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9781845502027 Psalms Fotb
Contents Foreword ......................................................................................................7 Notes ............................................................................................................. 8 Psalm 90: Consumed by God’s Anger ......................................................9 Psalm 91: Healed by God’s Touch ...........................................................13 Psalm 92: Praise the Ltwi ........................................................................17 Psalm 93: The King Returns Victorious .................................................21 Psalm 94: The God Who Avenges ...........................................................23 Psalm 95: A Call to Praise .........................................................................27 Psalm 96: The Ltwi Reigns ......................................................................31 Psalm 97: The Ltwi Alone is King ..........................................................35 Psalm 98: Uninhibited Rejoicing .............................................................39 Psalm 99: The Ltwi Sits Enthroned ........................................................43 Psalm 100: Joy in His Presence ................................................................47 Psalm 101: David’s Godly Resolutions ...................................................49 Psalm 102: The Ltwi Will Rebuild Zion ................................................53 Psalm 103: So Great is His Love. .............................................................57 -
Mahzor - Fourth Edition.Indb 1 18-08-29 11:38 Mahzor
Mahzor - Fourth Edition.indb 1 18-08-29 11:38 Mahzor. Hadesh. Yameinu RENEW OUR DAYS A Prayer-Cycle for Days of Awe Edited and translated by Rabbi Ron Aigen Mahzor - Fourth Edition.indb 3 18-08-29 11:38 Acknowledgments and copyrights may be found on page x, which constitutes an extension of the copyright page. Copyright © !""# by Ronald Aigen Second Printing, !""# $ird Printing, !""% Fourth Printing, !"&' Original papercuts by Diane Palley copyright © !""#, Diane Palley Page Designer: Associès Libres Formatting: English and Transliteration by Associès Libres, Hebrew by Resolvis Cover Design: Jonathan Kremer Printed in Canada ISBN "-$%$%$!&-'-" For further information, please contact: Congregation Dorshei Emet Kehillah Synagogue #( Cleve Rd #!"" Mason Farm Road Hampstead, Quebec Chapel Hill, CANADA NC !&)#* H'X #A% USA Fax: ()#*) *(%-)**! ($#$) $*!-($#* www.dorshei-emet.org www.kehillahsynagogue.org Mahzor - Fourth Edition.indb 4 18-08-29 11:38 Mahzor - Fourth Edition.indb 6 18-08-29 11:38 ILLUSTRATIONS V’AL ROSHI SHECHINAT EL / AND ABOVE MY HEAD THE PRESENCE OF GOD vi KOL HANSHEMAH T’HALLEL YA / LET EVERYTHING THAT HAS BREATH PRAISE YOU xxii BE-ḤOKHMAH POTE‘AḤ SHE‘ARIM / WITH WISDOM YOU OPEN GATEWAYS 8 ELOHAI NESHAMAH / THE SOUL YOU HAVE GIVEN ME IS PURE 70 HALLELUJAH 94 ZOKHREINU LE-ḤAYYIM / REMEMBER US FOR LIFE 128 ‘AKEDAT YITZḤAK / THE BINDING OF ISAAC 182 MALKHUYOT, ZIKHRONOT, SHOFAROT / POWER, MEMORY, VISION 258 TASHLIKH / CASTING 332 KOL NIDREI / ALL VOWS 374 KI HINNEI KA-ḤOMER / LIKE CLAY IN THE HAND OF THE POTIER 388 AVINU MALKEINU -
The Psalms As Hymns in the Temple of Jerusalem Gary A
4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L. -
PSALMS 90-150 80 Books Four and Five
PSALMS 90-150 80 Books Four and Five BOOK FOUR (Psalms 90-106) Psalm 102: Prayer in time of distress Psalm 90: God and time In this fifth of seven Penitential Psalms, the psalmist experiences emotional and bodily pain and cries out This psalm, amongst other things, reflects on the to God. Because his worldview is that God is the relationship between God and time and the transience cause of all things, he assumes that God is the cause of human life. (See NAB for more.) of his current pain. (See NAB for more.) Psalm 91: God, my shelter Psalm 103: “Thank you, God of Mercy.” Often used for night prayer, this psalm images God This is a psalm of thanksgiving to the God who is full with big wings in whom we can find shelter in times of mercy for sinners. of danger. Much of the psalm hints at the story of the Exodus and wilderness wandering as it speaks of Psalm 104: Hymn of praise to God pathways, dangers, pestilence, tents, and serpents. As the psalmist sojourns along paths laden with dangers, This psalm is a hymn of praise to God the Creator the sole refuge is the Lord who “will cover you with whose power and wisdom are manifested in the his pinions, and under his wings you will find refuge” visible universe. (Ps 91:4). (See NAB for more.) Psalm 105: Another hymn of praise to God Psalm 92: Hymn of thanksgiving to God for his Like the preceding psalm, this didactic historical fidelity hymn praises God for fulfilling his promise to Israel. -
2021 H.H Pope Tawadros II H.G
2021 H.H Pope Tawadros II H.G. Bishop Karas H.HPope Pope of Alexandria Tawadros & PatriarchII of Bishop ofH.G. Pennsylvania Bishop Karas and its the See of St. Mark affiliated regions Pope of Alexandria & Patriarch of Bishop of Pennsylvania and its the See of St. Mark affiliated regions Be My Wi tness... TABLE OF CONTENTS PAGE Be My Witnesses 6 Witnesses in the Banquet 12 Book of Joshua 24 False Witnesses 41 Witnesses on the Road 47 3 B e My W itness. .. Be My Witness... BE MY WITNESSES (ACTS 1:8) There are two types of witnesses described in the Bible: 1. Eyewitnesses An “eyewitness” is someone who saw an event happen and can give a firsthand description of it. For example, in 1 John 1:3, it says: “We proclaim to you what we have seen and heard, so that you also may have fellowship with us. And our fellowship is with the Father and with his Son, Jesus Christ.“ This verse acknowledges that the disciples were witnesses for our Lord Jesus, as they lived with Him when He served and ministered to the Jews, and they saw Him suffer, watched His crucifixion and saw Him after He resurrected. He also appeared to them several times after His resurrection, and they witnessed His ascension into heaven. The disciples also witnessed the work of the Holy Spirit, which descended upon them, just as Jesus promised. Many were threatened by the disciples’ evangelism, and the disciples faced many hardships; they were regarded as “These who have turned the world upside down” (Acts 17:6). -
Entrances to Holiness Are Everywhere
Entrances to Holiness are Everywhere A Siddur for Shabbat and Holidays שבת ויום טוב Congregation Kol Ami 252 Soundview Avenue White Plains, NY 10606 The First Edition is dedicated to the memory of Frances David (1912 - 1993), brilliant thinker, beautiful woman, mischievous eyes, spectacular smile, guardian angel. The Second Edition is dedicated to the memory of Richard Kraver (1946 - 1997), God-wrestler, fighter for justice, tough and gentle, compassionate and loving. This Third Edition is dedicated to the memory of Henry A. Krakeur (1918 - 2002), a lover of Torah, a friend of all humanity, and a tzaddik—a righteous person. Many suns will have to blaze brightly where his life once shone. This combined edition is dedicated to the memory of Ruth Gravitz (1930 - 2002), earth mother, lover of life, devoted to this congregation, to Judaism and to the Jewish people. May their memories be for blessing. COVERS: The Chapel in the Woods — The Schulman Family Chapel Congregation Kol Ami A Reform Synagogue 252 Soundview Avenue White Plains, New York 10606 914/949-4717 “Entrances to Holiness are Everywhere” — a phrase from Honey From The Rock, by Rabbi Lawrence Kushner, used with permission. 3rd Edition Copyright © 2009 Congregation Kol Ami of White Plains, NY. All rights reserved. 2nd Edition Copyright © 1998 Congregation Kol Ami of White Plains, NY. All rights reserved. Copyright © 1993 Jewish Community Center of White Plains, NY. All rights reserved. 252 Soundview Avenue White Plains, New York 10606 May not be duplicated or distributed by any means without prior written permission. ii Why Shabbat Before family vacations, get-away weekends, and temple retreats, there was Shabbat. -
Siddur on the Hill
SSiidddduurr oonn tthhee HHiillll For Friday night Shabbat services at HAVURAH ON THE HILL AT THE VILNA SHUL TABLE OF CONTENTS ii. INTRODUCTION 2. CANDLE LIGHTING 3. KABBALAT SHABBAT 20. MA’ARIV 57. MEALTIME PRAYERS 60. ACKNOWLEDGMENTS 60. SOURCES This book is a joint work of the following people and is under the copyright (2011) of: Malka Benjamin, Sue Gilbert, Dallas Kennedy, Michal Kennedy, Chelley Leveillee, Deborah Melkin, Robyn Ross, Atara Schimmel, Morris A. Singer, and Georgi Vogel Rosen. This work is licensed under the Creative Commons Attribution 3.0 Unported (CC BY 3.0) License. The text of this license is available at (http://creativecommons.org/licenses/by/3.0/). No claim is made to any Hebrew text, nor any other work included herein that is used under license, as noted below. Interpretive readings are used under license. Translations to the following prayers are under the copyright of Rabbi Sam Secol and are used under license: Ana Bakoakh, Barkhu, Maariv Aravim, Ahavat Olam, Shma Yisrael, Ve’ahavta, Vayomer, Ehmeht ve’Ehmuna, Mi Khamokha, Hashkivehnu le’Shalom, ve’Shamru et ha’Shabbat, Tefilat ha’Amidah (holiday sections), Tefilat Ha’Amidah – Shalom, Yihyu Leratzon, Elohei Netzar, Vayikhulu, Al Kehn Nekaveh, Shalom Alekhem, and Kiddush. Rabbi Secol has licensed these translations under the Creative Commons Attribution 3.0 Unported (CC BY 3.0) License (http://creativecommons.org/licenses/by/3.0/). Translations to the following prayers are derived from works under the copyright of Wikipedia and are used under the Creative Commons Attribution-ShareAlike 3.0 Unported License (http://en.wikipedia.org/wiki/Wikipedia:Copyrights): Lekha Dodi, Kaddish, Tefilat ha’Amidah, Magehn Avot, Alehnu Leshabeh’akh, Adon Olam, and Yigdal. -
Shabbat and Holiday Melodies H a D a R a PRODUCTION of KEHILAT HADAR Shabbat and Holiday Melodies
Shabbat and Holiday Melodies H A D A R A PRODUCTION OF KEHILAT HADAR Shabbat and Holiday Melodies 1 Hallelu Eil BeKodsho 2:05 2 Hodu L’Adonai Ki Tov 4:12 3 Sim Shalom 2:47 4 Barekhi Nafshi 1:40 5 Ashrei I 2:02 6 Nishmat Kol Hai 2:28 7 Lekhah Dodi 2:51 8 Mikolot Mayim 2:51 9 Ashrei II 1:43 10 Shir HaKavod (An’im Zemirot) 3:15 11 Ana Adonai Hoshi’ah Na 1:21 12 Mah Ashiv L’Adonai 2:29 13 Pithu Li 1:38 14 Avinu Malkeinu 3:43 15 Hamol Al Ma’asekhah 3:15 16 Ki Hinei KaHomer 6:14 17 VeYe’etayu 3:49 18 KeVakarat Ro’eh Edro 2:32 19 Marei Khohein 3:40 Julia Andelman, Artistic Director H A D A R A PRODUCTION OF KEHILAT HADAR www.kehilathadar.org Shabbat 1 Melodies Hallelu Eil BeKodsho Pesukei DeZimra (Psalm 150) Halleluyah! Let every… Praise God in God’s sanctuary. Praise God whose power the heavens proclaim. Praise God’s mighty deeds. Praise God’s abundant greatness. Let every… Praise God with the blast of the shofar. Praise God with the lyre and harp. Praise God with drums and dance. Praise God with strings and pipe. Let every… Praise God with cymbals sounding. Praise God with cymbals resounding. Let every breathing soul praise God. Halleluyah! Let every… 2 Hodu L’Adonai Ki Tov Shabbat and Holiday Pesukei DeZimra (Psalm 136) Give thanks to God who is good for your love is eternal. Give thanks to the God of gods for your love is eternal. -
Kabbalat Shabbat Reuven Meir Haralick
,ca ,kce Kabbalat Shabbat Reuven Meir Haralick In Dedication to Reb Shlomo Carlebach i This book was prepared by DavkaWriter. Copyright @2014 by Robert M. Haralick All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsover withougt written permission from Robert M. Haralick except in the case of bried quotations in reviews for inclusion in a magazine, newspaper, or broadcast or brief quotations in books or articles about Jewish Spirituality. ISBN 0-9722273-3-4 ii Reb Shlomo Carlebach If there is one person who in our time has transformed the Kabbalat Shabbat prayer service, it is Reb Shlomo Carlebach. Reb Shlomo introduced a setting for conducting tefilot (prayer services) in an atmosphere of singing and dancing with simcha (joy and happiness). Prayer is not by quick dry mechanical repetition of memorized words and phrases. Reb Carlebach’s prayer was not mechanical. In prayer he stood before God, not just intellectually, but with his whole body and voice. And as he stood before God, those in the congregation felt that they also were standing before God. Reb Carlebach composed uplifting melodies of the soul, melodies that can repeat and repeat, yet never become tiresome. Through his inspiration and the nigun’s he has brought down and given us, the Kabbalat Shabbat Friday night prayer service has become a time during which we transcend and transition into and live the paradise of Shabbos. A person who has gotten used to the Carlebach style of Kabbalat prayer service, never wants to do it any other way. -
October 27, 28 and 29 October 28
ADAT SHALOM SYNAGOGUE THE ENDOWED IN MEMORY OF HARRY AND SHI RLEY NACH MAN Vol. 74 No. 8 October 2017 l Tishrei - Cheshvan 5778 SCHEDULE OF SERVICES Mornings: Sundays. 8:30 a.m. Monday – Friday . 7:30 a.m. Shabbat . 9:00 a.m. Evenings (Minchah-Maariv) Sundays - Fridays . 6:00 p.m. Saturdays October 7 . 7:00 p.m. October 14. 6:45 p.m. October 21 . 6:30 p.m. October 27, 28 and 29 October 28 . 6:15 p.m. We are honored to welcome SHABBAT TORAH PORTIONS Professor October 7 October 21 Chol Hamoed Sukkot Noach Joseph Benatov Joseph Benatov holds a Ph.D. in October 14 October 28 comparative literature from the Bereshit Lech Lecha University of Pennsylvania, where he teaches Foreign Languages in SERVICES the Modern Hebrew Language SUKKOT , S HEMINI ATZERET Program. He is originally from AND SIMCHAT TORAH Bulgaria and a member of Sofia’s Erev Sukkot Historian of Jewish Jewish community. Professor Wednesday, October 4 Life in Bulgaria Benatov has over 10 years of Mincha-Maariv . 6:00 p.m. and the Balkans experience leading travelers across Sukkot, First Day Thursday, October 5. 9:00 a.m. Bulgaria and the Balkans. He Mincha-Maariv . 6:00 p.m. lectures regularly on the history of Sukkot, Second Day. 9:00 a.m. Jewish life in Bulgaria and has Mincha-Maariv . 6:00 p.m. published on the fate of its Jews Hoshanah Rabba during the Holocaust. Every summer Wednesday, October 11. 7:30 a.m. Dr. Benatov leads a Sephardic trip to Shemini Atzeret Bulgaria, Macedonia and Northern Thursday, October 12 . -
September 2014 Vol
September 2014 Vol. 39 No. 2 TEHILLIM — SEPTEMBER 2014 VOLUME 39 NUMBER 2 ABOUT THE PSALMS Psalmody: Concept or Genre? Judit Frigyesi ................................................................................................................ 2 PSALMS FOR LITURGICAL OCCASIONS The Daily Psalms for Sunday through Friday Texts by Isaac Klein and Harold Kushner Music by Michael Levy, Pinchas Spiro and Charles Davidson.................................... 16 Psalm 47–An Introductory Hymn to Sounding the Shofar Samuel I. Cohen ........................................................................................................... 28 Lamnatzei’ah livnei korah (after Beny Maissner) ...................................................... 33 Psalm 23–A Learning Session on Transfiguration in the House of Mourning Jacob Agus ................................................................................................................... 35 Mizmor l’david – Adonai ro’i (Bi-lingual chant by M. Wohlberg; arr. L. Avery) ..... 37 MAIL BOX Un-Jewish Music Charles Heller .............................................................................................................. 41 What U-n’taneh tokef and Dayyeinu have in common Sam Weiss .................................................................................................................... 42 D’VAR N’GINAH Notes from a Workshop: Adapting an Existent Psalm Tune Shoshana Brown ......................................................................................................... -
Siddur for Shabbat
úáùì øåãéñ Siddur for Shabbat úáùì øåãéñ Siddur for Shabbat David Singer, Editor Berkeley Hillel 5763 2003 i ii Contents Preface iv On Usage v Shabbat Evening Service 1 Shabbat Morning Service 43 Havdalah 95 Supplementary Prayers 97 Songs 103 iii Preface This siddur was first created by the Reform minyan at UC Berkeley, California in the spring of 2003. In deciding to compile this siddur, students embarked on an ambitious process: how could they best combine over twenty distinct creative service packets into one inclusive and comprehensive siddur which would suit the needs of the Berkeley Reform Jewish community’s prayer in all circumstances for years to come? Further, the prayer service, while in need of energy and creativity, was also worthy of respect and in due need of a certain amount of structure which service packets could not provide. It is our hope that this siddur meets that need, and accordingly that it can and will be used for Erev and Shacharit Shabbat and Havdalah services as well as song sessions. Further, it is our hope that this siddur will help to meet the same need in other youth and young adult minyanim for years to come. We thank the many people who have helped to make this siddur a reality, especially to those who spent countless hours compiling and editing. To David Singer, Melissa Loeffler, Jill Cozen-Harel, Becky Gimbel, David Abraham and Athalia Markowitz special thanks are due. The original printing of this siddur would not be possible if not for the generous financial support provided by Temple Beth El of Berkeley, CA.