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The Collection of Polish Art | 1 Right from the Start Artymowska Worked on Abstract Paintings, and Created Monotypes and Ceramics
KunstmThe Bochumuseum Art Bochum Museum – Die– the Sammlung Collection of Polish Art polnischerSelection and texts: Axel Kunst Feuß Multiplied Space IX, 1981 Artymowska, Zofia (1923 Kraków - 2000 Warsaw): Multiplied Space IX, 1981. Serigraphy, Collage, 60.8 x 49.7 cm (41.6 x 41.1 cm); Inv. no. 2149 The Bochum Art Museum Zofia Artymowska, born 1923 in Kraków, died 2000 in Warsaw. She was married to the painter and graphic artist Roman Artymowski (1919-1993). Studies: 1945-50 Academy of Visual Arts, Kraków (under Eugeniusz Eibisch, diploma in painting). 1950/51 Assistant. Lived in Warsaw from 1951; in Łowicz from 1980. 1953-56 works on murals during the reconstruction of Warsaw. 1954 Golden Cross of Merit. 1960-68 Professor at the University of Baghdad. 1971-83 Lecturer at the University of Visual Arts, Breslau/Wrocław. Solo exhibitions since 1959 in Warsaw, Beirut, Baghdad, Łódź, Breslau, Stettin/Szczecin, New York. Works in museums in Baghdad, Bochum, Bogota, Breslau, Bydgoszcz, Dresden, Łódź, New York, Warsaw. The Bochum Art Museum – the Collection of Polish Art | 1 Right from the start Artymowska worked on abstract paintings, and created monotypes and ceramics. During her time in Baghdad she turned to oil painting. At the university there she taught mural painting at Tahreer College as well as painting, drawing and composition at the College of Engineering in the faculty of architecture. From the 1970s onwards she explored the potential forms of expression inherent in a single geometric form, the cylinder (derived from machine parts) that she used as a constantly duplicated module for creating images. -
European Identity
Peaceful, prosperous, democratic and respectful of people’s rights, building talk about Europe need to We Europe is an ongoing challenge. For many years it seemed that Europeans lived on a continent of shared values and a common destiny. No one paid attention to the alarm bells warning of growing divisions across the continent, which have become more insistent since the economic and social crisis. Europe and We need to talk its values, previously taken for granted, are now being contested. These clouds are casting a shadow across Europe’s future, and old demons, long dormant, have started to raise their voices again. about Europe With a deepening values divide there is an urgent need for public debate and a reconsideration of how Europeans can strengthen the European project. Is a “Europe united in diversity” still feasible? Can a consensus be forged on a set of values pertaining to a common European identity? What should be done to preserve European unity? The Council of Europe, with its membership covering Europe from Vladivostok to Lisbon and from Reykjavik to Ankara, and its mission to promote democracy, human rights and the rule of law, provides an excellent framework for discuss- ing the current state of thinking and dynamics behind the concept of European identity. For these reasons, the Council of Europe, together with the École nationale d’administration in Strasbourg, held a series of European Identity Debates fea- turing eminent personalities from a variety of backgrounds including politics, civil society, academia and the humanities. European Identity This publication presents the 10 European Identity Debates lectures. -
CRCEES Winter Festival 2008-09 CRCEES Winter Festival 2008-09
CRCEES Winter Festival 2008-09 CRCEES Winter Festival 2008-09 CONTENTS 01 Introduction 04 Visual Arts 09 Winter Festival of Central European Film 27 Music 32 Literary Events 36 Theatre 37 Academic Events 41 Language Learning 01 www.gla.ac.uk/crcees CRCEES Winter Festival 2008-09 The Centre for Russian, Central and East European The season will end with two major Conferences: Studies have great pleasure in hosting a major in February we will examine good practice in the Festival of Arts and Cultures in the Winter season teaching of the languages and cultures we offer of 2008/2009. and the season will conclude with the annual CRCEES Research Forum, to be held in Glasgow The Winter Festival will showcase the enormous in April 2009. breadth of CRCEES’ academic provision in terms of languages and cultures, and will open out an We look forward to welcoming you to this rich extraordinary wealth of resources to the Scottish programme of events. If you would like to know and the UK public more widely. more about the countries covered by this festival and be involved in future activities, please check The season includes major academic conferences our website or contact us for more information. on Hungary and Latvia and a special symposium entitled ‘Inter-cultural Crossings’ where speakers The organisers would like to express their from many European countries will bear witness appreciation to colleagues in the Department of to the powerful ‘crossings’ of other cultures into Central and East European Studies and those their own. in the Slavonic Studies section of the School of Modern Languages and Cultures at the University Throughout the Festival there will be films, of Glasgow as well as to the many colleagues in exhibitions of visual arts, literary readings, musical the partner institutions of CRCEES. -
Razing of Romania's Past.Pdf
REPORT Ttf F1 *t 'A. Í M A onp DlNU C GlURESCU THE RAZING OF ROMANIA'S PAST The Razing of Romania's Past was sponsored by the Kress Foundation European Preservation Program of the World Monuments Fund; it was published by USACOMOS. The World Monuments Fund is a U.S. nonprofit organization based in New York City whose purpose is to preserve the cultural heritage of mankind through administration of field restora tion programs, technical studies, advocacy and public education worldwide. World Monuments Fund, 174 East 80th Street, New York, N.Y. 10021. (212) 517-9367. The Samuel H. Kress Foundation is a U.S. private foundation based in New York City which concentrates its resources on the support of education and training in art history, advanced training in conservation and historic preservation in Western Europe. The Samuel H. Kress Foundation, 174 East 80th Street, N.Y. 10021. (212) 861-4993. The United States Committee of the International Council on Monuments and Sites (USACOMOS) is one of 60 national committees of ICOMOS forming a worldwide alliance for the study and conservation of historic buildings, districts and sites. It is an international, nongovernmental institution which serves as the focus of international cultural resources ex change in the United States. US/ICOMOS, 1600 H Street, N.W., Washington, D.C., 20006. (202) 842-1866. The text and materials assembled by Dinu C. Giurescu reflect the views of the author as sup ported by his independent research. Book design by DR Pollard and Associates, Inc. Jacket design by John T. Engeman. Printed by J.D. -
Meetings Roman Ingarden in Recollections
MEETINGSRoman Ingarden in Recollections Edited by Leszek Sosnowski 1 MEETINGSRoman Ingarden in Recollections Edited by Leszek Sosnowski MEETINGS Roman Ingarden in Recollections 2 Andrzej Ingarden Krzysztof Ingarden Jerzy Aleksandrowicz Maria Gołaszewska Andrzej Kowal Józef Lipiec Janina Makota MEETINGS Andrzej Półtawski Roman Ingarden in Recollections Ewa Sowa Władysław Stróżewski Beata Szymańska edited by Leszek Sosnowski Jan Woleński Krzysztof Zanussi Leopold Zgoda Klaudia Adamowicz Dominika Czakon Karol Kapelko Monika Komaniecka-Łyp Rafał Kur Natalia Anna Michna Patryk Miernik Leszek Sosnowski Jan Turlej Paulina Tendera Krakow 2020 3 MEETINGS Roman Ingarden in Recollections edited by Leszek Sosnowski WYDAWNICTWO WYDAWNICTWO Krakow 2020 4 © Copyright by individual authors, Krakow 2020 Proofreading Michelle Atallah Maria Macko Cover design Agnieszka Gogola ISBN 978-83-8138-124-6 (print) ISBN 978-83-8138-288-5 (on-line, pdf) The publication is financed by the Ministry of Science and Higher Education of the Republic of Poland under the program “DIALOG” in the years 2019-2020 KSIĘGARNIA AKADEMICKA PRESS ul. św. Anny 6, 31-008 Krakow tel./faks: 12 431-27-43, 12 421-13-87 e-mail: [email protected] https://akademicka.pl/ 5 Table of contents I . Introduction 11 <right> Introduction 17 <right> Dominika Czakon, Natalia Anna Michna Roman Ingarden – Life and Work from a Subjective Perspective 31 <right> Monika Komaniecka-Łyp Roman W. Ingarden In the Files of the Security Service 63 <right> Leszek Sosnowski Roman Ingarden. Portrait of a Teacher -
Soloists of ALEA III E Literature and the Other Arts, Is in Addition to Its Magnificent History an “Music, Lik Wednesday, December 8, 2004, 8 P.M
Music Visit Alea III on the Internet: www.aleaiii.com 1 Twenty-Second International Composition Competition Saturday, September 25, 2004, 7 p.m. Free admission Special event for the premiere performance of the finalists’ works. At the end of the concert, the Alea III Prize will be of the awarded by a distinguished panel of judges. Hee Yun Kim (Republic of Korea) Reversion is the Movement of Tao Jorge Sancho Cebollero (Spain) Et Resurrexi Joseph Sheehan (USA) Dance Dance Revelation Éric Marty (Canada) Buoyancy Karl Fiorini (Malta) Trio "Lamina" Basil Athanasiadis (Greece) This Leaf is Selected Soloists include: Kathleen Boyd, flute, Judi Saiki, harp Theodore Antoniou, conductor World 2 Music Theater Monday, November 8, 2004, 8 p.m. Free admission William Bolcom Cabaret Songs Roger Ames I Wonder Milton Babbitt Cabaret Songs Yehudi Wyner Restaurants, Wines and other Trifles Kurt Weill Old Songs George Kouroupos Little Red Riding-Hood Leonard Bernstein West Side Story (excerpts) 3 Soloists of ALEA III e literature and the other arts, is in addition to its magnificent history an “Music, lik Wednesday, December 8, 2004, 8 p.m. ession of the human spirit. This spirit is embodied in new music. ever-growing expr Free admission emier venue in Boston for the performance of newe Antoniou, music. If Alea III provides the pr Edison Denisov Sonata Op. 12 in C Major Alea III did not exist, it would have to be invented. Thanks to Theodor Theodore Antoniou Suite for Violin and Harpsichord e are all in his debt.” Alea III does exist. W Jani Christou Six T. -
Political Input in Making Poets Cultural Icons*
World Literature Studies 4 . vol. 8 . 2016 (47 – 63) ŠTÚDIE / ARTICLES Political input in making poets cultural icons* JÁN GAVURA In July 2007, the Polish Parliament declared 2008 the Year of Zbigniew Herbert,1 commemorating the tenth anniversary of his death in 1998. Four years later, the same political body declared 2011 the Year of Czesław Miłosz,2 commemorating the centen nial of the poet’s birth. In contrast, in 1984 the Slovak Ministry of Culture and the Communist Party of Slovakia did not formally devote a year to Laco Novomeský,3 yet a series of conferences, monographs, the production of a fictionalized biopic, and the inauguration of a museum in the town where the poet had spent his youth cer- tainly created a similar aura. These three literary personalities, each well known in their homelands and abroad, achieved an iconic cultural status that is, paradoxically, not only the result of mere artistic achievement but was also, in part, the result of political motivation. This article examines the cases of poets who, in the course of time, became cul- tural icons in East-Central Europe in the late twentieth and early twenty-first cen- turies. While this paper’s primary examples are drawn from a handful of Polish and Slovak writers, these cases are supplemented with those of other poets to provide more examples of how complex the creation of cultural icons is, especially when considered from three frameworks: cultural semiotics, national literatures, and transculturality. The choice of two neighboring literatures is made to compare the situation in a larger language area (Polish) with the smaller language community of Slovak literature to broaden the research area and reveal, on the one hand, the common history of Eastern Bloc countries and, on the other, the distinctive differ- ences that every nation and individual author possess. -
Comp. 12 Program Layout.Cwk
T h i r t y - F i f t h S e a s o n 2 0 1 2 - 2 0 1 3 ALEA III’s Great Soloists Wednesday, April 3, 2013, 8:00 p.m. Free admission Violist Scott Woolweaver and friends present an evening of international music for viola. ALEA III Sofia Gubaidulina (Russia) Quasi hocketus Theodore Antoniou (Greece) Two Studies for Solo Viola Betsy Jolas (France) Episode Sixième Ketty Nez (USA) sea changes* Erwin Schulhoff (Czech Republic) Concertino Theodore Antoniou, Howard Frazin (USA) New work* Music Director Soloists include: Scott Woolweaver, viola Contemporary Music Ensemble Deborah Boldin, flute in residence at Janice Weber, piano Boston University since 1979 Janet Underhill, bassoon Nathan Varga, double bass *Premiére PianistX8 30th International Composition Monday, April 22, 2013, 8:00 p.m. Competition Free admission Continuing the series of concerts featuring works of unusual instrumentation, this year we present pieces of 1-8 pianists, honoring Boston University’s Piano Department TSAI Performance Center professors and their studios. October 7, 2012, 7:00 pm Sponsored by Boston University BOARD OF DIRECTORS BOARD OF ADVISORS President OUR NEXT ALEA EVENTS George Demeter Mario Davidovsky Hans Werner Henze Chairman Milko Kelemen Iannis Xenakis in First Person André de Quadros Oliver Knussen Krzystof Penderecki Wednesday, November 14, 2012, 8:00 p.m. Treasurer Gunther Schuller Free admission Samuel Headrick Dhipli Zyia Electra Cardona Evryali Ilias Fotopoulos Persephassa Consul General of Greece Okho Catherine Economou - Demeter Charisma Vice Consul of Greece ALEA III Celebrates the life and work of Iannis Xenakis, Wilbur Fullbright on the occasion of the 90th anniversay of his birth. -
Polammay-June2019 Copy 4Web
POLA PUBLICATION OF THE POLISH AMERICAN CULTURALAM INSTITUTE OF MINNESOTA May-June 2019 Volume 41 Issue 3 pacim.org Happy Mother’s Day The Kupała Night Greater Poland Uprising Table of Contents: P. 4 Happy Mother’s Day Stanisław Moniuszko P. 5. Stanisław Moniuszko’s 200th Birthday Anniversary P. 6-7. Historical perspective: Greater Happy Father’s Day Poland Uprising P. 8. The Kupała Night P. 9. ATOM String Quartet in the Twin Cities P. 10. PACIM Art-A-Whirl artists POLAM !1 MOTHER’SHap yDAY May 12, 2019, US May 26, 2019, Poland STANISŁAW WYSPIAŃSKI “Motherhood” 1904, Pastel on paper. National Museum in Warsaw MATKA MOTHER Upadł jej z kolan kłębek włóczki. He fell from her lap like a ball of yarn. Rozwijał się w pośpiechu i uciekał na oślep. He unwound himself in a hurry and beat it into the distance. Trzymała początek życia. She held onto the beginning of life. Owijała na palec serdeczny jak pierścionek, chciała She wound it on a finger hospitable as a ring; she wished to uchronić. shelter it. Toczył się po ostrych pochyłościach, czasem piął się pod He rolled down steep slopes, sometimes labored up górę. mountains. Przychodził splątany i milczał. He came back all tangled up and didn't say a word. Nigdy już nie powróci na słodki tron jej kolan. He will never return to the sweet throne of her lap. Wyciągnięte ręce świecą w ciemności jak stare miasto Her outspread arms glow in the dark like an old town. Zbigniew Herbert Translated by Alissa Valles “The Collected Poems” Zbigniew Herbert 10/29/1924—07/28/1998 Poet, essayist, writer, columnist, author of plays and radio dramas. -
Index of Awards and Awarding Bodies
INDEX OF AWARDS AND AWARDING BODIES This index contains (i) the names or organizations and agencies (with locations in parentheses) that offer or administer funds and (ii) awards with distinctive names. Organizations and awards named after individuals are filed under the surname (last name). Names usually appearing before the surname are listed in parentheses. Numbers listed refer to the code numbers which appear at the head of each entry in the main text. Aachen International Charlemagne Prize: 1059 Administration for Development (Tangier): Abagnale (Roy M.) Fellowship: 567 14 Abbe (Cleveland) Award: 138 Afro-Asian Institute-Histadrut Israel: 1094 Abbey (Edwin Austin) Scholarship Fund: 1400 Afro-Asian Institute in Vienna: 15 Abbey Major Scholarship: 427 Afro-Asian Rural Reconstruction Organization: ABC Award: 1611 1895 Abel (John J.) Award: 194 Aga Khan Prize: 1641 Abrams (Charles) Scholarship: 156 Age, (The) Award (Australia): 2025 Academic Links with China Scheme: 397 Agency for International Development (USA): Academic Links with Eastern Europe Scheme: 1924, 2063 396 Agency for Technical, Industrial and Eco Academic Links and Interchange Scheme: 395 nomic Cooperation (France): 16 Academy of American Poets, Inc.: 1,2 Agricultural Development Council, Inc. (USA): Academy of Arts (Czechoslovakia): 3 17 Academy of Motion Picture Arts and Sciences Agricultural Institute (Ireland): 18 (USA): 4 Agricultural Institute of Canada: 19, 587 Academy of Natural Sciences of Philadelphia: Agricultural Research Council (UK): 20-22, 5 1535 Academy -
Pays-Baltes De Baltische Staten 2016
RAPPORT DE SESSION D’ÉTUDE RAPPORT VAN DE STUDIESESSIE PAYS-BALTES DE BALTISCHE STATEN 2016 Association Royale Conférence Olivaint de Belgique asbl Koninklijke Vereniging Olivaint Genootschap van België vzw 2 Association Royale sans but lucratif – Koninklijke Vereniging zonder winstoogmerk rue d’Egmontstraat 11 1000 Bruxelles - Brussel Tél. +32.470.05.08.62 E-mail : [email protected] B.D. 21.365/13 www.olivaint.be BE73 3101 6608 0860 (BIC: BBRU BEBB) Editeur responsable - Verantwoordelijke uitgever : Philippe Lambrecht rue d’Egmontstraat 11 1000 Bruxelles Avertissement - Waarschuwing Le contenu des articles n'engage que les auteurs. Les données reprises dans ce rapport sont à jour en date de la fin de la session d'étude. De auteurs dragen de verantwoordelijkheid voor de inhoud van hun artikels. De gegevens van dit verslag zijn geldig op datum van het einde van de studiesessie. 3 4 Préambule - Voorwoord Le présent rapport fait suite au voyage d'étude que la Conférence Olivaint de Belgique a effectué aux pays-Baltes au mois de juillet 2016, sous le haut patronage du Service public fédéral Affaires étrangères. Voorliggend rapport brengt verslag uit over de studiesessie van het Olivaint Genootschap van België in de Baltische Staten gedurende de maand juli 2016, die plaatsvond onder de hoge bescherming van de Federale Overheidsdienst Buitenlandse Zaken. Cette session d'étude n'aurait pas été possible sans les conseils, la collaboration et le mécénat de nombreuses personnes, entreprises et organismes. Nous tenons ici à les en remercier et notamment : Zonder de raadgevingen, de samenwerking en het mecenaat van talrijke personen, bedrijven en organismen zou deze reis nooit werkelijkheid zijn geworden. -
A Salute to 75 Years of International Radio Commissioning the Juilliard School Presents
Focus Festival 2019 OnThe Air! A Salute to 75 Years of International Radio Commissioning The Juilliard School presents 35th Annual Focus Festival Focus 2019 On the Air! A Salute to 75 Years of International Radio Commissioning Joel Sachs, Director TABLE OF CONTENTS 1 Introduction to Focus 2019 8 Program I Friday, January 25, 7:30pm 19 Program II Monday, January 28, 7:30pm 27 Program III Tuesday, January 29 Preconcert Discussion, 6:30pm; Concert, 7:30pm 39 Program IV Wednesday, January 30, 7:30pm 47 Program V Thursday, January 31, 7:30pm 54 Program VI Friday, February 1, 7:30pm 62 Focus Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2019 by Joel Sachs Commissioning artists—paying them to create new art—is a very old story. Without the assistance of those who can afford to help them meet their expenses, artists would be forced to cater to the mass market. The identity of such people or institutions is usually obvious, such as the church or what the British used to call the “nobility and gentry.” In the world that succeeded the old monarchical structure, the role of patron has been assumed by foundations, which are frequently created to conserve the value of an estate; companies wanting to burnish their reputations through generosity to the arts; exceptionally wealthy individuals (not all of them necessarily honorable); and government entities from ministries of culture to local arts councils.