Selected Idylls of the King

LANCELOT AND ELAINE 1 09 e S e m e e so c I And add d , ir , y li g , mu h learnt ; ’ ’ Bu t fail d to fin d hi m tho I rod e all round Th e region : but I lighted on the maid W se s ee e he e she es : h ho l v wor ; lov him and to er, D ee ming our courtesy is th e tru es t law I gave the diamo n d : she will render it ; b e e she k s his - c For y min h ad now hiding pla e . The se - f f d e e ldom rowning King rown , and r pli d , 7 1 0 Too courteous truly ! ye s hall go no more Ou es of e see e f e qu t min , ing that y org t e e ce i s the c es du e k s Ob di n ourt y to ing . He s ak e e . W awe p and part d roth , but all in , e s k es o f the For tw nty tro blood , without a word , 7 1 5 ’ L in er d e s f e g that oth r , taring a t r him ; ’ T e s k hi s s e ofi bu zz d h n hoo hair , trod , and abroad o the of s an d h r e e . Ab ut maid A tolat , lov ’ e s e e rick d ce es e se All ar w r p at on , all tongu w re loo d The maid of As tolat loves S ir L an celot 720 ” ir L ce es the of s S an lot lov maid A tolat . ’ ’ S e e the s f ce s e th e ee s an d all om r ad King a , om Qu n , Had e th e be s marv l what maid might , but mo t ’ n e d Pre doom d her as unworthy . O old ame h e the s s Cam e s uddenly on t e Que n with harp n ew . 725 She e the s e of ef e , that had h ard noi it b or , ’ s L ce s e s too d so But orrowing an lot hould hav p low , ’ ’ M e arr d h er fri e nd s aim with pal tranquillity. o the e ke fi re the c S ran tal li about ourt , ’ Fire in dry s tubbl e a nin e- days wonder flared ’ Till ev n the knights at banquet twic e or thrice k L ce the ee Forgot to drin to an lot and Qu n , n the And pledging L an celot a d. lily maid S e at eac e e the ee sat mil d h oth r , whil Qu n , who DATE DUE 020 2 2 19” - INC . 38 2931 (Emlaibemine fl iterature E mits SE L E CT E D I DYL LS OF T HE K ING T HE CO M ING O F AR T H UR G A R E T H AND LYNE TTE L A N C E L O T A ND E LAINE T HE HO LY G R AIL THE P A SS ING OF A R T H U R TE D WI TH IN TR OD U C TI ON AND N OTE E DI , S BY I T . B KE R A . M FR A N K L N A , . P RO F E S S O R O F E NG L I S H I N T E A C HE R S C O L L E G E CO L U M B IA U N I VE R S I T Y B OS T ON N E W Y O R K C HI C A G O S A N F R A N C I S CO HO UGHT ON MIFFLIN COMPANY (Ebe R iversihe 18mm Qtambribge C OPYRI G H 1 1 1 1 8 BY HOU G H ON M I FFLI N COM PA NY T , 9 4 , 9 , T AL L R I G HTS RE S E RV E D N E W E NL A R G E D E D I TI O N PU BL I S HE D I 9 2 3 ‘ Qflbe R ib arsihe 381:t CAM BR I DG E M ASSA CHU S E TTS R I N TE D I N T HE U . S A . P . THE e of ditor thi s volum e desires expressly not to e fo r s e e c es apologiz upplying ith r introdu tion , not , or th guides to e study of the four poem s which it con Th e tain s . e x ecution of his plan may b e faulty but h i fir e s quite m in his c onviction that po em s o f this s ee c e es an d i ort n d introdu tion , xplanatory not , st mu es s fo r the e s o f e Th lating qu tion prop r tudy th m . e d is se s tu se . c s e word y u d advi dly A lazy , ur ory r ading of s u ch poetry may edify a mind of superior type ; but th e average mind cannot travel here in s uc h princely f s . Th e e e ma s if he has s h a hion r ad r y oar , wing or e m if h a c e can . y limb , and will Not all good poetry n eed s s uch help or requires s uch effort ; much of it speaks its immortal message ’ s . Te s s I d lls are c e c imply But nny on y too a ad mi , too se f- c sc s f e e s e b l on iou , o t n too involv d or too ubtl , to e e s fi ort und r tood without e . Such apparatu s for study as is h ere given mu st not be s s s b e e as mi u ed . It mu t not e tr at d more important the e s k e i n to to cce e as in fal than po m , or ta n , or a pt d li l Th ’ h k b e . e editor s intention as b een only to ma e c e e the f s c as ks o f onv ni nt ordinary in ormation , u h boo refe rence give ; and to s uggest lines or kinds of s tudy (or question) which m ay help the pupil to a livelier appreciation of the meanings and the beauties of the t The e be s fe if he re poe ry . teach r will probably a m emb ers that the real master in command in the c ss is b e se f the e the la room to not him l , or ditor, but poet who wrote The I dylls of the E ng . CONTE NTS INT R O DUCTION THE LI FE o r TE NN YS ON THE ARTH URIA N LE G E N DS THE I D Y LL S o r T HE K I NG A BIBLIOGR APHY I DYLLS OF T HE K I NG DE DIC ATI ON THE COM I NG o r ARTH UR GARE TH A N D LY NE TTE LA NC E LOT A ND E L AI N E THE HO L Y GR A I L T HE PAS S I NG OF ARTHUR To T HE Q U E E N NOTE S Q UE STIONS AND TOPICS FOR STU DY E ARLI E R ARTH URIAN POE MS B Y TE NN YS ON SI R GA L AHA D S I R LAUNC E LOT A N D Q UE E N G UI NE VE R E THE LADY OF SHA LOTI’ ‘ ILLUSTR ATIONS AL FR E D LO R TE NN Y S ON Fron tis iece , D p P ortraitf rom a P hotograp h S HIE L D A ND SWO R D 1 2 th cen tu ry K ING ARTHUR Af ter the statu e i n bronze by P eter Vis cher ’ K I NG AR T HU R S R OU N D TA B LE A er a work o art i n Win chester Cas tle 1 23 5—1 25 fl f , 4 2 SELECTED IDYLLS OF THE K ING verses and s tories fo r the e ntertainment o f the rest of h f L f e b f t e . e e e e s amily at r, wh n Al r d b gan to amou , e e L e H e ee f an old r writ r , igh unt , h aring that thr or our e s o f th e Te s f m c e e ses oth r nny on a ily ould writ good v r , s aid : He re i s a n es t o f nightingales for yo u ! Te s k e s m en o f e s wa s ec nny on , li mo t g niu , a pr o He e k c ion s c hild .

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