Summer University Booklet 2012
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Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
Red Sand: Canadians in Persia & Transcaucasia, 1918 Tom
RED SAND: CANADIANS IN PERSIA & TRANSCAUCASIA, 1918 TOM SUTTON, MA THESIS ROUGH DRAFT, 20 JANUARY 2012 CONTENTS Introduction Chapter 1 Stopgap 2 Volunteers 3 The Mad Dash 4 Orphans 5 Relief 6 The Push 7 Bijar 8 Baku 9 Evacuation 10 Historiography Conclusion Introduction NOTES IN BOLD ARE EITHER TOPICS LEFT UNFINISHED OR GENERAL TOPIC/THESIS SENTENCES. REFERECNCE MAP IS ON LAST PAGE. Goals, Scope, Thesis Brief assessment of literature on Canada in the Russian Civil War. Brief assessment of literature on Canadians in Dunsterforce. 1 Stopgap: British Imperial Intentions and Policy in the Caucasus & Persia Before 1917, the Eastern Front was held almost entirely by the Russian Imperial Army. From the Baltic to the Black Sea, through the western Caucasus and south to the Persian Gulf, the Russians bolstered themselves against the Central Empires. The Russians and Turks traded Kurdistan, Assyria, and western Persia back and forth until the spring of 1917, when the British captured Baghdad, buttressing the south-eastern front. Meanwhile, the Russian army withered in unrest and desertion. Russian troops migrated north through Tabriz, Batum, Tiflis, and Baku, leaving dwindling numbers to defend an increasingly tenable front, and as the year wore on the fighting spirit of the Russian army evaporated. In the autumn of 1917, the three primary nationalities of the Caucasus – Georgians, Armenians, and Azerbaijanis – called an emergency meeting in Tiflis in reaction to the Bolshevik coup d'etat in Moscow and Saint Petersburg. In attendance were representatives from trade unions, civil employees, regional soviets, political parties, the army, and lastly Entente military agents. -
Some Paintings from the Collection of the Brukenthal National Museum of Sibiu and Their Relation with Two Habsburg Coronation Medals
ALEXANDRU GH. SONOC1 ANDREI POPA2 SOME PAINTINGS FROM THE COLLECTION OF THE BRUKENTHAL NATIONAL MUSEUM OF SIBIU AND THEIR RELATION WITH TWO HABSBURG CORONATION MEDALS Abstract: In the 18th c., the imperial portrait was an important instrument of propaganda, not only as painting of different dimensions, but also as a medal. Sometimes imperial medals were Mounted in a necklace, the medals were used also as a sign of an official dignity. Among them, of a particular importance are the coronation medals, because they were conferred to the most appreciated high officials, usually just at the occasion of their presence at the coronation ceremony, but maybe also when they came to Vienna to pay homage to their sovereign. Aiming not only to express loyalty towards the Imperial and Royal House in the most obvious way, but also as a sign of the highest favour, they were sometimes depicted in the portraits of the representatives of the Transylvanian elites. To be remembered by their fellow citizens for their loyalty towards the Crown, the heads of the Transylvanian Saxon delegations sent to Vienna to pay homage to the new monarchs used to order portraits ďapparat, whose inscriptions mention these events, as well as the names of the donors. Keywords: coronation medals, Charles VI, Maria Theresia, Andreas Teutsch, Simon von Baußnern. Among the 18th century German, Austrian and Transylvanian portraits from the collection of the Brukenthal National Museum of Sibiu there are some which have a closer connection with the Habsburg medals either of iconographic nature or (more rarely) because such medals were depicted on them. -
IRELAND. Any Consilience to Depend on for Their Sup- PRESIDENTIAL
THE CHICAGO TRIBUNE: FEBRUARY 1880, I \l MONDAY, 16, 1 \ 3 hlsi ?Why," asked thoDean, ?Is It right, by families, and these have no employmentof the lex tolfonls, to artist's upward sums Inproportion to tbo number of II11l181 (LI iP. foreign. pick an pockety? It IRELAND. any consilience to depend on for their sup- PRESIDENTIAL. yearn,and nfew of tbo oldest anannualpension was (riven up, of course, and tbo answer was: Bookkeepers, &«? ? port. The slate quarries, once tho source of of 120. rosonrlng no InterestIn tbo no*firm for Oledu, Rocnuso ho has pictures." A silence fell nlwut much laboring hero, themselves. \\TANTKI>?A THOROIiOII. the table until, one, revenue to tho classes *p PRACTICAL BOOR- round one by wo saw It. felt Pagt, e P«r;, Addrnss. giving reference and inlnrr Movement Ex- Then ntm thoughtful tniui observed, ?It was Tales of Sorrow and Suffering have for some time hack the general de- CmUnwti from Find expected,f KZi, Tribune office. A Secession ImpossibletoRive (ho answer?lieoausc thoDcan pression of the times. Only a little employ- . A Caplin! Contrivance* to Be Under Way had contrived to reserve tho answer to himself. from the West. ment Is afforded by them at present, anil this ?I: Conklin?,2: Cnmoron, 1; Edmunds, J; Gar- yttrrUfntrn //rniM. Trade*. ported 1 could not, for Instance, Is by many. field, I. An enterprising American shipped some noon nttAaa rtamJ* say thatit Is right for severely felt Little farmers in wheelbarrows to Wantbo-art Ca,,,r- lnqulfo 0f cu,tVIS cutter* mo to nick an artist's pocket, because no has have sold tho responses two points nro especially Itln do Janeiro, and itio natives l!Or.Nß ,*[o K. -
Journalinthenigh009030mbp.Pdf
3.50 JOURNAL IN THE NIGHT By THEODOR HAECKER Edited and translated^ with an introduction by AIJCK DRU Haecker, a German philosopher and re- ligious thinker, tran.slator of 'Kierkegaard and Newman, was deeply concerned with the harmony of faith and reason. This is the central theme of the Journal. Con- verted to Catholicism in 1920, Haecker was among the few who immediately recognized the character of ihe Nazi re- gime. He published his first article at- tacking it at the moment in which Hitler came to power. In consequence, he was arrested and, after his release, forbidden to lecture or to broadcast. His Journal was written at night, arid the pages hidden, as they were written, in a house in the country. This book, reminiscent in form of Pascal's Pensees, is his last testimony to the Lruth and a confession of faith that is a spon- taneous rejoinder to a particular moment in history. It is "written by a man intent, by nature, on the search for truth, and driven, by circumstance, to seek for it in anguish, in solitude, with an urgency that grips the reader. JACQUES MARATAIN on TUKODOR HAECKKK: Theodor Haecker was a man of deep in- a sight qnd rare intellectual integrity f "Knight of Faith" to use Kierkegaard s expression. The testimony of this great Christian has an outstanding value. I thank Pantheon Rooks for making so mag- nanimoits and* moving a work as his diary available to ^ American reader. DDD1 DS7t,fl 68-09952 193 H133J 193 H133J 68-09952 Haecker $3*50 Journal in the night Missouri gUpM lunsjs city, ** only Books will b2 issued of library card. -
The Carpathian Garden!
Welcome to the Carpathian Garden! Join us on a fascinating journey to a country rich in history and culture! Visit magical, legendary destinations, explore medieval fortresses, walk streets that have witnessed the unfolding of history, knock at the gates of castles and discover monasteries founded by medieval princes and painted by gifted artists. We also invite you too to savour delicious traditional dishes and wines with unique bouquets. Whether you choose the luxury of a five-star hotel or prefer the cosy comforts of a guest house, in ROMANIA you will always feel welcome! GENERAL INFORMATION Geography: Romania is located in south-eastern Europe (2,900 km east of the Atlantic Ocean, and 900 km from the Mediterranean), where the 45° north latitude parallel meets the 25° east longitude meridian. Accessibility: By road – European entrance/exit points into/from Romania: Borş, Nădlac, Petea, Turnu, Vărşand, Cenad (Hungary), Halmeu, Siret (Ukraine), Albiţa, Sculeni, Galaţi (Republic of Moldova), Negru Vodă, Giurgiu, Vama Veche (Bulgaria), Porţile de Fier I, Moraviţa (Serbia); By plane – main airports: Bucharest (Henri Coandă, Băneasa), Constanţa (Mihail Kogălniceanu), Timişoara, Cluj-Napoca, Târgu Mureş, Suceava, Sibiu, Tulcea, Bacău, Iaşi, Oradea, Arad; By sea – harbours: Constanţa and Mangalia. Surface area: 238,391 km2 Population: 21.5 mil. inhabitants (2008) Religion: Orthodox (87%) State flag: Official language: Romanian. Many Romanians also speak English, French or German Capital: Bucharest, 1,944,000 inhabitants (2008) Other principal -
Download Transylvania Detailed Itinerary
Transylvania Detailed Itinerary Romania & Hungary May 30/20 Fishermen’s Bastion (Halaszbastya) in Budapest, Hungary. Breathe the fresh air of coniferous woods in Facts & Highlights the country of Count Dracula, hike in the • 20 land days • Maximum 14 travelers • Start in Bucharest, Carpathian Mountains, sample the famous Romania, finish in Budapest, Hungary • All meals included • Explore Bucharest highlights wines of Hungary and gaze upon magnificent • Visit the painted monasteries of Bucovina • See ancient frescoes. Our trip to Hungary and Romania is an fortified Saxon towns • Sample the cultural diversity of the artful blend of culture, exquisite scenery, history Romanians, Seclers, Motzs and Magyars • Hike through the last great wilderness of Europe and activity. • Visit UNESCO World Heritage Sites • Visit Budapest’s Parliament, Buda Castle (UNESCO) and the Royal Palace of Our adventure in Transylvania begins in Visegrad • Visit the former capital of Ukraine, Czernowitz, Bucharest, the capital of Romania. Onward former capital of Bucovina through Transylvania, into the Carpathian Departure Dates & Price Mountains, we encounter ancient pockets May 17 - Jun 05, 2021 - $5495 USD of European culture and sample the region’s May 23 - Jun 11, 2022 - $5495 USD cuisine while sipping local wines in the Activity Level: 3 ambience of a medieval castle. See the Comfort Level: Some long drives. magnificent fortress-town of Sighisoara and Accommodations walk through the grand square of Brasov. A Comfortable accommodations with private bathrooms. true highlight is Bran Castle, a fortress atop a dramatic rock outcrop and more commonly known as Dracula’s Castle. After exploring US/CAN 1-800-741-7956 UK 0808-234-1714 INTL. -
1196-Castle in Transylvania Strategy.Pdf
CASTLE IN TRANSYLVANIA STRATEGY 2016–2025 TABLE OF CONTENTS Chapter 1 – General Strategic Framework ........................................................................4 Chapter 2 – Analysis of the General Situation Analiza generală a situației ...................13 The concept of the castle, definitions and approaches in terms of art history ...............13 Analysis of the general situation of the castle gardens from the perspective of the landscape ..............................................................................................18 Analysis of the general situation of the castles from the point of view of the legislation in force .........................................................................................................23 Analysis of the general situation of castles from the architect’s and the constructor’s point of view .................................................................................................31 The technical condition and restoration process of castles .......................................33 Interventions cycle – maintenance and the decisive role of the owner in the capitalisation of the castles ................................................................................38 The research and design phases specific to the rehabilitation of castles ...................41 Stages of design and related content frame ................................................................48 Interdisciplinary team in the rehabilitation of castles ..................................................50 -
Plone Conference Bucharest, 2015
Plone Conference Bucharest, 2015 A proposal by Alec Ghica, Eau de Web Dear Plone Community members, Eau de Web (http://eaudeweb.ro) is honored to organize the 2015 Plone Conference in Romania’s capital, a cosmopolitan city, combining an eclectic history with modernity and class with tourist curiosities. Before preparing this proposal, we have carefully analyzed your needs and expectations, and we also went through the lessons learned from previous events – a very useful resource to guide us through the 2015 event concept. During the coming months, we will appreciate your feedback and guidance in order to align all needed preparations to ensure a successful event. Why Bucharest? Bucharest is a crossroads of world civilizations and cultures. There are few places where such different cultures and traditions merge. We invite you to experience one of the most intense such locations, the “Little Paris” of Eastern Europe. In a nutshell: A vibrating Old City Center The Palace of the Parliament - the world's largest civilian building with an administrative function, most expensive administrative building and heaviest building Eclectic architecture A rich and filling cuisine The people – hospitable, joyful, charismatic! Vision and goals The “Plone Conference 2015” is the first major Python-related event organized in Romania thus being the perfect occasion not only to promote Plone, Python and Open Source in Romania, but also to create an event that: Strongly reflects Plone values like performance, innovation and team spirit Is memorable -
Brief Descriptions of Sites Inscribed on the World Heritage List
July 2002 WHC.2002/15 Brief Descriptions of Sites Inscribed on the World Heritage List UNESCO 1972 CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE CENTRE Additional copies of the Brief Descriptions, and other information concerning World Heritage, in English and French, are available from the Secretariat: UNESCO World Heritage Centre 7, place de Fontenoy 75352 Paris 07 SP France Tel: +33 (0)1 45 68 15 71 Fax: +33(0)1 45 68 55 70 E-mail: [email protected] http://www.unesco.org/whc/ http://www.unesco.org/whc/brief.htm (Brief Descriptions in English) http://www.unesco.org/whc/fr/breves.htm (Brèves descriptions en français) BRIEF DESCRIPTIONS OF THE 730 SITES INSCRIBED ON THE WORLD HERITAGE LIST WORLD HERITAGE CENTRE, UNESCO, July 2002 STATE PARTY the Kbor er Roumia, the great royal mausoleum of Mauritania. Site Name Year of inscription Timgad 1982 [C: cultural; N: natural; N/C: mixed] (C ii, iii, iv) Timgad lies on the northern slopes of the Aurès mountains and was created ex nihilo as a military colony by the Emperor Trajan in A.D. 100. With its square enclosure and orthogonal design based on the cardo and decumanus, the two AFGHANISTAN perpendicular routes running through the city, it is an excellent example of Roman town planning. Minaret and Archaeological Remains of Jam 2002 (C ii, iii, iv) Kasbah of Algiers 1992 The 65m-tall Minaret of Jam is a graceful, soaring structure, dating back to the (C ii, v) 12th century. Covered in elaborate brickwork with a blue tile inscription at the The Kasbah is a unique kind of medina, or Islamic city. -
Ceaușescu's Bucharest
Ceaușescu’s Bucharest: Power, Architecture and National Identity By Vlad Moghioroși Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Constantin Iordachi Second reader: Professor Balázs Trencsényi CEU eTD Collection Budapest, Hungary 2017 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract The thesis analyzes Nicolae Ceaușescu’s redesign of Bucharest as part of the Romanian dictator’s national communism and cult of personality. The symbol of this cult and manifestation of nationalism was the Bucharest Political-Administrative Center. Scholars generally agree that an analysis of the continuation of nationalism in Romanian planning and architecture in the twentieth century is crucial for understanding Ceaușescu’s project for Bucharest. As such, the aim of this thesis is to brings a new perspective on the influence of Romanian 20th century planning and architecture on the construction of the Bucharest Political-Administrative Center. It also offers a new interpretation of the decision-making process behind the construction of the communist center. Using party archives, I argue that although nationalism continued to be used in Romanian planning and architecture after the communist takeover, the Ceaușescu regime differed significantly from both the Gheorghiu- Dej regime and the interwar period. -
The Mosaic of Neptune and the Seasons from La Chebba Is of Interest Not Only Because of Its Fine Workmanship but Also for Its Unique Combination of Familiar Motifs
THE MOSAIC OF NEPTUNE AND THE SEASONS FRO:M LA CHEBBA THE, MOSAIC OF NEPTUNE AND THE SEASONS FR01VI LA CHEBBA by GIFTY AKO-ADOUNVO SUQmitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Gifty Ako-Adounvo, April 1991. MASTER OF ARmS McMASTER UNIVERSIT}: (Classical Studies) Hamilton, Ontario TITLE: The Mosaic of Neptun1e and the Seasons from La Chebba. AUTHOR: Gifty Ako-Adounvo, B.A. (Hons.) (University of Ghana). SUPERVISOR: Rrofessor KM.D. Dunbabin NUMBER OF PA@ES: xiii,. 1 ~,2 11 ABSTRACT This thesis analyses the Roman mosaic of Neptune and the Seasons from La Chebba in Nortk Africa (Africa Proconsularis). The mosaic was exeavated in 1902 in a seaside', villa at La Chebba which is about 10 km. south of El Alia. The mosaic has rec~ived but brief mention in publications since the beginning of the century, in s}i>ite, of its fascinating subject matter. Chapter 1 gives a detailed description of the mosaic, which depicts in a central medallion, Neptune standing in a frontal chariot attended by two members of the marine thiasos. ]:;'our female Seasons appear iin the corner diagonals of the pa"fvement. They are flanked by seasonal animals and little scenes of seasonal activity. These seasonal vignettes and the combination of Neptune with Seasqns are unique features of this mosaic. Chapter 2 deals with the subject of the "triumph"; its modern art historical terminology, its symbolism, and the iconography of Neptune's "triumph". Some very interesting parallels appear.