DOCSLIB.ORG

Radio 3 Listings for 14 – 20 January 2017 Page 1 of 11

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Radio 3 Listings for 14 – 20 January 2017 Page 1 of 11 Radio 3 Listings for 14 – 20 January 2017 Page 1 of 11 SATURDAY 14 JANUARY 2017 Cinq mélodies populaires grecques BACH, J S: Partita for solo violin No. 2 in D minor, BWV1004 Catherine Robbin (mezzo-soprano), André Laplante (piano) CRUGER: Befiehl du deine Wege SAT 01:00 Through the Night (b087tgrs) 5:30 AM HENRYSON: Violin Sonata Mahler©s Symphony No 1 from the Luxembourg Philharmonic Converse, Frederick [1871-1940] REGNART: Wo soll ich fliehen hin Orchestra Festival of Pan, Op 9 SANDSTROM, S-D: Dansa BBC Concert Orchestra, Keith Lockhart (conductor) Lena Willemark (voice), Cecilia Zilliacus (violin) Catriona Young presents a performance of Mahler©s First 5:48 AM BIS BIS2159 (Hybrid SACD) Symphony, ©Titan©, and Berg©s Seven Early Songs from the Navas, Juan de (1650-1719) Luxembourg Philharmonic with soprano Anja Harteros. Ay, divino amor for soprano and organ 10.40am ± Nick Baragwanath on Wagner new releases 1:01 AM Olga Pitarch (soprano), Accentus Austria, Thomas Wimmer WAGNER: Tristan und Isolde Ligeti, György (1923-2006) (director) Ramon Vinay (Tristan), Birgit Nilsson (Isolde), Irene Dalis Concerto Românesc (Romanian Concerto) 5:54 AM (Brangaene), Walter Cassel (Kurwenal), Jerome Hines (King Luxembourg Philharmonic Orchestra, Gustavo Gimeno Vivaldi, Antonio [1678-1741] Marke), Calvin Marsh (Melot), Paul Franke (Shepherd), Charles (conductor) Concerto in D minor for 2 violins, cello and orchestra, RV 565 Anthony (Seaman), Louis Sgarro (Steersman) Metropolitan 1:14 AM (Op 3 No 11) Opera and Chorus, Karl Böhm (conductor) Berg, Alban (1885-1935) Slovenian Radio and Television Symphony Orchestra, Pavle PRISTINE AUDIO PACO135 Seven Early Songs, arr. for voice and orchestra Dešpalj (conductor) Anja Harteros (soprano), Luxembourg Philharmonic Orchestra, 6:05 AM WAGNER: Der fliegende Holländer Gustavo Gimeno (conductor) Ravel, Maurice (1875-1937) George London (Dutchman), Leonie Rysanek (Senta), Giorgio 1:32 AM Le Tombeau de Couperin Tozzi (Daland), Karl Liebl (Erik), William Olvis (Steersman), Mahler, Gustav (1860-1911) Louis Schwizgebel (piano) Belén Amparan (Mary), Metropolitan Opera and Chorus, Thomas Symphony No 1 in D major (©Titan©) 6:31 AM Schippers (conductor) Luxembourg Philharmonic Orchestra, Gustavo Gimeno Sjögren, Emil (1853-1918) PRISTINE AUDIO PACO136 (conductor) Cello Sonata in A major, Op 58 2:28 AM Mats Rondin (cello), Bengt Forsberg (piano) WAGNER: Die Walkure Schumann, Robert (1810-1856) 6:48 AM Matthias Goerne (Wotan), Petra Lang (Brunnhilde), Michelle Piano Trio No 1 in D minor (Op.63) Debussy, Claude (1862-1918) DeYoung (Fricka), Stuart Skelton (Siegmund), Heidi Melton Kungsbacka Trio Prélude à l©après-midi d©un faune (Sieglinde), Falk Struckmann (Hunding), Sarah Castle (Waltraute), Karen Foster (Gerhilde), Katherine Broderick 3:01 AM Bergen Philharmonic Orchestra, Simone Young (conductor). (Helmwige), Anna Burford (Schwertleite), Elaine McKrill Liszt, Franz [1811-1886] (Ortlinde), Aurhelia Varak (Siegrune), Okka von der Damerau Piano Sonata in B minor, S178 SAT 07:00 Breakfast (b088fnx6) (Grimgerde), Laura Nykanen (Rossweise), Hong Kong Lukas Geniusas (piano) Saturday - Martin Handley Philharmonic Orchestra, Jaap van Zweden (conductor) 3:32 AM NAXOS 8660394-97 (4CD) Purcell, Henry (1659-1695) Martin Handley presents Radio 3©s classical breakfast show, Funeral Sentences: March, Z860; Man that is born of woman, featuring listener requests. WAGNER: Der Ring des Nibelungen Z27; Canzona, Z860; In the midst of life, Z17; Canzona, Z860; Jerome Hines (Wotan), Birgit Nilsson (Brunnhilde), Hans Hopf Thou knowest, Lord, Z58c; March, Z860 Email [email protected]. (Siegfried), Regine Crespin (Sieglinde), Fritz Uhl (Siegmund), Grace Davidson (soprano), Alex Potter (countertenor), Thomas Otakar Kraus (Alberich), Chor und Orchester der Bayreuther Hobbs (tenor), Peter Kooij (bass), Collegium Vocale Ghent, SAT 09:00 Record Review (b088fnx8) Festspiele 1961, Rudolf Kempe (conductor) Philippe Herreweghe (director) Building a Library: Tchaikovsky©s Symphony No 4 ORFEO C928613Y (13CD) 3:48 AM Frescobaldi, Girolamo (1583-1643) with Andrew McGregor 11.45am - Disc of the Week Partite cento sopra il passachagli Bernstein: Symphonies Nos. 1 & 2 Mahan Esfahani (harpsichord) Pictures at an Exhibition BERNSTEIN: Symphony No. 1 ©Jeremiah©; Symphony No. 2 ©The MUSSORGSKY: Pictures at an Exhibition (orch. Ravel); Night 3:58 AM Age of Anxiety© on Bald Mountain Beethoven, Ludwig van (1770-1827) Jennifer Johnson Cano (mezzo-soprano), Jean-Yves Thibaudet, TCHAIKOVSKY: Waltz from Swan Lake Adagio for musical clock (WoO.33 No 1) (piano), Baltimore Symphony Orchestra, Marin Alsop Vienna Philharmonic, Gustavo Dudamel (conductor) Stef Tuinstra (organ of Church of Cornelius and St Cyprian, (conductor) Deutsche Grammophon 479 6297 (CD) Trivolzio, Lombardy) NAXOS 8559790 (CD) 4:05 AM Vaughan Williams: Music for Two Pianos Bellini, Vincenzo (1801-1835) SAT VAUGHAN WILLIAMS: Symphony No. 5 in D major (arr. for 12:15 Music Matters (b088j2lq) Overture to Norma Hamburg©s new concert hall Oslo Philharmonic, Nello Santi (conductor) two pianos by Michael Mullinar); The Running Set (arr. for two pianos by Vally Lasker and Helen Bidder); Fantasia on a Theme 4:12 AM Sara Mohr-Pietsch visits Hamburg©s new concert hall, the Bellini, Vincenzo [1801-1835] by Thomas Tallis (arr. for two pianos by Maurice Jacobson) Goldstone and Clemmow (two pianos) Elbphilharmonie. Plus German composer Jorg Widmann and a Vaga luna che inargenti - arietta discussion about the relationship between belief and music. Sergejs Jegers (countertenor), Sinfonietta Rīga (Riga Sinfonietta ALBION RECORDS ALBCD031 (CD) Chamber Orchestra), Andris Veismanis (conductor) Mitologia: Handel Arias & Duets The world©s most exciting concert hall? 4:16 AM The €860m Elbphilharmonie concert hall in the German port city Von Paradies, Maria Theresia (1759-1824) alias Kreisler, Fritz HANDEL: Gia le furie vedo ancor (from Il Parnasso in festa); Dopo d©aver perduto il caro bene...Ho perso il caro bene (from Il of Hamburg has finally opened its doors, seven years later than (1875-1962) planned, and ten times over the original budget. Sicilienne in E flat Parnasso in festa); No, No, I©ll Take No Less (from Semele); Pinchas Zukerman (violin), Marc Neikrug (piano) Hercules: Where shall I fly?; Felicissima quest©alma from Apollo e Dafne; Cara, nel tuo bel volto (from Atalanta); Semele: Sara Mohr-Pietsch takes a tour of the building and meets the 4:20 AM Overture; Semele: Gavotte; Come Zephyrs, Come (from Semele); hall's director Christoph Lieben-Seutter, who explains how he Bach, Johann Sebastian (1685-1750) Voglio amare insin ch©io moro (from Partenope); Echeggiate, arrived at the Elbphilharmonie in 2007 expecting the hall to be Keyboard Concerto No 5 in F minor, BWV 1056 festeggiate! (from Echeggiate, festeggiate!); Non piu barbaro finished within three years ± and reveals his ambition to make it Angela Hewitt (piano), CBC Vancouver Symphony Orchestra, furore (from Echeggiate, festeggiate!) the most exciting concert hall in the world. Mario Bernardi (conductor) Christiane Karg (soprano), Romina Basso (contralto), Il 4:31 AM Complesso Barocco, Alan Curtis (conductor) Jorg Widmann is one of three composers who have been Mozart, Wolfgang Amadeus (1756-1791) DEUTSCHE HM 88875199812 (CD) commissioned to write new works for the opening festivities at Flute Quartet No 1 in D major, K285 the Elbphilharmonie. He describes how he was struck by ªhow Carol Wincenc (flute), Chee-Yun (violin), Nokuthula Schubert: String Quartets Nos. 12 & 15 the silence soundsº in the hall, and the feeling of being ªa part of Ngwenyama (viola), David Finckel (cello) SCHUBERT: String Quartet No. 12 in C minor (fragment), D703 the whole thingº from any seat in the room. 4:45 AM `Quartettsatz©; String Quartet No. 15 in G Major, D887 Humperdinck, Engelbert (1854-1921) Doric String Quartet Inspiring architecture Dream Scene from ©Hänsel und Gretel© CHANDOS CHAN10931 (CD) While musicians explain how they are inspired by the building's Engelbert Humperdinck (piano) architecture - ªI feel like I'm in a spaceship¼ you really feel like 4:53 AM 9.30am - Building a Library you are in the futureº - journalists, officials and concert-goers Grieg, Edvard (1843-1907) Composer: Pyotr Ilyich Tchaikovsky give their view on whether the concert hall is really worth the Symphonic dance No 2 (Allegro grazioso), Op 64 No 2 Piece: Symphony no. 4 huge sum of money spent on it. Norwegian Radio Orchestra, Ingar Bergby (conductor) Reviewer: Rob Cowan 5:01 AM How does it sound? Lysenko, Mykola (1842-1912) 10.20am ± Solo Bach British journalist Martin Kettle, who heard the opening concert at Cheruvymska (Song of the Cherubim) Bach2 The Future Vol. 2 the Elbphilharmonie, assesses criticisms that have emerged of the Svitych Chorus of the Nizhyn State Pedagogical University, BACH, J S: Sonata for solo violin No. 3 in C major, BWV1005 acoustics in the new concert hall. Lyudmyla Shumska (director) BEAMISH: Intrada e Fuga 5:04 AM DAVIES, PETER MAXWELL: Sonatina for Violin Alone Op. Beyond belief: music and religion Handel, Georg Frideric (1685-1759) 334 How do music and religion intertwine in the modern world? And Water Music: Suite in G major for ©flauto piccolo©, 2 oboes, SIBELIUS: En glad musikant (A Happy Musician), JS 70 (1924- how does one inspire the other? bassoon and strings, HWV 350 26) As the Southbank Centre launches a year-long festival, Belief and Australian Brandenburg Orchestra, Paul Dyer (conductor) STRAVINSKY: Elegy, for solo violin Beyond Belief, exploring
Load more

Recommended publications
  • SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST
    SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST STRING QUARTET Arditti Quartet Cuarteto Casals Quatuor Modigliani Artemis Quartett Jerusalem Quartet Quatuor Van Kuijk Belcea Quartet Novus String Quartet Schumann Quartett Brooklyn Rider Quatuor Ébène VIOLIN VIOLA CELLO Marc Bouchkov Amihai Grosz Miklós Perényi Isabelle Faust Jean-Guihen Queyras Vadim Gluzman Alisa Weilerstein Gidon Kremer Nikolaj Szeps-Znaider PIANO FORTEPIANO MANDOLIN Piotr Anderszewski Alexander Melnikov Avi Avital Saleem Ashkar Elena Bashkirova Jonathan Biss Alexander Melnikov CLARINET VOICE RECITATION Sharon Kam Georg Nigl (Baritone) Martina Gedeck CONDUCTOR ENSEMBLE PROJECTS Ariane Matiakh Brandt Brauer Frick Building Bridges Nikolaj Szeps-Znaider Ensemble Beethoven Cycle Scharoun Ensemble International ARDITTI QUARTET & JAKE ARDITTI STRING STRING QUARTET & COUNTER-TENOR Dillon: String Quartet No. 9 Paredes: “Canciones Lunáticas” QUARTET Henze: String Quartet No. 5 Sciarrino: “Cosa resta” On the occasion of the string quartet biennals in Paris and Amsterdam, as well as at the invitation of the Cologne Philharmonie, several world premieres are pending, by Ben Mason and Christian Mason, as well as Betsy Jolas and Toshio Hosokawa. ARTEMIS QUARTETT The Artemis Quartett, in their new top-class lineup, has created a first programme for the fall of 2020. Additional ones for the spring of 2021 to follow. Mendelssohn: String Quartet No. 2 in A minor, Op. 13 Vasks: New work for String Quartet (2020) Beethoven: String Quartet No. 15 in A minor, Op. 132 BELCEA QUARTET In the fall of 2020 with the Beethoven string quartet cycle, however, already fully booked. Spring 2021: Britten: String Quartet No. 1 in D major, Op. 25 Shostakovich: String Quartet No.
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • The Earlyl and Thè Late Mozart
    Das Trio Eclettica, bestehend aus der Pianistin Giuseppina Coni, der Violinistin Giulia Cerra und der Cellistin Valeria Sirangelo, wurde 2012 in der Kammermusikklasse von Maestro Pierpaolo Maurizzi am Konservatorium A. Boito in Parma gegrùndet. Das Trio besuchte Meisterkurse bei Rainer Honeck (Konzertmeister der Wiener Philharmoniker), Yves Savary (Solocellist des Bayerischen Staatsorchesters) und Wolfgang Klos (Professor fùr Viola an der Universitàt fìir Musik und darstellende Kunst Wien), und wurde ausgewàhlt an der ECMA Session in Fiesole, unter der Leitung von Hatto Bayerle, Johannes Meissl, Susan Tomes und Enrico Bronzi teilzunehmen. Das Trio konzertierte u.a. im A u d i t o r i u m Principe Raimondo of D u i n o , dem Revoltella Museum von Triest, dem Auditorium del Carmine in Parma, beim ,,S. Giacomo Festival" und der «Fondazione Alma Mater" in Bologna. Im Màrz 2013 wurde dem Trio Eclettica das ,,Bruno Premuda Stipendium" zuerkannt (jury: R. Zanettovich, G. Vidusso und I. Rabaglia). 2013 hat das Trio den ersten Preis des XVI. Internationalen Wettbewerbes «Pietro Argento" und im Rahmen der ,,XIV International Chamber Music Competition" Trio di Trieste" den ,,Young Award" far junge vielversprechende Kùnstlerlnnen gewonnen. Dabei wurde das Ensemble von , der J u r y besonders far die beste Auffùhrung des Werkes ,,Rosa amara" v o n Rocco i de Già gewùrdigt. Derzeit arbeitet das Trio mit M° Renato Zanettovich und M° Pierpaolo Maurizzi am Konservatorium A. Boito in Parma und mit dem Trio Trio Eclettica di Parma im Rahmen der International Chamber Music A c a d e m y of Duino. Giuseppina Coni, Klavier Giulia Cetra, Violine Valeria Sirangelo, Violoncello Das 2003 am Konservatorium Bratislava gegrùndete Mucha Quartet zàhlt gegenwàrtig zu den erfolgversprechendsten jungen Ensembles der Slowakei.
    [Show full text]
  • ARSC Journal
    LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC.
    [Show full text]
  • Concert Program
    FLAGLER MUSEUM THE STRADIVARI QUARTET February 7, 2012 7:30 p.m. Sponsored by WILLIAM R. KENAN, JR. CHARITABLE TRUST THE STRADIVARI QUARTET Xiaoming Wang Soyoung Yoon Lech Antonio Uszynski Maja Weber violin violin viola cello PROGRAM String Quartet in G minor, D. 173 FRANZ SCHUBERT Allegro con brio Andantino Menuetto: Allegro vivace Allegro String Quartet No. 4 BÉLA BARTÓK Allegro Prestissimo, con sordino Non troppo lento Allegretto pizzicato Allegro molto INTERMISSION String Quartet in A minor, Op. 51, No. 2 JOHANNES BRAHMS Allegro non troppo Andante moderato Quasi Minuetto, moderato Chamber music, as we know it, began in the Baroque era with early trio sonatas, and some of history’s greatest composers used chamber music as a vehicle to create their most profound and important works. Others used the medium as an outlet for fun and lighthearted entertainment. The music was traditionally performed in homes. The Flagler name has long been associated with great music, as Henry and Mary Lily Flagler frequently hosted musical performances in Whitehall’s elaborate Music Room. The Flagler Museum Music Series captures the spirit of traditional chamber music, and welcomes world renowned performers to the finest chamber music venue in South Florida. Here, performers and visitors can experience chamber music as it was intended in a gracious and intimate setting. Due to its intimate nature, chamber music has been described as “the music of friends.” Consequently it is frowned upon to use stages and amplifying devices. The audio devices you will see tonight record the performance for national public radio broadcast and archival purposes.
    [Show full text]
  • September 2019 Catalogue Issue 41 Prices Valid Until Friday 25 October 2019 Unless Stated Otherwise
    September 2019 Catalogue Issue 41 Prices valid until Friday 25 October 2019 unless stated otherwise ‘The lover with the rose in his hand’ from Le Roman de la 0115 982 7500 Rose (French School, c.1480), used as the cover for The Orlando Consort’s new recording of music by Machaut, entitled ‘The single rose’ (Hyperion CDA 68277). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, As summer gives way to autumn (for those of us in the northern hemisphere at least), the record labels start rolling out their big guns in the run-up to the festive season. This year is no exception, with some notable high-profile issues: the complete Tchaikovsky Project from the Czech Philharmonic under Semyon Bychkov, and Richard Strauss tone poems from Chailly in Lucerne (both on Decca); the Beethoven Piano Concertos from Jan Lisiecki, and Mozart Piano Trios from Barenboim (both on DG). The independent labels, too, have some particularly strong releases this month, with Chandos discs including Bartók's Bluebeard’s Castle from Edward Gardner in Bergen, and the keenly awaited second volume of British tone poems under Rumon Gamba. Meanwhile Hyperion bring out another volume (no.79!) of their Romantic Piano Concerto series, more Machaut from the wonderful Orlando Consort (see our cover picture), and Brahms songs from soprano Harriet Burns. Another Hyperion Brahms release features as our 'Disc of the Month': the Violin Sonatas in a superb new recording from star team Alina Ibragimova and Cédric Tiberghien (see below).
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • 2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
    2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House,
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • ALEXEI VOLODIN, Piano
    ALEXEI VOLODIN, Piano Acclaimed for his highly sensitive touch and technical brilliance, Alexei Volodin is in demand by orchestras at the highest level. He possesses an extraordinarily diverse repertoire, from Beethoven and Brahms through Tchaikovsky, Rachmaninov, Prokofiev and Scriabin to Gershwin, Shchedrin and Medtner. Highlights of the 2019/20 season include concerts with Orchestra dell’Accademia Nazionale di Santa Cecilia, Sydney Symphony Orchestra, Japan Philharmonic Orchestra, Philharmonisches Staatsorchester Hamburg, Royal Philharmonic and St Petersburg Philharmonic orchestras, and Sinfonica di Milano Giuseppe Verdi, working with conductors Valery Gergiev, Vladimir Ashkenazy, Kent Nagano, Pietari Inkinen and Robert Trevino. He will also appear with the Winnipeg Symphony Orchestra for a special project performing a cycle of Beethoven Concertos and the Choral Fantasy. Previous seasons have included performances with Orchestre symphonique de Montréal, The Mariinsky Orchestra, Antwerp, BBC and NHK symphony orchestras and NCPA Orchestra China, as well as tours with SWR Symphonieorchester, Russian National Orchestra and Polish National Radio Symphony Orchestra. Volodin regularly appears in recital and has performed in venues including Wiener Konzerthaus, Barcelona’s Palau de la Música, Mariinsky Theatre, Paris’ Philharmonie, Alte Oper Frankfurt, Tonhalle Zürich and Madrid’s Auditorio Nacional de Música. This season he appears in the International Piano Series at the Southbank Centre, Wigmore Hall and the Meesterpianisten Series at the Concertgebouw Amsterdam, as well as recitals in Bratislava, Ostrava, Den Haag, Oxford and Winnipeg. An active chamber musician, he has a long-standing collaboration with the Borodin Quartet. In 19/20, they will be joined by trumpeter Sergei Nakariakov for performances at the Southbank Centre and Istanbul Music Festival.
    [Show full text]
  • NORTHERN STARS MUSIC from the NORDIC and BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars
    NORTHERN STARS MUSIC FROM THE NORDIC AND BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars Often inspired by folk tradition, nature, landscape and a potent spirit of independence, the music of Scandinavia, Finland and the Baltic states is distinctive and varied, with each country’s music influenced by its neighbours, yet shaped and coloured by its individual heritage. Traveling composers such as Sweden’s Joseph Kraus introduced 18th and early 19th century classical trends from Germany and Italy, but with national identity gaining increasing importance as Romantic ideals took hold, influential and distinctive creative lines were soon established. The muscular strength of Carl Nielsen’s symphonies grew out of the Danish nationalist vigor shown by Friedrich Kuhlau and Niels Gade, extending to names such as Per Nørgård today. Gade was a teacher of Edvard Grieg, who owes his position as Norway’s leading composer, at least in part, to the country’s traditional folk music and the poignant lyricism of the Hardanger fiddle. The music of Finland is dominated by the rugged symphonies of Jean Sibelius, and his Finlandia ensured his status as an enduring national symbol. Sibelius successfully combined the lessons of Viennese romanticism with a strong Nordic character, and this pragmatic approach has generated numerous contemporary giants such as Aus Sallinen, Einojuhani Rautavaara, Kalevi Aho and Kaija Saariaho. Turbulent history in the Baltic States partially explains a conspicuous individualism amongst the region’s composers, few more so than with Arvo Pärt, whose work distils the strong Estonian vocal tradition into music of striking intensity and crystalline beauty.
    [Show full text]