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Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Une Signature Lumineuse D'exception Def
COMMUNIQUE DE PRESSE PREMIERE MONDIALE : 07/07/14 PUBLICIS ILLUMINE LES CHAMPS-ELYSEES UN SPECTACLE CREATIF, NUMERIQUE, INNOVANT, FEERIQUE ET UNIQUE PARIS — Chaque soir, 17 000 LED entrent en action pour métamorphoser la façade de l’immeuble Publicis (800 m²) en spectacle de lumière unique au monde, comme un emblème du rayonnement français. NOUVEAU POLE D’ATTRACTION DES CHAMPS-ELYSEES Après 24 mois d’esquisses, d’études, et de mise en œuvre, la façade du siège de Publicis se donne toutes les nuits en spectacle. 17 000 LED en action le métamorphose en une entité de lumière unique au monde. Comme un emblème du rayonnement français. UNE SIGNATURE LUMINEUSE D’EXCEPTION A partir du 7 juillet 2014, Publicis Groupe dévoilera à ses collaborateurs et au grand public la nouvelle illumination de la façade du siège du Groupe situé au 133, avenue des Champs-Elysées. Cette illumination, prouesse technologique inédite et spectaculaire s’activera à chaque coucher de soleil. Articulé autour d'une spirale de 22 mètres de haut, les 800m2 de la façade de verre de l’immeuble Publicis seront désormais illuminés par 17 000 LED s’apparentant aux pixels d’un écran haute définition. Un quadrillage complexe et parfaitement réalisé dessinera des formes en mouvement abstraites ou figuratives. Le spectacle sera renouvelé sans cesse au gré des événements et de l’imagination de ses créateurs tout au long de l’année. Publicisgroupe.com 1/4 UNE ADRESSE MYTHIQUE A la suite d’un voyage aux Etats-Unis, Marcel Bleustein-Blanchet, fondateur de l’agence de publicité Publicis, installe ses bureaux dans l’ancien hôtel Astoria construit en 1900 en haut des Champs-Elysées et y ouvre en 1958 au rez-de-chaussée le premier drugstore européen, le drugstore publicis - un bar, restaurant, cinémas, boutique, kiosque à journaux, tabac et pharmacie ouvert « toute la nuit » (jusqu’à 2 heures du matin) - et révolutionne la vie parisienne. -
2020 FLOAT JUDGES BIOS Hitomi Gilliam AIFD Is a Japanese
2020 FLOAT JUDGES BIOS Hitomi Gilliam AIFD is a Japanese Canadian flower artist and has guest-designed throughout North America, England, Northern Ireland, Japan, Mexico, Taiwan, Bermuda, Singapore, Hong Kong, Australia, New Zealand, Colombia, Belgium, Korea, Costa Rica, India and Oman. Hitomi was one of five commissioned inter-disciplinary artists to show her floral art installation ‘RISE’ at ‘Les Fleurs Sauvages’ Art Show at Sotheby’s Institute of Art in New York City. Hitomi is Founder of the Annual ‘Survival of the Creative Minds’ Conference in Taos, New Mexico. 20th Annual Conference ‘REFLECTION’ is scheduled for October 2019. She is the founder of ‘Trend Summit’, a biennial conference – 5th edition is scheduled for March 2020 in Vancouver, Canada. Hitomi has lectured at Art Gallery of Ontario (Toronto), Chicago Botanical Gardens, Philadelphia Museum of Art, Cheekwood Botanical Gardens (Nashville), Museum of Fine Art Boston, Minneapolis Institute of Art, Bouquets to Art at DeYoung Museum (San Francisco), Houston Museum of Fine Art, New Orleans Museum of Fine Art, Cleveland Botanical Gardens, Honolulu Academy of Art, Everson Museum of Art (Syracuse), The Walters Art Museum (Baltimore), Longwood Gardens, Virginia Museum of Fine Art, Lewis Ginter Botanical Gardens (Richmond,VA), Detroit Institute of Arts, Vero Beach Museum of Fine Arts, The Strong Museum (Rochester, NY), North Carolina Museum of Art (Raleigh, NC) and Columbus Museum of Fine Art. She has presented at the Philadelphia Flower Show, Newport Flower Show and Singapore Garden Festival. Hitomi began her career in the Green Profession as a farmer/florist. She currently works with her son, Colin Gilliam in an Event & Education business, DESIGN358. -
The Hettema Group Celebrates 15 Years
The Hettema Group #70 • volume 13, issue 5 • 2017 www.inparkmagazine.com celebrates 15 years I-Drive 360 Serving up servers IAAPA overload Surviving and thriving in the Media based attractions All the latest and greatest our shadow of theme park giants depend on them industry has to offer 1 inparkmagazine.com inparkmagazine.com 2 inparkmagazine.com inparkmagazine.com Gold Sponsor2017 We Take Fun Seriously! Audio Video Projection Lighting Control Engineering Design Installation UAE - Germany - Finland - UK - Japan - Italy - China - USA 4 www.wartsila.com/funa inparkmagazine.com Anniversaries abound Immersion and IP Martin Palicki, Judith Rubin, IPM publisher IPM editor he IAAPA Expo has always been a big party in eople want to be immersed in stories and Tmany ways, but this year the celebrations seem Pincreasingly, the latest tech allows us to do that even more special. As we’ve put together this issue seamlessly. That seems to be what is demanded by (our 70th issue, wrapping up lucky year number 13), we today’s IP-centric media-based experiences realized many companies are celebrating milestones. What are the benefits of immersion? Guests stay From the 15th anniversary of our cover story longer, forget the day-to day-world, are emotionally company, The Hettema Group, to Sally Corporation’s engaged, spend more money and return more often. 40th birthday, there are success stories for companies Immersion is a product, somewhat intangible. Success of all sizes. is in the results. Immersion maintains the bubble of the experience. Is that a physical thing? A technological This is good news for all of us. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
Investor Update – Strategy Unchanged – Next Phase
15 May 2013 Investor update – Strategy unchanged – Next phase Stuart Gulliver Group Chief Executive Sean O’Sullivan Group Chief Operating Officer Iain Mackay Group Finance Director Forward-looking statements This presentation and subsequent discussion may contain certain forward-looking statements with respect to the financial condition, results of operations and business of the Group. These forward-looking statements represent the Group’s expectations or beliefs concerning future events or targets and involve known and unknown risks and uncertainty that could cause actual results, performance or events to differ materially from those expressed or implied in such statements. Additional detailed information concerning important factors that could cause actual results to differ materially is available in our 2012 Annual Report and Accounts. Past performance cannot be relied on as a guide to future performance. This presentation contains non-GAAP financial information. Reconciliation of non-GAAP financial information to the most directly comparable measures under GAAP are provided in the ‘constant currency and underlying reconciliations’ supplement available at www.hsbc.com. 2 Agenda Session Time (BST) Distinctive position in the new banking environment 08.30-09.15 Proven track record in delivering change – First phase Break 09.15-09.30 Clear plan for growth and shareholder returns – Next phase 09.30-10.45 Questions and Answers 10.45-11.45 3 HSBC transformed since 2011 Since 2011 . 52 disposals/exits announced since 2011, reduced c.USD95bn RWAs1 and c.15k FTE2 . c.USD8bn gain on sale2 . USD4.0bn in annualised sustainable saves and c.28k FTE reduction3 up to 1Q 2013 . Double digit loan growth in 15 priority markets4,5 . -
Since 1982 PROFIL Productions Work for Special Event, Expo and Theme Park, Specially for Laser Design and Programming, Laser
Since 1982 PROFIL Productions work for Special Event, Expo and Theme Park, specially for laser design and programming, laser equipment consulting and show control "software and equipments". Here are some images of our productions. Osaka Expo Aquascan show ECA2 Osaka Expo Aquascan show ECA2 PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 1/18 EuroDisney Paris Official Opening Fez Marocco Night show FiatLux Nightshow Futuroscope Poitier with ECA2 / 4 shows since 1999 PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 2/18 Ocean Dome . Miyazaki City. “Japan” show ECA2 Expo 98 Nightshow Aquamatrix “Lisboa” with ECA2 PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 3/18 LE PALAIS DE L’EQUILIBRE Expo02 Neuchâtel « SUISSE » PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 4/18 Opening ceremony of IAAF World Championships Athen’s with Vangelis FranceTélécom Radôme show “France” with Serge Aubry PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 5/18 PARIS La Défense and « Européan » Tour with Jean Michel JARRE PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 6/18 « Poussières d’étoiles » de Philippe Corbin &Stéphane Vérité Sentosa Nightshow “Singapore” with ECA2 PROFIL Productions +33(0)5 53 40 63 92 / +33(0)6 85 13 79 01 E-Mail : [email protected] 7/18 Expo Philippe STARCK Centre Georges POMPIDOU BraviSEAmo -
Gender and Development in the Middle
he situation of women in the Middle East and North Africa (MENA) presents a paradox. Decades of G ender and D MENA DEVELOPMENT REPORT Tinvestment and improved policies have greatly increased women’s education and health and have reduced their fertility rate. However, the expected payoffs in higher employment and economic growth have not materialized. Because of cultural and political barriers, only a third of women are in the labor force—the lowest rate in the world. Public Disclosure Authorized In a global economy that values mental power over physical might, the region’s new comparative Gender and Development advantage could well be its large, educated work force and, increasingly, its female work force. Future econom- ic growth must rely on human resources rather than on the natural resources relied on in the past.Women e remain a huge, untapped reservoir of human potential. Gender issues have been seen as a peripheral con- v in the Middle East and cern that resided mainly within the realm of the social sectors.Yet gender is ultimately also an economic issue. elopment in the M Gender and Development in the Middle East and North Africa recognizes the complexity of gender issues, explores the causes of gender inequality, and proposes an agenda for change.The book has been endorsed North Africa by two tireless advocates for gender equality: Her Majesty Queen Rania Al-Abdullah of Jordan and Shirin Ebadi. Women in the Public Sphere “ ender inequality has a negative impact not only on women but also on society as a whole. It restricts Gthe ability of a country to efficiently allocate and use its most valuable resource—its human capital. -
Creating an Inclusive Community
Spring 2018 l No. 39 No. Sergio Rebia leads a drawing demonstration on Application Day at Cal State Fullerton. 51 students from 45 high schools attended, and 75% of them later applied to Ryman Arts Creating an Inclusive Community “I encourage my students to apply [to Ryman Arts] because it forces them out of their bubble of comfort and complacency. Students are exposed to quality art supplies and instruction they may not be able to afford on their own,” says L’lia Thomas (Ms. T) from La Tijera K-8 Academy of Excellence Charter School. Every year, Ryman Arts connects with over 2,000 Ms. T is an exemplary model of the community students through school presentations, community champions we count on to learn about student fairs, and Application Days. These efforts combat needs in our communities. Because of her the challenges that some students experience in initiative, we have continued to build our learning about and completing the application to relationship with La Tijera Charter School and Ms. T (second from left) and students from La Tijera our highly competitive program. Through strong recently added a special in-school workshop for Charter School relationships with public school teachers like her students. Ms. T, we have made great strides in “It was incredible having Miss Robin come out increasing access to Ryman Arts. to my classroom to facilitate a two-day workshop Application Days have been successful for students who are applying. Her approach in in creating a supportive environment my classroom gave students a real taste of what it where prospective students can take an would be like [at Ryman Arts].” introductory drawing class led by one of Ensuring broad access to Ryman Arts remains our faculty and work on a still life that an important part of our efforts because of the can be included in their application. -
Winter 2015 • Volume24 • Number4
Winter 2015 • Volume24 • Number4 If Disney Files Magazine was a grocery store tabloid, the headline on this edition’s cover may read: Giant Reptile to Terrorize China! Of course, we’d never resort to such sensationalism, even if we are ridiculously excited about the imposing star of the Roaring Rapids attraction in the works for Shanghai Disneyland (pages 3-8). We take ourselves far too seriously for such nonsense. Wait a minute. What am I saying? This isn’t exactly a medical journal, and anyone who’s ever read the fine print at the bottom of this page knows that, if there’s one thing we embrace in theDisney Files newsroom, it’s nonsense! So at the risk of ending our pursuit of a Pulitzer (close as we were), I introduce this issue with a series of headlines crafted with all the journalistic integrity of rags reporting the births of alien babies, celebrity babies…and alien-celebrity babies. Who wore it best? Disney’s Beach Club Villas vs. the Brady family! (Page 13) Evil empire mounting Disney Parks takeover! (Pages 19-20) Prince Harry sending soldiers into Walt Disney World battle! (Page 21) An Affleck faces peril at sea! (Page 24) Mickey sells Pluto on the street! (Page 27) Underage driver goes for joy ride…doesn’t wear seatbelt! (Page 30) Somewhere in Oregon, my journalism professors weep. All of us at Disney Vacation Club wish you a happy holiday season and a “sensational” new year. Welcome home, Ryan March Disney Files Editor Illustration by Keelan Parham VOL. 24 NO. -
A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling.