Attractions Management News 31St October 2018 Issue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ACE's Scandinavian Sojourn
ACE’s Scandinavian Sojourn : A Southerner’s Perspective Story by: Richard Bostic, assisted by Ronny Cook When I went on the ACEspana trip back in 2009, it was by far one of the most amazing vacations I have ever experienced. In addition to getting to visit parks in a different culture than we see here, it is also a great opportunity to spend time with fellow enthusiasts and grow friendships while enjoying our common interests. When Scandinavia Sojourn was announced for the summer of 2011, I knew it was a trip I could not miss. Since the 2009 trip was my first trip to Europe I thought that there was no way the over- all experience could be better in Scandinavia. I was wrong. We landed in Helsinki, Finland around 1300 the day before we were required to be at the hotel to meet with the group. Helsinki is an interesting city and fairly new compared to many cities in Europe. Walking around the city you can see the Russian influence in the city’s architecture. In fact, many movies during the cold war would use Helsinki to shoot scenes that are supposed to be set in the Soviet Union. After making our way to the Crowne Plaza Hotel and getting a quick lunch at the hotel restaurant we decided to spend the remaining time that afternoon checking out some of the sites around our hotel. Some of these sites included the Temppeliaukio Church inside of a rock formation, the train station, Routatientori Square and National Theater, and a couple of the city’s art museums. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
The Hettema Group Celebrates 15 Years
The Hettema Group #70 • volume 13, issue 5 • 2017 www.inparkmagazine.com celebrates 15 years I-Drive 360 Serving up servers IAAPA overload Surviving and thriving in the Media based attractions All the latest and greatest our shadow of theme park giants depend on them industry has to offer 1 inparkmagazine.com inparkmagazine.com 2 inparkmagazine.com inparkmagazine.com Gold Sponsor2017 We Take Fun Seriously! Audio Video Projection Lighting Control Engineering Design Installation UAE - Germany - Finland - UK - Japan - Italy - China - USA 4 www.wartsila.com/funa inparkmagazine.com Anniversaries abound Immersion and IP Martin Palicki, Judith Rubin, IPM publisher IPM editor he IAAPA Expo has always been a big party in eople want to be immersed in stories and Tmany ways, but this year the celebrations seem Pincreasingly, the latest tech allows us to do that even more special. As we’ve put together this issue seamlessly. That seems to be what is demanded by (our 70th issue, wrapping up lucky year number 13), we today’s IP-centric media-based experiences realized many companies are celebrating milestones. What are the benefits of immersion? Guests stay From the 15th anniversary of our cover story longer, forget the day-to day-world, are emotionally company, The Hettema Group, to Sally Corporation’s engaged, spend more money and return more often. 40th birthday, there are success stories for companies Immersion is a product, somewhat intangible. Success of all sizes. is in the results. Immersion maintains the bubble of the experience. Is that a physical thing? A technological This is good news for all of us. -
A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling. -
A Reader in Themed and Immersive Spaces
A READER IN THEMED AND IMMERSIVE SPACES A READER IN THEMED AND IMMERSIVE SPACES Scott A. Lukas (Ed.) Carnegie Mellon: ETC Press Pittsburgh, PA Copyright © by Scott A. Lukas (Ed.), et al. and ETC Press 2016 http://press.etc.cmu.edu/ ISBN: 978-1-365-31814-6 (print) ISBN: 978-1-365-38774-6 (ebook) Library of Congress Control Number: 2016950928 TEXT: The text of this work is licensed under a Creative Commons Attribution-NonCommercial-NonDerivative 2.5 License (http://creativecommons.org/licenses/by-nc-nd/2.5/) IMAGES: All images appearing in this work are property of the respective copyright owners, and are not released into the Creative Commons. The respective owners reserve all rights. Contents Part I. 1. Introduction: The Meanings of Themed and Immersive Spaces 3 Part II. The Past, History, and Nostalgia 2. The Uses of History in Themed Spaces 19 By Filippo Carlà 3. Pastness in Themed Environments 31 By Cornelius Holtorf 4. Nostalgia as Litmus Test for Themed Spaces 39 By Susan Ingram Part III. The Constructs of Culture and Nature 5. “Wilderness” as Theme 47 Negotiating the Nature-Culture Divide in Zoological Gardens By Jan-Erik Steinkrüger 6. Flawed Theming 53 Center Parcs as a Commodified, Middle-Class Utopia By Steven Miles 7. The Cultures of Tiki 61 By Scott A. Lukas Part IV. The Ways of Design, Architecture, Technology, and Material Form 8. The Effects of a Million Volt Light and Sound Culture 77 By Stefan Al 9. Et in Chronotopia Ego 83 Main Street Architecture as a Rhetorical Device in Theme Parks and Outlet Villages By Per Strömberg 10. -
Chapter Six: Endings and Beginnings Going out Of
A Guide to the Planning, Organization, the city’s waterfront, with a range of community fees for television over those charged facilities including a new aquarium, multimodal at prior Olympic events, making Design & Operation of World Expositions transit station, convention center, 9,000-seat it evident that previous organizers performance hall, and new housing. and the IOC had undervalued the assets they controlled. On the cost side, Los Angeles built Hanover, Germany’s Expo 2000 served as a vehicle only one new sports venue – a swimming pool Chapter Six: Endings and Beginnings to expand the city’s trade fair, one of the largest paid for by MacDonald’s – and staged the Games Going Out of Business Successfully in Europe. in existing facilities, thereby saving millions of dollars in costs when compared to previous How and how much a city benefits from hosting organizations. Of course, the region had many and Building the Expo Legacy an expo is primarily a matter of good planning. existing facilities to draw upon, but the organizers But the above examples demonstrate that expos fully realized the potential of these assets, and - unlike major one-time sports events which have leveraged them. For the IOC, the use of existing This world exposition business guide is intended substantial municipal and regional benefits that, in specific building and facilities requirements - are facilities has become something of a mantra for to assist those who are involved in, or considering the case of a well-planned event, accompany the more flexible and can leave behind a host of dealing with rising costs and addressing critics becoming involved in, a modern world’s fair or privilege of hosting. -
Global Attractions Attendance Report COVER: © Disneyland at Disneyland Resort®, Anaheim, CA, U.S
2015 2015 Global Attractions Attendance Report COVER: © Disneyland at Disneyland Resort®, Anaheim, CA, U.S. CREDITS TEA/AECOM 2015 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Beth Chang, Linda Cheu, Bethanie Finney, Kathleen LaClair, Jodie Lock, Sarah Linford, Erik Miller, Jennie Nevin, Margreet Papamichael, Jeff Pincus, John Robinett, Judith Rubin, Brian Sands, Will Selby, Matt Timmins, Feliz Ventura, Chris Yoshii ©2016 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMEA [email protected] [email protected] T +1 202 821 7281 T +44 20 3009 2283 Linda Cheu aecom.com/economics Vice President, Americas [email protected] T +1 415 955 2928 For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 teaconnect.org 2015 2015 The definitive annual attendance study for the themed entertainment and museum industries. Published by the Themed Entertainment Association (TEA) and the Economics practice at AECOM. Global Attractions Attendance Report 3 CONTENTS THE BIG PICTURE 6 2015 THEME INDEX 22 The Americas 22 Asia-Pacific 42 Europe, Middle East and Africa (EMEA) 52 © Aquaventure Water Park, Dubai, U.A.E. -
ETI's Elegant 4D Solution Powers Discovery Cube
#56 • volume 11, issue 1 • 2015 www.inparkmagazine.com 12 ETI’s elegant 4D solution powers Discovery Cube LA theater 20 17 Expo Milan’s The Marvel EU Pavilion Experience Tour © 2014 GARY GODDARD ENTERTAINMENT #56 • volume 11, issue 1 Graphic Business 6 Color Reflections Las Vegas grows its museum clientele • interview by Judith Rubin Exploring the Darker Side of London 11 Nick Farmer on the London Dungeon’s secret to success • interview by Martin Palicki Big Experience: Small Package 12 ETI’s elegant 4D solution powers Discovery Cube LA theater • by Joe Kleiman Calling All Superheroes 18 Developing an immersive Marvel experience, and then taking it on the road • interview by Martin Palicki A Story of Best Practices 20 BRC Imagination Arts and the EU Pavilion at Expo Milano 2015 • by James Ogul Projecting the Past 24 At Saint Louis Union Station, a 19th Century space is creatively reimagined with 21st Century tech • by Chris Naffziger and Judith Rubin Feelings + Financials 28 Museums generate capital for their communities, and they need to start saying so • by Clara Rice Big Bucks 32 PGAV designs “Inside the Economy” Museum • by Jeanette Cooperman Non-profit Sales Strategies 37 How Denver Museum of Nature and Science implements technology in ticketing, membership and loyalty programs • by Liesel Tarquini staff & contributors advertisers Color Reflections 2 EDITOR DESIGN Martin Palicki mcp, llc ETI 31 IAAPA Asian Attractions Expo 36 CO-EDITOR CONTRIBUTORS Mad Systems 8 Judith Rubin Jeanette Cooperman Chris Naffziger Polin back cover CONTRIBUTING EDITORS James Ogul Ryman Arts 26 Joe Kleiman Clara Rice Technomedia 10 Mitch Rily Liesel Tarquini Themed Entertainment Association 35 Kim Rily Triotech 39 Whitewater West 5 COVER: The Discovery Cube LA theater was Zebec 17 transformed from a black box into a 4D venue thanks to ETI’s creative solutions involving a Mac Pro. -
TEA 79 837077 150423.Pdf
1 2 Welcome from the TEA President Steve Birket, Birket Engineering 7 Thea Classic “it’s a small world” Walt Disney Imagineering 8 Thea Awards for Outstanding Achievement Project descriptions provided by the Thea Awards Committee Graatassland “The Land of the Little Grey Tractor,” Kongeparken (Norway) 11 The Grand Hall Experience at Saint Louis Union Station 15 Wilderness Explorers, Disney’s Animal Kingdom, Walt Disney World (Orlando) 17 Nature Lab, Natural History Museum of Los Angeles 19 Wings of Time, Sentosa Island, Singapore 21 Story Garden at AmorePacific Beauty Campus, Gyeonggi-do, Korea 23 Bistrot Chez Rémy, Walt Disney Studios Park, Disneyland Paris 25 Chimelong Ocean Kingdom, Hengqin Island, China 29 National September 11 Memorial Museum, New York City Wonderkamers, Gemeentemuseum, The Hague 5 The Time Machine, Parc du Futuroscope, Poiters (France) 7 The Wizarding World of Harry Potter – Diagon Alley, Universal Studios Florida 42 Ron Miziker, Buzz Price Thea Award honoree Thea Awards Committee 50 Pat MacKay, TEA Distinguished Service honoree Peter Chernack 54 Thea Awards Gala Production Team Credits and Bios 5 Thea Awards Program Acknowledgments 6 About TEA and the Thea Awards Bob Rogers 57 Advertiser Index AECOM back cover ECA2 14 Modern Postcard 2 Adirondack Studios 48 Edwards Technologies Inc. 6 National Fiber Technology 5 Alcorn McBride 6 Electrosonic 51 nth degree 5 Artistic Engineering 51 Falcon’s Treehouse 22 Peter Hyde Design 1 Birket Engineering 44 FAR Out! Creative Direction 55 PGAV 20 BRC Imagination Arts 24 Fountain People 20 Producers Group 58 Canyon Creative 49 Gary Goddard Group 30-31 Renaissance 55 Christie 56 Hettema Group 40-41 TEA Foundation 34 Ronald Cohn 53 JoraVision 6 Technical Multimedia Design, Inc. -
THRILL RIDE - the SCIENCE of FUN a SONY PICTURES CLASSICS Release Running Time: 40 Minutes
THRILL RIDE - THE SCIENCE OF FUN a SONY PICTURES CLASSICS release Running time: 40 minutes Synopsis Sony Pictures Classics release of THRILL RIDE-THE SCIENCE OF FUN is a white- knuckle adventure that takes full advantage of the power of large format films. Filmed in the 70mm, 15-perforation format developed by the IMAX Corporation, and projected on a screen more than six stories tall, the film puts every member of the audience in the front seat of some of the wildest rides ever created. The ultimate ride film, "THRILL RIDE" not only traces the history of rides, past and present but also details how the development of the motion simulator ride has become one of the most exciting innovations in recent film history. Directed by Ben Stassen and produced by Charlotte Huggins in conjunction with New Wave International, "THRILL RIDE" takes the audience on rides that some viewers would never dare to attempt, including trips on Big Shot at the Stratosphere, Las Vegas and the rollercoasters Kumba and Montu, located at Busch Gardens, Tampa, Florida. New Wave International was founded by Stassen, who is also a renowned expert in the field of computer graphics imagery (CGI). The film shows that the possibilities for thrill making are endless and only limited by the imagination or the capabilities of a computer workstation. "THRILL RIDE-THE SCIENCE OF FUN" shows how ride film animators use CGI by first "constructing" a wire frame or skeleton version of the ride on a computer screen. Higher resolution textures and colors are added to the environment along with lighting and other atmospheric effects to heighten the illusion of reality. -
A Critical Review of Ankapark, Ankara a Thesis
THEME PARK AS A SOCIO-CULTURAL AND ARCHITECTURAL PROGRAM: A CRITICAL REVIEW OF ANKAPARK, ANKARA A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF THE MIDDLE EAST TECHNICAL UNIVERSITY BY GÜN SU EYÜBOĞLU IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN ARCHITECTURE MAY 2018 Approval of the thesis: THEME PARK AS A SOCIO-CULTURAL AND ARCHITECTURAL PROGRAM: A CRITICAL REVIEW OF ANKAPARK, ANKARA submitted by GÜN SU EYÜBOĞLU in partial fulfillment of the requirements for the degree of Master of Architecture in Department of Architecture, Middle East Technical University by, Prof. Dr. Halil Kalıpçılar Dean, Graduate School of Natural and Applied Sciences Prof. Dr. F. Cânâ Bilsel Head of Department, Architecture Assoc. Prof. Dr. İnci Basa Supervisor, Architecture Dept., METU Examining Committee Members: Assoc. Prof. Dr. Ela Alanyalı Aral Architecture Dept., METU Assoc. Prof. Dr. İnci Basa Architecture Dept., METU Prof. Dr. Zeynep Uludağ Architecture Dept., Gazi University Prof. Dr. Adnan Barlas City and Regional Planning Dept., METU Assist. Prof. Dr. Esin Kömez Dağlıoğlu Architecture Dept., METU Date: 09.05.2018 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Gün Su Eyüboğlu Signature: iv ABSTRACT THEME PARK AS A SOCIO-CULTURAL AND ARCHITECTURAL PROGRAM: A CRITICAL REVIEW OF ANKAPARK, ANKARA Eyüboğlu, Gün Su M.Arch, Department of Architecture Supervisor: Assoc.