Boston Symphony Orchestra Concert Programs, Season 128, 2008
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FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
R a I R a D I O 5 C L a S S I C a Domenica 05. 03. 2017
RAI RADIO5 CLASSICA sito web: www.radio5.rai.it e-mail: [email protected] SMS: 347 0142371 televideo pag. 539 Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto DOMENICA 05. 03. 2017 00:00 EUROCLASSIC NOTTURNO: mantzaros, nicolaos (1795-1872): sinfonia di genere orientale - [9.28] - orch sinf nazionale della radio greca dir. andreas pylarinos (reg. 11/06/2005) - enescu, george (1881-1955): konzertstück per vla e pf - [8.53] - gyözö máté, vla; balázs szokolay, pf - duruflé, maurice (1902-1986): quatre motets sur des thèmes grégoriens op. 10 - [7.58] - tallinn music high school chamber choir dir. evi eespere - wagenseil, georg christoph (1715-1777): concerto in mi bem mag per trbne e orch - [9.37] - warwick tyrrell, trbne; adelaide symphony orch dir. nicholas braithwaite - scriabin, alexander (1872-1915): preludio e notturno per la mano sinistra op. 9 - [10.17] - martina filjak, pf - ciajkovskij, piotr (1840-1893): marcia slava in si bem min op. 31 - [9.36] - BBC philharmonic orch dir. rumon gamba (reg. hanley, 11/03/1999) - brahms, johannes (1833-1897): trio per pf e archi n. 3 in do min op. 101 - [17.46] - tamas major, vl; peter szabo, vcl; zoltán kocsis, pf - schubert, franz (1797-1828): fantasia in do mag per pf (D 760) "wanderer" - [21.27] - paul lewis, pf (reg. bath, 28/05/1998) - grieg, edvard (1843-1907): dai tempi di holberg, suite op. 40 - [20.02] - bergen philharmonic orch dir. andrew litton 02:00 Il ritornello: riproposti per voi i programmi trasmessi ieri sera dalle ore 20:00 alle ore 24:00 06:00 ALMANACCO IN MUSICA: georg friedrich haendel: concerto in si bem mag per org orch e b. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
O Z A W A Dl R ECTOR BOSTON ^SYMPHONY # E S T R A M 1 i! kff^^f y-^fflfe 1 ^WVIi 19 9 9-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill. you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,200,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext 410. LONGYEAR, a/ Lr/sner Jiili BROOKLINE pssf^te. "-J ' jjmgr^^8PL'ti n-^a >/:i LlEii'••*' ^^ ^^^v SSi^Ty^f-vg^^i^fe jSP&^j : HE^Sg^^ • .^^^^.*y£^\&?* .TV ,.->< VH) 11. |1»W mm DBD CORTLAND Hammond SOTHEBYSI PROPERTIES INC. RESIDENTIAL International Realty Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Vincent M. O'Reilly, Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis George Krupp Robert P. O'Block Diane M. Austin, Nina L. Doggett Ed Linde ex-ojficio ex-ojficio Nancy J. Fitzpatrick R. Willis Leith, Jr. Peter C. Read Gabriella Beranek Charles K. Gifford Mrs. August R. Meyer Hannah H. Schneider Jan Brett Avram J. Goldberg Richard P. Morse Thomas G. Sternberg James F. Cleary Thelma E. -
Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
1 1 BO S TON SYMI> H O N Y ORCHES T RA S E 1 1 O Z AWA * TWEN"r Y- F 1 F H ANNIVERSARY S E A S O N 1 1 8th Season • 1 998-99 Bring your Steinway: Mf/j floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25 TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James F. Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-officio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-officio Nader F. -
Asger Hamerik
ASGER HAMERIK QVARTETTO København 2013 København UDGIVET AF EDITED BY KATARINA SMITT ENGBERG DDCM_018_Asger_Hamerik_Qvartetto_indmad.inddCM_018_Asger_Hamerik_Qvartetto_indmad.indd i 005/12/135/12/13 113.443.44 Cover design Willerup & DCM 018 ISMN 979-0-9001827-7-7 © 2013 Dansk Center for Musikudgivelse (DCM) Det Kongelige Bibliotek, København Danish Centre for Music Publication (DCM) The Royal Library, Copenhagen The edition is made available on http://www.kb.dk/dcm December 2013 DDCM_018_Asger_Hamerik_Qvartetto_indmad.inddCM_018_Asger_Hamerik_Qvartetto_indmad.indd iiii 005/12/135/12/13 113.443.44 INDHOLD CONTENTS Forord – v Preface – v Indledning – vi Introduction – vii Qvartetto – 1 Abbreviations – 8 Critical Commentary – 9 DDCM_018_Asger_Hamerik_Qvartetto_indmad.inddCM_018_Asger_Hamerik_Qvartetto_indmad.indd iiiiii 005/12/135/12/13 113.443.44 DDCM_018_Asger_Hamerik_Qvartetto_indmad.inddCM_018_Asger_Hamerik_Qvartetto_indmad.indd iviv 005/12/135/12/13 113.443.44 FORORD Dansk Center for Musikudgivelse (DCM) blev etableret i 2009 som en forskningsenhed under Det Kongelige Bibliotek. Centeret har til formål at tilgængeliggøre musikalske værker og musikhistoriske kilder af interesse for musikforskningen og det praktiske musikliv og i denne forbindelse at videreføre, ud- vikle og udbygge kompetencer inden for musikfi lologi samt at ud- vikle metoder og værktøjer til digital musikedition. Noder udgivet af DCM er såkaldt praktisk-videnskabelige ud- gaver. Det vil sige, at de er tilrettelagt med henblik på praktisk brug, men at der også nøje bliver gjort rede for redaktionelle ind- greb og for de afvigelser (varianter), der måtte være mellem for- skellige kilder til værket, så læseren eller musikeren kan få et indtryk af værkets tilblivelse og varians. DCMs nodeudgivelser er desuden forsynet med en indledende tekst, som introducerer til værkets historie og reception. -
Missouri Music Educators Association 74Th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri
Missouri Music Educators Association 74th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri Table of Contents Welcome .....................................................................................4 Acknowledgements .....................................................................5 MMEA Past Presidents ...............................................................6 MMEA Hall of Fame .................................................................7 MMEA Board of Directors ........................................................8 MMEA Advisory Council ..........................................................9 District and Organization Officers ...........................................10 Index of Music Quotes .............................................................15 Schedule of Organization Business Meetings ..........................18 Schedule of Sessions by Area ...................................................19 Conference Schedule All-State Rehearsal Schedule .....................................................22 Wednesday .................................................................................23 Thursday ...................................................................................24 Friday .........................................................................................32 Saturday .....................................................................................40 Concert Programs Thursday Concerts ....................................................................43 -
ODE 1340-2 Booklet Print.Indd
CLARA ANDRADA ODE 1340-2 CLARA ANDRADA NIELSEN • IBERT • ARNOLD FLUTE CONCERTOS FRANKFURT RADIO SYMPHONY • JAIME MARTÍN 2 3 CARL NIELSEN (1865–1931) Flute Concerto (1926), FS 119 19:23 1 I Allegro moderato 11:46 2 II Allegretto un poco – Adagio ma non troppo – Allegretto – Poco adagio – Tempo di marcia 7:32 JACQUES IBERT (1890–1962) Publisher: Edition Wilhelm Hansen (Nielsen); Alphonse Leduc (Ibert); Novello (Arnold) Flute Concerto (1932–33) 20:26 3 I Allegro 4:57 4 II Andante 7:18 Recordings: hr-Sendesaal, Hessischer Rundfunk, Frankfurt am Main, Germany, 5 III Allegro scherzando 8:03 1–3 February, 2018 (Nielsen & Ibert); 7 and 8 May, 2015 (Arnold) Executive Producer: Reijo Kiilunen Recording Producer: Christoph Claßen (Nielsen & Ibert); Udo Wüstendörfer (Arnold) MALCOLM ARNOLD (1921–2006) Recording Engineer: Philip Knop (Nielsen & Ibert); Andreas Heynold (Arnold) Flute Concerto No. 1, Op. 45 (1954) 12:01 for flute and string orchestra ℗ & © 2020 Ondine Oy, Helsinki 6 I Allegro 4:35 7 II Andante 5:26 Booklet Editor: Joel Valkila 8 III Con fuoco 1:59 Cover & photos: Gisela Schenker CLARA ANDRADA, flute & leader (6–8) Frankfurt Radio Symphony JAIME MARTÍN, conductor (1–5) 2 11 lute concertos written by Vivaldi and Mozart in the eighteenth century have Clara Andrada and Jaime Martín Fmaintained a place in the repertoire, yet some of the most popular examples in the genre date from within the last hundred years. Brahms revealed the flute’s expressive potential in a symphonic context in the poignant twelfth variation of the passacaglia Finale of his Fourth Symphony (1885). Yet the widespread resurgence of interest in the flute as a solo instrument may be directly attributable to the opening flute theme of Claude Debussy’s Prélude à l’après-midi d’un faune of 1894, the flexibility and eloquence of this imperishable solo line suggesting to receptive fellow composers the potential of the instrument to be the main protagonist in a fully-fledged concertante work. -
Belgian National Orchestra & Collegium Vocale Gent Olv. Hugh
muziek Belgian National Orchestra & Collegium Vocale Gent olv. Hugh Wolff za 10 nov 2018 / Grote podia / Blauwe zaal 20 uur / pauze ± 20.40 uur / einde ± 22.10 uur inleiding Arne Herman / 19.15 uur / Blauwe foyer internationaal symfonisch 2018-2019 Deutsches Symphonie-Orchester Berlin olv. Robin Ticciati zo 9 sep 2018 (Koningin Elisabethzaal) National Philharmonic of Russia olv. Vladimir Spivakov ma 29 okt 2018 (Blauwe zaal) Belgian National Orchestra & Collegium Vocale Gent olv. Hugh Wolff za 10 nov 2018 (Blauwe zaal) Swedish Radio Symphony Orchestra olv. Daniel Harding ma 12 nov 2018 (Koningin Elisabethzaal) Sydney Symphony Orchestra olv. David Robertson za 1 dec 2018 (Koningin Elisabethzaal) London Symphony Orchestra olv. Sir John Eliot Gardiner wo 30 jan 2019 (Koningin Elisabethzaal) Budapest Festival Orchestra & RIAS Kammerchor olv. Iván Fischer di 12 feb 2019 (Koningin Elisabethzaal) Wiener Philharmoniker olv. Adam Fischer di 19 feb 2019 (Koningin Elisabethzaal) Chamber Orchestra of Europe & Collegium Vocale Gent olv. David Afkham vr 15 mrt 2019 (Blauwe zaal) teksten programmaboekje Arne Herman coördinatie programmaboekje deSingel Belgian National Orchestra & Collegium Vocale Gent D/2018/5.497/104 Hugh Wolff muzikale leiding Sophie Karthäuser sopraan Thomas E. Bauer bariton Annelies Van Parys (°1975) A War Requiem (wereldcreatie) 35’ pauze Gustav Mahler (1860-1911) Symfonie nr 5 in cis 70’ Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt Stürmisch bewegt, mit größter Vehemenz Scherzo. Kräftig, nicht zu schnell Adagietto. Sehr langsam Rondo-Finale. Allegro Concert in het kader van de herdenking van het einde van de Eerste Wereldoorlog, georganiseerd met de steun van de Nationale Loterij en het Federaal organisatie- comité met betrekking tot de herdenking van de Eerste Wereldoorlog. -
Peabody-News-0305.Pdf
Serving the Baltimore / Washington Region March / April 2005 INSIDE Circulation: 28,000 6 Somerset Maugham in Life and in The Alien Corn Phyllis Bryn-Julson Page 4 sings her final Peabody celebrates Alan Kefauver and the Pierrot Lunaire 20th anniversary of the Recording Arts & Sciences program By Geoff Himes Page 33 Hajime Teri Murai reflects on Mahler’s tragic Sixth Page 14 Amit Peled performs cello works from Bach to Britten Page 8 Benjamin Pasternack features Piano Works by Nicholas Maw and ...and Raymond Coffer speaks on “Soap Opera Robert Sirota and Genius” in the Second Viennese School Page 12 2 Peabody News MARCH / APRIL 2005 MARCH / APRIL 2005 Peabody News 3 naud Prize (second over all prize) and the special Prize Nadia and Lili PEABODY Boulanger for the best interpretation of a work written between 1900 and Winners 1950. The award-winning newspaper of the Grammy Nominations for Baltimore/Washington Cultural Corridor Richard Crawley sings Peabody Artists Published by the Peabody Conservatory of Three Peabody alumni have been Cavaradossi with San Music, Baltimore. nominated for Grammys by the Francisco Opera National Acad- Richard Crawley (GPD, ‘96) recently emy of Record- found himself stepping in to sing Circulation:28,000 ing Arts and Cavaradossi with the San Francisco Sciences. They Opera Company opposite Carol Editor: are: violist Vaness as Tosca. Crawley, who is in the Young Artist Program with the Anne Garside Kim Kashkash- Angela Taylor ian, (BM ’73) in company, was covering the role when the lead fell ill. Richard, who keeps a the Yego Chamber Competition. She the category also won the Hankook Symphony Assistant Editor and Designer: “Best Instru- home base in Baltimore in Highland- Kim Kashkashian town, coached the role with Peabody Competition that same year. -
Week 9 Grieg Mahler
bso andris nelsons music director week 9 grieg mahler seiji ozawa music director laureate bernard haitink conductor emeritus thomas adès artistic partner season sponsors Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to life-long support and our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the future of healthcare. Takeda Pharmaceutical Company Limited www.takeda.com Table of Contents | Week 9 7 bso news 13 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 remembering major henry lee higginson by brian bell 3 0 this week’s program Notes on the Program 32 The Program in Brief… 33 Edvard Grieg 41 Gustav Mahler 55 To Read and Hear More… Guest Artists 61 Leif Ove Andsnes 63 Genia Kühmeier 68 sponsors and donors 78 future programs 82 symphony hall exit plan 8 3 symphony hall information the friday preview on november 15 is given by bso director of program publications marc mandel. program copyright ©2019 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Marco Borggreve cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org MIGHT AND MAJESTY ON THE NILE THROUGH JANUARY 20 Winged Isis pectoral, Nubian, Napatan Period, reign of Amaninatakelebte, 538–519 BCE. -
Archives Concerts.Pdf
~ ~ ~ ~ ARCHIVES DES CONCERTS BARBER DANS LE MONDE DEPUIS 2009 ~ ~ ~ ~ © Association Capricorn, 2009-2014 Décembre 2013 20 La Jolla, All Hallows Catholic Church ..... [infos] Barber : Hermit Songs Œuvres de Hahn, Hildegard, Kuspa Katina Mitchell, soprano Peter Walsh, piano 15 Munich, Prinzregententheater ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Liadov, Rossini, Dvořák Münchner Symphoniker, Jonathan Stockhammer 15 Vaudreuil-Dorion, Aréna ..... [infos] Barber : Agnus Dei Œuvres de Redner, Lully, Saint-Saëns, Holmès, Anderson Chœur Classique Vaudreuil-Soulanges, Jean-Pascal Hamelin 14 Moret-sur-Long, Eglise Notre-Dame-de-la-Nativité..... [infos] Barber : Reincarnations Œuvres de Brahms, Britten Ensemble vocal La Gioia, Laure-Marie Meyer 13 Lyon, Conservatoire national supérieur de musique et de danse ..... [infos] Barber : Mutations from Bach Œuvres de Copland, Cage, Glass, Nyman, Bernstein, Dahl Ensemble de cuivres, David Guerrier 13 Parme, Auditorium Niccolò Paganini ..... [infos] Barber : Concerto pour violon, Adagio pour cordes Brahms : Sérénade pour orchestre n°2 Mihaela Costa, violon Filarmonica Arturo Toscanini, Gaetano D'Espinosa 12 Paris, Fondation Singer-Polignac ..... [infos] Barber : Agnus Dei Œuvres de Stravinski, Ligeti, Messiaen, Poulenc, Britten, Schoenberg, Florentz, Kodaly Les Cris de Paris, Geoffroy Jourdain 11 Bruxelles, Grande Salle du Conservatoire royal ..... [infos] Barber : Capricorn Concerto Œuvres de Gorecki, Vasks, Rota Orchestre de chambre du Conservatoire royal de Bruxelles, Bernard Delire 11 Saint-Pétersbourg, Philharmonie ..... [infos] Barber : Concerto pour violon Œuvres de Gershwin, Chaplin, Elfman, Williams Igor Uryasch, violon Orchestre symphonique de Saint-Pétersbourg, Maxim Alexeev 10 Neuilly-sur-Seine, Théâtre des Sablons ..... [infos] 11 Gagny, Théâtre ..... [infos] 12 Vincennes, Auditorium ..... [infos] Barber : Adagio pour cordes Œuvres de Mozart, Britten Orchestre de chambre Nouvelle Europe, Nicolas Krauze 9 Melbourne, University/Melba Hall ....