Progetto Comenius 2009-2011
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Olympic's Last Flight to NY
O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans c v A WEEKLY GREEK AMERICAN PUBLICATION www.thenationalherald.com VOL. 12, ISSUE 625 October 3, 2009 $1.25 Farewell To Hellenism’s Home in the Air: Olympic’s Last Flight to N.Y. Tears, Anger And Disappointment Mark Final Flights to and From JFK; Future is Unclear By Stavros Marmarinos er, “It is too bad for Olympic to fin- and Theodore Kalmoukos ish this way. I hope that whichever Special to The National Herald airlines take its place, will operate at the same level as Olympic. We NEW YORK – The passengers on cared a lot about the company all the Airbus A3400-300 cried when these years; we are the first compa- the head stewardess announced on ny in the world with a perfect Monday, September 28 that the fi- record of safety. All the passengers nal Olympic flight from Athens to have been asking us for the past JFK Airport in New York had just few months about the end of landed. The sadness in her voice Olympic.” Captain Papadakos does- marked the end of an era. Olympic n’t want to work for the successor Airlines, the national air carrier of airline. He said, “It is a small com- Greece which has transported hun- pany for now, which doesn’t fulfill dreds of thousands of Greek Ameri- me, and I do not want to work cans safely for more than half a there.” On the historic final flight century back and forth from the Captain Papadakos would be ac- land of their fathers and forefa- companied by his wife Maria. -
The Collection of Polish Art | 1 Right from the Start Artymowska Worked on Abstract Paintings, and Created Monotypes and Ceramics
KunstmThe Bochumuseum Art Bochum Museum – Die– the Sammlung Collection of Polish Art polnischerSelection and texts: Axel Kunst Feuß Multiplied Space IX, 1981 Artymowska, Zofia (1923 Kraków - 2000 Warsaw): Multiplied Space IX, 1981. Serigraphy, Collage, 60.8 x 49.7 cm (41.6 x 41.1 cm); Inv. no. 2149 The Bochum Art Museum Zofia Artymowska, born 1923 in Kraków, died 2000 in Warsaw. She was married to the painter and graphic artist Roman Artymowski (1919-1993). Studies: 1945-50 Academy of Visual Arts, Kraków (under Eugeniusz Eibisch, diploma in painting). 1950/51 Assistant. Lived in Warsaw from 1951; in Łowicz from 1980. 1953-56 works on murals during the reconstruction of Warsaw. 1954 Golden Cross of Merit. 1960-68 Professor at the University of Baghdad. 1971-83 Lecturer at the University of Visual Arts, Breslau/Wrocław. Solo exhibitions since 1959 in Warsaw, Beirut, Baghdad, Łódź, Breslau, Stettin/Szczecin, New York. Works in museums in Baghdad, Bochum, Bogota, Breslau, Bydgoszcz, Dresden, Łódź, New York, Warsaw. The Bochum Art Museum – the Collection of Polish Art | 1 Right from the start Artymowska worked on abstract paintings, and created monotypes and ceramics. During her time in Baghdad she turned to oil painting. At the university there she taught mural painting at Tahreer College as well as painting, drawing and composition at the College of Engineering in the faculty of architecture. From the 1970s onwards she explored the potential forms of expression inherent in a single geometric form, the cylinder (derived from machine parts) that she used as a constantly duplicated module for creating images. -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen). -
The Explorations and Poetic Avenues of Nikos Kavvadias
THE EXPLORATIONS AND POETIC AVENUES OF NIKOS KAVVADIAS IAKOVOS MENELAOU * ABSTRACT. This paper analyses some of the influences in Nikos Kavvadias’ (1910-1975) poetry. In particular – and without suggesting that such topic in Kavvadias’ poetry ends here – we will examine the influences of the French poet Charles Baudelaire and the English poet John Mase- field. Kavvadias is perhaps a sui generis case in Modern Greek literature, with a very distinct writing style. Although other Greek poets also wrote about the sea and their experiences during their travelling, Kavvadias’ references and descriptions of exotic ports, exotic women and cor- rupt elements introduce the reader into another world and dimension: the world of the sailor, where the fantasy element not only exists, but excites the reader’s imagination. Although the world which Kavvadias depicts is a mixture of fantasy with reality—and maybe an exaggerated version of the sailor’s life, the adventures which he describes in his poems derive from the ca- pacity of the poetic ego as a sailor and a passionate traveller. Without suggesting that Kavvadias wrote some sort of diary-poetry or that his poetry is clearly biographical, his poems should be seen in connection with his capacity as a sailor, and possibly the different stories he read or heard during his journeys. Kavvadias was familiar with Greek poetry and tradition, nonetheless in this article we focus on influences from non-Greek poets, which together with the descriptions of his distant journeys make Kavvadias’ poems what they are: exotic and fascinating narratives in verse. KEY WORDS: Kavvadias, Baudelaire, Masefield, comparative poetry Introduction From an early age to the end of his life, Kavvadias worked as a sailor, which is precisely why it can be argued that his poetry had been inspired by his numerous travels around the world. -
History of Modern Bulgarian Literature
The History ol , v:i IL Illlllf iM %.m:.:A Iiiil,;l|iBif| M283h UNIVERSITY OF FLORIDA LIBRARIES COLLEGE LIBRARY Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/historyofmodernbOOmann Modern Bulgarian Literature The History of Modern Bulgarian Literature by CLARENCE A. MANNING and ROMAN SMAL-STOCKI BOOKMAN ASSOCIATES :: New York Copyright © 1960 by Bookman Associates Library of Congress Catalog Card Number: 60-8549 MANUFACTURED IN THE UNITED STATES OF AMERICA BY UNITED PRINTING SERVICES, INC. NEW HAVEN, CONN. Foreword This outline of modern Bulgarian literature is the result of an exchange of memories of Bulgaria between the authors some years ago in New York. We both have visited Bulgaria many times, we have had many personal friends among its scholars and statesmen, and we feel a deep sympathy for the tragic plight of this long-suffering Slavic nation with its industrious and hard-working people. We both feel also that it is an injustice to Bulgaria and a loss to American Slavic scholarship that, in spite of the importance of Bulgaria for the Slavic world, so little attention is paid to the country's cultural contributions. This is the more deplorable for American influence in Bulgaria was great, even before World War I. Many Bulgarians were educated in Robert Col- lege in Constantinople and after World War I in the American College in Sofia, one of the institutions supported by the Near East Foundation. Many Bulgarian professors have visited the United States in happier times. So it seems unfair that Ameri- cans and American universities have ignored so completely the development of the Bulgarian genius and culture during the past century. -
COLLECTIVE COMPLAINT No. 31/2005 European Roma Rights Center V. Bulgaria
EUROPEAN COMMITTEE OF SOCIAL RIGHTS COMITE EUROPEEN DES DROITS SOCIAUX 25 May 2005 Case Document No. 1 COLLECTIVE COMPLAINT No. 31/2005 European Roma Rights Center v. Bulgaria registered at the Secretariat on 22 April 2005 EUROPEAN ROMA RIGHTS CENTRE 1386 Budapest 62, P.O. Box 906/93, Hungary Phone: (36-1) 413-2200; Fax: (36-1) 413-2201 E-mail: [email protected] http://errc.org 21 April 2005 Secretariat of the European Social Charter Directorate General of Human Rights – DG II Council of Europe F-67075 Strasbourg CEDEX France Collective Complaint European Roma Rights Centre v. Bulgaria Table of Contents I. Admissibility I.1. State Party I.2. Articles Concerned I.3. Standing of the European Roma Rights Centre II. Subject Matter of the Complaint II.1. Article 16, Article E, and the Right to Adequate Housing II.2. The Factual Profile of Bulgaria’s Violation of Article 16 Independent of and/or in Conjunction with the Article E Ban on Discrimination II.2.A. Failure to Recognise the Right to Adequate Housing under Bulgarian Domestic Law II.2.B. Aggravated Residential Conditions of Romani Neighborhoods II.2.C. Factual Denial on a Massive Scale of Legal Recognition of Romani Housing II.2.D. Systemic Threats of and/or Actual Implementation of Forced Evictions. Planned and Realised Wholesale Destruction of Romani Neighbourhoods II.2.E. Government Housing Policy III. Conclusions I. Admissibility I.1. State Party I.1.01. Bulgaria: High Contracting Party to the Revised European Social Charter (hereafter “RESC”) since August 1, 2000; and accepted supervision under the collective complaints procedure provided for in Part IV, Article D, paragraph 2 of the Charter in accordance with the Additional Protocol to the ESC providing for a system of collective complaints from 9 November 1995. -
1-!!1 J Eurofocus 28/82 2
A NEWSSHEET FOR JOURNALISTS • REPRODUCTION AUTHORIZED No. 28/82 BRUSSELS, August 9, 1982 Note from the Editor I This is a special summer issue of "Eurofocus" which has been prepared to give you background material on the major festival of Greek culture which is to start in Brussels in October. Every two years, Belgium is the host of "Europalia" the prestigious multi-disciplinary arts festival which honours the culture of a Community country. I After a short summer break, "Eurofocus" will be back in September to keep you informed about what's happening in the European Community. Have a good summer. EUROPALIA This year it's the turn of Greece, the newest member of the European Community, to share the glories of its culture with fellow Europeans in Europalia, the prestigious multi-disciplinary arts festival held every two years in Belgium in honour of a different Community country in turn. Since the festival began in 1969, Italy, the Netherlands, Britain, France, the German Federal Republic and Belgium have taken part, with financial assistance from their respective governments, private industry and the Community. In Europalia 82 Greece will be offering a panoramic view of five thousand years of civilisation in a series of some 200 exhibitions, theatrical productions, concerts, films and Literary and other events taking place in Brussels and other Belgian cities from October to December. Museums and private collections from This newssheet IS published 1n SIX languages (English, French, German, Dutch, Italian and Span1sh) by the Directorate-General fol Information of the Commission of the European Commun1t1es, .. Rue de Ia Lo1 200 - 1049 Brussels- Belg1um Tel. -
European Identity
Peaceful, prosperous, democratic and respectful of people’s rights, building talk about Europe need to We Europe is an ongoing challenge. For many years it seemed that Europeans lived on a continent of shared values and a common destiny. No one paid attention to the alarm bells warning of growing divisions across the continent, which have become more insistent since the economic and social crisis. Europe and We need to talk its values, previously taken for granted, are now being contested. These clouds are casting a shadow across Europe’s future, and old demons, long dormant, have started to raise their voices again. about Europe With a deepening values divide there is an urgent need for public debate and a reconsideration of how Europeans can strengthen the European project. Is a “Europe united in diversity” still feasible? Can a consensus be forged on a set of values pertaining to a common European identity? What should be done to preserve European unity? The Council of Europe, with its membership covering Europe from Vladivostok to Lisbon and from Reykjavik to Ankara, and its mission to promote democracy, human rights and the rule of law, provides an excellent framework for discuss- ing the current state of thinking and dynamics behind the concept of European identity. For these reasons, the Council of Europe, together with the École nationale d’administration in Strasbourg, held a series of European Identity Debates fea- turing eminent personalities from a variety of backgrounds including politics, civil society, academia and the humanities. European Identity This publication presents the 10 European Identity Debates lectures. -
Ancient Theatre of Epidaurus
2 Athens & Epidaurus Festival 2020 ARTISTIC DIRECTOR Katerina Evangelatos BOARD OF DIRECTORS PRESIDENT Dimitris Passas VICE PRESIDENT Alexis Galinis MEMBERS Patricia Apergi Stavros Gasparatos Antonis Karampatzos Nikos Stampolidis Helene Varopoulou DIRECTOR GENERAL Ioannis Kaplanis ARTISTIC ADVISERS Stefanie Carp • International productions Evi Nakou • Artistic research & Audience development Costa Pilavachi • Music Elias Chatzigeorgiou • Dance 3 Artistic Director’ Note Over the past few weeks humanity has been going through a very challenging period, struggling to survive this pandemic, with thousands of casualties already. Life, as we know it, has changed for all of us. It has been almost three weeks since theatres and cultural venues closed down, and day by day we have come to realise how important contact with the living Arts is in our lives. Theatres are hubs, places of reflection, entertainment, homes we go to in groups, audiences and artists alike, hoping for something that real life cannot offer us. Can anyone fathom what our society will be like after this crisis and how important its cultural reflection will be through artist insight and sensitivity? The presence of an international festival will be, more than ever, a need and our duty. The Athens & Epidaurus Festival is an international event that has been warmly embraced by audiences and artists for 65 years. Normally on this day we would all be at Peiraios 260, together with friends, artists and journalists, to announce our programme. This is a programme we have been working on for seven months now, in collaboration with the entire Festival team and with the practical support of our Board of Directors, as well as my invaluable team of artistic advisors: Stefanie Carp for international theatre productions, Costa Pilavachi for music, Ilias Chatzigeorgiou for dance and Evi Nakou for artistic research and audience development. -
CIVILINĖS AVIACIJOS RAIDA LIETUVOJE 1919–1991 METAIS Autorės Žodis
CIVILINĖS AVIACIJOS RAIDA LIETUVOJE 1919–1991 METAIS Autorės žodis Pateikdama Lietuvos aviacijos istoriją norėjau atskleisti ištisinį, grįstą sunkumais, tačiau vai- nikuotą dideliais laimėjimais aviacijos raidos kelią. Lietuvos aviacijos istorija – tai beveik šimtmečio rėmuose telpantis kultūros paveldas, turintis istorinę vertę ir atskleidžiantis aviacijos technikos lygį bei progresą. Tai ir tėvynės mei- lę išreiškiantis lietuvių tautos didvyrių lakūnų Stepono Dariaus ir Stasio Girėno šlovingas pa- vyzdys, išgarsinęs Lietuvą pasaulyje. Lietuvos aviacijos istorinis atminimas yra tas deimantas, kuris nuglūdintas sunkumų sutvirtino mūsų valstybės pamatus ir tapo nacionalinio tapatu- mo išraiška. Džiaugiuosi galėdama padėkoti visiems, pri- sidėjusiems prie šios knygos atsiradimo. Ona Stasiukaitienė CIVILINĖS AVIACIJOS RAIDA LIETUVOJE 1919–1991 METAIS VILNIUS SAVASTIS 2015 UDK 629.73(474.5)(091) St97 KNYGOS LEIDYBĄ IŠ DALIES FINANSAVO Dailininkas Alvydas Ladyga Redaktorė Loreta Urtė Urbaitė Nuotraukos: Iš G. Ramoškos asmeninio archyvo: 8–12, 15–18, 22–25, 28–33, 44–46, 49, 51–54, 62–79, 82, 87–88, 102–105, 107–109 Iš V. Ašmensko asmeninio archyvo: 42–43, 48, 50, 60, 89, 91, 110 Recenzavo prof. habil. dr. Jonas Stankūnas ISBN 978-9986-420-94-1 © O. Stasiukaitienė © „Savastis“ T U R I N Y S ĮVADAS /7 LITERATŪROS IR ŠALTINIŲ APŽVALGA /11 I. NEPRIKLAUSOMOS LIETUVOS CIVILINĖ AVIACIJA (1919–1939 m.) /19 Aviacijos ištakos ir jos įsitvirtinimas Lietuvoje /19 Civilinės aviacijos panaudojimas susisiekimo ir transporto reikalams /46 Lietuvos aeroklubo įkūrimas ir jo veikla / 72 II. CIVILINĖ AVIACIJA INKORPORAVUS LIETUVĄ Į SOVIETŲ SĄJUNGĄ (1940–1988 m.) /89 Civilinė aviacija ir Lietuvos aeroklubas sovietinės okupacijos ir Antrojo pasaulinio karo metais (1940–1944 m.) /89 Civilinės aviacijos atkūrimas ir stiprinimas pokario metais (1945–1959 m.) /95 Civilinės aviacijos plėtra (1960–1988 m.) /107 Civilinės aviacijos panaudojimas ekonominiame gyvenime /123 Sportinė aviacija Lietuvoje /135 III. -
Homer, Troy and the Turks
4 HERITAGE AND MEMORY STUDIES Uslu Homer, Troy and the Turks the and Troy Homer, Günay Uslu Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Homer, Troy and the Turks Heritage and Memory Studies This ground-breaking series examines the dynamics of heritage and memory from a transnational, interdisciplinary and integrated approach. Monographs or edited volumes critically interrogate the politics of heritage and dynamics of memory, as well as the theoretical implications of landscapes and mass violence, nationalism and ethnicity, heritage preservation and conservation, archaeology and (dark) tourism, diaspora and postcolonial memory, the power of aesthetics and the art of absence and forgetting, mourning and performative re-enactments in the present. Series Editors Rob van der Laarse and Ihab Saloul, University of Amsterdam, The Netherlands Editorial Board Patrizia Violi, University of Bologna, Italy Britt Baillie, Cambridge University, United Kingdom Michael Rothberg, University of Illinois, USA Marianne Hirsch, Columbia University, USA Frank van Vree, University of Amsterdam, The Netherlands Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Günay Uslu Amsterdam University Press This work is part of the Mosaic research programme financed by the Netherlands Organisa- tion for Scientific Research (NWO). Cover illustration: Frontispiece, Na’im Fraşeri, Ilyada: Eser-i Homer (Istanbul, 1303/1885-1886) Source: Kelder, Uslu and Șerifoğlu, Troy: City, Homer and Turkey Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Editor: Sam Herman Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 269 7 e-isbn 978 90 4853 273 5 (pdf) doi 10.5117/9789462982697 nur 685 © Günay Uslu / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. -
CRCEES Winter Festival 2008-09 CRCEES Winter Festival 2008-09
CRCEES Winter Festival 2008-09 CRCEES Winter Festival 2008-09 CONTENTS 01 Introduction 04 Visual Arts 09 Winter Festival of Central European Film 27 Music 32 Literary Events 36 Theatre 37 Academic Events 41 Language Learning 01 www.gla.ac.uk/crcees CRCEES Winter Festival 2008-09 The Centre for Russian, Central and East European The season will end with two major Conferences: Studies have great pleasure in hosting a major in February we will examine good practice in the Festival of Arts and Cultures in the Winter season teaching of the languages and cultures we offer of 2008/2009. and the season will conclude with the annual CRCEES Research Forum, to be held in Glasgow The Winter Festival will showcase the enormous in April 2009. breadth of CRCEES’ academic provision in terms of languages and cultures, and will open out an We look forward to welcoming you to this rich extraordinary wealth of resources to the Scottish programme of events. If you would like to know and the UK public more widely. more about the countries covered by this festival and be involved in future activities, please check The season includes major academic conferences our website or contact us for more information. on Hungary and Latvia and a special symposium entitled ‘Inter-cultural Crossings’ where speakers The organisers would like to express their from many European countries will bear witness appreciation to colleagues in the Department of to the powerful ‘crossings’ of other cultures into Central and East European Studies and those their own. in the Slavonic Studies section of the School of Modern Languages and Cultures at the University Throughout the Festival there will be films, of Glasgow as well as to the many colleagues in exhibitions of visual arts, literary readings, musical the partner institutions of CRCEES.