ance is possible in a paper whose use of lysergic acid has helped a style of writing and composition is great deal. Peyote experience in 1963 ly concerned the little magazine is is "coalescing those thoughts, events, DEAD—the papers are much more the sine qua non to which ideas are first turned me around, set me tendencies and unarticulated feel­ mere camp followers. straight, etc., after going through public, faster to get -out, regular, ings," whatever their source, it would whole Freudian - existential - self- get to more people, etc., etc., YES. seem the worst way to serve that What Mr. Tate wants for THE PA­ function to present them in a still PER is the fine and lucid style that JOHN SINCLAIR unarticulated form. Indeed I can not marks the clear and lucid mind. What believe Mr. Kindman would be satis­ he sees is the chaos of nascence fied with merely coalescing them; elevated into a fixed stylistic posi­ the Union Grill does this. tion which, since it distorts content, THE PAPER In a time when the establishment must arrest the development of the press has lost touch with ideas and thought it is supposed to represent. THE PAPER is published weekly during regular school terms by when a nascent community of in­ This is the antithesis of the truely students of Michigan State University and many of their off-campus tellects is groping toward ideas im­ free press. It takes McLuhan's de­ portant to the whole community, the scription of mixed media and converts friends. It is intended as a channel for expression and communica­ it into a prescription, media-mix, tion of those ideas, events and creative impulses which make of the essential function of an "underground which is anathema to the flexibility university community a fertile ground for the growth of human press" must be one of interpretation, Mr. Kindman professes. learning. THE PAPER hopes to help the university strive toward not coalescence. Unarticulated feel­ fulfillment of the highest ideals of learning and free inquiry by re­ ings, tendencies, random events, I have approached the sense of Mr. porting and commenting on the university experience and by en­ chance thoughts, however brilliant or Tate's letter with an intellect and a couraging others to do so. incisive, need to be given form and style somewhat different from his coherence if they are to be present­ own. Yet I think he understands what Correspondence should be addressed to: ed meaningfully to a readership from I have said and can feel my pur­ THE PAPER either camp (I take "dialogue" to be pose through my style. I think I have Box 367 inclusive of the establishment). To put into intelligible form thoughts expect ideas to carry the field in and feelings about THE PAPER which East Lansing, Mich.
Recommended publications
  • ARSC Journal
    LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists.
    [Show full text]
  • EASTMAN NOTES JUNE 2005 Draft: Web Date: July 5, 2005 INSIDE
    NOTES JUNE 2005 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR Loss, love, and legacies Dear Eastman Alumni: More than any time since I began editing Eastman Notes, the winter and spring of 2004¬2005 was marked by a sense of loss, with the deaths of two inimitable NOTES figures in Eastman’s history: Frederick Fennell and Ruth Watanabe, who died in Volume 23, Number 2 December 2004 and February 2005 respectively. June 2005 It’s representative of their importance, not just to the School but to the musical world in general, that everyone reading this magazine, no matter when they at- Editor tended, knows who Frederick Fennell and Ruth Watanabe are. Both are indelibly David Raymond associated with two monuments of the School—the Wind Ensemble and the Sib- Assistant editor ley Library. Fennell built a new model for wind band playing—and a repertory— Juliet Grabowski pretty much from scratch; while Ruth Watanabe didn’t found the Sibley Library, Contributing writers she certainly developed it to its present eminence over a 40-year career. (See Martial Bednar Christine Corrado pages 6 and 8 for more Susan Hawkshaw on their remarkable ca- Contributing photographers reers.) Both continued Richard Baker to be generous with Kurt Brownell their time and talent Bob Klein well after retirement— Gelfand-Piper Photography Amy Vetter Fennell visiting Eastman numerous times to con- Photography coordinators Nathan Martel duct, Watanabe as the Amy Vetter School’s historian. Design These two people were Steve Boerner Typography & Design definitely respected as professionals, but they Frederick Fennell Ruth Watanabe Published twice a year by the Office of were also loved as people— Communications, Eastman School of Music, 26 Gibbs Street, Rochester, NY, see the brief tributes to Fennell by his successors Don Hunsberger and Mark 14604, (585) 274-1050.
    [Show full text]
  • Candide Study Guide
    M USIC THEATRE I NTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Whether it’s a High School in Hoboken or a Summer Camp in Sacramento, a Regional Theatre in Roanoke or a Middle School in Manitoba, MTI has been a part of the theatrical scene for almost 50 years. As a leading dramatic licensing agency for Broadway, off-Broadway and West End musicals, MTI has supplied scripts, musical scores and resources to over 30,000 schools, community groups and professional theatres throughout the United States and Canada, plus thousands of additional groups in some 60 countries around the world. As exclusive representative for over 200 of the world's greatest musicals, including Guys And Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Into The Woods, Damn Yankees, The Music Man, Joseph And The Amazing Technicolor® Dreamcoat, Pippin, The Fantasticks, Godspell and Little Shop Of Horrors, MTI is firmly committed to supporting and nurturing musical theatre that will continue to flourish through every stage of a person's life on all the stages of the world. Although we value all our clients, the fifteen thousand schools who perform our shows are of particular importance, for it is here that music and drama educators work to keep theatre alive in their community. MTI shares with these educators the goal of raising the next generation of theatre artists and audiences. MTI’s BROADWAY JUNIOR COLLECTION™ has brought the joy of performing Broadway’s top musicals into the Elementary and Middle School environment.
    [Show full text]
  • 21.92 More Lps, Laser Discs. Pp 164-177
    LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) AND CONTAINING ORIGINAL PAPER MATERIALS, UNLESS OTHERWISE INDICATED, FOR SETS THAT ORIGINALLY INCLUDED THEM . MINIMUM BID AS INDICATED PER ITEM. A few have a small cut in the box usually on the right side. These were made by the dealer to indi- cate that the set was on sale. In some cases a small hole was punched in the upper right hand area instead. They are both indicated as “ small box cut ”. A few others have a neat plastic tape index label attached to the upper right cover and/or spine. “ Index lbl ” indicates such items. IN SUBMITTING YOUR BIDS FOR ITEMS IN THIS SECTION, PLEASE BE SURE TO INCLUDE THE CORRECT CATALOGUE NUMBER. OPERAS, OPERETTAS and EXTENDED VOCAL WORKS 5000. [FRANCO ALFANO ]. SAKUNTALA. Casapietra, Michele Molese, Tomleich, Mazzoli, dir. Ottavio Ziino. 2 LP boxed MRF 196. Factory sealed . $5.00. 5001. [ ALFANO] . CYRANO DE BERGERAC . Olivia Stapp, Johns, Blancas, dir. Maurizio Arenas. 2 2 LP boxed MRF 131. Factory sealed . $5.00. 5032. [ WILLIAM ALWYN ]. MISS JULIE . Jill Gomez, Benjamin Luxon, Della Jones, John Mitchinson, etc., dir. Vilem Tausky. 2 LP boxed Lyrita Stereo 121-2. Cover signed by Gomez, Jones and Luxon. $5.00. 5003. [DOMINICK ARGENTO ]. POSTCARDS FROM MOROCCO . 2 LP boxed set. Barbara Brandt, Barry Busse, Foreman, Hardy, Marshall, etc., dir. Philip Brunelle. 2 LP boxed Desto 7137/8. Factory sealed. $5.00. 5002. [ RAFFAELLO DE BANFIELD ] [libretto TENNESSEE WILLIAMS ]. LORD BYRON’S LOVE LETTER. Astrid Varnay, Gertrude Ribla, Carlin, Carrruba, dir. Nicola Rescigno. 1 LP.
    [Show full text]
  • Deutsche Nationalbibliografie 2017 T 03
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2017 T 03 Stand: 22. März 2017 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2017 ISSN 1613-8945 urn:nbn:de:101-201612065572 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 0427661 Mark Blitz stein’s “Regina”: A pivotal work in American musical theatre Foradori, Anne Bill, D.M.A. The Ohio State University, 1994 Copyright ©1094 by Foradori, Anne Bill.
    [Show full text]
  • The Mikado ...Or the Town Oftitipu 1885
    Eric Kujawsky, Music Director EIGHTEENTH SEASON The Mikado ...or The Town ofTitipu 1885 Book by Music By W.S. Gilbert Arthur Sullivan 1836-1911 1842-1900 Act 1- Courtyard of Ko-Ko's Official Residence INTERMISSION Act II - Ko-Ko's Garden Conducted by Eric Kujawsky Directed by Ken Malucelli with Peninsula Cantare Janice Gunderson, Music Director Nanki-Poo Yum-Yum David Friburg Cheryl Blalock Ko-Ko Poo-Bah Ken Malucelli Paul Zawilski Pish-Tush Peep-Bo John Warner Gosia Hoot Pitti-Sing Katisha Elizabeth Finkler Catherine Sheldon The Mikado Todd Schurk Sponsored by the Redwood City Civic Cultural Commission Saturday, June 14,2003,8 P.M. San Mateo Performing Arts Center The Music Director Eric Kujawsky is the Music Director of Redwood Symphony, now in its eighteenth season. A native of LosAngeles, he began his conducting studies at age fourteen and made his debut with a youth orchestra at nineteen. After completing his BA in music education and M.FA in conducting at UCLA, Kujawsky accepted a fellowship to study conducting at Stanford. Dr. Kujawsky founded Redwood Symphony in 1985, immediately after he received his D.MA Dr. Kujawsky has performed at the Aspen Music Festival as a member of the Conducting Master Class; his teachers include Samuel Krachmalnick, Paul Vermel, and Andor Toth. He has guest conducted the Rose City Chamber Orchestra, the Mesa (Arizona) Symphony, the San Francisco Gay Men's Chorus, the South Valley and Diablo Symphonies, and the UCLA Dance Company. Stage credits include Gilbert and Sullivan's Ruddigore (the last time he worked with Mikado cast members Cheryl Blalock and Paul Zawilski, in 19841) and several musicals, including Sweeney Todd, Sunday in the Pork with George (for which Dr.
    [Show full text]
  • Feb 25/26 2017
    CANDIDE feb 25/26 2017 The Richard B. Fisher Center for the Performing Arts at Bard College Enjoying The Richard B. Fisher Center for the Performing Arts at Bard College the concert? Sosnoff Theater Saturday, February 25, 2017 at 8 PM Help keep the Sunday, February 26, 2017 at 2 PM Performances #45 & #46: Season 2, Concerts 16 & 17 music going! James Bagwell, conductor This new generation of musicians is creating and Leonard Bernstein Candide (1956; rev. 1973, 82, 89) presenting music education programs in libraries, (1918–90) schools, and community centers in the Hudson Valley. Act I Intermission Act II Support their work Book by Hugh Wheeler and John Wells Cast Voltaire/Pangloss/Martin.........................................................................Nathaniel Sullivan* by making a gift of any size. Candide........................Eric Finbarr Carey* (Saturday), Christopher Remkus* (Sunday) Cunegonde.....................................Danika Felty* (Saturday), Natalie Trumm* (Sunday) Maximilian/Captain.....................................................................................Luke MacMillan* The Old Lady......................................................................................Mary Elizabeth O’Neill* Paquette............................................................................................................Elaine Daiber* Governor/Vanderdendur/Ragotski...........................................................Olivier Gagnon* Alchemist/Inquisitor/Sultan Achmet/Crook........................................Daniel
    [Show full text]
  • Radio 3 Listings for 14 – 20 January 2017 Page 1 of 11
    Radio 3 Listings for 14 – 20 January 2017 Page 1 of 11 SATURDAY 14 JANUARY 2017 Cinq mélodies populaires grecques BACH, J S: Partita for solo violin No. 2 in D minor, BWV1004 Catherine Robbin (mezzo-soprano), André Laplante (piano) CRUGER: Befiehl du deine Wege SAT 01:00 Through the Night (b087tgrs) 5:30 AM HENRYSON: Violin Sonata Mahler©s Symphony No 1 from the Luxembourg Philharmonic Converse, Frederick [1871-1940] REGNART: Wo soll ich fliehen hin Orchestra Festival of Pan, Op 9 SANDSTROM, S-D: Dansa BBC Concert Orchestra, Keith Lockhart (conductor) Lena Willemark (voice), Cecilia Zilliacus (violin) Catriona Young presents a performance of Mahler©s First 5:48 AM BIS BIS2159 (Hybrid SACD) Symphony, ©Titan©, and Berg©s Seven Early Songs from the Navas, Juan de (1650-1719) Luxembourg Philharmonic with soprano Anja Harteros. Ay, divino amor for soprano and organ 10.40am ± Nick Baragwanath on Wagner new releases 1:01 AM Olga Pitarch (soprano), Accentus Austria, Thomas Wimmer WAGNER: Tristan und Isolde Ligeti, György (1923-2006) (director) Ramon Vinay (Tristan), Birgit Nilsson (Isolde), Irene Dalis Concerto Românesc (Romanian Concerto) 5:54 AM (Brangaene), Walter Cassel (Kurwenal), Jerome Hines (King Luxembourg Philharmonic Orchestra, Gustavo Gimeno Vivaldi, Antonio [1678-1741] Marke), Calvin Marsh (Melot), Paul Franke (Shepherd), Charles (conductor) Concerto in D minor for 2 violins, cello and orchestra, RV 565 Anthony (Seaman), Louis Sgarro (Steersman) Metropolitan 1:14 AM (Op 3 No 11) Opera and Chorus, Karl Böhm (conductor) Berg, Alban
    [Show full text]
  • Beverly, “Music Misses You”
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 BEVERLY, “MUSIC MISSES YOU”: A BIOGRAPHICAL AND PERFORMANCE GUIDE TO AMERICAN MEZZO-SOPRANO BEVERLY WOLFF’S CAREER AND HER SUBSEQUENT IMPACT ON AMERICAN OPERA AND ART SONG Sarah C. Downs Trail University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Downs Trail, Sarah C., "BEVERLY, “MUSIC MISSES YOU”: A BIOGRAPHICAL AND PERFORMANCE GUIDE TO AMERICAN MEZZO-SOPRANO BEVERLY WOLFF’S CAREER AND HER SUBSEQUENT IMPACT ON AMERICAN OPERA AND ART SONG" (2014). Theses and Dissertations--Music. 27. https://uknowledge.uky.edu/music_etds/27 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]