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Boston Symphony Orchestra Concert Programs, Season 15, 1895

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MUSIC HALL, BALTIMORE. BOSTON SYMPHONY ORCHESTRA. Mr. EMIL PAUR, Conductor. Fourteenth Season, 1894-95. PROGRAMME OF THE THIRD CONCER rr\ 1 Wednesday Evening, January 9. At 8.15 precisely. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C. A. ELLIS, MANAGER. A Remarkable Piano. The Mason & Hamlin Piano is constructed in one particular differently from any other : the strings are held by screws, not by pins. As a result, the Mason & Hamlin Piano does not require one-quarter as much tuning as any other piano made. This fact has been demonstrated by actual test, and verified by mechanics, tuners, and private individuals. Piano tuning costs money. It costs only one-fourth as much to keep a Mason & Hamlin Piano in tune as it does to keep any other in tune. Consequently the expense of keeping a Mason & Hamlin Piano is reduced to one-fourth that of any other. Catalogue and full particulars mailed on application. dte0ttll?HmIm BOSTON. NEW YORK. CHICAGO. KANSAS CITY. ? jsical Purveyors to the Public, Beg to invite attention to their new stock (personally selected by Mr. Otto Sutro) of STEINWAY PIANOS The immeasurable superiority of these peerless instruments over all others in America and Europe in Tone, Quality, Sonority, and Duration, together with their indisputable Durability, commends them to the In- telligent Musical Public as the Most Satisfactory and Most Economical Pianos Made. JACOT'S SWISS MUSIC BOXES. (Otto Sutro & Co., Sole Agents.) Finest selection ever offered in Baltimore. Very latest improvements,— safety check, tune-indicator, and tune-skipper. Mechanism the finest and nickel-plated. Cylinders extra large, prolonging tune. Boxes with six to ten tunes, $10.56 to $50; with interchangeable cylinders, up to $250. The soft, smooth melody and brilliant effects of the Jacot Boxes give them a standing of unapproachable beauty and excellence. Sole agents for" RECIN A" MUSIC BOXES, changeable tune sheets, and MASON & HAMLIN'S WORLD-FAMOUS ORGANS. 119 & 121 East Baltimore Street. (2) Boston Music HaJ^ Mount Royal and t Maryland Avenues, Symphony li BALTIMORE. Orchestra Season of 1894-95. EMIL PAUR, Conductor. Third Concert, Wednesday Evening, January 9, 1895, » At 8.15 precisely. WAGNER PROGRAMME. - "Rienzi" _______ Overture " Tannhauser " - - -- - (a.) Act II. Elizabeth's Aria (b.) Act III. Prelude '•The Flying Dutchmau" ______ Overture "Lohengrin" --.-.- (a.) Act II. Balcony Scene (b.) Act m. Prelude " Die Meistersinger " - (a.) Act III. Prelude (b.) Act I. Walther's Preislied " " Rheingold ______ Procession of the Gods "DieWalkure" - - Spring Song " Siegfried " and (a.) Waldweben " Die Gotterdammerung " (b.) Siegfried's Passage to Briinnhilde's Rock, Morning Dawn, and Rhine Journey (Richter Arrangement). SOLOISTS : Miss ELSA KUTSCHERRA, Mr. ANTON SCHOTT. (8) . MANUFACTURERS OF GRAND, SQUARE, AND UPRIGHT EUGEN D'ALBERT: From fullest conviction, I declare them to be the best In- struments of America. ........ DR. HANS VON BULOW: Their sound and touch are more sympathetic to my ears and hands than all others of the country. I declare them the absolutely best in America. ....... ALFRED GRUNFELD: I consider them the best instruments of our times. P. TSCHAIKOVSKY: Combines with great volume of tone rare sympathetic and noble tone color and perfect action. — WAREROOMS : BALTIMORE, WASHINGTON, 22 and 24 E Baltimore Street. 817 Pennsylvania Avenue. NEW YORK, 148 Fifth Avenue. (4) Wagner. Wilhelm Richard Wagner was born in Leipzig on May 22, 18 13, and died in Venice on Feb. 13, 1883. He lost his father (Carl Friedrich Wilhelm Wagner, clerk of the police court, and a passionate music-lover) when only six months old. His mother (Rosina Bertz, of Weissenfels) mar- ried again with Ludwig Geyer, actor and dramatic author, and at that time engaged at the Dresden Hof-Theater, in 1815. Immediately after this marriage the family moved to Dresden, where the young Richard was edu- cated, entering the Kreuzschule under the name of Richard Geyer in De- cember, 1822, two years after his stepfather's death. About 1827 his mother took him and her other children back to Leipzig, where he entered the Nicolaischule ; but his disgust at being put into the third class, after having been in the second in Dresden, made him sulk at his studies, and devote most of his time to writing what he thought dramatic poetry. A love for music was first seriously aroused in him by hearing Beethoven symphonies at the Gewandhaus : he was then fourteen years old. He tried to study harmony by himself from Johann Bernhard Logier's " Praktischer Generalbass," but soon gave it up as a bad job. His first regular teacher in musical theory was Gottlieb Miiller ; but he was wanting in application and general steadiness, and Miiller could do little with him. In 1829-30 he went to the Thomasschule, but worked no harder there than elsewhere, giving himself up to a rather desultory study of music. In 1830 he entered the University of Leipzig as student of philology and aesthetics, which studies he characteristically neglected ; but he did now begin the first ear- nest and energetic work of his life,— studying composition with whole- FOR BRAIN-WORKERS, THE WEAK AND DEBILITATED. Horsford's Acid Phosphate Is, without exception, the Best Remedy for relieving Mental and Nervous Exhaustion; and, where the system has become debilitated by disease, it acts as a general tonic and vitalizer, affording sustenance to both brain and body. Dr. E. Cornell Easten, Philadelphia, Pa., says, "I have met with the greatest and most satisfactory results in dyspepsia and general derangement of the cerebral and nervous systems, causing debility ar.d exhaustion." Descriptive pamphlet free. Rumford Chemical Works, Providence, R.I. Beware of Substitutes and Imitations. (5) have THE BEST INSTRUMENTS, have THE FINEST STOCK. WE sell AT LOWEST PRICES. can have THE BEST INSTRUMENTS YOU at lowest prices and upon easy terms. EXCLUSIVE AGENTS FOR ESTEY ORGANS AND PHONORIUNS. CHICAGO CHURCH ORGANS. THE WONDERFUL ^OLIAN. WEBER, DECKER BROS., ESTEY, FISCHER, AND IVERS & POND PIANOS. BAY STATE GUITARS AND MANDOLINS. PAILLARD'S SWISS MUSIC BOXES. STEWART'S BANJOS, Etc. Sheet Music and Music Books of all kinds, and Musical Merchandise of every description. Sanders & Stayman, 934 F Street, N.W., 13 North Charles Street, WASHINGTON, D.C. BALTIMORE, MD. SKILLMAN'S (225 N. Eutaw Street) LUNCH PARLORS. Fine Confections ce-cream. Bread and Pastry «@=Strictly first-class in all its appointments. (6) souled devotion and perseverance under Theodor Weinlich. A symphony in C by him was given at the Gewandhaus on Jan. 10, 1833. His professional career as a musician began in 1833, when he was en- gaged as a chorus-master at the Stadt-Theater in Wiirzburg, where his elder brother, Albert, was tenor and stage manager. Here he wrote his first opera " Die Feen " (after Gozzi's " La Donna Serpente "). Only a few ex- cerpts were ever given until the whole work was brought out after his death, at the Munich Hof-Oper, in 1888. In 1834 he went as music director to the Stadt-Theater in Magdeburg, for which he wrote his second opera, " Das Liebesverbot " (based upon Shakspere's " Measure for Meas- ure "), which came to a single disastrous performance at the close of the season of 1836. On November 24 of this year he married Wilhelmine Planer, the beautiful actress whom he had followed to Konigsberg, where he got an engagement as conductor at the Stadt-Theater. In the autumn of 1837 he accepted the position of Kapellmeister at Holtei's new theatre in Riga, where he wrote the text and the music to the first two acts of his " Rienzi " ; but his ambition flew this time at higher game than the Rigi theatre, and, from the beginning, he intended his "Rienzi" for the Aca- demie de Musique in Paris. In the spring of 1839 his two years' engage- ment with Holtei was up, and he returned to Konigsberg, but only to go on to Pillau, whence he, with his wife and a superb Newfoundland, set sail for France via London. In Boulogne-sur-Mer he met Meyerbeer, who gave him letters of introduction to Le'on Pillet, director of the Academie de * Musique ; Antenor Joly, director of the Theatre de la Renaissance ; *This was not the present theatre of that name, on the boulevard Saint-Martin, but the salle Ventadour, perhaps better known as the Theatre-Italien, now turned into a bank. NEW ENGLAND (FOUNDED IN 1853 BY DR. EBEN TOURJEE.) RICHARD H. DANA, President. CARL FAELTEN, Director. COilPLETE IN ALL ITS DEPARTflENTS. Y6u are respectfully invited to visit the institution and examine its methods and facilities. Send for Illustrated Prospectus and Calendar. F. W. HALE, General rianager, Franklin Square, BOSTON, MASS. (7) R BETWEEN OSTON and NEW YOR THROUGH TRAIN SERVICE FROM EITHER CITY. 10.00 a 9 m. "BAY STATE LIMITED." Parlor Cars only. Special Tick- ets required. Buffet Cars through.. Due at 3.00 p.m. 10.03 a.m. " BAY EXPRESS." Buffet Parlor Cars and Day Coaches. 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    RICHARD WAGNER die meistersinger von nürnberg conductor Opera in three acts James Levine Libretto by the composer production Otto Schenk Saturday, December 13, 2014 12:00–6:00 PM set designer Günther Schneider-Siemssen costume designer Rolf Langenfass lighting designer Gil Wechsler choreographer The production of Die Meistersinger von Nürnberg Carmen De Lavallade is made possible by a generous gift from stage director Mrs. Donald D. Harrington Paula Suozzi The revival of this production is made possible by a gift from Mr. and Mrs. Corbin R. Miller and Mr. and Mrs. Charles Scribner III, in honor of Father Owen Lee general manager Peter Gelb music director James Levine principal conductor Fabio Luisi The 413th Metropolitan Opera performance of RICHARD WAGNER’S This performance die meistersinger is being broadcast live over The von nürnberg Toll Brothers– Metropolitan Opera International Radio Network, sponsored by Toll Brothers, conductor America’s luxury James Levine ® homebuilder , with in order of vocal appearance generous long-term support from walther von stol zing, konr ad nachtigall, tinsmith The Annenberg a knight from fr anconia John Moore* Johan Botha° Foundation, The fritz kothner, baker Neubauer Family eva, pogner’s daughter Martin Gantner Foundation, the Annette Dasch Vincent A. Stabile hermann ortel, soap-maker Endowment for magdalene, her at tendant David Crawford Broadcast Media, Karen Cargill balthasar zorn, pew terer and contributions David Cangelosi from listeners david, apprentice to sachs worldwide. Paul Appleby* augustin moser, tailor veit pogner, goldsmith Noah Baetge Visit List Hall at the Hans-Peter König second intermission ulrich eisslinger, grocer Tony Stevenson* for the Toll Brothers– six tus beckmesser, Metropolitan Opera town clerk hans foltz, coppersmith Quiz.
  • Missouri Music Educators Association 74Th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri

    Missouri Music Educators Association 74Th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri

    Missouri Music Educators Association 74th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri Table of Contents Welcome .....................................................................................4 Acknowledgements .....................................................................5 MMEA Past Presidents ...............................................................6 MMEA Hall of Fame .................................................................7 MMEA Board of Directors ........................................................8 MMEA Advisory Council ..........................................................9 District and Organization Officers ...........................................10 Index of Music Quotes .............................................................15 Schedule of Organization Business Meetings ..........................18 Schedule of Sessions by Area ...................................................19 Conference Schedule All-State Rehearsal Schedule .....................................................22 Wednesday .................................................................................23 Thursday ...................................................................................24 Friday .........................................................................................32 Saturday .....................................................................................40 Concert Programs Thursday Concerts ....................................................................43