THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS

S;xly-,set:otul J't'ar, No.3 - II' lIo /~ N o. 755 FEBRUARY. 19i1 Subscriptions $!J.OO a year - 30 ct'ntJ a copy

1970 A. G. O. MID-WINTER CONVENTION

Relieved of go,'cnlmcnL members and such an atlrdcti\c acousllCilI selling. First Conb>Tq;ational United Church melody as it J;Ot more ornamented workers (or ill few days between Christ. Au organist is enchanh.'d by the re\'er· completely did the job. It is withoul througbout the variations. and the di· III:!;S :md New Ycar, the Nation's capitol heranl acoustics of the W:uhinglon Ca· a doubt the loudest and harshest organ rations themselves do not seem. to em· was invadro by o\'er 2,1)() members of thedral in spite o( an}' practical limita' this fC\'iewer h35 heard in a long time. body the idea of baroque AlltIc'~nlehre . the A.C.O. who held their Mid-Winter tiolls th"1' might pose. On the other J\nd Mr. Cooper had difficulty playing One could not wish for a better per· "",,'halcha.rna·caU·it" on Dec. 27, 28, 29, hand, the audience accustomed to hear· it Starting with unfortunate registra.. fonnance o[ Durufl~'s work on the: and 30. Headquartered at Washing· ing concert music in the less subtle tions willi very predominant quints in name Alain. Obviously. Mr. Russell was ton's excellent Statler-Hilton Hotel just em ironment of a typical symphony hall harmonic texture and far too many in his glory playing this work. for the a rew blocks (rom the White House, justifiably wants to hear the music clear. mistakes in the Pachelbel, he ncver got convention. what i5 now officiallv a "convention," ly articulated. but dear Ihis was not. For loose in the Brahms which W3J played FanlaJie in G, Bach; Partita on Jeau, and what used to be called :Ii "con such imposing (orces and premises, this consetvath'el" and wooden. Thc E mi· meine Freude, Walther; Prclu~ ct chn'c," and what the \\'ashington, D.C. concert represented lilde more than Pl or Prrludc' and Fugue hy Bach is no Fugue lur Ie nom d'Alain, DuruOe. Chapter suggests should he called a mediocre achievement. Although the piece for some experl'i, lei alone an "congrcss," and what In reality is a 5OIoi515' pronunciation was exemplary, inexperienced recitalist. 3nd insecure Festival Service gathering took place in wann and clear as was their vocal production (except for rh1thm and lempo in the prelude and A service of Morning Prayer followec.I some straining and 5harping on the plln a chaotically fast tempo which could weather (for the Northerners, anyway). Mr. RU!55Cll's recital. members of his of the tenor). the minor soloists, bor· The cDin-entian Committee. headed by liol be controlled su£ficiently def~ilted choir singing the psalms and canticles rowed from the choir, :md the choir it· Gl.'Ofrrey Simon, 15 to be congratulated Mr. Cooper's pia} ing of it. Things went hy Walter·Faxon. Arnatt, Sowerby, and for the fine arrangements, The hotd self were less successful in projecling b~tter in the more modem music, but White, most of which might be called tllc texts. French is a patently diWc: uJI was com'enient, comfortablc, and rea· we stiJI came otway from the ~dtal large organ pieces with .:horal ac· sonable in price as well as ideally 10' language to sing, but oratorio demands I«ling that Mr. Cooper h:u much more companiment. The choir W35 well reo clarity of narruth'e \o\,'hatever the Jan· cated. Truruporulion to an e\'cnts was pructicing to do in oruer to "get Ihings hearsed, produced an amazing amonnt good. anti there \\'as no premium of guage. Just as important ;u textual tusether·· and mah music out of these of volume for a smaU group. did not spacc all che buSt'S. One might wish ror clarity in this piece is clarity of pil c.h big pictt5. It w:u c1~arl}' not the Olliber :'ling with good intonation. and in· !teeter rood than one Ii;Ot OIl the conven· and rhythm. The pastorale qua1itk~ 0 " one would exp<."Ct at a l1:1tional conven· cluded too many soloists to make a tion banquet, csp<"cially in view of the 1.:eu/nncc flu ellr;st - the undersl:ue tion. I'erhaps a la'i awc"Mh e nrgan good ensemble. Otherwist:, Mr. Russell stiff registration fcc ($:.0), and one ment of dynalllia. orcheslralion. and \\'ould have hc1pt.'d. and his choir provided very fine sen'· could also hope for hetter progralll!i rhythm in !Inch IInc\'entful It Ilt;th Prelude, Fugue and Chaconne in n ice music, President o[ the AGO, Starlc than were prO\'ided at the convention. make the wor'" at hest dlghtly fatigning. minor, Pachelbel; Fugue in A·fiat mi. Wright, gave the address which wa, On the whole, we were disappointed It takes the mMt thorough approach l10r, Brahmlj Prelude and Fugue In E mostly about his own (<YORK, N. Y. 10016 The organ playing of William Wat· cmlllciatioll or the texts, and it became kins (Georgetown Presbyterian Church, oi}\'iotls after two pieces that all or Washington) was comparatively beuer, them would sound the same. T~is but the music was not nearly as de­ chorus ha!i ,'cry Httle variety o( dy­ Northwestern manding or exposed since it was a;1 namics, tone color. style. or exprc...'SSion accompaniment to dance. The Erika with the wide ,'ariet,' of music that it Thimey Dancers startc...'tI out with con­ sings. It also dnt'S not gh'c much attcn· University siderable promise. Their opening mO\'e­ tion to details or style such as ac­ ments to the Hennan Schroeder piece companiments (only the Carissimi School 01 Music suggested a sense of jO)' and praisc thal oratorio was accompanied), \'ariOltl'i Bachelor of Music, Master of Music, was quite stimulating. Howc,'er, the affccts rt'Stliting frOnt the prosody or movements quickly grew monotonous, differcnt languages, or humor. sadne5..'i. Doctor of Music degrees and it bernme apparent that the com­ gaiety. and other affccts in- the texts. with concentration pany's work lacked real depth. The It all made (or a ,·ery dull conccrt. The in Organ or Church Music succeeding dance realizations on Mar· program concludcd with a perform­ ton Feldman's Jlltersecliorl 3 (which ance of Carissimi's oratorio Jonus, a Faculty: Richard Enright, chairman was more Mr. Watkin's improvisation work that would sc...'Cm to call for mOl e Grigg Fountain than it was Mr. Feldman's composi· instrumental support than a portathc tion) and Messiaen's Dieu parmi nous organ, and certainly far hellcr singin~ Karel Paukert wcre anything but original or inspired than it got, particularly (rom John Mc­ Organ Maintenance and or even consistcnt. The case for dance Connell's Uona!i) consistently nat in' in the church no doubt was hindered Construction: Kurt Roderer tonation. Mechanical more than helped by this abortive Two Psalm Settings, Sweelinckj Fh·c For detailed information, write: demonstration on such a significant Noels, an. Elliot Forbes; Petites voix, Action - Concert Manaser occasion. PoulcnC; Allum, gab bergen, CosteleYi School of Music Toaata in E, Rach; Pastorale, Franck; o Maria diana stella, Anon. 15th cen­ for the Northwestern Univenity A Tript}'ch o[ Fugues, Near; Premier tury Italian Laude; Vergine iI cui lig­ Prdude profane, Deuxieme Prelude liol, Gabrielij An Maria, Verdi; Jonus, Future Evanston, IIlInol. 60201 profane, Climat, Premier Fantaisie, an oratorio, Cari5Simi. Deuxieme Fanbisie, Litanies, Alain. - - RS Robert Glasgow, organist. Preston Rockholt Fanfare, danced 10 Hennan Schroe· Preston Rockholt's all,.'rench pro­ d~s Prelude opus 9,6; Holes-Space Den­ gram on the large W65 MoHer organ at SCHLICKER sity, danced 10 Monon Feldman's In­ the National Shrine or the Imll1acu· terstetion 3; The Rope, danced to late Conception un Tuc..."!;(iay afternoon Messiaen's Dieu parmi now. William was an effeClh'c balance of imelligcmly Watkins, organist; Erik."l Thime}' chosen repertoire and competent per­ for excellence of design, the finest of quality materials, and the Dancers. (ormance. Mr. Rockhult \\,:15 clearly at highest order of craftsmanship in mechanical and electric action - Don Spies home on an instrument he ha!i knuwn Smithsonian Institution and played before. (He !lCrn .'C 1 W a ~ h · pipe organs. \Ve arrived at the Smithsonian in ington Catht'tiral's Collegc of Church mid· morning on sunny Tuesday. full o r Musicians as director of studit.'S (rom anticipation to see and hear the old 1964·69. he is now pror. o( music at instruments in the Hall o( MU5icai In­ Augusta Collt'ge, Ga,). The program Buffalo. New York 14217 would ha"e had a more convincing struments, We entered the HaU to find 1530 Military Road that ~e scheduled program had been shape if it had simply hl'cn in chrono changed without notification (even w logical order. That would ha\'e put the the convention m mmittce). The instru­ arresting PJd" i t'll of Cl io ramhault first ments themseh'c...'S wcre interesting and and the cxotic. mysteriuus Messia('u dd ightful ~ nough , but, with such a right be(orc the clinching ,·irtuusity IIf brochure ovailable member APOBA large group in attendance, one could the Gruncliwaid pieces. There was some- scarcely see them closely. The scheduled (CotHi,wed on p. 4)

2 THE DIAPASON r THE DIAPASON ~"'11lOtl

( TnId.rnork ,...ue.rn at [7. S. p....., Offe.) S.Il. GRl7llNSTllllll, P..ww... (1909.19571

ROBERT SCHUNEMAN FEBRUARY, 1971 Edi'or FEATURES DOROTHY ROSER 1970 A.G.O. Mid-WiD,., CODY.nUon lIusln... Manog•• -A Report by the edUor aad WESLEY VOS Donald Bpi" 1. 2.... 6-7 AnIsian' Edlto, Annual Cbristmcq SU"_., 16·17 A Stud., of the Malor Otqan Worb of Paul Hlndemlth by EmIly Cooper Gibson 22-24 All 'lI'em,dlollo' "'on,"ly Devot.d '0 Peter Waring, director- of the music pro­ '"r Or.,," and '0 Organ,," and George Markey has accepted the position Church Mudc gram at Cazenovia College, has been ap­ of director of music at the First Congrega. pointed organist and music director of Grace tional Church. familiarly known as the NUNC DIMJ1TIS Oflclal Journol 01 ,h. • Episcopal Church, Syracuse, N.Y., currently Unitarian Church of All Souls In New York CALENDAR celebrating Its centennial year. For 13 years City. The choir is a professional group of 16 nn'on Nac/nnnl d. Or«",."'", of Alenco '0 prof. of church music and speech, as well voices known as the Von Pternuth·Foote EDITORIALS .. as organist and choir director 01 the EpilCOo Th.Dlapcmn Memorial Choir. In addition to the regular LETTERS TO THE EDITOR '4 pal Theological School. Cambridge. Mass .. services. a major musical work is being pre· Edl'oria' mul 8uMne.. OBlee. h. has alsa served on the facuities of Bates sented each month at the 11 a.m. service. 434 So .. ,h Wohl'lJl" Ae,nfle. Chll'm:o, REVIEWS College. Wellesley College. and the U. of Orchestral accomponiment is being used for III.• R0605. Tel~hoJle 312·IIA7.3149 Reeard. 1-4.15 New Hompshire. Among the churches he many of these special services. The choir ,,,,./"'l'rit,';on prle., $3.00 a lIeor, In ad· has served as organist and choir director loft is in the rear gallery, a nd the church oane •• Sln,kr caple. 30 cenA. Bacle Boob by Jam.. Wrlr 15 is the Cathedral Church of St. Paul, Boston, has one of the more a ~ ive acoustical environ. nrtmber. more 'hntl '",0 "eor. old. 50 HARPSICHORD NEWS 17 Moss. Dr. Waring earned the AB and MA ments of the city. The Guil mant Organ en". For.l", ,,,bact',,,"o,.. mual b. RECITALS .1.21 degrees from Harvard University and the School. of which Dr. Mark~v is diredor, has ,JOI" In Un".d S'"'fl, fund!l 'Jr 'hI! DSM degree from Unian Theological Semin­ moved its headquarters and equipment into rt,.dtlol,n' '''ftrf!n/, CHAPTER and ORGAN CLUB HEWS 15 ary School of Sacred Music. He has published the church buildings, and the church plans to several anthems and arrangements, and he renovate and enlarge the organ at an early Adoer'Wn, ra'., on appUcalion. CLASSIFIED ADVERnsEMENTS 28.27 is the author of a handbook entitled " WDr. dote. fallowing campleUon of the organ, an ship, Christia., r duraion a ,.d Mullc". During extensive recital series will be presented. Hou.ine i.,.".. lur puMlca,ion n",,' bl! his year and a ha!f in Central New York, This church was founded in 1819 largely rl!cl!iel!d no' la'er .han ''''' 10,,. 01 Ihl! he has appeared frequently as an organ through the efforts of Dr. Wm. Ellery Chan· moDlh '0 auur. Im."lon In 'he luff. recitalist. In addition to his regular teaching ning of Boston. The church has occupied lor lit. nm month. Fo, ,.riln' pro· duties, he canduds the Cazenovia College four sites in Manhattan. The present struc· «1'dJru and tUJemiftnl copy. 'hr "'o~· All .ubsaiben ace urged (0 smd Chorus and the Cazenovia Little Symphony. ture of New E'1I1!a:1d Georgian architecture In, tim. ia the 5,h. Ma'.,'a" 1,,1' reo changes of addrt:S5. promptly 10 the He is a member of the CommiHee on Wor­ was erected in 1932. The preHlnt minister is eNID "'auld reach .he ofIe. by .he office of TIlt' Diapason. c:h.:m!:" ship and Arts of the Episcopal DioceHl of Dr. Wolter Donald Kring. .... mwt reach w belore the 15th of IIlf' Central New York. In his part·time post at month preceding Ihe date of the Grace Church. Dr. Waring succeed. Mrs. HERMAN BERLI NSKI, organist and choir­ Second-clou poUaC. paid a' Chi· fint issue to ht· mnill'd lu the nrw Charles V. Willie. He officially assumed his master at Washington, D.C. HwTt'!w CongN!ga. coco. and at addilional maiUrtg tion. was invited to b~ guest cooductor of the la, address. The Di:tp;I .... n CUlnol p"~ responsibilities by sharing direction of the Spandal:erkantorci in Brrlin. Nov. 8, 1970. olice. l""cd mon,II'". Th. Diapnmn vide duplicalr mpi.... mi!N'CI hn':allsr traditional service of nine lessons and carols While in Declin, Mr, UC'rlinski Illal;ed se\'ernl Ollke of JtUbUcatlon. 434 Sou,h l1""'HUh of a lubscriht"r'5 fuilure 10 notify. on Jan. 3 with Mrs. Willie. fW:il;llb . • Aonue. Chlcffl!o. m. fJORD:;

IN C [] N STRU C:TI [] N

ST. MATTHIAS' EPISCOPAL CHURCH' Ea.t Aurora, New York Donald Bliss ., ...,

PEDAL ORGAN GREAT ORGAN SWELL ORGAN 16' SUIlIlASS 8' PRI NCIPAL U' GAMBA 7 29' W OCTAVE H' GEDACKT 0' COI'ULA .. 8' FLA UTO ,~ , aCTA VE 4' 1I01lliFLOTE 4' CIIORALRASS 2' IlLOCKFLOTE 2' OCTAVE 16' FAGOTT ·111 MIXTUIIE 211 COJINET 8' TR UMPET 311 SCIIARF

HOLTKAMP ORGAN COMPANY. CLEVELAND. OHIO 44109

FEBRUARY, 1971 3 (Continued from p. 2) I);n'id N. Johnson NEW PIANO LITERATURE Arr. by Joanna Lange thing disturbing about starting the pro­ \\'ednesday's marathon began slightly grarp. with thiJ particular Messiaen carlier than previous days with David group - in our opinion it would ha\'c N. Johnson (university organist at Ari­ I I been preferable in any case to play the lOna State U., Phoenix) giving a "nuts whole of Le5 Corps Glorit:ux instead and bolts" session on Improvisation lor of just three movements. but that would lilt: Clwrcll Organist. Demonstrating haVe given the program entirely differ­ from the console of the new Lewis &: I A Heritage I ent dimensions. Despite the enonnOU1 Hitchcock (1970) organ at Augustana size of the organ, its full ensemble i!i Lutheran Church (induding ciphers), its least happy aspect. TI~ instrument Dr. Johnson delil'ered his ideas on how sounds best in its softer ensembles and a church organist might begin the pro­ I I solo stops. Its fortc reeds and principals cess of preparing himself for the task of HY.I.DS are very thick and strong. This was 100 of improvisation. Ba5ing his techniques c\'ident in the climax of the Franck. on, harmonic theory, he demonstrated in the loud mm'ements of the Clmm· hannonic constructions beginning with I I bault and in the Grunenwald. On the the easiest and progressing to more whole, Mr. Rockholt played with taste­ difficult ones. He ended with an ex­ ful registrations, with a fine sweep, tended fugal improvisation on a chorale I 3 Volume set arranged for piano by 1970 Grand and with affectionate phrasing which melody. One might ask, however, if im· I was consistently geared to the archi­ provisation is not morc than learning a Prize Award Winner - Teacher's Division - Inter.. tecture of the music. "bag fun" of constnlctions (diches) national Piano Recording Competition Force ct agilliC des corps gloricux, which are then brought to utilitarian I I Joie et dart6 des corps glorieux, Le use. The woro "create" was never used. mystl:re de ]a Sainte Trinhe hom Lei 97·4961 Book One - 25 hymns representing the ;md tlle idea of the improvisor as creator Corps Glorlcux, Messiaen; Fantnisic in was set aside in fa\'or of the improVisor church year, 2 part arrangement - $2.00 A, Franck; Suite du Deuxil:me Ton, as manipulator. I I ClerambauIt; Pretes, JubUatc Deo from -RS Diptyque Liturgique, Grunenwald. 97·4952 Book Two - 22 seasonal hymns (Thanks. AJldrea Toth - Don SpiC!l giving - Advent - Christmas), 2 part ar- Here was surely the highlight of the rongement - $2.00 E\'cILSOng convention week. Organ, organist. pro­ I A perfectly marvelous service of E\'en­ I gram, church, and audience combined 97·4963 Book Three - 28 hymns representing the song was sung by a somewhat tired choir and interacled in a musical experience church year, 3 part arrangement - $2.25 of men and boys (who had bused to of extraoroinary quality. Here was a 'Va5hington) from Trinity Church, building of such integrity and simple I I Princeton, N-1- on Tuesday afternoon elegance and an organ case of such ap­ AHractively designed format intended for students at the Church of the Ascension and St. pealing honl.'5ty that one was immediate­ with one or two years of formal training. Agnes. Under the direction of James ly struck by the rightness of the visual I I Litton, this finc choir sang vcrsicles and condition. And truth to lell. the organ responses by William Smith of Durham, and building sounded the way they a psalm to plainsong fonnula with hand­ looked. And what a glorius sound that bell accompaniment. canticles by Charlcs -wasl Voicing even and clcar. Ensemble I V. Stanford (we can't rcmcmber whcll rich and perfectly balanced. Contrast"! we heard them last in this country), smoothly effecth'c. Tonal projection di­ and John Paynter's aleatoric antI exu· rect and yet poised. ~ roncordia II berant anthem Exultel Coelum J-aud ibus Miss TOlh chose picces that made ex­ I with handbclls_ }-'oHowing thc sen icc, cellent usc of Ihe considerable tonal ~ \...!; M USIC the trebles sang Brittcn's A Ct:remcJlJY re sour~ of this inn rtl1n ~nt (a 1969 CO;~ORDIA PUBLISHING HOUSE, ST. LOUIS, MO. 63118 • 01 Cal'ou with h:up. ThOll the boys R ieger) - from the Main Variations on were somewhnl tircd from tra\'elling a Tht:me of llUult~qui", which she play­ was sometimes obvious in thcir intona­ ed in a way 10 suggest new respect for tion, but one seldom hears a perform­ the ancient Jannequin. to the ecstatic • tlnce so music-.d , enunciation m dear, Prelude and Fugllt: of Dupre, which she phrasing so delicate. I[ this choir sings p1aycd in as exciting a manner iL'i it! this way whl'n tircd, ho w man 'clous virtuositl' dcmands. The de Grigny thc}' must sing when fn.·sh. We wenl pieces may have been a bit more Cer­ away w:mting lei hcar lIIorc from thcm, man than usual - for instance in thc Da\ ill Aglcr. urJ;ani!it of All Saint's usc of thc thin krummhorn for the Church, Princcton, did a rine job of characteristicallv fat French cromorne, :lccomp:nlying the choir Oil a miserable and thc rathcr 'straightfom'ard rhythmic ur.,filll _ expression. On the o ther hand, the Bach Hamluct 1~ - J1al 1If1ljur P relude had a French grace Nondescript fuud , n \'Crr humorous and sparkle to it acquired through alld efficient Inastcr of ccn!monics in exaggeratl.'f:l dotted rhythm and a zest)' the pcrson of I'alll Hume (Washington tempo. The Bach trio on Alle;n Golt in Post IUlIsic critic). mcrlong spccdll.'S of del' Hail .Ie; l~ h r would ha\'e profi ted welcoming, and all uninspired speaker from a _'ilightly slower tempe), more arti­ who documcnted the impending doom clllation, and a !iimplc 8 ft. stop in the o f d a~ ical music ill the U.s. with pedal. U nfortunately the pedal wa'i statistics wc all arc reading regularh , consistently hehind the lUanual parts in and pleadlll fur us lu listcn to the this 1I10st difficult of all trios. The ,'oung (where ha\ c wc heard this be· Hindel1lith piece made lISe of extremely fmc? - nut that we arc against it .. _ imagina tin! registrations, all convincing­ h ut ull thi'i pnn idl.'S fcw answers to ly natural to the idiom. All in all, it complex problcms) - 0111 this charac­ ~' as a recital 10 be long rememhered. terizcd a chamclcrless banquet until III-.. vo. I\mlrca 'roth, Rieger Organs, and soprano Diana BC\'c ridgc took the stage All Souls Church. and enlh cucd the pl'Oceetiing1. W ith an Variations sur un theme de Clt!ment .ianlll."Iuill, Alain; Veni Crrotor, de enormously scusith'e accompanist, ~or­ mun Scribncr, ;\liss Uevcridge sang Grigny; Partita on 0 !.amm Gottcs, un­ " Musical Gcms of Yesteryear". They nhuldig, Trio 011 AUcin Gou in der wcrc gt:ms. Wc shall 1I0t Jist thosc mus­ Hoh' sci Ehrt, Prelude in E-flat, Bach; ical musterpieces hcrc (there will bc a Sonata 2, Hindemith; Prelude and Fu­ n'H)(1 of orders for the scores if we do). gue in U OpU!I 7,1, Dupre. Mis!i Uc\'critlgc uutdid .r\lIlla Russell, -Don Spit$ Florence Fostcr Jenkins, and herself in Kent Hill what has to hc thc must elllotion-laden 'Ve didn't think it possible that twu renditions of }'l.'Slcrycar we ha\'e heard good recitals would comc together with This eleven-rank, two-manual organ sincc ycslel1'ear. If it hadn't been so each other, but Kent Hill's recital aftcr was custom built for the funny, we might have cried. After such lunch on the large 2-malillal Bet:kerath good entertainment, the emotion-filled, organ at Christ Lutheran Church was Chapel of the Church of the Incarnation or gem-filled. convcntioneers loaded into also a happy occasion. The church it­ Dallas, Texas, by Ule buses for thc RoUer Skating Rink self is small, and the room is acoustic­ in Alexandria, Va. and a demonstration ally dead, hut the new Beckerath in­ of the might)' Wurlitzer by Jimmy !itrlllllcnl is a real surprise for thc Boyce_ We hear tell that the com'ention li!llenel' - it has sparkle and clarity WICKS ORGAN COMPANY IHighland, Illinois 62249 committee was still piCking organists up witham sacrificing weightiness aud off the roller skating rink in the wce brra\ ily_ And that is a minor miracle for Pipe Organ Craftsmen Since 1906 hours of the morning. rhey never could all organ builder to produce in so small skate! (Co'llirlllt:d 0 11 p. 6) " THE DIAPASON People are talKillg about us.

They have been for 67 years, since we started building the finest organs. Maybe that is why we build such good ones. We spend our time building, not talking.

AEOLIAN-SKINNER ORGAN COMPANY, INC. PACELLA PARK DRIVE RANDOLPH, MASS. 02368 (Continued fTOm p. 4) William Edc.ert and intimate a room. Kent Hill (prof­ William Eckert got the chant:c to of organ at Mansfield State College, PD .) show off his new Holtkamp organ at made good use of the instrument, choos· Mt. Vernon College along with a group NEW CHORAL PUBLICATIONS iog hi! registrations carefully, and with of instrumentalists which helped him great variety. His beginning was cau· play the program of chamber music. tious, and the Preilide and Fugue in A Although the instrumentalists were minor did not really warm up until competent enough, the program left ANNIVERSARY CHORUSES (SATB) close to the end of the fugue. Caution much to be desired. Either lack of prac­ also took away some of the dance quali. tice. extreme nervousness, or some other by Emma Lou Diemer ties of naquin's Nail Etranger, but reason caused Mr. Eckert to miss many Distler's Partita succeeded with its verve notes, and play others wrong. Plagued A challenging work for both high school and college and clarity. Although the playing of by 50 many mistakes and with the in· Langlais' Meditation was exquisitely security that comes (rom them, none of choruses and a "must" for Festival Programs. With conlrolk'11, it was the only piece on the the music really got to tJlC point of be­ piano accompaniment or with orchestra accompaniment program that wanted more space to ing music. but Wa5 rather an exercise live in. But. if anyone should think in note reading, valiantly trying to hI!· (on rental from the publisher). Medium to medium-ad­ that a 2·manllal Wtrkprinup organ will come music. The lovely small organ and vanced. 4844 2.00 not work for Romantic mwic. Mr. Hill's enjoyable pieces could not salvage the 0 pcrfonnance of the Reubke piece was amount of insecurity present. Too bad, outstanding testimony to the contrary. for the seuing and instruments were He played it and the organ as if he loved right, even at the end of a long day. them dearly. and the verve and excite:­ Sonata in C, K!J36, Mozart; Sonata 2, ment of his perfonnance seemed to in­ Pinkham; Concerto J3 in F, Handel. dicate that he was "at home" doing THE CONVERSION OF ST. PAUL (SATB) jwt that. With fine. weighty and rich registrations, relentless drive. and clarity Madison Choir and Madrigal Singen. Mendelssohn-Hirt in spite o[ a fast tempo. Mr. Hill pro­ The last event of the convention took duct.-d the kind of excitement that every­ place where the convention began, in one wants to hear from this piece. And Washington Cathedral. But this time Useable with keyboard accompaniment or with optional what more could be asked of a per­ the perfonners were high school stu· orchestra accompaniment. The release of the chorus fanner? We will want. to hear Kent Hill dents under the dirt.'t:tioll of Robert many more times. Shafer. ]t is singularly noteworthy that part is designed to accompany the already available Prdude and Fugue in A minor, Bach; such a difficult program should be vocal score (0 4840 - $3.00). This will make the work Noel Etranger, Daquin; Partita on Nun done by non.professional young people, komm der Heiden Heiland, Distler; and even more noteworthy that they more accessible to large groups who may want to Meditation from Suite M&Jic\'Ule, Lan­ should give a good mwical account of schedule a performance. glais; Introduction and Fugue from themselvrs with such a program. Al­ Sonata on the Mth Psalm, Reubke. though the Bach motet was accurate enough with the notcs. the German Chorus part (0 4840a) 1.25 Ronald Stalford text had some strange pronunciations A program made up of only works of (exchanging of the German "e" with Sowerby, played in a "dead" room with "alt) and that is excusable with sllch a the organ entombed deep in the wall! young and inexperienced group of CARL FISCHER, Inc. of the building, all this was clearly not , ingers. The four settings of John our "cup of tea". Ronald Stalford's re­ Donne's Divine Poems by Russen Wool­ 62 Cooper Square, New York, N.Y. 10003 cital at Christ Church (where he is en (all o f which were written for the organist), George-town, lacked musical Madison Choir, and two of which re­ phrasing and warmth. It was wooden ceived their world premiere at the per­ playing, a disastCT in such a dead room. fo nnance) are mostly atonal works, dif· And then too, those unending melodies fi cult to sing, and they would require of Sowerby's pieces, those overlong repeated listening fo r this reviewer to phrases need more sweep, warmth and do justice to any critique of them. The drive to make them sound. Mr. Stalford cho ir seemed to handle them well. The The Ultimate was much more at ease when accom­ work composed by the choir's conductor panying the songs (which were compet­ was in much the same style. slightly A MOIler Pipe Organ Designed and created by craftsmen. ently sung by Blanche Schulz, soprano). aleato ric, and, again, beyond our But the program, buried as it was in familiarity to criticize. We assume that, the midst of so much organ playing with the composer conducting, the choir throughout the day, did nothing to knew what it was doing. The closing heIp our drowsiness. work on the program, however. was· Canon, Chacony and Fugue, Songs not quite within the reach of thee of Faith and Penitence, Pagrant, Leo young people to do a really good job. Soweruy. We admire them (or taking it on as a challenge (few experienced choirs WOUld). Billie Moore but we think several mistakes were Miss Moore (a doctoral candidate at made with the piett. The mistakes were Catholic U.) should not have been probably the conductor's. Mr. Shafer selected to play for a national Guild separated the three choirs according to gathering. Her playing on the 1957 Penderccki's directions - but too far Aeolian-Skinner at Georgetown Presby­ apart from each other in the transept terian Church was little better than galleries and crossing of the vast Ca· many lower-class students could pro. thedral (or them to hear eadl other duce. Clearly, she has a long way to go adequately. The rapid speech which is before she begins to understand what sent "across" chain in unison in this organ music, and specific organ pieces work was not successful, [or they were whidl she plays, are all about. She can too far apan from each other for the move her fingers and feet fast enough listener to hear the words "travel" - this was shown in some of the Dupre among the choirs. And there were en· variations. but others were simply not semble problems. Most importantly, under control. Her conception of Bach's there were some large: inaccurades in E·/lat major Pulude and Fugue was the perfonnance, the most notable of more than eccentric, it was pathetically which was the last chord. What should out of joint with its variety of tempi. have been a major triad (the only If she is going to use swen pedal, stop recognizable one in the score). turned additions and crrscendo pedal in the out otherwise. Since the sudden arrival music of Bach. then she must learn to at this triad (dissonant to the rest of do it without making mistakes in the the score) is one of the most striking process (we suggest that she not learn affects of the piece, we were sorry to it in the first place - at least not with have missed it. But we still admire Bach). We were impressed at how these young people for taking on such grotesque Dupre's music can sound a program, and for working it out as First Presbyterian Church, Mt. Clemens, Michigan when interpreted and played badly. We well as it was done. ]t certainly was suggest that Miss Moore needs to do a more interesting than other more ex­ fcw more years of hard studying at the perienced choirs we have heard. Madi· organ before attempting to play (or a son High School of Vienna. Va. can be ,~""''' ; reg;,,,*-iII ij illi II national audience of peers once again. p:roud of ill musical director and their With the technique that is already choirs. We cannot exit from this 1'C­ there, she could make it. view. however, without a word of cau­ Prdude and Fugue in E-Oat, Bach; tion. The tonal quality with which these of Hagerstown, Maryland Variations on a Noel, Dupre. (Continued next page)

6 THE DIAPASON (Ccmli"uecl / rol/l p. 6) anyonc who can play such as this has the performances of the cOllnntlon. We young people sang was straincd an~ OUf pcnnissioll 10 do a few odd atunts! would hope thaC the AGO. along with 5th Annual harsh. - e\'etl their ph)'sical appearance Introduction and Al~o, Anhur heing a quality organization for the while singing was strained, We presume Wi1ISj MO\'fmmlS 2 and .. (rom Sym­ "greater glory of God, and for the good MUSIC IN EUROPE TOUR that this i5 the war ther are being phonie Gothique, Widor. of His Holy Church" might also be· taughL And we (car (or these young come a ~ative force within the life of Organ-Cholr-Opera-Orchestra voices i( that is actually the case, (01 Conc1wion God's people. E"cry cOI1\'ention ought July 19 - August 30, 1971 such straining will most certainly ruin \\Tashington, D .C , is one oC o ur fa \'or· to be an instrument o[ the creati\'e [ora: o f musical people of the Guikl. This Vi.lt la_Oft, teflin, WIN.nlMfV. H.U., any \'oice with lime. ,,'e (t'Cl e\ en he ci lies, and this trip pro,ridtd us with t..lpu,. Ei&anath .nct W.,lbwr, c..tle, one fell short of that goal. 'tronger about it l>cr::lusc o( the yo uth :lS much fun as an)' wc ha\'e had to Erfurt, Welm.r, Fteibtlr,·i",S.,O", .nd the o( I he singers. It would he a real s h;ln u~ flnelt SUberm."" orv." e... "t . Dre"'e", the nation's capitol. Some things about -RS "f.vue, lin., S.bbur9, Irdunich, lI.yr.uth, to ruin them this )'oung becausc of the AGO Mid· winter Con\'ention need ".lWU, St. Flofl." ADb.y, Ird.lk Abbey, neglect by the conductor. Along w ith Vi."". u9r.b, Split, Dubfovnlk, "fl, 10 be questiolll.'(I. howe\·cr. \\TC have SOff."/O ."d C.pri, "omp.l, Rom., Alibi, this was an appearance of fatiguc th3t often wondered just what the mid· SI.M, s." Glmlq".no Ao,.,.u, MlI.n, sounded out in performance. Could it luV.no. Luur", Inl.,I••• ". Diio", V••• I." winter g'.Ithering is supposed 10 achic\·e. Font.;'.bf.. ", "tIf", Ami."" Inu) .., 'fUl­ lie that Mr. Shafer drivcs these young What is its purpose? 1f it is to be just ••1., people to the point of fear and fOltigUC a gathering for some (un in the middl(' Or,.." d.monlf,.lIo". _ ,hit .nd pl., LO get these manelous results? Of course, of the wintcr (and wc won't spite any­ Vf ••' or,."1 I" 'erlin, l.lpdV, Welm.r, we don't know. and wc hope that this Ft.lb.r" Df.Kle", Roth., lIrn, St. Floritln, olle that fun) then it might better he M.n:, Vlen". P.fl., Amle"s .nd IfUV.'. certainly isn't the case. cnnccmed willt a little more "unstuffy" t2 tic"" I"eluded to m.lor music f.,tl,.ls .t 5.ltburV, lritunich, '.,,..uth, '.den, Du. l\(otet on JC!'iU, mcinc F!'tude, Bach; fun. Or dot..~ it ha\'e 'iI higher p urposc? b,o,,,lk, flam., luc.,,,., .nd InIV.s. La Corona, Annunciation, Nati,·ilie. Although this cOIl\'enlion hOld more Trmplc. Ru.s5t!1l Woollen; A Hymne to local artists perrorming th;UI others, it Conducted by God thc Fathn, Shafcrj Slnhat Mater, still had too man)' outside artists [or it HALSTEAD McCORMAC Krzyltof Pcnderccki. to become a good "local ShOWC41SC" fOT Immed. '01' Dean, In the midst of this program, to g i\ c national members to come and hear. AGo.Los An ..... Chapt.f the singers a rest, Robert Tate (as. As we ha\'c said befoTe, therc arc some W,it. 'or arochur., or phone sistant organist uf the Cathedral) played \'cry rine perrormers in Washington 213/212.679' the largc Skinnef organ. His selection whll did not appear 011 this progr:un. 790 GRANADA AVENUE o( piL'i:L'S (or the organ :md acoustics I-Iad the o\'cr.all qualit), of performance SAN MARINO, CALIF. 91108 of the large edifice was superb. Using been better. we would nol mention this. the grand English cathedral style, the Since this was a con\'ention, it would piece by Wills showed 0[[ all o[ the st.-em that there should ha\'e becn more organ, including those big high.prcs reason for gilthering 01 group of people Michael W. Secour has been appoInt.d sured reeds. But we think that we will (it is an expemh'e trip jun for the fun MgaRist and choirmaster of Christ EpllCClpal h'ilve to w'ilil for .mother cra to hcar of it). Last)y, wc fclt that there was a Churth, Uttl. Rock. Arlt. He auuIH. full­ again 5uch magnificcnt, sensith'c, {ree, definite undertone to this con\'ention lime direction of thl •• choir. and will pfe· 'ilud delicate playing as Mr. Tate ga\'C that cxpressed the member's desire to .Ide at a 3·manuol Mall.r instrument in· .talled in 1953 by Ern.st White. Mf. S.. ~ll~~~D' us in the two movements o[ 'Vidor's "escapc" for a few days, return 10 "the FINEST IN NATURAL PERCUSSION symphony. It was clearly playing of good old da)'s" of music as usual, hear (.OUr graduated In 1968 from California State Colleg., Long Beach, where he earned another era with abundant temllO ru· some o( the good old pieccs we all ha\'c the BA degf... H. studied ofgan with Wi!· batD, cxquisice coloring in registration. heard timc and time Olgain . and genet· Solid ta", Paul Stroud alKl Mned a. argank' CotMdral Cklm" magnificcnt control of \'ery slow tempo. aU)' bask in things the wa)' we want for the a cappella choir under Frank Pooler. Electric and breadth and deplh o( [eeling. Mr. thcm rather I1mn the way they arc. At JUII completing a tour of duty with the Adion. Tate nlust have ix.'C1l in another world this convcntion there was \'irtuall), no U.S. Army, Mr. Secour has Mrved for the AMPLIFIED TOWER CHIMES as he played, for he surely transported mention of what is happening in the post 19 months 01 chap!ain's aul.tont and us, even i[ we were momentarily awak· churches ami in our profc."5sion (drol.stic organist for the EpiKOpal congregation of fOft Benning, Ga. He recently performed em.od by tJle linkling of the IInchamc­ changes which affect us all), lIor was LAKEVIUE a recital at the main post chapel, the pro­ CONNECTICUt 06039 IcrUcic cymhchtem stop in the fast there much new musk. With fcw exccp· J1ram of which IIppeGred in lhe December 1II00'cmcnt of thc Widor. No m'ilUer, tiom. a " museum culture" pcmleatcd luulI recital pages.

p;;~.,- .~ = .-=- ~ ...... = -=p ... .t ~ ,'5" ~ Control tremolo at your console! I

ERE IS the Reisner Tremolo Driver, a simple little device H that allows the organist fast, finger·tip control of the two characteristics of tremolo: rate and depth. Each may be varied individually. and the indexed controls always permit the organist to return precisely to previous settings. The Reisner Tremolo Driver is easily installed on old or new consoles with simple electrical connections and drilling of mounting holes. With its powerful 5·amp output, it can drive several tremolos of various types simultaneously. J. {Minor modification may be necessary, so be sure to consult "l your organ technician.} A new dimension can be added to your organ music simply, \ ' .. CMlHI~ , , l. , ' conveniently, and economically. Consult your organ techni­ 2 ...... 2 " 2 - • cian for details about your own requirements. -. , • .- - 0 " o 0' •J ""TO: • oo:I"fK

RtI/$ner soiid-stattl elictrriilf!: tfim, THE en me. 0/0' driflflr. In

FEBRUARY, 1971 7 New Casavant to AGO Elm Grove, Wisconsin NUNC Casavant Fmes Limi~ of St~Hya· cinthe. Qu~bec. has recently completed 1971 Mid-America the installation of a th~·m3nuill or· DIM I TTIS gilD in Elm Grove Lutheran Church, E.lm Grove, Wisconsin. The organ i:r; Regional Convention located in the rear gallery of the church and features a facade of 16 fL principal p"ipes of burnished copper. The positn'c LOIS STICE DICKINSON divided into two chesU, \ placed on LINCOLN, NEBRASKA the gallery nil. The first eight pipes oC Mrs. Lois Stice Dickinson. wife of the the 8 ft. robrgedackt :md of the 4 ft. late Clarence Dickinson, died of a he.lfl schwegel in this division are also or att:lck during a visit to Summit, N.J. JUNE 8, 9, 10th burnished copper. Dr. Paul G. Bunjes Dec. 26. 1970. She was 72 yean old and of River Forest, 111., acted as consultant U\'cd in New York City. At the time of to the church and designed the instru­ her marriage to Dr. Dickinson in 1965, ment. she retired as executive assistant, medi­ FEATURING GREAT cal writer, and editor on public health Pommer 16 (t. fit pipes Searle Wright affairs at the New York. Academy of Principal 8 fl. 6t pipes Medicine, a position she had held for Wilma Jensen Konbch Gedac:kt B It. 61 pipeJ 14 yean, Earlier. for 15 yean, she had Oct:lve .. ft. 61 pipes Clyde Holloway Quinte 2% fe. 61 pipes been news editor of the Journal of the Octave 2 ft. 6t pipes American Medical Association in Chi· Carl Staplin MixtUre! <4 nnb 244 pipes ago. From 1941 to 1946. she had been Trompde 8 ft. 61 pipes. with the medical division of the Office John Obetz SWELL of Civilian Dcfen$C:. With Dr. H. D. Don VolI.tedt SaJicionai 8 h. 61 pipes Kruse, a physician, Mrs. Dickinson was Habllrdacltt 8 ft. 6t pipes ro·w.itor of "Pioneering in Public Mel Ol.on Charale GeilllcndprinciJUI .. ft. 61 pipes Heallh for Fifty yean". RohrfUhe .. It. 61 pipes Enid and Henry Woodward Blocknllie 2 h. 61 pipes Following her marriage to Dr. Dickin· James Moeser Quinlenona 2 ranks 120 pipes son. she collaborated with him in the Scharf 3 romu 183 pipes editing and preparing of his record al· Gene Bedient Schalmey 8 II. 61 pipes bums. For the last yeu and a half, Mrs. Tn'lIf\ubnt Dickinson had been working with Dr. POSITIVE and Mrs. Donald Winters of the School * IMPROVISATION * CARILLON Rohrgedackl 8 ft. 61 pipes of Music of William Carey College. Hat­ WORKSHOP CONCERTS IY Spittnale .. h. 61 pipes tiesburg, Miss., ",here the Clarence Schwegel .. h. 61 pipes BY SEARLE WRIGHT RAYMOND JOHNSON Nasat 2% fl. Gt pipes Dickinson Memorial Library of Church Principal 2 h. 61 pipes Music has been established. Ten: 1 3/5 h. 49 pipa Mr!. OPEN FORUM WITH CONVENTION ARTISTS Dickinson is survh'ed by five * Rausduimbel 3 ranb UD pipell !listers and one brother. Funeral service! Krummhorn a ft. 61 pipet were held at Lafayette Avenue Presby· Tremulanl lenan Church, Brooklyn, N,Y., and PEDAL bwial took place in Kentucky. The Rocky Mountains or. an Rly day'. drive from Uncaln ••• Plan to take in the Principal 16 ft. 12 pipes Gedad.tbaSi 16 ft. 32 pipes Convention before heading for that mountain vocatlonl For more information, writ., Octave 8 ft. 32 pipes Geouhom 8 ft. 32 pipes EDITH M. BARNES ChoralOaCe " lc. 32 pipes BRUCE P. BENGTSON Auszu, 2 nob Edith M. Barnes, wife or the noted MixCure .. ranks 128 pipes org:tnist, author. organ architect and S.M.M., A.A.G.O., General Chairman Bnmbarde 16 h. 32 pipes builder, and dvic leader William H. Mid.America Regional Chalumeau 8 rt. 32 pipes Barnes, died Dec. 28, 1970 in Evanston, FagoH .. ft. 32 pipes 21"0 Sheridan Blvd., Lincoln. Nebraska 68502 Ill. An accomplished pianist, Mrs. Barnes perfonnw orten in duo·con. cer15 with her husband during the 1930's, and long·time DIAPASON ~aders will probably remember their photo. graph a.t the keyboa.rds of the studio New for Handbell Choirs from Harold Flammer! piano and organ in Dr. Barnes' Evan.­ Ion home. Dr. and Mrs. Barna were Single copies on 3D-day approval honored at a dinner given by Trinity Presbyterian Churdt, Tucson, in 1967 for their many years of devotion to music, the organ and acts of phllan. RING A SONG thropy. Tucson has been their I't'Shlencc since Dr. Barnes retirement. Mrs, BamL'S compositions and arrangements is sUn'h'ed by her hmband, 2 children, 5 granddli1dren, and 3 great.grand· by Hawley Ades children. Memorial services were held on Dec. 31 at the First Baptist Church, Imaginative arrangements b)' Hawley t\des E"anston, III., where Dr. Barnes wa~ ror and \'aried contcnl!!; mnke RING A SONG U!iC­ many yean org;cnist. fnl for church and concert. Red nOlc-h('ads dr­ lineate the melody for clear, cas)' note reading. GORDON FRANKUN MORRIS ~ 'Iost selcctions arc playable hy 2 octa\''' (G 10 G ) !iet; some selections require a lar}:!cr !il't. Gordon Franklin Morris. ACCO, age All of the songs can be performcd by handl}l'lIs 74. died Nov. 28. 1970 in Sonoma, alonc, and most of the arrangemcnts may be Alexander Andenon has Joined the CaIH. • arter an illness or se"'eral months. uscd in combination with unison \' o ic c~ .:....- a rotter of o~Clnlsh under ,he personal rep­ He is survived by his wife. Lillian, or separate choir or the ringers thcmsc!\,c5. An res.entatlon of Gene Drbkill of Concert Sonoma and by his son. Dr. Theodore Managemenll Arti,t Recitals, Inc. Mr. An· Morris, McGill U., Montreal, Canada.. il ccompanying song book is pro\'ided with each d.rIDn is organist of Knowles Memorial Mr. Morris, a Canadian by binh, served sct of handbclI music, and additional copics an' Chapel and ledurer at Rollins College, Win. in the Canadian anny durinJ the First a\'ailable at a veil' modest price. ter Park, Fla. Born at MotherwaU, Scotland ,Vorld War. An injury to hiS ann and RING A SONG RING A SONG -~ a most valuable addition in 1939. Mr, Anderson studied at the Uni· hand delayed his musical career (or a 10 any handbcll library. vanity of Glasgow. graduoting. wllh honon few years, after which time he was contents in 1961 with a Mu,a degr ... Ha also able to continue much good work as a RING A SONG stvelled at the Royal ScaHilh Academy of teacher and organist.choir director. He FAnfar. #1 (handbell collection including one Music and Drama. He Is a F.llow of the studied with Healy WilIan, After an ac· hnfar. #2 songbOOk) $3.00 Royal College of Organish and an Ass0- tive lire in Canada. he moved to the All Glory, hud, and Honor Additional song books .35 tach ciate of the Royal College of Mu,ic, In U.s. some yean ago and carried on with Christmas B.lIs Mail the coupon below today 10 revi~ OJ, 1962 he continued his studies with Fer· church duties and teaching. He 3150 did Ev.ning Pray.r single copy of RING A SONG on SO-Day nando G.rmoni at the Academia Chigiana, lUuch work in restoring, repairing, and From All that 0..11 J\pproval. Slena, and the 51. Cecilia ConMnatory. tuning organs. and be rebUIlt the organ Below th. Slllu Rome. on KholaRhlps from the lIanan gOY· in the Community Building ;n Sonoma, Go T.Il It On Th. h40untaln ,------..-nment and the Calrd Foundation. On re­ Mr. Morris, a former dean or the Red­ H.'s Got the Whol. World turning to Scotland the following year. Mr. wood Empire Chapter AGO. and sub· in His Hands 1 4 HAROLD FLAMMER. INC. 1 Anderson join.d the leaching ,taff of the dean of the Chapter at the time of his Hymn to Joy 1 H.ard the B.1I1 on I \~~ I .. WAII(WA ~ ["G,..P p~ I Royal ScoHish Academy of Music. Glasgow. death. had worked faithfully in the Chrilfm.u Day 1- 1 where he remained until h. cam. to the Guild throughout his residence in the Jacob', ladd.r 1 Please send. on !o-day approval. a .lngle I U.S. In 1969. From 1963 through 1966 he U.s.A. Koom Bah Yah I copy 01 RING A SONG Indudlng song book. I wen as.ai,tOftt organbt al SI. Gil.,' Cathedral. Let Ther. P.ace 011 brib a. Edinburg, Mr. AnderlOn has concertized NOEL GOEMJ\NNE'S MASS for IOloists, let U, 'reall 'r.ad Tog4Ither I Name I considerably In Scotland, England and Ger· choIr, consregation, br.lll, tympani, and orran The Lord al ... You many, and he has broadcast regulorly for \\'" given its fust performance on Nov. SO, and Keep You I Address I the aBC, H. has taken part In recordings 1970. by the choir for whom it is dedicaled. lord, 1 Want to ae a Chrhtien City Stal,,---- Zip__ I I with the choin of St. Giles, Edinburgh. and St. Andrew Parish, Fort Worth, Tesat, per· h4arch of the Kin9' lormed the on the occasion of the dedi· 0 At no charge, pleoasc send me the new Paidey Abbey chair on three recordings won. One Uttle Candl. I I Qcion of a new orpa and church buildin,. for the Oecca label. Sinee coming to the Ring Out Y. M4IITY 1.11. I and complete Harold Flammer Handbcll I The Mus nceived p,wiD, revieW! by Robert Lisling. U.5"# ~. Anderson hal gl .... n redtols Tha .. kI'i1I¥ln'i1 Hymn DolIgWs. music critic 01 the FOft Worth Star. 1 D 271 "FH" I throughout tile country in addition to his TeltSl'lUn, who pve the work a preview write. '------',------.! ,egular recTtals at Rollins College. up berore the puformance. 8 THE DIAPASON Let yourfingers do (heir walking where they'll be happiest

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(Feet like us too) Casavant Freres St.Dgacinthe Que. Canada. J.imitee Artistia IJirection by Lawrence Phelps 10 Febtu.. t), C. Harold Einrcke. Cathedral or SL Mozart's Mas..~ in C lIIinnr, Wlost­ john the Evangelist, Spokant". Wa.'Ih. 4 minster Choir. T'hilhanllonic Orciu..'Stfa, FEBRUARY pm Ling Tung. Philadelphia Academy or Frank C. Brownstcad, SI. Franci!! MU5ic. IJhilildclphia, ra. 1 2 3 4 5 6 Episcopal. Palos Verdes. Calif. 8 pm J\lbcrl Russell, St. John's EpiKOpai, W3shinglon, D.C. 12:10 pm 7 8 9 10 11 12 13 1 l\-larcb Jerald Hnmihon. Our Sa\'ior·... Church. Heinz Wunderlich. master class, Colby Copenhagen. Dcnlll3rk Collq;c. Waterville. Maine Maril)'11 Mason. hnrp!ichortl rl'Cital, 14 15 16 17 18 19 20 Sitavimk) 's Mass, Can lata: Gesualuo', Jlt·rth. AU!ilraIi3 Sacred Madrigals, Central Presbyterian, 21 22 23 24 25 26 27 New York. N.Y. 8:50 pm II February Ted Alan Wo rth. Artc...'Sia H.s., Artesia, Linus M . Ellis 111, Grace Church. New 28 N.M. \'ork. ;\'.Y. 12:80 pm I.aIT) King. Trinity Church, New 2 March \turk. :".\'. 12:·15 put DEADLINE FOR THIS CALENDAR WAS JANUARY 10 Chark'S Frost, Sacred Heart C41thc...-ural. R. Chochrnnc l'cnid;,. harpsichord, NLaw'ark, N.j . 8:S0 pm 'Kluthwl~lcrn l 1.. GcnrgclOwn. Texils 8 Robert S. Lord. Heillz Mem. Chapel. pm JJiltsburgh. l'a. 12;·1 5 pitt Marilyn Keiser, Carulh I\ud.. So. 17 Ft"brual)' 23 Frbntary Methodist U., Dallas, Texas 12 February Clair Johanmcn. 51. john's Episcupal, Dennis Michno, Trinity Church. New Clyde Hollowa\', First Raptise , Santa l\rthur I'aister. workshop. Baldwin Washingtun, D.C. 12:10 pm York, N.Y. 12:45 pm Ana, Calif. . Wallace Colh.-gc. BCf(."3. Ohio Heinl Wunderlich. Ann)' and Na,')' Thomas Richner, Ridcr Collc..'gc , Tren­ John We-a\'cr, First Methodist, Spring. '\c:ulctn),. CarJ5bad . Calif. ton, N.j . 11 March field. III. Bradler Hull, Sacred I-Icart Cathc...'Clral. Waher Baker. :1I1·8ach, Church of St. Calilarinc Crozier, First Congregation. 18 F~bruary ~ew;ark, KJ. 8:30 pm I'aul che Aposde, l\CW \'ork. N ,Y. 8 {litl :11. Oakland. Calif. Larry KinK. Trinit)' Church. New Dlrrr)' Rhodes, First l'rC5byterian. Heinz Wundc...orlich. First 8aptlSC. Heinz Wunderlich, Emm:mucl Epis­ York. N.Y. 12:4[) pm UliCl. N.Y. Gn.ocnsboTO. N.C. CUI)III . Scanh:. W ash . Virgil Fox, S.m Anlonio Symphony Heinz Wunderlich, Nati,·ity E,·. LUlh· Bach Fcstiv.. l. Jt .. lamalOO College, Orch., Thc:llre for the llcrfonning Arll, erau, Allison Park. POI. Kalamazoo. Mich. 8 pili San Antonio, Texas 13 February 24 Ft"bruary 4 Mardt Arthnr Poi!\lcr. woruhop. Baldwin Lenlen Anthems, Helll') Clas,\ jr,. Em· Heinz Wunderlich. m.,sler class, ,,'inl Wallacc Colkgc. BCrl·a. Ohio 19 February Alec "'yton, Emmanuel Episcopal, manuel Episcopal. Webslcr GroH':'! . Mo, Baptiu, Green:sboro. N.C. Heinz Wunderlich. master class. Em· 8 pm Bach Fc...'Sti\ ai, Rollins Colk-gc. Winler manuel Episcopal. Seattle, Wash. Wcbstcr Gro,'es. Mo, 8 pm Heinz Wundcrlich. Tc:x:ts Christian Ilark, Fla. jerald 1-I'lIllilion. SI. Alban's ('.:lIh(:­ 25 Ft"bruary U .• Fort Worth, Tcxafl «Iral, England Hedley E. Yost, Grace Church, New 5 l'tIarch York. N.Y. 12:30 pm Bach Fcstiml, Rollins Collc...'gc, Winter 20 Frbntary Ted Alan Worth. SlIl'dor H _'i,. Slty· Park, Fla, 14 Februa!)' Arthur l'oisler, workshop, Kansas james and Carol Metller, organ and dor, Texas State U .• Wichila. K:l5. 6 March piano. SI. jamc...'S Church, New Lonuon. Virgil Fox. San An'onio Symphony, 26 Ft"bruary Ted Alan Worth, Civic Ami., Dodge Conn. 4 pili Theatre for thc .'er(oruting Arts. San Richard Boucheu. Wcstmimtcr Col· City. Kansas Ro~ ini ' s Slah,lt Maler, St. liarthol0· Anlonio, Texas Searle Wright. First Congrer-"ional , mew's Church. N'cw York., N.Y. -I pm lege. New Wilmington. l'a. George Wilsou, All Saint! Cathc....,jral. Wilma j enst"n . National Shrine or lilt! Long Bt"adl, Calif, 2 pili 21 Ft"bruary Imma(:ulalc Conceptioll, W:l5hiligIOIi. Badl's Mass in H minor, Kalamazoo Alban)', N.Y, 01:30 pm Wahon's BeIshauar's "·casl. 51. Bartho­ D.C. College, Kalamazoo, Mich. 5 pm and lIaroquc Chamhcr Qtmnct, 51. Mary's lomew's Church. New York, N.Y. 4 pm 8:50 pm Cathedral, Ogdcnsburg. N.Y. 7:!l0 pm W. Thomas Smith. St. Maf)"s Abbey. '!'/ FdJru:a'Y Hcdle)' E. Yosi . First l'rc...'Sb),lerian. Morristown, N.J ...:30 pm St.·minar "The Future or the Organ 7 March Englewood, N.j , 4 pili Rcnatuancc Choral Music. james Lit· in AmrriCl", Wcstminslcr Choir College. Bad,'s Thou Guide of brael ami Thc Cherr), Rhotil.'S, All Stmls Unitarian, ton, Uristol Chapel. Wcstmiluter Choir Lon! Is My Shepherd, St. Bartholomew', W:lshington, f),C. 4 pm I-rinceton. N.j. Collt.'gC, Princeton. N.J. 4 11I1i Clyde Hollowa\', RLDS AmI.. lIulc­ Church. New York, N,Y. 4 pm Carol Teli. l:ir.iI Haplisl , \\'a~' ncsl>oro , Suzanne Spicer, Waync Pfl'Sb ~· t e rian , pcnuel1cc, Mo. David S. Bowman, Riverside Church, Va . 3 pili WaYlic. Pol . 7:50 pm Ted Alan Worth, Dcl Rio H.s" Del New York, N.Y. :; pm Lee DelHil, first l'rc...'S ln'leri:m, Sharon, Helen Henshaw, 1\11 Saints Call1cdral. I'a. 4 pm ' Rio. Texas 'Villiam Whitehcad, Rutgcrs Slate U,. Alhan)" N.Y. 4:50 put New Brunswick. N.J . George Minke)'. Christ l.utheran, AI· lentown. II: •. 7 pili Robert S. Lonl. Music fo r 2 dlUirs 28 February .loci Krou. Tenlh Presb) terian. I'hila· delphi... Pa. 5 put Gerald Hailc,', Christ Church, Cin· illld 2 organs, Heinz Mcm, Chapel. "illl· Heinz 'Vllnderlich, Colb) Collc...-gc, burgh, Ila. 3 pm WalcniIlc, Mainc 8 pili Brahms' Requiem. Myron Leel, Fi rs t cinnati. Ohio ·I :~ O pill 1 Heinz WunderliCh. Wc..'Stmiusler I'ns.. Mozart's Requiem in 0 minor, St. I'resbyterian, 'Vilkc...~·8arre, 1 01 . The Wc...':'!tmiustcr Choir, First I'resuy· Heinz Wunderlich. All Souls Unitar­ byt(,· rian. Akron. Ohio 4:50 put Bartholomcw's Church. :\ew York, N.Y. leri.U1, Fori "I"l'lte. Ind. 4 pm ian. Washington, D.C. 01 pm Marianne Wc Jh. \\'CSl1ninSler 1't't.'Sln'· Wayne Fischer. Christ Church. Cin· Ralph Warc. All Sainu Cathc...'tlml , AI . Carncll Copeland, Church of che IliI· lerian, Oklaho1U:I City, akin, ;:30 p:m . cinnati, Ohio -1:30 pm bany. N.Y. -1 :30 pill grims. Washington. D.C. 5 pm BUrlon W(.'a\'er, 51. Mary the' irgin '''ilma .Jenscn. Second l'rc...'Sbyterian . Virgil Fox, Spelman College, ,\tlanla. Episcopal, S;11I l-'r.t1Icisco. Calif. Choral Concert, First l'n'Shrtcrian, Indianapohs, Ind. 8:30 pm Wilmington. N.C. 5 pm Ga. Lois Jungas, Associated Mcnlloltile Mrs. Robert C. Milham. 51. johu's Larry R. Roott.'S. I'ilgrim Lutheran, 15 f~bntar)' Seminaries. Elkhart, Ind. 4 pill Episcopal. Columbia. S.C. 01 pm Chicago. JIl. 3:30 pm Rollin Smith. The Missiull Church, Choral Coneen. Bethcsc.la·by·the--Sea Verdi's Rc..."quicm . BClhc...-sda·by·the.Sea James MOL~r, U. or Colora(lo, 1I0ul· Boston, Mass. 3 pm Episcopal, Palm B('-aeh , Fla. -t pm Eptsmpal, Palm tkach. Fla. -:I pm dcr, Colo. 8:30 pm Virgil Fox. .1ulI(.'s And., KingwiUe, Wilma Jensen. Wcsllninster Presby. Clyde HoUoway. I'acific LlIlher:an U., Su~n Kopija. St. Vincellt Dc .laut terian. Dayton. Ohio 8 pm TaconUl, Wash. Texas Church, Chicago, Ill. 5 pm Heinz Wundcrlich, Fint ('.ongrega· Bach's 51 . Mark I'assmn. Gene Han· Bach Festival. Kal:ulla70o College. Fn-dcrid Swann, Court SI . Unit~'C1 tional. Los I\n~ck~ R:15 pm cock, Chrisl Church, Cincinn;lti, Ohio Kalamazoo, Mich, 4 pna Methodisl, Rockrord. JII. 5 pm George Markey. Wcsilltin"ter Preshy· Apollo Music Club, Wm. j . Prler.. 8 March 16 Ft"bruary l..:- rial1, Lincoln, Ncb. 4 pili man, 51 ••Ict er·s Church, Chicago. III. Ted Alan WOrlh, Hope ,\ud., Garden Curford Clark. Trillit), Church. Ncw Ronald A. Hough. Fiul Baptist, Du· 3:M pm Citro Kansas York, N.Y. 12:45 pm nmt. Okla. ;:50 pm David S. Bowman. Trinity Lutheran, AIlcn Brown. Church of St . I',ml the Hagerstown, Md. 7:30 pm 9 l'tlarch J\postJe. Ncw Yurk, N.Y, 8 ptn Mary Ann Schulz, Blessed Sacrament Bach Festival. Kalamazoo. College, Rollin Smith, Church of Our l.atly of Martin Ncar)" Sacrcd Heart Cathe­ Church, Hnll)'wood, Calif. -I pm Kalamazoo, Mich. 8:30 pili Angels. Brooklyn. N. Y, 8:30 pm dral, Ncwark. N.J. 8:30 pm Martin Neary, 51. Mark's Episcopal. Virgil Fox. Pasadena Community Delio Joio's '10 ' Saillt Cecilia and 22 Febntaf)' Shrc\'eport, La. 4 pm Church, 51. Petcrsburg. Fla. Bcrnstein's Chic1.c...'Stcr I'salms, 'Vayne Virgil ""ox, Temple H,S.. Temple Fn.,jerick Elder. Oklahoma City U .• Heinz Wunderlich, So. Ual'list Tbc...'O. l'rc...'Sh) lerian. W:lync. Pa, A pm Texas Oklahoma Cit)'. Okla. " pm Seminary. Louis"i11c, Ky.

CHARLOTIE WILLIAM ;" GEORGE Oraanl" THE ATKINSON DUO ..... MARKEY FIRST PRESBYTERIAN CHURCH ""MY AND NAVY ACADEMY Records Markey Enterprises 201-762-7674 OCEANSIDE, CAUFORNIA C"RISBAD. CAUfOINIA 42 Maplewood Avenue 714/729-2990 Recitals BOX 785, CARLSBAD, CA 92008 • Instruction Maplewood, N.J. 07040

VerJHHJ de Till' George Wm. Yo.ke. f.A.O.O .• Mu •• Doc-, S.M.D. LAWRENCE s.. c. MUS. DOC" .....0.0. Church of Ihe Ascension Fifth Avenue at Tenth Street New York, N.Y. 10011 JAMeS LeLANb ROBINSON All Saints Episcopal Church HOLLINS COLLaOE Juilliard School of Music Drake College Union Theological Seminary VIRGINIA COMMONWEALTH UNIVERSITY hrt Lavc1enl." Recitals RICHMOND. VIUUNIA Organ and Choral Workshaps ROIIDA

10 THE DIAPASON AMERICAN CHORAL DIRECTORS ASSOCIATION CONVENTION McGILL UNIVERSITY - Faculty of Music The American ChOTa I Directors As· sociation will hold their first independ­ Montreal, Canada ent national cOfl\'cntion in the Muehle­ bach HOld. Kansas Cit)'. Mo .• Thurs­ day, March" through S::I.turday. March 0, lUil. In ilddition to perForMing groups rrdlll across the nalion. the can· ORGAN and HARPSICHORD SUMMER SCHOOL \'cnl!ott will feature clinicinns and panelists of intcrn3lJonai renown. A dircclou' choir will slUd)' under WiI· JULY 18 to JULY 3D, 1971 helm Ehmann. director of the West­ CtUische Kantorci (Germany) and author of Chora l Dirutillg. Ceorge Bragg. con­ Donald Mackey • Raymond Daveluy duclar of the TCX3!1 Boys Choir of Ft. Worth, ~' iII work with :l t hoir of Ameri. Kenneth Gilbert • John Grew em bo)'$ in showing how to deal with the IIdolt.oscent \oice. Roger Wagner will conducl the Final 1ICs.~iol1 of the three­ day c\·cnl. Cherry Rhod.s has recently bMn appointed For Prospectus please write to: The Director, Organ and The colU'cnlion opens with it session artist in ....idenc. at All So"ls Unitarian Harpsichord Summer School, Faculty of Music, McGill Univ­ by student I\CDA memhers speaking Church, Wa.hington, D,C. On f.bruary 1.4. Due . ACDA prcsicknt Charles Hin will for her third recilal on the new Ri.ger or· ersity, Montreal 110, Canada. address the coln-ention. The direclon ' gon, ihe will ploy an all.lach program. choir will IUl,'e three open rehearsals - Miu Rhodes was a recitalist at 'he 1970 Thunday c\'ening. Friday morning and National Convention of the AGO. Earlier Saturday afternoon. An experimcntal this lea$On .he opened the recital series at worship sen"ice will climax the second the Anglican Cathedral, O"OWO, Canada, cia} '!Ii activities which includc sessions in a program broadcast by the CIC. Fol· endtled "Though Is of Choral Con· lowing grad"ation frOM the Curtis In.titut. ductors: the Hlllmm Side" Uim Bohart .f Music in Philadelphia, Miss Rhodes st"died :Jke JJoU6e 01 Qua/if,! prCl5iding, with panelists Howard Swan, with Karl Rithter in Munich, and with Marie· Lam Hoggard, Donald Donaldson, Claire Alain and Jean Guillou In Paris. At Elaine Brown and Alherl McNeil), ancl the Fifteenth Internatianal Competition of "Coping With the New Choral Sounds Music in Munich, 1966, she became the flnt ORGAN SUPPLY CORPORATION and Not:l.tiou " (Rohert Page prCl5iding. American to win an international organ togC: lhcr wilh Broc),; McElhcran and competition. Frank Pooter). In addition 10 Satur· day's concludmg session entitled "The Milss Through Five Pcriotls" under Program Chainnan for the e'cnt is Wagner. CO",'clitioo partitip:ml'i " ,ill at· Morris Haycs, president·e1ect or ,\CDA lend "interest luncheons" at which thC\' :Ind director of choral acth'ltk'S at Wis· can discuss mutual problems with col· consin State Unh'crsit}', E:J.u Claire. leagues from othcr n ..ogions of the coun· Convention Chainnan is l(.'Onard Van try, An ahemoon session 011 "Re· Camp, director of choral acth'itics at hearsing and Performing Choral Music Southern lIlinois Unhersitl' E

FEBRUARY, 1971 11 CAPE COD ECUMENICAL ST. ALBANS ORGAN FESTIVAl CHURCH MUSIC CONFERENCE SCHEDULED FOR LATE JUNE The: annual Cape Cod Ecumenical The Sixth International Organ Festi· Church Music Conference. co·sponsored \"31 will be held at St. Albans Cathedral, by the: Cr3igville Inn Conference Cen· England. from Monday, June 28 to ter and the Cape Cod Chapter AGO will Satllrdar. July 8, 1971. The principal be held al the Craigville Inn Conference theme of the 1971 Fcatival will be the Center luly 4 through July 10. 1971. organ's place and polential in the main· The sla f will include Marilyn Mason, stream of music. In addition to dis· head of the organ department at the tinguished organists, the Festival this Unh'ersily of Michigan. ,\nn J\rhor: year will also welcome one of the Alexander Pcloquin. music dircc:tor of world's leading jau musicians to com­ St5. Peter ;cnd IIa1l1 Cathcdral. PrO\ j. plement the imprOVisation master c1as~ dence. R ,I. and composer . in · rt:11d~ncc and competitio05. There will also he an at BOliton Collcge: Judith 8ennett, edi· exhibition of small organs along with tor of the Sacred Dance Guild New!! · m.my other e\'cnts covering a wide leller and director of Sacred Dance in range of interest. For those who ap· the Cornwall, N.Y. area. Other staff preciate light. hearted relaxation, there members arc to be announced later. will be four late.evening "hap.fenings'" The conference is open to people of all Participants in thc Fcstival wlI include faiths. including orgunists. choir direc· Marie-Claire Alain. Mon~rrat Alavedm. tors, choristers. clergy, educators aud Christopher Dowers·Broildbent. James music commiu~ members. Further in· nowman, .Julian Chagrin, John Dank. fonnalion 'l11,.@y be obtaincd br writing worth. Rafph Downes, Michael GiHing· Dr. Charles Hudd:eston Heaton, minister to Cape Cod Ecumenical Mluic Confer· Frederick a. Schulz. of Seattle, Wash., ham. Josef "on Clattcr·GolI. Anton of music, Second Presbyt.rion Church, St. cnre, Craig\'ille Inn Confercnce Ccnter. has been appointed DUislant professor of HeiUer. Peter Hurford, Gemint Jones. Loui., Mo., has been appolnt.d Aeolian. CraigviUe:, Mas!. 02636. composition at Taylor University, Upland, Piet Ree. Ivor Keys. Bernard Lagac~. Skinn.r representative for Kansos, Arkansas, Ind. He holds the Musa degree from Whea· Cleo Laine. Gustav Leonhardt. and Oklahoma, Missouri, Kentucky and Ten· ton Colleg., Wheaton, III., the MMus degre. David Munro\\,. neSMe. Dr. Heaton is a graduate of DePauw from Northwestern University. and the DMA Two compelitions wiJI be held as Uninrsity, Greencastle, Ind.. and hold. the degree from the Unin,.ity of Washington. pilrt of the Feslh'al, one in organ pial" mader's and doctorate degrees from Union Dr. Schulze has served as organist In ing open to all or~ani,t.s IInder the a~e Theological Seminory School of Socred chu~hel in Oregon ond Washington. an:i of 51 on Jill), 3. 1971 . and the other til musle, Ne. YeM'''. He is allO a feUow of the he hOI taught at Cascade Canege, Wheaton impro\'isation open to oqr-anists under AGO and a member af the honorary fro. Co!lege. and the Uni"ersity of WoshinglOn. lhe OJge of 36 on July 3. 1971. Applica· lernlfi.. Phi Eta Sigma, Phi Mu Alpha, and He has studied organ with Gladys Chrlllen· tions must be rcceived by the com· PI Kappa lambda, Dr. H.alon Is also direc· son, Robe,t Noehren, larrett Spach, on:i mittee no latcr than March 29. 1971. tor of music and ledurer at Ed.n Thealogi. Walter Eichinger. He has also written and Contestants in the interpretation con· col Seminary. He was director of music at arranged music for Christian films, radio tC!'lt are required to play two chorale Temple Israel, St. louis, and he Is widely and television programs, and he has ap· prelude!! by 8ach on ,fllem GOlt. iu tier known as an organ recila'ist and ledurer peared frequentty in organ recitals in O,e· H oh' ui Ehr (8W,\ 662 and 664). :md on sacred music. Dr, Heaton has d,.,ed as gon and Washington. Dr. Schulz. Is a me. a major work written between 1840 and board member of the Artist P,eMntation $0.. ber of the Munde Chapter AGO. 1925 lasting not longer than U minutes. ciety of St. louis, a national councillor and The final contest will require the first lReMber of the hoard of eeminers of the f01lr pieces from nreiss;~ Spidsltlclte by AGO. He has also iuued a nu..,ber of pub­ Large Allen to I-Iu~o Distler (B3renrciter). Sonnld -I licatjans. includjng the Hymnbaok for Chrl", Arizona Church ;11 E minor by Bach (nWV 528). and a tian Worship, A Guide to Warship Senices work written since 19!KJ lastmg not of Sacred Music, Dnd How to auild a A new three· manual custom Allen longer than 10 minutes. For the im· Church Choir. has been installcd recently in the North provisation contcst. competitor!! will be Phoenix Baptist Church. Arizona. It i5 required to improvise variations on a Bonnie aeth Derby hal been appointed chorale theme for the elimination, and assistant oroanist of 51. Paul's Eplkopol equipped with a fuU antiphonal di· "ision and a tr:msept division as well ther mar choose their own fonn for the Church, Syracuse, N.Y. She will auist Georgo final conlC5t. Those wishing to partici· W. Decker with service. and cholal work. as the main sound system. The console is equipped with new "Micro Cimlit pate in the improvisation mastcr clas" Mrs. Derby hokJs a Musa degree from Capture. Actio'!," and. an !>utdoor gil'cn by riet Kec must submit appliQ· Bakiwin.WaUaat Co~lege, and a MMu. de· (ion with curriculum vitae and a refer· gree from the University of Michigan. Her carillon IS also mcluded '" the IOstalla. tion. ance by March 29. 1971. Three appli. teochers have Included ROyn&ond F. Glover, GREAT cant5 will be selccted for the master Warren aerryman, John C. Christian, and Gem.horo 16 ft. class. Robert C. Clark. She is produce,-announcer Principal 8 h . Further infonnation, price lilits. and for the prog,am "Orgelwerke" over WeNe Dulciana 8 h . application forms rna)' he obtained by Lieblichnole 8 h . in SyracuM, and she WOI recently e'ected writing 10 International Organ Festiv:tl Boumon 8 It. to be included in the 1970 edition of Out· Sociely. The Abbey. St. Albans, England Itonding Young Women of America. OcCavc 4 fl. Flute Hamulniqur -l It . Twelfth 2Yi h. Fifteenth 2: ft. WaldROte 2: h . Mixture .. taOQ H-. nnonic Trumpct 8 ft . H • ." Carillon SWELL Gt'igt'n DiaplllOn 8 ft. r.rom lhorn 8 It. Vo;x CelesCe 8 ft. r;~ckl 8 It. Flute Celeste 8 It. Qcl:ne Geigen 4 It. M.rrlll N. Davis III. director of music and Flute " h. organl" of Zumbro Lutheran CongregaUon, Naum 2~ h . Roche,t.r. Minn., ho. been appointed DaulJlette 2 It. Aeollan·Skinner sales reptel.ntaliv J for IUoclifiace 2 ft. Minnesota, WiKonsin, low3, Michigan, In· Tierce 1% ft. diana. Illinois, No:th Dakota, South Do· I'lein Jeu 4 r.l.oks Contra Fagotto 16 ft. kota, and Nebraska. Mr. 00,,1. I, a graduate Hautbois 8 ft. of WIKonsin Siale University, La Croue, and Trompctle 8 It. studied with Arthur B. Jennings at Ihe Uni· Chiron .. h. Earl Eyrich hal become organist and di· verslty of Minnesota. His graduate wo~k was Tremolo rector of music of the first Unitarian Church, CDmpleted at Southern Methodist U., Dallas, Flute Vibr.l.to Providence, R.I. In his ne" position, Mr. TeJlDS, where he was a student of Dr. Rob· CHOIR Eyrkh directs the adult and youth dloirs ert Anderson and the Jote Jome. Tallis. H. Viole 8 It. of the parilh, and coordinates a lI"ely pro. Quinbdena. B IL hal CICImpl.ted additional Itudiet with Arlhur Flute 8 [I. gram of fMffumental musk. Mr. Eyrich re· PoTller, Henrkh fI.ischer, and the late Wil. Prestant .. It. ceived the Musa de",.. from New England lard Irving Nevins. In 1968 Mr. Davis Thomas Carswell has been appointed area Qllintade .. [t. Conservatory of Music and he has done traveled to Europe to study the work of representative for Aeolian-5ltinner in Quinte 2~ It. graduate work at the ConMrvalory and the CICIntlnental argon bullders. Mr. Davis has Georgia, North Carolina, South Carolina, Principal 2 ft. University of MlnnelOta. Also a psycholo. 0110 served as arganitf-cholrmo.ter at St. Alabama, Miuiuippi, Virginia, and West Spillnate 2 h. gist, he received the MEd degre. from Bos­ Clement's Episcopal Parish. St. Paul, Minn. Larigot IV, h. ton Slate College, and he Is presently en· VIrginia. A native of Augusta, Ga., Mr. Sifflole 1 ft. Aeollan.sklnner Instrumenb were tnstalled Conwell began his study in piano at the Schar[ 3 ranks gaged In graduate studies in counseling at both 51. Clement', and at Zumbro lu· age of five and on the organ at age Dub.ian 16 h. psycholagy at Bo.ton College. Mr. Eyrich theran Church during hIs tenure. thirteen. He bogan his first duties as a Kmmmhorn B It. has studied argon with Marion Hutchinson, church mustdan at age 14 as organist of Tremolo Gerold Bole., Donald Willing, and John THOMAS MURRAV. 1966 AGO National the Curti. Baptist ChupRh. A~usta. one of PEDAL F.sperman. Ht. harpsichllKd .tudi" were Pbyiu, Co~pWtion winner, ill on a Il).tnonth ConCre Balle 32 rL the Ior"ett churches in Georgia. He Mrveel with Margaret C. MalOn. He "as taught 01 Jeaw of abtence from tmmanud Prab,.tcrian Contre. Dulciana 32 rt. Church, Los Ansda. His f'E'Cit:d appearances two oth.r churches before entering 8ay~or Principal 16 It. the University of Mlnnetota, MacPhall Col· during tbil period ha"e been at St. Stephan's University. In addition to hil study or organ Gem,horn 16 [t. lege of Music. and New England CanMrva· Cathednd, Vienna; Grundtvip Chul'l:h, Copen. and plano at aaylor, he studied vole. with Buurdon 16 It. tory. Prior ta accepting his new position, "e hagen; the Cathedral in Amie",. France; and Miklos 8encz., farmer basso with the Buda· Lieblich Gedecllt 16 ft. was organist and choirmaster at St. Peter's the Chriltul Kirche, Bonn. At the inritation o[ pest Opera. Mr. Canwell has bun toIat.. Octaw B ft. Episcopal Church, ae"erly, Mau. The First the Vatican Radio, he recorded a bro.dcast. with many aroups throughout the South, Gl!deckt B h. Unitarian Church of PJO'fidenco was first tUltal o[ conCemporarr American olpn works, Chural BUI .. It. built In 1816, and It Is on. of the fines. including pieces br Leo Sowerbr, Vincx:nt He hal bun minister of music at lake Park Flute .. It. Peniehetti, M)'tOD Roberta, CI:urnce Mader Bapttlf Church. Augusta, First Baptist Church, MiJltul'e 3 tlUlU e ..amples of f.deraUst architecture In the and Searle Wn,bt. Mr. Murn, wiD n:tum to Toccoa, and Ant Bopt.. t Church. Savannah. Bombardc .& h. U.S. HO'f'lng burned In 1966, the entire his work ii, Los Anreles iruncdiacelr alter He fl prewntly organlst

Robert Elmore, L.H.D.; LL.D.; A.R.C.O.; L.R.A.M.; Music Director, Tenth Presbyterian Church, Philadelphia. "Even though I'm told this is the largest electronic organ ever built, there are no stops we do not use. Our schedule of concerts - the wide range of music we perform - could not be as effective with a lesser instrument. Ilove the sound of the organ and enjoy it more each time I play it." Scott Withrow, Mus. M.; A.A.G.O.; University Organist, Vanderbilt University; Associate Professor of Music, George Peabody College. "The fact that the instrument sounds so well in all the literature - romantic and contemporary, as well as classic - is truly remarkable. The sound of this organ will cause many organists to change their thinking."

Henry M. Cook, Mus. M.; A.A.G.O.; Ch. M.; Assistant Professor of Music and Voice, Philadelphia Divinity School. "Particularly with larger specifications, artistic results require a disciplined approach and close Aum attention to seemingly slight details. In this Allen Organ Company respect, the Allen people surpassed themselves Macungie, Pennsylvania 18062 at Divinity School. It is an exciting, fine sounding instrument." in this project, especlaDy those with under· The Christmas .tandins, patience, and optimum. We are not Those Were the Days __ I I I I Mailbag & Survey loolr.ins for "Prophet. of Doom". We have had enouSh of them during these past yean of 50 years ago, from 'he Februar)', 1921 T H B DIAPASON For those of you who might miss the major renewal and chanse. w ue Wuh w luck. It will be a mammoth and, notice on page 17. we will repeat the indeed, an expensive ,"'Ork . But it is our The Steere Organ Company opened information here. This will be the last a postolat~ 1 our duty. our happy labor, our iL'l new ractory in Westrield, Mass., issue containing the semi-annual sun'ey upportunlty to serve. arter the old ractory was destroyed by of Sincerely }Oun, £ire early in 1920. The headline ran, the mailbag following Christmas and Robert I. Blanchard. Chairman Easler. These surveys have served a Composen' Forum for Catholic Wonhip "Trial b)' Fire Rennes Steere Organ marvelous purpose for a good man)' P.O. Box 8554 Co." organists O\'er the years - letting c\'ery­ Supr Creek, Mo. &W54 Ernest M. Skinncr was awarded a \ one know what e\'eryone else performed Middle Village, N.Y., Dec. 28 1970- contract ror tlle Cle\'eland Municipal E in their churches in the seasons of high To the Editor: ' Auditorium. The organ, having £ive feast. But things are changing, and I was happy to read Fr. Snow's ideas on manuals and pedal, cost $100,000, and o The F"'"re 0/ 'he Church . I agree that what we are not the least of tbem. This year, is needed is another surfacing of Humanist had a moveable console. unenclosed I there were (ar fewer bulletins and pro­ conct!pt.; which are not new, but have con_ great division, and wind pressures from grams sent to us than in years past, and, spicuously emel'Bed twicc before, once in thc 10 to 30 inches. Renaissance, and again in the Baroque. The National Association of Organists T with Post Office service these days, The response to the Baroque Cantata style things do not reach us as fast as we of which Fr. Snow writes, shows the trans­ sent a letter to clergymen throughout o would like. Therefore, the survey of mission of these ideas across centuries. After the country appealing to them ror a Christmas music in this issue will be such an expericnce I can't undentand how he would imagine that a Baroque orpn could be better under.itanding regarding the the last one we will do. electronic. It should now be appearant hic) organist's proression anel standards in To replace the sun'ey, we would urge that electronics have no place in the procluc. church music. , A"''' lion of mwic on a Humanist level; and that you to send us )'our scheduled programs A tlll're is no luch thing as an el('Ctronic Baroquc in advance. We presume that most orpn. 25 years ago, from 'lie February, 1946 L chornl directors planning a special pro. To clectronify the instruments usrod in thc issue - gram or musical service have planned ~ntata performancc would have done away A new organ was being installed in S far in adVance of ule e,'cnt to facilitate With the human value, and the human re­ the home of Emerson Richards in At· sponse. So it is with the orpn, an instrument rehearsal. If you will send us a notice 10. attacked by the un-reasoning application of lantic Cit)' under the direction of G. of an event as soon as it is scheduled, ahl'n technologics, that it u rarely recosniz.ed Donald Harrison. It was the seventh we will then publish it in the calendar ill it. prime (onn. organ installed in the residence since Youn Truly, wa~ 1899. Th. opinlo.... Ideos and IUIHI_1oM pages. \Ve would like to see the cal. F. C. Ore"., the fir.lit one built in on the editorial pago are .... ntpOMI­ endar page preceding this coming Easter Over 300 attended the mid-winter blllty of the edltOri of this publlcatll"'. full of the events that we know are concla\'t! or the AGO in New York Cit}'. scheduled for that season. And this New Recordings Featured on the program was a rorum should save us the work of putting to­ on Guild examinations and recitals b}' gether the survey, the space necessary Britten, Benjamin. Three CanticleJ~ Vernon de Tar, William F.. Zeuch. and to publish it, your time in reading all John Haht'SSeY, alto; Peter Pcars, tenor; Arthl ~ r Jellliings. About Our Reviews that fine print, and the Post O£fice from Bany Tuckwell, hom; Benjamin Brit­ E"idence or raging arguments about working overtime in the holiday season. ten, piano. Argo, VRG 5277 (available Our readers wm ha\'c realized by from McGraw-Hili Records). "classic" organ dl.'Sign as opposed to now that both the format and style of The calendar page is open to all for These three canticles combine to make "orchestral" design was contained in a our :reviews of new books. music, re­ listings of any special musical event. an .extraordinarily beautiful reoording, run page of letten; to the editor on the cordings. and performances have been Ordinary church services will not be a. fme documentary of Britten's inten. subject. and the editor wrote an ex­ altered slightly. We have done this with listed, but those services oontaining tlons, and a stirring musical experience. tensh'e editorial on some claims used by the hope that these reviews will serve special music (such as oratorio, cantata, Canticle I, opus 40, My Beloved 15 eit'£tronic organ manufacturers in their the professional in the field beUer. A lCSMlns &: carols, etc.) will be happily JUiPlt:! is set to Frands Quarlcs' text, advertlsing ahout organ tone produced and IS perrormed on the recording b)' word about our policies is now in order. accepted for inclusion on the calendar hy their instruments. page. ])Ian ahead! the same pcrfonners who premiered the New music. books and recordings sub­ work in 1947. The second cantide ~ opus 10 yefl rs ago, from lI,e February, 1961 mitted to THE DIAI'ASON for review are 51 , A li raham and /saac, is set (0 a text divided inlo three .basic catq;orics (with from the Chester Miracle Plays, and issue - some room for flexibility. of course). Letters to the Editor l~lls the story of Abraham's sacrifice in St. Louis was the scene or the mid· The £irst is that which we feel is very the land or Moriah. The ,'oice or God winter AGO conclave, and the succes..... important, eminently significant. and Supr Creek, Mo., Ike. 10, 1970 - is sternly sung b)' both the boy Isaac rul event was caUed "genial" in an ex· To the Editor: and father Abraham (alto and tenor) lensh'e report. deserving of extcnsil'e review. These ( have just read The F"'"re 0/ the C hllr ~h who also lell their rt'Clings to each other items wilt, from time to lime, be gil'ell by the Reve~nd John H . Snow in the Decem­ Joseph A. Bums wrote an interesting ber 1973 iuue. I so wish I had been there tlJ (and us~ yia ~tne of the most poignant Dl'er to guest rCl'iewcrs for thorough song wfltmg m all or the modem litem. description of the old organ in the hear him sive this keynote address at the Church or San Martino, Italy, coverage. More frequently they will be SytnlJOtium: Tlte Evo'";,,, Chllreh and l'r ttl!e: Written in 1952. the piece was reviewed by our own staff. The second Rela'iort '0 Mllric, held at the Westminster o.flgmally perfonned by Kathleen Fer· \\'ayne Fisher wrote on "Interpreta· category contains all those things which Choir College. Then, pouibly, I could havc TIer, Peter Pears and the composer. tiun! How Docs M(Klern Design Arfect met and convened with him. Father Snow, John Hahessey rirst sang the piece with It". we feel we want to comment upon. al · fortunately. not only knoWi what is indeed Peter Pears and the composer in 196(1 Charles Peaker's addrl.'5S ror the an- beit with onl)' brief comment. All other e\'olviug, but was able to dearly and iutel· at the Wigmore Hall. Canticle 3, opus ligently state it in his talk. 1111011 hanquet or the Chicago Chapter items will simply be listed 35 reCcipl'i 55, Still Falls ti,e Ra;", is a setting or Church musicians should not feel that the AC O was included in full. Entitled without comment. \\Te have adopted a Pil"i", Charch is a threat to their professions. Edith SitweU's poem, composed in 1954 format that contains as much infonna. It, and all that goes with it, is a challenge, an and first perronned in 1955 with the 'Wind Merchants", it is a talk about tion as possible about the item in the npportunity for creativity, a real callins to late Denllls Brain playing horn with standards for the church musician and lead line for your information. Every· the liturgical and mwical apostolate for those Pears and Britten. Variations on a the meaning or musical history £or the who are willing and able to see it as it is theme ror horn and piano alternate church musician. thing received by us will be listed. \Ve (and as it .hould be) and to get busy heing a part of it and serving it. wit~ reci~~ive · like ,'et'5CS of the poem reserve the right to seltoct those items until all Jom together at the end. Brit. we want to re\'iew. Tile Co",posers' Fo",,,, lor Catholic Wotlhilt it a new orpnitation, established as a "Not ten's settings arc extraordinary ror their church or cathedral. Activities or this Reviews of performances will be done for I'rofit Corporation" in the State of Mis. sensitive handling or English prosody. sort arc even noted with respect to the by our staff and by guest reviewers souri, November 25, 1970. The Fo",,,, is a and these songs are among the most ex. cit(.'S of Bristol. Chester, York and as selected by us. In the coming year. we national body with ecumenical workinp, al­ pressivc or our time. The perronnanc~ rar away as Dublin." So says director though our specific object is to create mwic hope to expand this department some· on this recording arc also extraordinary. Don Smithers in his excellent jacket for wonhip for the HRoman" Church. The be what, but reviews not specificially so· idea. is to pool the talent. of many composen It would almost impossible to rival noles - nolt'!'! whidl also tell how he the af£inity that Peter Pears and Benja. reconstructed tht"SC delightrul pieces ror licited by us will not be published. 'Ve in somc orderly procedure for the purpose of beginnin", (I Jay beginnins because 01 the min Britten ha"e ror each other, and modem performance. Using reconlers, feel that this is the best way to a\'oid I'ilgrim Church which is not yct, but becom. all who Im·c Britten's music will want crumhorns, bass sordune, racket, tenor tensions where personalities arc involved. ins, and will be an on-goin", thins) to develop to own this rine reconling. curtal, shawm. cornetti. sackbuts, vio­ \\Te hope that some reviews of organ II truly good Enslish Liturgy for Catholia. We lins. viola, violone, viols and lute, an recitals will be published in the near intend to embrace all fonDS and styles (within Music 01 tl'e Wails. Ed. and directed enterprising and lively group of music· ollr human poaibililies) to serve the needs of by Don Smithers. Argo ZRG 646 (avail. future that arc written by someone all. The evaluation of our works will be 1wcd ians perrorm in balanced ensemble un· other than a professional organist, and on their musica), Iitul'Bical and paltoral valid. able rrom McGraw.HiIl Records). der Smither's expert direction works by Parsons, Bassano, Farnaby. Vecchl. we intend 10 solicit reviews from COlin· ity, and not on marltct appeal or sales potential. "The term tvail may be variously de. How terribly we have suffered (especially since rined: 1) The duty or keeping guard 2) Brade. Adson, and others. Perhaps some ent musicologists and critics, maybe evcn the "English" Mass) becaU$e 01 these thinp! of those people who think old music is a few from intelligent laymen. We also A person who wait" or keeps watch - a I cannot here go into detaib of eXI,lanation watchman 3) A watchman attached to a a bore ~ho \l ld hear this record and hope that these reviews will bc con· needed to fully undentand our eff.n. - one royal household or municipality who simpl)' gh'e in to the urge to dance cerned more with music than with extra­ conceived of by concerned composen, and not with the music. by thc official hiera~hy - but I shall be ~unded the watch by blowing upon a musical matters, and it is our intention happy to do 10 in individual lellen from any pipe, trumpet, or some other similarly to review the instrument as part of the or your interested readen, especially composen. loud instrument. In England, especial· Briefly Noted mu,:ic-making process in these per­ Briefly staled, the composen will work closely ly during the sixteenth and scventeenth Handel. George Frederic. Trio Smudtls with liturgists and theolosians (especially those fonnances. centuries, the wails were instrumental. on Original Iuslnrments. Frans BrUg· like Father Snow, hopdully) to discover the ists, maintained by a royal household or gen, £Iule and recorder; JUrg Schaertlein. This, we hope. will enable THE needs as they mutually .see them. Then the hy a city or town at public expense. haroque oboe; AJice Hamoncourt and DIAPASON to w ntinue being the most composen will use their talents to express the tcxts (not only (or the Mass, but also for the As a band or musicians in Britain the \\Talter Pfeirrer, baroque violin; Niko­ important \'ehicle for news, views and Sacrament. as they are now presented to us waits were orten called on to perrorm las Harnoncourt, baroque violoncello; comment in the organ world today. Our in the new Riles - ' I new" because of Biblical in processions and take part in public Herbert Tachrzi, harpsichord. Telefun· aim is to serve you even bener. Ilnd Theological studies, and, I misht add, entertainments, more particularly the ken-Decca, "Oas Alte 'Verk", 'SAWT- Anthropologicalttudy and awarenes:l) in mwicaJ various festivities, banquets and other 9559·A (available rrom McGraw·Hill dimensions. ceremonies presided over by the mayor Records). FENNER DOUGLASS, member of the orsan This letter is getting too Jon!. I jwt wanted raculty at Oberlin Conservatory of Music, you, Father Snow and those who heard him or and city council. • • Agam, like the Enjoyable music expertly and stylish­ Oberlin. Ohio, has received an H. H. Powen read his article to knoW' that lOme of us are German Sladtpfeifer or Italian pillari, ly played with spirit and good humor. travel gnnt to do resea~h on 19th century aware of the Pilgrim Church of John XXIII, but perhaps not with the same fre­ Various trio sonatas by Handel arc French orpns during the Sprin", .semester. lie and we hope to .serve h. We welcome the quency, the English wails were called given lovely perfonnance. Lovers of old will spend the term in France. talents of all liturgists and musicians interested upon 10 assist the choir of the city (Corilirilled flext page)

14 THE DIAPASON (Contiuued fTom p. 14) £\'er)'thing we have said about the pre­ instTuments and baroque music will vious rerording above applies to this also enjoy the la\'ish notcs by Nicolas one also. Nancy Roben s Clap Your Hamoncourt with photogTaphs which Hands. in "pop" idiom, is refreshing in range through the literary and musical the midst of the other pieces. The title stylistic background of the works, the song of the album, written by Harry PITMAN CHESTS form and style of the works, and the Emerson Fosdick for the opening of instruments and problems of modem Rivenide Church in 1930, is used with performance. the tunc ClOm Rllotlddn in an arrange· ment by Frederick Swann that uses Clrorlieder del' Romnutik. Bcrgedorf much too many show-music cliches for The ERNEST M. SKINNER Co. (Gennany) Chamber Choir; Hans Eck­ our laste, and particularly spoils the art Besch. piano, horn quartet from the strength of that lovely Welsh melody. Hamburg Slate Orchestra: HeHmut We suppose that we have heard it sung Wonnsb5chcr, director. Telefunken­ by Welshmen in their inimitable rug~ed Decca. SLT 53115-8 (a\'ailablc from Mc­ fashion too oftcn to enjoy it here. Graw-Hili Records). Includes secular (except ror the New Rec:ord Remvrd Bruckner motet) choral wnw; by Schu­ St, Jolltl's ParramnUa. Dr. 'ViJbur mann, Mendelssohn, Smetana, Dvorak. Hughes. organist, playing works by Chests of the highest quality Schubert, Brahms and Bruckner. This Bach, Couperin, Mendelssohn, and record makes a finc documentary of the Derek Healey on the 19th century j. 'V. 19th century choral sly Ie. Since most Walker organ at St. John's Church, workmanship and materials religious music of the period is expres­ Parramatta, Australia. Concert Record­ sive of the same style and feeling, we ing, Lynwood. Calif. CR·C042. can recommend this recording to all choinnasters and their singers. Five-year warranty Tallis, Thomas and Byrd, William. New Books Cantiones Sacrae 1575. Cantores in Ec. clesia, Michael Howard. director. L'Ois· Hans Gerd Klais. cd. Dit: Wunburgi!'r Specializing in variable scales eau-Lyre.Decca. 3 Vols" SOL all, 312. DOlllorgeln, Verlag Das Musikinstru­ 313 (a\'ailahle fmm McGraw·HilI Rec­ ment, Frankfurt am Main. 1970. 128pp. ords). This is an eXlraoniinarily compre­ and custom layout Given a licensc by QIll."Cn Elizabeth hensive and elegant description of the to publish music in 1575. Tallis and monumental new organs, one of 86 SlOps B}Td compiled for publishing this set and one of 20, recently complett.'tl for of their OWII motet5, The complete col­ Wiirzburg Cathedral by johannes Klais - All leather silicone treated lection is r.erfonned 011 these recordings Orgelbau of Bonn. It contains articles in tile Of( er of their appearance in the by Hermann Fischer. johannes Strubel. original collection. Gh'en competent Otto Mayer. josef Schafer, Hans Gcru readings. the perfonners are ne\'erthe­ Klais, Paul Damjakob, Michael Schnei­ Expanded production capability less something k>S5 than exciting, and a der, and Richard Schomig which co\'cr lack of vocal nexibility and "cool" all aspects of the history and ronstmc· interpretation tend to make the piect.'S tion of the instmments, as well as a sound dull after one hm. heard three large number of superb black and white - Bass, offset, and unit chests or four of them, and this in spile of the photographs and lIIany charts, tables, importance and good qualities of the and diagrams which describe the pipe. works themselves. work and layouts as closely as possible. The actual descriptions of the organs Tile River.!;lle CllIIr("/, Orga"s. Freder· and Michael Schneider's article on or­ ick Swann. organist. Mirmsonic Rt.'Conls gan dispositions and registration ap­ Ltd .• CS 7230 (available from Rh'ersi(le pear in English and German, the re­ Church, New York, N.Y.). mainder of the article! are in German P. o. Box 363 Manchesler, Mass. 01944 Contains the Ilells of Rillerside hy only. Bingham, E11en Smlg by La Montaine. It is clear that the firm of Klais reo Irllroductio". PlwacagUa a"d Fllg."f! by garded the construction of new organs Searle "'right, Cll oral in E Malor by fur so enormous a building as a project Jo'ranck, Thru Pre/rIdes 1m Somller" 10 be sludied most extensively, and the Hym" Tunes by Gardner Read. and oonsideralions which influenced the de· Flollrish a,,,l Fugue by john Cook. signs seult.'tl lIpoll were neCt.'5S3rily (om­ Competent playing of pieces most of plicated. T hey appear here. tDgether EUROPEAN which arc lunitt.'tl in importance. The with complete delails of the organs organ is shown of( wcll, and the en· thell1seh'cs, set out in a way which Ie­ composers .•. ORGAN STUDY gineering of the disc is of cxcellenl \'eals to the reader both the logic pll r~ quality. sued hy the designers and the exact TOURS WITH oonclusions to which it led them. In Chr;Jl mas al /l.itJf!lside. The Rh'er­ publishing all of this, the organ build· A ARTHUR HOWES side Choir; Robert S. MacDonald. nr· ers ha\'e done a great sen'icc to the art gan; Frederick Swanl1. din.'Ctor, Mirri· of organ huilding, Orgal1 ool1stnlctiol1 COMPETITION Northem Europe ronk Record5 Lid. CS 7228 (available projecl'l of this size arc necosaril)' un· July 5 -July 26,1971 from Riverside Church, N.Y.). common. yet the innuenee exertt.'ti by by the Diocese Contains 15 carols, presumably fmm such enonnous and important instru­ Hofland, SCantl ....., Ea., anti w... the traditional candlehght carol service menlo,; upon organists and organ build­ of Massachusetts Germany. A special study of orgattl at Riverside, arrangt.·d hy Black, Swann. ers is very great. It is of grrat \'aluc. built by A", Sdtn\tao< .nd _ WilIan, Suitor, Sowerhy. Punis. Means, theil, 10 have all the facts relating to Silbermann, in acIcfItion '0 other famous Wood, Williams, ' Vork, Allen. Da\'iC5, such instruments easily and clearly ac· old in.fruments anti the work .f IeocI. Freed, Bush. Rutter, Caldwell, From the cessible. especially whell on considers NEW tn. contempontry bvtWen. A lach pf1.. standpoint of interpretatiOn. the music: the secrecy with which some organ .rima.. ; Eisenach, Arnltoclt, and Let.,. is done very well, the aUompanimcl1Loi huilders ha\'c from time to time .1 •• Attenclance of the Bayreuth Fetfiyal. in particular. The choir is 100 full of guarded their accomplishments. By 10 MUSIC "warblers" be consin ently pleasing. making the facts for this book available Sauthem Europe and the altos, tenors and basst.'S have a the Klais finn has advanced modem for congregotionol habit of singing 51i~ht1y nat. although organ building considerably, and it is July 29 - August 19, 1971 the diction is excellent. Most of the to be hoped that their example will be singing of Porfvgal, Spain, Italy, Austria, and music can he classified as "Candlelight studied and fonowed h)' other builden THE HOLY SwlhorIand. The dl.... coIy dill...... ­ Schmalz", although the pieces by "Tillan of important organs. Communicalion COMMUNION van. of '.rtueol and Spatn, .,...• ., and Rutter are vcr}' fmc. indeed. We of this kind within the organ world is lb. coIobratod An_all famll, In Italy, hope we never have 10 sit through an­ cs.'iCntial to Ihe advancement or its craft (second 5ervice text, .... oW... organ In tIM werlcl, lead .. other listening of Tilt: S/ee/' of tilt: In­ and for the informalion of serious slU· conhmporary builcl.,.. AHentiance of fatll Jeslls by Henri BUsser. a piece for dents of the organ everywhere. 'he Sabbur. festival viola, harp and organ. It is simply toOU - james Wyly $500 PRIZE soupy even 10 be called "schmalz". In acldition 10 ervan oxamlnatlonl, Easter deadline ma ...rda .... , concert anti m,lvol per­ mid LUDWIG ALTMAN played tht: dedicatory God of Graef! Gad oj Glory. The nocilal Dtc. 29 lin the dnolK-.aUy altt:red 45 formaM", bath lours wtn oHonf ott­ Choir and Organ of Riverside Church yt:ar·old E. M. Skinner orpn at Templt: ,....nk... fa< Incldon.al oItthlMolng In in the City of New York; Robert S. Emanu-EI, San Fr.mcisco, Calif, Work indud· Diocelan IDfMI .f the molt tnterestlng cit... and MacDonald, organist; Frederick Swann. ins tht: addition of approdmatdy 1000 nf!W MUltc CommtlSlon town. In Europe al well as ....torceoch dirct:tor, Mirmsollic Records Ltd. CS lIipe. was done by Fdi,.; SehOIlnstein and Swain trips throvgh nmarleaWe scenery • .t Rute. Clf San FrancilCO, Mr. Altman'l recital All Saints Church 7229 (available from Riverside Church). For informa,ion abou' ...... tou .... write Containing anthems and arrangemen15 drew a n-rord crowd of over t 100 Pf!Ople and 1773 Beacon Street Will enthusiastic..lly revif!wed by critiCi from Orvan Tour, lox 505, lahtman, Mary-­ by Friedcll. Hall. Coke-Jephcott, Ta1li5, tht: San Francisco Eltaminer and the San land 21203 Searle Wright. Robert Shaw. H. Bal· Francisco Chronicle. The program which in­ four Gardiner, Clokey, Nancy Roberts, cluded two ,\orld premieres is Iilltrl in the Godfrey Sampson. and Frederick Swann. frf:i tal P.Re:II.

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FEBRUARY, 1971 1~ Announcing: Annual Christmas Survey

ART OF THE ORGAN It is no ncws that wimb of changt! I. s. Bach (Herbert Nuechterlein. Joe KumU:.); are taking place in the Church, and Cantata, For Unto Us A Child Is norn St. Mary's College, Notre Dame. Ind. A quarterly for those with a the bullelins and programs that an· - National City Christian Church, (Arthur P. Lawrence); Westminster serious interest in the organ. nllilily find their way to THE DIAPASON 'Vashington. D.C. (Lawrence P. Schrei­ Presbyterian Church, Greenville, S.C. o((icc seelll 10 indiClte the transition ber, Albert Wagner): Emmanuel EpiSCO­ (Stephen Farrow): Huntington Court in which church music finds itseU. pal Church. Webster • Groves, Mo. United Methodist Church, Roanoke, Va. Editors: Fintty. there were fewer bulletins and (Henry Glass Jr.); Trinity Congrcga. (C. Ralph Mills); India.napolis Matinee Joseph E. Blanton programs scnt to us this year. We know tional Church, Scranton, Pa. (Wesley Musicale Choml Ensemble at Central that there was more going on than is L. James). Calltala, NUll 1(0 11111. dt!r Christian Church, Indianapolis. Ind. George L. Bozeman, Jr. indiClled jn Ihis sun'ey. Secondly. it Heidrn Heiland - St. Luk.e's Lu· (Robert Schilling): Trinity Episcopal Thomas McBeth seems 10 us that fewer large works, theran Church, Chicago, Ill. (Arthur Church. Princeton. N.J. Games Litton). especially thoK: with orchestra, were done Halbardier); Church of the Epiph3ny, St. Nicolas - St. Bartholomew's Church, Subscription: $8 per year this year. Perhaps tbat is a result of the Allend.le. N.J. (Frederick Bell); Con· New York. N.V. Uack H. Onewaarde). financial "pinch" in the churches. The tata, lVachd aUf! - Wall Street Choral ($8.75 outside U.S.A.) rest of the conclusions can be drawn by Society at Trinity Church. New York. H. Alexander Matthewl Charter subscribers (pa id sub· rc:ading over the survey. This year. we N.Y.: Church of the Covenant, Cleve­ Th~ Etem(d Light - First United scriptions postmarked before will simply organize it according to land, Ohio (Paul Reynolds); Churd. of Methodist Church. EHubcth City. N.C. cnmposer In rough chronological order. the Epiphany. Allendale. N.J. (Fred. (E. Rodney Trueblood). April 1, 1971) will receive a The size of the paragraphs will tell you crick Bell); North United Methodist discount on future subscrip­ what has been popular. Church, Indianapolis, Ind. (Robert A. Fruncis Poulenc tions. The first issue will be Schilling). Magnificat - Church or the Four Chrislrnas M olds - Rice Univer­ ThOnliU Tallls Covenant. Cleveland. Ohio (Paul Rey­ s.ity Chorale, Houston, Texas Villi .. m dated March 1971 but the Mtw in 8 miflor - Old St. Mary's nolds); Center Church. H3.rtford. Conn. S. Harri.). mailing will be late. Church. Chicago, lIt. (R. Harold Uohn Holtz). Christmas Oratorio - Clark). Uncoln U. Choir at Emmanuel Episco· Alan Hovlulncu pal Church. Webster Gro,·cs. Mo. (Rob. Glory to God - Handel Choir or Bahi· Subscriptions and requests HailS Leo Hassler ert L. Mitchell Sr.); St. Uartholomcw's more at Lutheran Church of the Holy for advertising information Alissa SecUl,da - St. Luke'l LlUheran Church. New York., N.Y. Oac," H. Trinity. Lancaster. Pa, (Paul Snydor), should be sent to: Church, Chicago, 111. (Arthur Halhar­ OMCwa:ude). Mo/~tJ Come, Jesus, Come dier). Concordia Senior Colk-gc, Fort ~richael Tippett ART OF THE ORGAN, Inc. Wayne. Ind. (Herbert Nuet:hterlein. Magnificat - Concordia Senior College, Box 878, Albany, Texas 76430 Andrras Htunmendtmidt Joel KUlnik). Molet, Prai.lt! tht! L ord. Fort Wayne, Ind. (Herbert Nucchter· o Bt!loved S"t!p"erru - First Unitt.'.! All l'e NaljolU - Rice Unh·crsity lein. Joel Kumik). Methodist Church, EI Dor::.do, Ark. Chorale, HOll510n, Texas (William S. (Gordon and Helen Betenhaugh): Harris). rllt! Christmas Chorales and Hugo Distler Huntington Court United PtfClhodbt tilt! Orgn" Chorales from tht! Orgd­ .If Little AdtMtd Music - National City Church, Roanoke, Va. (C. Ralph buclllt!in - Unit~ Methodist Church .. Christian Churc.h, Washington, D.C. Mills). Thuefort! Watc" That Yt! Be White Rh'cr Jet.. Vt. (Walter Ma.r­ (Lawrence P. Schreiber, Albert Wag· Ready - Fir.!t l'n'5bYlerian Church. cuse). ner). Harpsichords Orange, Calif. (Larry and Kristin Ball), G. F. Handel Danid Pinkham Johann CeltiCI' Masia" - Mid.City Chor:d Society and Gloria - St. Maf)"~ C.ollege, Notre Glory to Cod iff tl.e Hig/.est - Fint Concert Orchestra at Saron Lutheran Dame. Ind. (Arthur P. Lawrence). United Methodist Church. £1 Dorado. Church, Chicago, Ill. (Pt. I, Ccorge Clavichords Ark. (Cordon and Helen Retcn. Rico); Handel Choir of Baltimore at Petu Schickc1e baugh). the Lutheran Church or the Holy 'rhe Birtl. of Chri$' - McHenry County Trinity, Lancaster. Pa. (Paul Snydor): College Choir, Ill. (Wesley M. Vos). Johann Kuhnau St. Panl's Cathedral, Durralo, N.Y. 7'n Us 4 Child Is Dun. - I'in! United (Frederick Burgomaster); ~(onumcntal George Makol", Methodist Church, EI Dorado. Ark. Baptist Church, Chicago, 111. (Hortense The MfW at lht! Crib - Christ Church, (Gonlon and Helen Betenbaugh). How Love, ,\rilliam Bt'St); First Presbyterian Alexandria. Va. (Alvin D. Custin). IIrightly Shines 'he Mornitlg Slar - Church, Sharon, Pa. (Lee Deura); Cal­ Fint I'rcshytcriau Church, Oce::.osidc, ,'.:ary Luther.m Church, Chicago, III. Marie Pooler Calif. (William and CharJolic Atkin· (Roger RoszelQ. o Comt!, Lei Us Adart! Him - FirJt son). Presbyterian Church, Orange. Calif. Franz Schubert (Larry and Kristin Ball). Franz Tllnder Mau ;11 C - Old St. Mary's CI,urch. To Us n Child Is /lnnl - First Presby. Chicago. III. (R. Harold Clark). Camil Van Hube terian ChUrch, Winnipeg. Man. (Con. Night of Wondu - First Presbyterian rad Grimes). OUotino Rcspighi Church, Oceanside, Calif. (William and Laud to lilt! Nativity North United Charlotte Atkinson, Mrs, John Keller). Dietrich Buxtehude Methodist Church. Indi:mapoJis, Ind. I" DIllci iubilo - First Prcsb)'terian (Robert Schilling). William Ludtke Church, Winnipeg. Man. (Conr.ld Tht! Nativity Acconlitlg to St. Ltllrt! - Sperrhake Crimcs). Walle, Awake, for Night Is Gian Carlo 7t[cnotti Luther Memorial Churc.h, Chicago, m. HarpSichords FI)';ug - Concordia Senior College. AmnII' and tI.e Night l';s;I,)rs - Christ (William Ludtke). l~ort Wayne, Ind. (Herbert Nuechter. United Methodist Church, Rochester, lein. Joel Kuznik), Magnificat - Rice Minn. (Robert E. Scoggin); St. Pau)'.! Sen-ice oC Nine Ll'SSOfI5 &: Carols Unh'el'llil), Chorale, Houllon. Texas CathedtOll. Bunalo, N.\'. (Frederick Ry far the most popular Inusin\ scn·· (William S. HarTi!!). Burgomaster and Miranda Currie); ice this year, the rcouling of lessons Passau/W. -Germany Christ Church Cathedr.lI. Hartford, interspersed with carols in the manner Marc-Antoine Charpentier Conn. (Raymond Glm'er and Eleanor of the traditional scn'lee at King's Col· Box 532 Christmas MtJM - MCHenry County L. Taylor); St_ Paul's C3thcdr:aI, Lon· lege Chapel, Cambridge. England, ha~ College Choir, lit (\\rcslcy M. Vos). don. Onto (Malcolm Wechsler and Ed­ been used with a great deal of variety ward Reid); Wayne Presbyterian in the music and lessons. A few dlUrches Antonio VIvaldi Church, Wayne, Pol. (Da"id Spicer). have adopted the (ormat for separate Gloria - Chrbt Church, ,1\texandria, Ad,'ent and Christmas services. Here Va. (Alvin D. Gustin); St. Mar)"s Col. Ralph Vaughan Williams arc the churches who sent us their pro· PELS &VAN LEEUWEN It-ge, Notrc Dame, Ind. (Arthur P. Tht! first Nowell - First Congregation· I:rams this year: St. Luke's Episcopal PIPE ORGANS l.awrcnce): United Mennonite Educa­ al Church, Palo Alto, Calif. (C _ Thomas Church. E"auston, III . (Karel Paukert); ALKMAAR, HOLLAND tional Chuir at Leamington Unhal Rhoads): Fint pfC!bytcrian Church. Trinity Church, New York., N.Y. (LaO)' Johann H..... plnk Church. Leamington. Onto (Lronard Greenville, S,C. (Stephen Farrow). Ho­ King); Christ United Methodist Church, 3020 Oakwooll Drive, S.E. Enns. Allanson Brown); First Congre. die - Wa)lle Presbyterian Church, Rochester, Minn. (Robert E. Scoggin); Grond Rapids, Mich ...9506 gational Church, Glen Ellyn, Ill. Gohn Wayne. Pa. (David Spicer): La Jolla St. Paul's CathedtOll, BuUala, N.Y. Hertzberg. AlvIn Keller). Prc=sb),tcrian Church, La Jolla, Calif. (frederick Burgomaster); Christ Lu­ (L. Robert Slusser, LaDonna Bowen); theran Church, Minneapolis, Minn. Bethesda-by·the·Sea Episcopal Church, (Wayne B. Burcham): Christ Church, Palm Beach, Fla. (l\dam L. Decker). Alexandria, Va. (Alvin D. Gwtin); St. Ma.ss in G ",i"or - Trinity Church. Jolm's Lutheran Church, Allentown. New York. N.Y. (Larry King). Pol. a. Clinton Miller); SL Luke's Lu­ theran Church, Chicago, III. (Arthur 11mpnlin BrilleD Halbardier); St. George's Church, New CUt!tlUJtly of Carols - Concert Choir York. N.Y. (Charles N. Henderson. of Castilleja School at Fint Congrega. Hedlcy YOSI); Choir of Christ Church tional Church, Palo Alto, Calif.: Con­ cathedral at All Saints Church, In­ cordia Senior College, Fort Wayne, Ind. dianapolis. Ind. (David Koehring,

THE DIAPASON George Benn): Wesuuinstcr Prelby­ carols and musical dance pieces to St. Bartholomew's Rebuild terian Church, Grernville, S.C. (Stephen create a native tableau expressing the Farrow): First United Methodist Church, e\'ents o[ the Christmas story in a popu­ Nears Completion EI Dorado, Ark. (Gordon and Helen lar manner. The arrangements and The final phase of a major rebuilding Betenbaugh); St. Luke's Episcopal texts were worked out especially for program carried out by the Aeolian· Church. Kalamazoo, Mich. (George St. George's Church. Another series of Skinner Organ Co. on all the organs at Nonnan Tucker): St. John's Episcopal e\'ents took place during Advent at S1. Bartholomew's Episcopal Church, Church, Youngstown. Ohio (Ronald Trinity Church, New York City: Rec· New York City, is nearing completion. L. Gould); First Presbyterian Church. ollections, a premiere dance work created The 1937 Aeolian·Skinner instmment Oceanside, Calif. (Wm. and Charlotte (or Trinity by Paschal Guzman and in the gallery was completely revoked during 1970, and new mixtures were Atkinson); Huntington Court United using organ music played by LatTy added to the great division. The 1930 Methodist Churdl. Roanoke. Va. (C. King; Light in tile Darkness, using E. M. Skinner celestial organ was also Ralph Mill,): St. Mark', Episcopal drama. music (arranged and composed revoiced and a new grande foumiture Church, Shreveport, La. (William by Lau)' King), and dance. produced mixture added to it. The chancel organ Teague); Emmanuel Episcopal Church, by Theatre Research. Inc.: Tile Juggler is at present being completely rebuilt. Off the Soundboard Webster Groves, Mo. (Henry Glass 01 Ollr Lady perfonned by the Flower When finished, it will comprise 94 Jr.); First Presbyterian Church, Sharon, Hujer Dance Theatre; and the Down· ranks. It will incorporate many ranks [rom the Hutchin~ organs from the Hans-Joachim Bartsch played a harpsi­ Pa. (Lee Dettra); North United Metho· town Glee Club conducted by George original Madison Ave. church building, chard concert at the Weissfrauenkircbe, dist Church. Indianapolis, Ind. (Robert Mead and made lip of \\Tall Strret busi. also pipework from both the E. M. Frankfurt-am Main, West Germany, on Schilling); St. Philip's Episcopal Church, ness men. If that were not enough, Skinner organ and the Aeolian.Skinner November 10. His program: Fresco­ Palatine, Ill. (Donald G. Kendrick); St. Trinity Church also had a "smashing 1953 rebuild of Skinner'. work. The baldi, Toccata I (Book II): Froberger, Bartholomew's Church. New York. N.Y. Monday before Christmas" with the stmcture and chestwork of the chancel organ witt be entirely new. Speaking Suite in D Major. Fantasia sopra ut, re, Uack H. Ossewaarde); Choirs of Communication 'Vorkshop and Larry mi, la, so,, Ia; Louis Couperin. Suite Trinity and All Saints Churches. Prince· Ring performing Rod 0,11 All l'e pipes in the three chancel cases which have been silent for many years will be in F major; Georg Muffat, PaBtJea,lia ton, N.J. at Cathedral of St. John the Faitl'I,lI. Rock also got into the reactivated and incorporated in the in G minor; J. S. Bach, Partita in G Divine, New York, N.Y. (James Litton. season at St. George's Church, New great and pedal stoplists. Tonal reo Major. His instrument was built by David Agler); Trinity Church, Prince· York City on the Sunday after Christ· visions were planned by Jack H . Osse­ Rainer Schuetze of Heidelberg. ton. N.J. Uames Litton). milS, when a group cal1ed "The Seventh waarde. organist and choinnaster of the Century" led by Alan Raph perfonned church, in collaboration with memers On December I, Bartsch was joined A Concert 01 lau·Rock Formations, of Aeolian-Skinner's staff. by flute and 'cello for a program of Variow Anthenu, Clrols, Motets chamber music. Played were: Marcello, Many sen'ices and programs contain including a Christmas tune written by GREAT Alan Raph for this perfonnance. Violone 16 (t. 61 pipes Sonata in G Major lor Ilute and con· a variety of motets, anthems, song'!. Quintade 16 h. 61 pipet tinuo,' Domenico Scarlatti, Two Solo carols, etc. which cannot be classiried Principal 8 (t. 61 pipes Sonatas; J. S. Bach, Sonata in E-llal in the above. Among churches having Diapason 8 It. 61 pipet Viole de Gambe 8 It. 61 pipes Major for Jean-Philippe Rameau', lA selVices or programs containing nu­ NOTE - This is the last appearance Flute Octa"iante 8 It. 61 pi~ Pantomime, L']ndiscrete. and La Ram· merous pieces of this kind were First of seasonal program surveys in The Principal .. It. 61 pipet en" from the Pieces de CItn1ecin m Octave of It. 61 pipes Congregational Church. Palo Alto. Calf. Diapason. We urge our readen to Concert. (C. Thomas Rhoads); Choir of St. Spitznote .. ft. 61 pipes ~nd thdr programs and listings 6 Quinte 2~ It. 61 pipes At First Presbyterian Church, Dallal. Peter's Church. Albany, N.Y. at Trinity weeks in ad'"ancc of the event to our Su~roctave 2 It. 61 pipes Larry Palmer played Handel's Chaconne Church, New Vork, N.Y.; Trinity Mixture 4-6 ranks 305 pipes office for inclwion in the regular in G Major for a prelude and Domenico Church. New Vork. N.Y. (Larry King Scharf of ranks 244 pipes monthly calendar pages. All pro­ Kornett 3... ranks 214 pipes Scarlatti's Sonata (Pastor{lle) as offertory and Dennis Michno); St. Paul's Ca· grams o[ redlals, services containing Kontrn Trom~le 16 ft. 61 pilleS for "The Music of Christmas, 01(1' and thedral Choir at Albright-Knox Art Trompete 8 ft. 61 pipes special music, and concerts of organ, Khrine of (t. 61 pipes New" on December 20. Gallery, Bu££alo, N.Y. (F rc d~rick Bur· harpsichord, and choral mwic will gomilSter): Emmanuel Church, Balti· POSITIV At an organizational meeting for the be lisled in the cdendar page pro­ Quintnale 16 ft. 61 pipes Dallas·Fort Worth Harpsichord Society more, Md. (Verle R. Larson, Merrill R. Okta" .. It. 61 pipes viding Ihey reach us no later than the program consisted of j. K. F. Gennan); St. George's Church, New the I nth o[ the month preceding the Prinupal 8 n. 61 pipes York, N.Y. (Charles N. Henderson, Hed­ Kop~mo'e .. ft. 61 pipes Fisdler's Passacaglia in D minor, Pur· issue in which they should appear. Nasat 2% It. 61 pipes cell's The Blessed Virgin's Expostula· ley Yost): First United Methodist. EI Fro:lI time to time, special news Okta"lein 2 ft. 61 pipu Dorado, Ark. (Gordon and Helen Bet,en· lion, and the J. S. Bach Sonata in G hems will he written 011 noteworthy • Flachnate 2 ft. 61 pipes Ten IJ.S ft. 61 pipet minor, BWV 1029. The performers for baugh); Leamington United Chllrdl, programs which are sent 10 us. An Oktav Quinte 1~ ft. 61 pipes thi' January 4th program were Ralph Leamington, Onto (Allansoll Brown): Easter program suney will therr­ Sirnate 1 ft. 61 pipet Hersh, violist, Barbara Marquart, JOo Bryn Mawr Presbyterian Church, Bryn fore not appear following Easter. Scharf 4-5 ranks 279 pipes Mawr, Pa. (Charles and Madelon Ten.ian 2 rank. 122 pipes prano. and Larry Palmer, harpsichord. Maclary); Trinity United Church of Zimbel 2 ranks 122 pipes isL The Schuetze "Dulden" model Rankett 16 ft. 61 pipes harpsichord belonging to Southern Christ, Altoona. Pa. (Ruth M. Dilliard); Knlmmhom 8 ft. 61 pir)l!S Methodist University wed. St. Mark's Episcopal Church, Shrc\'c· SWELL was port, La. (William Teaguc); Bethanr Flute Conique 16 it. 61 pipes The only utilization of harpsichord Lutheran Church, Eric, Pa, (Florence Diapason 8 ft. 61 pipes for the 26th annual Convention of the Gambe Conique Celeste 8 ft. 61 pipes Ruhncr); Indianapolis Matinee 1\.Iusi· Flute a Cheminee 8 ft. 61 pipes National Association of the Teachen c.,le Choral Enscmble at Central Chris· Flute Celeste 8 ft. Jl6 pipes of Singing, held in Dallas immediately tian Churdl. Indianapolis, Ind. (Robert Choeur des Violes 8 f,. 212 pipes after Christmas, w;}S in the program of Montre " ft. 61 pipes Schilling. Dorothy Forbes); Bethesda· Principal Conique .. ft. 61 pipes new works commissioned ror the con­ by-the·Sea Episcopal Church, Palm Flute Harmonique .. ft. 61 pipes vention by the American Institute of Ikach, Fla. (Adam L. Decker); The Qcta\'in 2 It. 61 pipes Musical Studies. The work was Wi United Methodist Church. Kaukauna· Larigot 1~ h. 61 pipes Nameh by Ham Ludwig Schllllng, a Flute Magique 2 It. 61 pipes Little Chute. Wis. (Rick Erickson): Sesquiahera 2 raoks 122 pipes setting of texts from Goethe's "Schen­ Central Lutheran Church. Edgerton. Sept·Neul 2 ranks 122 pipes kenbuch" ror five solo singen. Dute, Wis. (L)ntl Paulson, Rick Erickson. I'lein Jeu ... ranks 2..... pipes English hom, bass clarinet, viola. con­ Cymbale .. rank. 244 pipes Ray Hume. Mrs. Donald Carrier); St. Conlre Trompette 16 ft. 61 pipes trabass. harpsichord and piano. WU­ Bartholomew's Church, New York. N.Y. Hautbois 8 h. 61 pipes Ham Huckaby conducted the Ameri­ Uack H. assewaartle); First I'rcsby· Trom~tte 8 'to 61 pipet can premiere performance OIl Decem· Clairon .. ft. 61 pipes terian Church. Orange, Calif. (Larl"}' Will Tremulant ber 50th, and Larry Palmer harpsl­ K. BaU); First Presbyterian Church, CHOIR chordilL Wilkes-Barre, Pa. (Myron G. Leet); St. Dulciana 16 ft. 61 pipes Features and news hems for tbCR Mark's Episcopal Church, Glendale, Viola I'omposa 8 II, 61 pipes pages are always welcome. P1cue ad­ Calif. (Richard 'V. Slater): Redeemer Viola Celeste 8 It. 61 pit­ Donald Dumler has been appointed a.­ Dolcan 8 It. 61 pipes dress: Dr. Larry Palmer, Division of Lutheran Church, Fort 'Vaynt:', Ind. sociate arganist of 51. Palrkk's Cathedral. Dolcan Celeste 8 It. 61 pipes Music, Southern Methodllt UnI.. nlty. (David Fienen). New York City. effective as of Jan. I, 1971. Quintadena 8 ft. 61 pipes Da1laa:, TexaJ, 75222. John Grody. organist and diredor of music Hohgedeckl 8 ft. 61 pipes Prestant .. ft. 61 pipes Enrore of the world.renowned church, appointed RohrHote .. ft. 61 pipes Several programs and services are en· Mr. Dumler to the post because af the heavy Nazard 2% ft. 61 pipes PriRZipal 16 ft. 32 pipet tirely too different to list in any of the KheduJe of services, recitals and tele... ision Nachthorn 2 It. 61 pipm lIobfl6tenbau 16 ft. 32 pipes broadcasts from the Cathedral. Mr. Dumler. Tierce 1~ ft. 61 pipes Subbau 16 ft. 32 plJl"l:S above categories, and they are also formerly organist of the First United Metha­ Mu.I\ltc 5 ranks 305 pipes GedecJr.t 16 It. 52 pipes worth mentioning. A program called dist Church. Westfield, NJ., was a student Dulzian 16 ft. 61 pipes Violone 16 h. (great) Christmas and the Arts was done by of Mildred Andrews, and complet.d his edu­ Petite Trompette 8 ft. 61 pipes Quintade 16 It. tgn:at) Clarinet 8 ft. 61 pipes Flute ConIq"e 16 ft. (aweU) The First Presbyterian Church. Ocean­ catJon at the Julliard School of MusIc under Oboe Schalmcy of ft. 61 pipes Dulciana 16 It. (choir) side. Calif. (Wm. and Charlotte Atkin­ Vernon DeTar. He has played recitals Trcmulant GtoMquinte 1~ ft. 32 pipes son) using carols. scripture reading!, throughout the U.S.. and his duties at the Prinzipal 8 ft. 32 pipes Cathedral will be arranged so that both SOLO Pommer Gedeckt 8 ft . 32 pll* poetry readings, and works of art to tell Flaulo Mirabilis 8 It. 61 pipes Gemshom 8 ft. 32 pipet he and Joh", Grody are a ... ailable for con· Geigen 8 ft. 61 pipes • the Chrisuuas story. The Boar's Head certs throughaut the season. Okta" 4 ft. 32 pit­ and Yule Log Festival was done at 51. Geigen Celeste'8 ft. 61 Pipes Nachthom of ft. 32 pipes St. Patrick's Cathedral has recently in­ Doppel Flate .. It. 61 pipes Blocknote 2 ft. 32 pipes Tmmpette en Chamade 8 ft. (gallery) John'S Episcopal Church. Youngstown, augurated a broad new musical program Groukomeu 64 (t. 224 pipes Ohio (Ronald L. Gould), and also at which Includes a series of Sunday afternoon French Hom 8 ft. 61 pipes 5esquialtera 16 ft. fit. pipes Englith Horn 8 It. 61 pipes Christ Church. Cincinnati, Ohio (Gerre recital. 01 well as special concerts with Mixtu..... raob 128 pipes Fluge1 Hom 8 It. 61 pipet Scharl 5 ranks 160 pipes Hancock). An interesting event called orchestra. The first malor concert took place Orchcttral Oboe 8 (t. 61 pipes on No .... with Leopold Stokowlki ~ontra Pou.une 32 ft. 12 pipet Navidad Nuestra ("Our Nativity') was 29, 1970. Trompette Harmonique 8 ft. 61 pi5M& Kuntra PllIott 52 It. 12 pi.­ performed in the Christmas Eve Candle· condudlng and John Grady playing the Claimn HanDonique .. ft. 61 plpet, POMune 16 ft. 32 pipa Chimes light service at 51. George's Churdl, Poulenc Organ Concerto, Alblnonl's Adagio rasott 16 ft. 32 pipet for Strlngl and Organ, and Panufnlk's Unl· Tnmulaat Trompem 8 ft. 52 pipfII New York City (Charles N. Henderson, .... r501 Proyltr. 2500 peopJe allended the PEDAL Klarintt ... ft. !! pipm Hedley Yost), using Hispanic-American concert, Unterub 32 It. .IZ .pI.... SchalnMi 2 It. JZ p;p.

FEBRUARY, 1971 J:l Organ Recitals

Donald Dwaler C.,uth Auditorium, Jobn Upham. New \,ork, N.V. SI. Recital progra... lor Induslon In theM Southern Methodist U " Dallas, Tex31 NO\'. t7: Paul'. Chapel, New Vat' k Jim. 6: Hymnu. A ...... THE DIAPASON _. Pauacaslia and Fugll~ in C minor, Bach; solis anus ardine, de Origny; Wie ICh6n LUDWIG ALTMAN obi -. 01 porle._,," d .... Rhosymedre, Vaullhan WilIi3ms; P~ludc ilnd I~uc:hlet der Morgenstern, In dulci jubilo, Falue on the Name. of l\lain, Dunlflii Varia­ TO«:1IIl in F. Bu.'fldnxle. J ail. 13 ' Riccrcilr, s.. -... sytnpboor Ordoost .. tions on • Nod, Dupre; In P"radilium, Daniel· Variatinn. on Purr nobi, nalCitur, Sweelindq Lelur; Sonala 011 the 9Hh Psalm, Reubke. Herr Christ def' ciniS, Vnlll Hillullel hoell. T..., .. Ema • ..s Frmerick BurpmMter, Buffalo, N.V. - Gtlolx!l .eh t du, Ptl'fling: Canonic Variationl St. Paul', Cath£dral, BuUalo Dec. 4: Wac:hct I nn Vom lfimlncl hoch, Bach. J1\n, 20: Con­ auf, P~ludE and FlIlUC in G minOf". Bach; CoIII... 1o , ...... f .... Lo,olo. 01 H_ Karen Alben, AM Arbor, ,.hde. - Morr· rrrto In A minor afttr TII~IIi, Wahhtt: Wir P",umbeln und Intuludien 5 and B, Schro­ ht-ad Stale U., Morehead. Ky. So\" 22: La Christenletll. tn dich hab ieh gehnHl't, Vom eder; Nun komm dcr Heiden Heiland, Bw:tc· RomanHca Variations, Valente; Malnificat Himmel hoch, H~ut' fanget an da, neue jahr, hudc; Gelnbcl ~ist duo Walch•• Dee. liT on the Fifth Tone. SchrKltj 0 Me1UCh be· Alldn Golt in del' Hoh, Kauffman; Prcludr. Swiu NMI, o.lIquin; Orunskevet, Wright: Les "",orin, Prelude .nd Fu~ in A minor, Bach; and Fusue in £ nl'us 9'1, 1. Prelude and Fugue robert anderson Be~rs . De,.~in. Etcrnels from La Nativitr. Trio Sonala on Pnaise God from Whom an in C OpUll 109. 3, Saint.Sat'II', jan, '!7 : Pa.­ du SeiRneur, Meslben; Prelude and PUlPle blessings flow . Kauffmann; :..' settingt Herzlich SMD .AGO lorale in F . Von Golt will ir::h !lieht las~n, in G, Bach. thul mich \'erlangt1'l, Brahms; Majestatis Prelude and FUKue in II , narlt. Divinae, lohanson; Sonata for Hic:hiriki and $otttk ..." MethHkt URI'V.mty !;ho, Ho\·hanH'i RhMymedre. Vaushan Wil· Lto Abbott. ROlI:blllT, Mass. - St. Camillus lianll; Partita on Wachet auf, Distler. As­ Orphll Och.e, Whittier. Calif. - Whiuil'r DaHat, Texal 75222 Church, Arlington, Ma". Dc:e:. 6: FUlue in .itted by Wanda Bigham, tnl.rano ilnd Mary CoUest' Dec. 6: Offerloire. ,ur Irs CDn'" jrW(, D , Adagio in A minor. Rejoice beloved Chri.· Alben, abobt. CAtuprrin: T",,'o Spanish Camh. Guinaldo: "aM, Bach: Cantabile in B. Fnnck; Marche N:ltivity Suite. T oumnnire; SOllllla .... Mt'n­ REligieu.e, Gl.lilmant ; ImprovLaaIlOn on God delssohn; Canollic Variatirons 1111 Vom Himmel mt ye merry gentlemen, Roberts; La Nativiti, Leander Claflin III, ~lin'Rmve. Pa, - .tu­ llOch, aach; The World Awailing Ihe Saviour LaIIKlail ! Noel Elnnger, Daquin: Creen­ d~nt of james Bneriltger, Redeemer Metho­ fmm PUlilln Synlphony, DuprT. Ike\'n , Purvis, V.rialiom on 0 come aU ye dist, Philadelphia, Ila. Jiln. 31: Trill Sonata Joseph Armbrust faithful, ~thier. " in C, Nun kmum Iltor Ifl'il)en Heiland. Aile Menuschen munen .'emen Mit Fried und Robert Kee, Spokan~, W:lsh. SI. Palll', Mus. M. Freud, Little Fugue in G minor. fugue in Ellisropal, Marquelt.. , Miel .. Ike. ~J9 : Prelude Bruce Ben~slon. Salem. Ore. - sludent of C minur on a tbeme LI'Kr~nJi, lill FUlue and FU!ltle in D, Tht' akl )'('ar ItfIW has Willu.m Fa",,'k. Mt. Anjlfel Abbey Churcb, Mt. or C...... 01 .... IIeIr Comforter in C, An WasserflillSt,1t Bahylon. jesul It;ulf'd a""'ll),. GO"t! Christi:ln men rejuiCC' , AnRei. Ore, Ike. 13: Fanfare, Cook. Prelude. Christus unser Heiland, Klllltlll Gou Sclli;pfn Hach: Tut:c.ala un 0 filii et fili:le, Farnam; _, South Carol ... and Fugue ill D, 0 hail this brishtnl da)'. Heiliger Gei.t. Badt. Vision nf Ihe [tern:ll Church, The Shell' Fmm hea,'en ahove, Bach: Flute Solo. ht'rds, Mcniac- n j T~ Deul1l. LauRlai.: Lil­ Anle: Tr.m'lUlf"t, f1l 10)', MflIIiaen: Pallorale. ilnin, Aloli n: What Child is Ibi., Ron-ley ; A Milltaud: Fell'. Lanlillall: Fanlau.k in E·nat. Laurent A. Blank~n, Shrridan. \\',.fI. - Chri!llllMI L ullal,,·, Vllris; Carlll R hapsody, Sainl.Saell.; Mdodia. Reller; Capriccio-Cucu, First l'resh)'lerilln, Sheridan Dec. :..'0: FantalY, 11un'ili SOllg ul 1.1.11.)' , jllngen: Spring SonK, I\: crll; SOIlPt'1 nn !Hth Plahn, Reubke. HEINZ ARNOLD Chorale and Tucealil on Vrni Emmanud, Ummel; " negro \' j\'l\t'.r. mill Final frorn Synl· ,'rrwtld; c..rol. Vaullllt3n WilllaIRt.Sumsinll ; ~ Ilhtlny t, Vieme. '.A.G.O. D.Mu •• ChaM G. Annhl.lell, Orlando. FI:I. - .ellin!, Vf)ln Himmel IHoch hy 8ach. Mudllt': , Fi..-t .'mhyterian. Orlando Ike. 7 and Finl Olsson, £mundron. and KiI!'[II-Elert; Vanil' STEPHENS COLLEGE Mellmdill. Orlando Ike:. 22 1 Grand jeu, Du lillns on Chartm, Pun.'is; G~ell')~M"es, Jama Ruuell 8m""-n - Church uf the ,'d­ Mallie; I' ..h wale. The. Failllful Shepherd. Wrilhl; La Xalh' il~ . Lan!lais; Haw hri~htl)· \'tilt. Williallulflll, N.C. Ore. 13: T clCCa t.. in F, COLUMBIA, MO. Handel;: PreltKle and FUKUr in f..l1at. Bach: IhinH the nturninK ltar, ChrUlianl a""'lIke, Uuxtehude; 3 pieces fmm Pilri.h Mas., lAu· Andanle Cantabile in B·nal. Mendeluohn; Prelen ; Carillon, Roberti; Silrnt Nilht. Bar· ,lerin; Sonata in E.flnt, Fantasie and Fugue Da""'n, jenkinsl Hllw bril!lhtly .hines the morn_ her; Variationl lur UII Noel bourguignon, in C minor, Ibeh; l'rl'iude and Varialion. ing Ililr. Olwn. Ronte coeli. Divin Meui~, FI~ury. Franck; Pn)udes on Slutt!art, Veni Rt'· B~"uit ; Rlmtyntedr~, Vallshan Willlam.; Fali· tkmptllr G~nlium, Pectus and Mam::. val Toccata, FI~tcher. WILLIAM H, BARNES C. Rillph Mill., R.oanoke. Va. - Hllnlillg' ORGAN ARCHmcT & DESIGNER Ion Courl Unil~ Methodbl. Roanoke Nm'. Hu.h Allen Wilson, Dl1lton Landin,tf. N.Y. - Robert H. Brll, Cal"ary, Alberla _ Ca· ,\II Sainls Cathedr.tl, Albany. N.Y. j an. 31: Author of 29: Nod, Daquin: Wake a",,,ke, Bach: 1.0 hnw Ih~r:tl Churcll o( the Rnk~mu, Caillary a rose, SIOUI ; "ilean on I)jvinum M YS lerium, Snllala de Clarines en Du Mu.jor. Soler ; THE CONTEMPOURV AMERICAN otGAN De c:. 8: Nndl 6, 10, Daquin; Wilchc:t auf, Conk; Trumpet Voluntary, Clarkt'-Billlj A Pa r.ita in 0 minor, Rit' hter: Fallta.ie K608, 901 W. SanHIlayuca Drive, Falltalia ill G, Baehr F.. ist ~in RM, Br.ahms Nati,'ily Suite, Hdd; Grttu.lt'e\'es, Rowley; Muzat1: I illIl black hut comely, Dllpre ; Final and Stoul. Carillon de Wt'ltnlinlter, Vieme. (rmn !;ymphuny I. Vic:rnc. Tuaon, AriJOfMI 15704

BRUCE P. BENGTSON Gruemtefn Award Spomor John Barry CHICAGO EARL CHAMBERLAIN S.M.M. - A.A.G.O. ST. LUKE'S CHURCH CLUR OF f.T.C.L Wedmlntter WOMEN ST. STEPHEN'S CHURCH LONG BEACH, CALIFORNIA Presbyterian Church OROANISTS lincoln, Nebra.ka, 68502 Anamay Owen Wales, Praldenl C.hlll,,' Mo.lCIchu.,,'s

IWm. G. BLANCHARD Ro6ert (}Iar" ORGANIST Harry E. Cooper ROBERTA BITGOOD School of Mwic Fir.' Congregalional Church POMONA COUfGE CLAREMONT GRADUATE SCHooL Mus. D., F.A.G.O. BATILE CREEK, MICHIGAN THE CLAREMONT CHURCH University of Michigan Claremont Colifornla Ann Arbor UALEIGH, N. CAROLINA

JOHN BOE ETHEL SLEEPER BRETT DONALD COATS DWIGHT DAVIS f .••C.O., ChM., A.D,C.M. Organist and R.citalist ST. JAMES' CHURCH .AGO - ChM Muncie, Indiana GARY, INDIANA Fine Melhodist Claurm, Maameato, Cal. NEW YORK Ball State University City Mflhodkt Chvrch

Henry BridgeB LEE DETTRA DELBERT DISSELHORST mWARD BREWER S.M.M., FA.G.O., ChM. Fint Presbyterian Church DMA harpsichord organ First Presbyterian Church Sharon, Pcnnayl"'nla UrN"e,...., of Iowa 250 WEST IDC ST., NEW YORK. N. Y. 10025 Charlott., North Carolina Thicl CoII

JOHN BUUOUGH KATHRYN ESKEY A.I. M.S.M. Ch.M. GEORGE ESTEVEZ WILFRED BRIGGS The University of M.5., CH.M. fo,t..h Dkltlilson University dun. St. John's In the Village T_neck, New J.,.., North Caronna Director M..noriaf Methodl•• Church New York U, N. Y. WbIto PIoIM. No.. Y'" at G,.. n.boro CHICAGO CHAMBER CHOIR

ARTHUR CARKEEK ALEXANDER BOGGS Recltol. and Master Cla.s•• M.S.M. A.A.G.O. Organ Consultation DePauw University Organist Gobin Memorial Church RYAN Cathedral Church of Christ the King GreatcaRk. IodIaoa CONCERT ARTIST W.stern Michigan Unlv.rslty at Kalama.oo

18 THE DIAPASON Organ Recitals

Will HeadiH. Syracuse, N.Y. - Syracuse U. Richard W. Slater, Glendale, Cali(. - St. R.allin Smith, BfVIOk.!rn, N.V. - The Bmok­ Nov. 22, and Fint Presbyterian, Bufralo. N.Y. Georae'. Epitc:opal, La Canada, Cam. ~ . Iyn MUS4:um Dec. 6: Chriatmu selections from W[LL O. HEADLEE Nov. 15: Fanwie K608, Mozart; Chonle Ifi: Partita on Nun komm der Hriden Hdland, The Meuiab, HAndel. Dec. 13 : Vanow works and 4 Varialton. from Partita on Sri aCrywKt, Di.tler; Sons. of the Nativity opus 13a, La of 8ecthoyen in honor of the 200th anniversary .... CHOD}. OF ~n ;..,j( : Prelude :lind FU5UC in A minor, Bach; Land· Montaine; ProttIIional, Mathi... Alli.ted by or hil birth. Dec. 20: Tidings of ,"y (rom scape in Milt, Karg-Elert; Communion, The Diana Thomas, contralto. Canlata 63, Bach: 0 Hply Night, Adam; Ring 'Y1~ \1.l·~1·: 1'''1\"1"(('-11 \ Birds and the SprinlJl. Ah:lliacn: Final from out, wild bell., An Maria, Namretb. Gounnd; Symphony $, Vicrnc. Jnhn SearcldIed, Calpry', Alberta - Ca­ The Holy Night, Buck; Suite L'ArlC'lienne "1, \"ll~ \( [ '>1, ::,\1 \\ 'lOH.I, : ' thedral or the Redeemer, Calpry Nov. 17: Bizet. Dec. 27 1 Man:h of the Mali Kinss, Calvin. Hampton, New York. N.Y. Cal· TOtt3la and FUllue in D minor (Dorian) , Dubois; Jlrclude, Dream l'antnlllime.Anscl vary Church, Nno' York, N.Y. (He. 6, IS. and B~ch ; Air and Ga\·otte, S. Wesley; Fanta.ia Setoe Im.n Hansel and Gretrl. lIulllpcordinck; '11, and Newlon ColkllP~ I~ the Sacret Heart. and FUfj:ue, RDlCnbt'rwi Toa:ata from Srm­ A"e Maria • .xhubert; I'rclnde IIInd Tollile Newlon, Mall. Dec. B; The Na'ivitl'. Mudactt. J,hlm)' 5, Widnr. Dee. 15: Te Dcum, Langlais; Hottia_ from Chri.tmas O"'tO"", Saint-Saen •. 8 PrcludC'l on eaml·melodit'$ b)' Denilot, Boely: LAYTEN HECKMAN 2 setting. 00 In duld jubit., Wah her and Robert Hill, PittsburJh, Pa. - St. SUlanna £;art Miller. Lisle, III. - All Saints' Epilro­ Bach: Iml,rovi-.tion on In duld jubilo, Kars­ pal. Western Sprinp, III . Dec. 13: Trumpet Church, I'ittsbul'llit Dec. 27: Prelude in D Th. Church Df St. Step...... Martyr Tunes In 0 and C, Clarke: Vcni Emmanuel Elert. minor, Fantasia in G lIIillor. Toccat3 ill C, Front hea\'en alx"'e, Pae:helhrl; Nati,·;ty Suitt, from Nativity Suite. Hd~ ; Di\inllm M,.lcr­ Min.eapolis Mln" ..ot. ham, Arnatt; VOln Himmel hoch, Pacht'lbcl: Richard Sidcy, Knoaville, Tenn. - Vi"inia Held: Concrrto for Twp Orll3nl in 8.nat, lntemtOl.t CoUege, Bristol, Va. %\00\'. 17: J Luc(hioeUi: Norl Grand jeu cl duo, Oaquinj Variation on In datd juhilo, Ltibttki O~ He came in blett;nr. I'rdude and Fugue in C ,licces rrom Mau lor the Con\enu. Couperill; Jesu joy or man', dr-sirillg, Sa,"inr Itf the na· Wo .ull teh mehen hin, Rommat du nun, minor, Bach; Sketch of , Schum.a.nn: Goo ITS' tions come, All pr.lise to Jesu.' hallowed you mcny RcntlcmclI. Williallllj Nuel Grand Dorian Toccata and Fugue. 8a('h: Wake awake, name, 0 Thou or Gud the Father, Fugue Lik" the golden lun ascendills . Mnnl; Rhyth­ and lIn-enion in four parts for two keyboard. jeu et duo, Daquin. mic trumpet, Bingham; Truis Paruphrases fmm Art of the Fu!uc, Bacb; COllcerlCl 3 in Gregorienllu, Lallslais. G ror Two Orsalll, Soler; Adelte Fideles, WILBUR HELD D. Stu:&rt Kennedy, Call{arr, Alberta - I'ecten; Away in a mDl1Dser, HiUi A Sllort S.M.D. 'AO.O. Cathedu.l Church of the Redeemer, CalptY Ruth Pdtun Richardson, Endicolt, N .Y. - Christmas Concert, Quinn. Alliseed by Ohio Stata University Nov, 2" : A«incourt "ynm. Dumtable.Bi«p; St. "aul's L"t1I1~ra n , johnM'ln City, N.Y. Dec. Anlotnette Hin. ur,anin and JIJlm Wil- Sonll' 13. Gibbool.Willan; T rumpet Tune and 6: Fanl:.. ill ill G minor. Come Savior or Ihe 11II11lr.i, Ctlllllllf"nbtor. Trinity Church Air. Purcell; RhoJ)'tnnJre, V3ushu William.; Rr'ntilt'$, Nu.... · let UI .ing with jny, Bach ; Ele\,.· COLUMBUS, OHIO Gavotte. Wesley; Melcombr, I'any: Solelllil liun. Cnullerinj Trumpet in Dialllllur. Cleram­ William Dan HArdin. Man Hill, N.C. - Melody, D3vies. bault; Fanta.i3, Goud new l"IUI heaven the Mon Hill Collf-ge junior redtal Dec. 7: Clln· nnsels bring. Pachelbel: Anil, Van Hulle; CYrto in a millOI', Wahher; Chor,,1 in A Richard Littent, Rocld'ord, 111. - Sewnll Cantabile. Clukey: Choral in A mlnnr, Franck. minor, Franck: Prelude and FUM1H: in G, Consrr.ational. Rocklord Nov. IS: Comes Bach: Variatimu on Wondroul Lm"e, Ba~r; SAMUEL HILL Autumn Time, Sowerby; 50Mta I. Mendch­ Victor D. Sc:h.per, Galvatoft, T e:xat - Tu H Petra, Mulct. St. Paul" Oluw. ..mn; Deck thYICIf my .oul. Bach; l'uludc M Uudent 01 Charles S. Bm..... n, Nnrth Tc.s.as P ... lm 33:3, Howell.; Cortrse et Litanic-. Siale U., Denlon Dec. 4: Fanlasy In F minor Tom Robin Harris. Rock hland. Ill. - Chicago, DliDoiJ Dupre, Four Sketches, Schumann: Litanies, K6OB, Mmo.rt; I'artila on t\uf mct nen Ueben AUSUItana College, Rpclr. bland Dec. 6: Alain. Dec. 4: Toeata. Adagio and Fusue. Gott, Biihnt; Prelude and FUllue in C, Bach: Suite du deuxiente ton, CJeramhauh; Choral Carlhagc: CoIIqe aach; Sona ... 3, Guilm,mt. Dec. 18: Symphony Premient Fanlasie. Deu:tieme FUnlalie, Alain: in E., Franck: 6 pitcH from Livre d'Orgue, Kroosha, WiKDmln ,. Widur. Scherzo in F •• harp minor opus 80,7, Reger: Messi3ell. Dieu panni nous, Mes.iaen. C~r1es S. MOOlIe. Sc~ia. N.Y. - All Sainu John Romeri, StU('kton, Calif. - U niv~ n ity Cathedral, Albany, N.Y. Jan. 17 : Fa"fan:' Ma~e Yodr.. Arbany, X.V. - All Saints of the l'acirM:. ju"ior recital, Stllcktnn Ike. IS: Jmpruvilation un Aunnn, Wylon; Partita on Cathedral, ,\!bany jan. 3: The okJ year now J'rrludc: and FUlue in C, Pr,.lulle ilnd Fugue Wie Khlln leuchtet der Morsenllern, Kmpf: h.:u paaed 3way. Bitch; Echn Fantasia, in D, Bach: Coocerto 3 in G minor, Hondel: Harry H. Huber Even.onl, La Montaine; Prelude on Kin,'. S"eelinck; Ara~ue, Vieme; Mltsnificat I, Le j3rdin Suspcndu, Lilanies, Alain; J'rrlude M. Mus. Dupre; T \\"o Psalm., Zimlllcnnann. and Fugue on the Name Alain, Durune. Lynn. Whitlock. K.nsas Wesley... Uoiversily University Me!hodist Church SAUNA, KANSAS

EARL EYRICH GEORGE FAXON JOHN HUSTON d. deane TRINITY CHURCH FIRST PRESBYTERIAN CHURCH First Unitarian Church TEMPLE EMANU·EL hutchison Providence, Rhode Island BOSTON N ... York Cil, portland, oregon

Charle. H. Ph. D.• F. A. O. o. ILLEN lIuan Robert Finster HOWARD KELSEY FINNEY DMA JACOBSON Chalrmctn, DMs.on Df Music & Art wtuhlngton Unloemty St. JeIe.'. CathHr.1 M.Ntu.. A.A.O.O. HDughlDn Call... , Houghton, N.Y. Houghton W"Jeyan Method... Church Den ... Con_rtf, Celifem" Sllint Louis, Mo. 63105

GEORGE E. KLUMP ARTHUR LAWREIIC( HENRY ruSNER RICHARD GRANT DIVISION OF TIlE ARTS P. S.M.D., A.A.G.O. Doc. Mu •• Am. A.A.G.O. ChoM. MEMORIAL METHODIST CHURCH DALLAS BAPnST CoLLllO& SainI Ma'Y" CoIlop aod Fin' Pr"byterian Church Th. University .f Hot,. Da ... Nashville, T...... 37220 WHITE PLAINS, N.Y. DALLAlI. Tau 75211 _ Danos, 10_ 46SS6

LESTER GROOM NORBERTO RICHARD W. UTTERST William MacGowan Seattle !.t. s. !.t. Senltle Pacific Oturch or !he UCGHD COHUUATlDHAl CIUICI AU Salnh Church College Epiphany CDIif.,,,. 98119 98122 GUINALDO IactIDrt IIIhltls .a ..... ,

DAVID S. HARRIS CATHERINE RITCHEY MILlER ASHLEY MILLER ORGANIST E. LYLE HAGERT Church of Our SavIour A.A.G.O. PEACE COWGE GclhlCJRanc EpiKopal Church Aleron. Ohio WHITE MEMORIAL PRESaYTERIAH • N.Y. Sodety .., Ethical Cuhu.. CHURCH Minneapolis, Minnesota 55404 Organ 2 W... 64th St., New Y"", CIty Ral.lgh North Carolina 27601

I YUKO HAYASHI faculty new england conservatory william whitehead boston 2344 center street, bethlehem, pennsylvania

FEBRUARY, 1971 19 Organ Recitals

Freel Tulan, Sl.Ddr.ton. Calif. - Honolulu Gordon M . Belenb.u!h, EJ Don.do, Ark. - Ludw,," Altman, 511ft Frand\CO, Calif. - Cathedral. lIonolulu, Hawaii Dec. 24: Prelude First United Methodut, El DMado Im::. 2: Consreption Emanu.EI, San Fl'2ncUcn Dec. de ta Sympbonie de "AIDUU my:I tique. Wir s lauben all, Waehet aul, Prelude .nd 29: Prelude and Fugue in D, Fantuy on How MaleinHrrau: Trail Variatioa .ur WI tlta:ae Fusue in E minor, Bach; Ad:r.lio. Bridllt'; hI- , utiful shindh the morning star. Bu.te· CLARENCE MADER chromatique. Cochuca.u: NoC! Boul"luipon, Prelude, FUIUC and Variation in " minnr. hudc; Six Pieces for an Orwan Clock, C.P.E. VIa EoIrada Fleur)'; Olfcrtoire pour 1& Meue du jour de Franck; Putorale, Milhaud; Es ilt It'in Rm, Rach; Fanta.,. K6OB, Mozarl: 1'rt!lude on m..: Ia NativitA du Sci!TIcut. Charpentier: Nwt de Brahms ; Benedictu., Reger. \ mntib of the Pilgrimllge Festivals, Knhn ; lag.- IIIIt, Callfolllia 926S3 Noel • S.int·Tropa, RCUIchd ; Veneb pour Variatirms nn a Recitative, Schoenbcl'JJ: On let Vcpra des Vicrses. CbaWlOn: Ven d. pour Benjamin Van Wye, Sllr.&t~:l Sprinl;s, N.\'. Tis}" thrnnt. I nO\\- apprn.'1rh. Bach. let Vcprn d' un Martyr, d'Indy; Pollme - Skidmore College, Saratota Sprins. Dec. Sympboniquc OpllS +t, Dupre. 10: Toccata in F •• harp minor, Buxtehudt'; Gml1lC: F.. Tutwiler, Piltsbu,.h, Pa. Christ unser Herr xUln Jordan kam, Nlln Fint United Mdhodbt, Pittsburwh Nov. 15: Gene Janrum. Albert Lea, Minn. - Trinity komm der Heiden Heiland, Ein (catt. BUrR. FUl;lIe in G minor, I call to Thee. Bach: Frederick Lutheran Church, Albert Lea, Dec. 8: Prelude Passacaglia in C minot', Bachi Chnral in E. Abide with liS, Wdnbe'1ler; Thrt!1! Quiet I'rl!' and FUltNI in E minor. Bach: 5 .etUnp on Franck; AllEluias Urei.N, Mosiaen; Prdude ludrs, Jacobi; Three Medit.ative Momenta on MARRIOTT Saviour 01 the na.lioDl come by Reda, Distler. nnd Fugue in G minnr. Duprr. All SAints Ca Mora\'ian Hymns, Elmore; Jubil:ltl! Dm, Bender, Scheidt, Bustehude; 2 .eetinp on 0 thedral, Alhany, N.Y. Jan. 2-4: Suite 1:11 Benoit; Aria. Peeten; Now thank we all our Marmen' Church (Episcopal) Savior rend the huvelU wide by Bornefeld, premier ton, Du Mage; Choral in n minnr. fOod, Bach·Fox. First United PlUbytlJrian, Waldll1. Franck ; Prelude and Flilue nn tht. :\'mllr. Bradford. Pa. Ike. 13: Rigaudon, Campra; CIvic Ceoler, Detroit Alain, Durufle. Elevation, Couperin; Sinfonia God's time if Organist, The Detroit Symphooy the best, Jesu joy of IRan', desirin!. Bile"; Nucy VIUUI, Odeua, Tau - 'tudent ol ~lIite for a Mwic.al Clock, H=-ndel: Voluntary Charln S. Brown, North Tau State U., Den· Dayjd Crouac, Mapolb., Ark. - Finl United Methodist, El Dorado, Ark. Dec. 16: 8 ill D minor, Stanley: Fanfare, J=-cbon; lon, Tesu Dec. 8: Prelude and Fusue in D. Nati\'ily Suite, Held; AI the endle of Jaus, Prelude 6, Schroeder; Prelude, FUlluc and Bustehude: Putonlt, Fra nck ; Partila on Bingham; Nod Pnwencal, Bedell; Green. Jous Christw ,ulIer H ella nd, Did ier; Cortfse Ciacona in C, How brightly ,hinel the ml)ming dar, Buxtehude; Sonata .. In B.fbt, Men· .Ie~ Pum,; Toccata on Crt!ator of the et Litante, Dupre. .tarry hdShu. Yon. ROSAUND MOHNSEN deluohn; und of Rest, Lisht, I'owdl: 0 ChrUt who are the Ulht and d3y. Now pl'2i1e Westmar College D. Barry Waterlow. Tra.iI, B.C. - St. An· we Christ, 0 Chrilt Thou L:r.lnb of God, Half GonIon You,.... Detroit, Mid.. - Gr..OI: Lutheran, Detroit Dec:. 6: Ripudon, Campra; drew', Church, Trail Ike. 13: Balletto del lovely shines the mominl Slar, Lenel; Fant,u)', Colyary Methodist Church Granduca, Sweelinck; Nun komm der Heiden Choral and Tocnt.a on Veni EmmaRlld, ,\r. P.utorelle, Ferrari: Adario, Vivaldi.Bach; Heiland, Canzona in D minor, Badl; T rio. nold. Sonata in A minor, Prelude. on What " mend LeMan, Iowa Stanley; Es ilt ein Rot, Br-aluDJ; Greensleevet. we ha\'e in JCSWl, Trumpet Tune. Triptych, Wri,ht; Quem P3Stores, Willan; HUlh', I'rdude on St. Thomas, Christmu Suite, Clarence Hdsinr. Rockford, III . - SKond VOllng; Entr.ada Fmtiva, Peelers. Hornpipe, Cabena; Retreat, WlIlI:! rlow; 1m· Congresation:d, Rocklord Ike. 11 : Allegro, provisation; T runlpet TURo by Clarke lind H andd; Flute Concerto. hut movement, Rinck; lurall, Prelude in E minor, Bales. Gonion WillOn, Columbu., Ohio - Denison HAROLD MUELLER slow movement from Gothic Symphony, Widor; U., Granville, Ohio Dee. 13: Toccata in D fAa.O. March of the Magi, Toccata in 0 , Dubois. minor OpWl 59.5, Reger; Concerto In F opus Charla Moore, Eva"'tOft, 111. - North· ",5, Handel; Andante K616, Mount; Prelude Trinity Episcopal Church minster Pretbyterian, Evan.ton Dee. 6: Vllria· Terence Fullerton, C:l11:l1'T. Alberb - Ca· and Fugue in E minor Bruhn.; Requieseat in tiOIll on II. Noel, Dupri; 3 Huinp Nun komm thedral Church 01 the Redeemer, Calgary pace, Sowerby: Two Etudes, Foss; Nativity Temple Sherith brae! cler Heiden Heiland, Bach: Nlltivity Suite, Dec. 1: Les cloches de Hinckley, Vieme; Suite, Langlais; Sketch in F minor. Schumann; s...PraadJa> ).Ieuiaen. Trio Sonata 5 in C, Bach. Litanies, Alain. The Burning Bush, Berlinski.

K. BERNARD SCHADE W1LlW1 H. MURRAY NORLING S.M.M. Muo.M. fAG.O. RUSSELL SAUNDERS STAn COllEGE SL John's Episcopal Church EAST STROUOSIURO, ,A.. EmmanuII Episcopal Church Eoslmon School of MUllc NcwJcncy WOf ••hop. and 1ectut.. La Grange, III. UniYenity of Rochester The Kodol, Choral Method

JOHN KEN OGASAPIAN john h. s'chneider JOSEPH SCHREIBER frank a. novak Independent P,uiaylerian Church Sai.1 An ..'. Church EMMANUEL CHURCH Calvary Presbyterian Church IIrmlngham-SoutMm Col.... __, Pa. 171151 Ma.sachuNth S.... C.Hep Riverside, California IowoU Birmingham, Ala ......

Stephen J. Ortlip, AAGO Jack Ossewaarde WILLIAM SELF Robert Shepler Cha_" ..,. Chair Organist and Master of the Choir St. Bartholomew', Church ST. THOMAS CHURCH Crgont.. - CholrmaltlH LooIcoul ' ....,..n.n Ch.rd> SECOND PlESannlAN CHURCH New York Fifth Auenu. and 53rd Strlet hulfanopolit, lnellana 46260 1ew0ll.. Sum,"" Mvtk c-tw New Y ork, N.Y . 10019 aocJtalo

FRANK. K. OWEN RICHARD M. PEEK ROBERT SMART ...... -Rcd.. b L. ROBERT SLUSSER Swurthmore, Pennsylvania Sac. II.JJ.. Doc. MUS. Mo, ".A.B.O. Trinity Episcopal Church St. Paul's Cathedral LA JOLlA PRESamatAN CHURCH Swarthmore CoUcge Covenant PresbyterIan Church LA JOLLA., CAUFORNIA Congregation Rodepb Shalom, Los Angel .. 17. California 1000 E. Mor.heacf Charlo ..., N. C. Philadelphia

ARTHUR A. PHILUPS .ADOLPH. STEUTERMAN Carl Staplin M ••. Doc., F.A.O.O. ·Franklin E. Perkins MOO Ch.M. F.r.C.1. A.A.G.O. - Ph.D. Ph.D., A.A..O.O. Drake University Southwest.rn at MemphK n.. Ladtoo Chapol laf.y.... AVN •• P, ..byt.n.n C... ,cIt SI. Lout.,_ University Christian Church Cafvary Eplscopol Church of _, Lou .. 1hoIv.,.1ty sr. ar.. ldyn, N.w York 11217 DES MOINU, tOWA Memphi., ten ......

MYRnE REGIER JOSEPH MARCUS Orrin Clayton Sut1tern, II FREDERICK SWANN _ot HoIpb c..... RITCHIE ProIeaor 01 Iltlde The RJyenlde Church TRINITY CHURCH (kpaIst.coadctetor hutto ...... y. __ u.coIa Ualnnltr, Po. New York City NEW ORLEANS

WILBUR F. LAUREN B. SY1U!8 51. John', Cathedral George Norman Tucker A.A.G.O •• Ch. M. Mm. Bach. Jack Ed"", Roq_ RUSSELL ST. LUKE'S CHORISTERS Orlanltt Chotnnatt.r, H,.. P,.•• Church Warner PadOc: CoUflc Kalamazoo Jocbonotlle, florida Saa Francbu. TMololkal S.mlnary J San An ...... , CaUfo",MI Portland, orrgo:. . __ BOY CHOIRS

THE DIAPASON Organ Recitals

Larry King, New York, N.Y. - Trinity Earl Eyrich, Providence. R.I. Fint Church, New York Jan. 7: Prelude on Dew Umbrian, Providence Nov. 22: Dorian Toe· To rattkt Ihae pap 10 prasr.mu htorum mintum, Sowcrby; Wie uhlln leuchtet Qb, Prelude and F"-JUe in C. BDch; Panita o( "",mol 1D1cJar, r'

Edward D. lerryman, SMD Warren L lerrymon. SMD DAVID A. BERRYMAN Organbt-Cholrmalt... Head, Organ-Ch.rch Mu&lc Depl. WEHR 8JJ.IJ W.hitlDIJ WESTMINSTER PRESBmRIAN CHURCH BALDWlN.WAllACE COllEGE UNIVEIISITY OF loOAY' Mlnneapoll. lerea,Oh&' ConI GoIoIa, Florida FOX CHAPEl EPISCOPAL CHURCH Fo. Chapel, Plttaburgh, Po. 15231

Margaret Melvin RUSSELL G. WICHMANN DICKINSON Chatham Colleg. HARRY WILKINSON University of loul.vllle Shadyside Presbyterian Ph.D•• FAG.O. Loul.vJlIe Ioeh SocIety ST. MARTIN~N.THE.fIELDS Calnry Epbeopol St. fnooKlHo-thoon.w. Epbftpol PIHsburgh, Pa. 15232 Che.'nu. Hm. Phlladelphkl WEST CHESTER STATE COllEGE, PA.

JOHN E. WILLIAMS DONALD WILLING WAYNE FIS.HER St. Andrew. p,• .a,yterian Col,... College-Conservatary of MUllc la""""".. , .....yf"""" C'.. u.h f.Ciilky loYrinltu,., North Cor.1iM University of Cincinnati North r ...... Stat. U"I.,.rsIty

DAVID HEWLETT George Y. Wilson barclay wood Christ Church North ShM. INDIANA UNIVERSITY FIRST BAPTIST CHURCH fitchburg, Mall. Community C.I,... lIo.mI.... 08, I,",. Wortater 1Il __".

I I I t I I I I I t I I I I I I I I I t I I I I I I I I I I I I I I I I I I I I I I I I I I II I I I I I PIANO TUNING I Gary Zwicky lea,n 'kiM tvni", and repoff wIth eaty to follow home .tudy cou ..... Wid. opH ~I .JOHN HOLTZ DMA FAOO T Faculty: HARTI COLLEGE, Unlvenlty of Hartford I lI.fa with Good earning.. Mak.. oaceJ. i A lent ~j .lIIitra j ' job. Writ. Eest.,.. lllin." UnlvenJty ~ Organist: CENTER CONGREGATIONA. CHURCH, Hartford Am.,icon School .f P.". T.... a-loot.. Dept. D. loll 707 on,.,. C.hf. I1IIIIIIIlilltllllllllllllllllllllllllllllllllllllili PHILLIP AEOUAN - SKINNER RECORDINGS: BOSTON RECORDS CONCERT MANAGEMENT. ROBERTA BAilEY STEINHAUS .w MONADNOCK RD. organist VVORCESTER,~S.Ol609

FEBRUARY, 1971 ~t In d~a1ing "'ith the organ works or Paul Hindcmith, certain characteristics becune increasingly apparent. All show distinct eclecticism. both rorrnally and .tyUstically. Much as in the late Baroque. notably in the works of J. S. Bach. t~at­ mcnt within the (onnal framework in­ cludes: various lechniqucs: tulli·§Olo alternations. trio· like settings, canlul­ firmus Irealmcnt, :md sectional, con· trapuntally-concei\'cd variation. Bor­ A Study of the Maior Organ Works rowed materials are used most cf£cctively \ in two instances; the entire Third Sonata is based u~n \'ariolls cantus £inni treat· ment or old Cerman folk lunes, and the Second Conceno makes use of tra· ditional sacred and s«ular canlus firmi. of Paul Hindemith Forms and styles include adaptations of the conceno grosso, sonata, fantasy, fugue, amlOnet13., and chorale &elting. The most Itrikin}; feature is the use of contrapuntal deVICes and Baroque styles 8y Emily Cooper Gibson within 3 Nco.B3r~ue framework.. con· sisting of anew. dluonant couphng of sounds. Although outlines of traditional Buo· que and ClassiClI points of deputurf! are often C31i1y recogniud. Hindernith's trntment is a highly personal. con· the connection of the hillh points within arc used interchangably seck to depkt departure. Several formal "labeIJ" arc lcmpoliUY one:. Rectpitul:uions are often a line, basal upon the Intervals of ma.· a new manner in which Independent possible, particul:a.r1)' in Sotl:tta t. It is Ihortened and transformed 10 gh'e :a jor and minor seconds. Melodic peaks \"Dices :'I'C combinetJ. This is somcwhat possible to see it as a I:a.rge two mo\'C­ new dyn3mic ch:ar3Cler. Development are str~d by their placel1u~nt upon it in contr:ast with the gcneral term ment work. with the second movement $<:Chom mar indude :and even stress strong be:al, being :tpproilched by le3p. "counterpoint". which m:t)' be taken to bdng divided into three large sections. new maleria , frequently.borrowed fr0!ll or being held for :l long duration. There mean a more strictly tonal org-.1I1ization . or as a four movement work. The other bridge passages. fr:mSltionS are r:apld is frequent usc of sequence. augmenta· The contlilpuntal weaving o( \'oices is two sonatas :arc more clear· cut and P':r­ and modulations more frequent than tion, and inversion. There are few con­ nowhere more evident lhim in much of haps more easily understood fonnally. in earlier periods. secutive leaps in the J:arne or opposite the output o( Hindemlth. More dis­ In the sonatas of J. S. Bach the major Hindemith derh'cs his style from the direction. Leaps :are most often of a son:ant intervals (scconds, sc\'enths. and concern was polyphony, f:ast hannonic basic premise that any of the twelve thinl, either major or minor. (Octa\'c augmented and dimishcd intervals) arc rhythm. relatively free mcter, :tnd lanai tones may become a lonal center. His displacement is often used in a very e[­ employed. Textur:al independence rather nux. Onc special type of sonata, the decision as 10 which inten'allic relation­ fec::tivc manner, but the ensuing leaps than inter·dependence is emphasized. organ trio sonata, bean mention, since ships are beller is based first of all follow the general statement made Many non-chord tones appear within the second movement of tlle First Organ upon the placement o( a lone within the above.) Melodic movement is mainly by the texture. A complete description of Concerto of Hindemith m:akes use of hannonic .eries. Hindemith calls this tones, semi·lones, thirds, fourths. and these and their Gennan equh'alents is this type of texture. In the 8ach son:ttas Series 1. In Series 11. the interval roots fifths. Melodicallr.' the series of roots contained in Hindemith's book The the two upper parts (allow one another are derh'ed :tccording to his designation (onns what is cal ('(). the degree·progres­ Cralt 01 Musical Com/JosiliotJ. Vol. I, ill strict polyphony. while the bass for bnt inlervals. In diminishing order Kion; that is, those: toncs which support Ch:apter 4, part 12. In normal llIetrical (pedal) part is employed in an obbligato of importance these are: perfect fifth, the ovel1lU harmonic Illo\'cment. rhythm, these would f:t1l on the ex­ fashion. perfect fourth. major third, minor sixth. Rhythm is durational and groups pected beats. But in Ihe ClSC of a Hindemith has in some instances minor third. major sixth. major second. chords Jnto 5lresaed and unstressed strongly syncor.alcd passage. they ma)' shown an intcrest in even earlier styles. minor seventh. minor second, m:tr·r members of the whole. Mixed meter is occur \'ery c:f «tint)· on the stressed Mention has been madt:! of his ra.ther seventh. and tile tTitone. The root a :a wed for purpo5CS of stress and syncopa­ "weak" part or the beat. H:armonically unique Canwnella in Triads "rld Two chord will be the rool of the lowest best tion (sec Sonata 11, Mo\'. I. p. 5. mm. the structures which coincide are both Ritomelli in the Second Concerto. A interval. excepting those chords cont:ain­ 2.9) or to lengthen :md aCttntu:ale the tertian and quintal. An illtcrestinl{ ex­ c:mlOnetta ",as a song or aria, often of jng the tritone. In chonls in which the cuienlial formula (see Sonata II. Mov. ample of HindelQith'JIj COllccpt o( madic a fri\'olous nature, strophic in form, best interval is :a third. firth. or seventh, 2. p. 10. m. 17: p. II. m. 2). Only two writing occurs ill the opening measures rrequcntly found in compositions of the Iowa' of the two tones is 10 be con­ rumples of pol),-meter 3re 10 be found of the third mo\'ement o( Conrerto II, members of the Camerata. They were sidered the rOOl. In cllords in which the in the organ works: they occur in Sonata entitled Canmnelln in Triads lind TllJO dance-like, homophonic, and e\'enly best interval is a second, fourth, or I, Mov. 4. p. 21, mill. 22-23, m. S!I; p. Rilornelli. The harmonic nuctllation is phrased. Hindemith seta the Rltomelli sixth, Ihe upper of the two lanes is to 22. mm. 1-2, amI in Concerto II, Mov. simple. but the \'oice le3tling takes it III an imitative style and in a 1U0re be considered the root. 4. pp. 75·80. beyond the ordinary. There is much serious character. Hannonically, structures are divided Many examples of pOO:ll point arc use of the tritone leap wilhin the \'oice Hindemith wrote much music In the into two basic CltegoriCS: Groups A found throughout the works. The parts, yet the whole ef(ect Is one of concerto style. orten enthled Kammer­ :and B. Group A refers to chords without counterpointing of motivcs :and motivic. simple, direct harmonics. A good ex­ ",usila. The title suggcsts a departure Iritone, :and Group B deals with those fragmentJ over or around pedal points ample of a more contrapuntal 51yle ap­ from the larger orchestra of the 19th cbords which do contain tritone (5). In is a favored device. (Set: Sonata II. Mo\,. pears in the third IIIm'elllent o( Sonata century and :a return 10 :. type o( II, entitled Fugue. The suhl'ecl is \'ery detennining roots of chords in Group B, I, p. 7, mm. 1-6.) Another inleresting chamber group. The two concerti re­ it is neces.sary to consider the tritone as aspect involves the usc of an interior angular in nature :tud iuc udes sollie flect some interesting aspects of con­ the most important ingredient. The root pedal point in mor(! I)'rical mo\'cments, chromaticism. A four-\'oiced exposition certo principlcs. The idea of putting. 01 the chord is to be found bf the melh­ especially :at cmdcncing points (see follows which includes, as expected in contrastinFt or competing groups, either the st)'le, the introduction of 1C\'eral groups of Illstruments, a solo instrument, od described above. In additIon, one of Sonata II, Mov. 2. p. 10, mOl. 11-14). the membcn of the (ritone must scrve counter·subjects which are to be quite or \·oices goes back :as far as lhe 16th as a guide tone. That tone which stands Modality does occur. However. it must significent as the movement progresses. century. This "new" practice was known .in best relationship to the root will be be point~ out that Hindcmith by no In the second expmilion tJle linear :15 concerlalo style. New fonm c\'oh't.'

MARIL YN MAS O N CHAllIMAN. DEPARTMENT OF OIGAN LARRY PALMER UNIYWITY OF MICHIGAN Organ - Harpsichord ANN ARIOI Soulhern Melhodisl Universily "W.. ~ .... play" wif" auste,ity .ncI reMlYe, clemon.,ra,inl .IN. her ~xk~"'rr 'riUty . , ." De. Mol ...... 1 ..... , Octo ..... 5, 1'" Dallas, Texas 75222

THE DIAPASON organ solo makes extensive use of short, Throughout the first $filion, low brasses. Movement tv (S«lion 111, Movement 1I). Rondo Fonn. (Ke)' Cenlrr: E·fl at.) imitative Figurations. All instruments lowesl winds. and lowest strings serve arc lJ'ealcd in 3 highly individual man­ to play ostinato ligures and ostinato A - mm. 1·14 (Key Cenler: E·n ..). ner throughout, and their parts are rhythms. In the second movement, there B - mm. 14-27 (Key Center: C). easily followed. Brasses are used soloisde­ is constant alteration of organ and C - mm. 2741 (Key Center: A). aUy in the development section of the orchestra. Concertante sections pit A - mm. 41 ·51 (Key Center: E·Oat. modulating to D). fint movement (see Concerto I, Mov. vouious chain of instruments against D - mm. 52-65 (Key Centcrs: B. G-sharp). 1, p. 8. mm. 1-8). In the second move­ the organ. The third movement is al· D - mm. 64-77 (Variation of D; unified by lise of the same 3ccornpanimental ment descending scalar motives assigned most entirety based upon the concerto­ figures. (Key Cenlers: B. G-sharp) ). to the organ pedal part and then to grosso prindple of contrast betwren or· Coda - mm. 78-114 {Based on Theme A. (Key Crnlcr: £ .Oat». 'cellos and basses resemble the function gan and orchestra. The fourth and final of the continuo (Concerto I, Mov. 2. p. movement is a. large Phantasy in the 15, mm. 12-19). Instruments arc often ronn of v3riations on the hymn Yeni gradually added to the texture in the aeator spiritus. The hymn is fint SONATA 11 . 1937 Baroque manner known WI "len41cc !'Itated by the organ With orchestral dynamia ." Rantr' are often extensive. interludes between phr:ues. Subsequent Movement 1. MCNIi£ied Sonata.::t1 lcgrn Fonn. (Key Center: E.) but never eXctS51VC. The Ratuni ability treatment gives the theme in varying of the high winds to carry r.lpidly mov­ degrers of tr.an!formation to se:vcrat in· Exposition: Ing. staccato piWagtS is most efm:tively strumenlS, both as solos and in choiR . A - mm. 1·8 (Ke)' Center. E). employed. Th~ instruments are also The third variation is one of unusual Interlude I - mm. 8-23 (S«juenlial and modulaton-)­ caUed upon to act in it more lyrical contrasts. The hymn is fint played by AI - mm. 24·'1 (Key Center: E). ctpadty. Lower winds and the horns the horns. A canon derh'ed from the 8 - mm. 52·35 (Key C.,uer: C) . are orten given a role similar to the theme occurs betweens trumpets and Interlude Jt - mm. 55-49 (Kev Centers: R·nat, B). IlTin~ - that of sustaining the har­ 'cello. Tuba and glockenspiel play the B - mm. 49·52 (Key Center: B). momc movement. Lengthy tutti sections Frendl Renaissance folk tune, L'homme Interlude lIr - mm. 52-65 (Key Center: B). are not prominent in this work. Al­ arme. The organ has a c:J.d enza ~ like pas· Cadella - mm. 6~·71 (Kev CenlC1'5: B, G). though the organ part is at no time re­ sage which fits into the whole• . Develooment - mm. 72·152: use of both themC3 plus some or the inlt rlUtles. legated to the background, it is definite­ In spite of the difference in scope of plus additional new material (KeV Centers: G-sharp, A. F-sharp. F). ly tre:lIed as a part of the all important the two m narti, one may draw certain Recapitulation - mm. 153-183: exact repetition of the fint 51 measuro - A. whole. conclusions as to the ~n eral approach. Interlude I. :lDd A,. The Second Concerto is of consider­ Fonns follow the basic tenets which ably larger scope. It was commissioned have been a part of the concerto from Mm'cmcnt II , Two-pari Fnnn. (Ke,· Center: E.) for the new organ at Lincoln Center in its inception. While no one choir of New York City. and Hindemith con· instruments is exploited. each is repre­ A - mm. 1·10 tKev Cenlers: E. F-shatp). ducted the premiere perfonnances on sented in a. highly individual manner A, - mm. 1().20 (Kev Cenlers: E. F-sharp). Expanded hannonially. April 25, 1OO!, with the Vicnnese organ­ with a thorough knowled~ of its in· B - mm. 20-51: rhythmically relatttl to the fint two mC3."i\1Tt'!1 or A (Key Centen: ist, Anton HeHler as soloist. [t is scored herent strengths and weaknesses. F. A. F·sharp). ror two flutes (the second doubling The following charts offer an analysis A - mm. !~ ·3 8 (Kev Ccnler: E). piccolo). two oboes. two B·Oat c1arioctll. B - mm. !~g (Kev Centers: F. D). Expandnt h3nnonicall ~· . two bassoons, contra·b2ssoon. two horm of the org:an works discussed. It is realized that many interpretations are A - mm. 50-5r. ( K ey Center: E \. in F , two trumpets in C, three trom­ (,"..oda - 10m. 57-64) (Key Center: E). bones, tuba, timpani, celesta. bass drum, possible in the matter of form. Alterna­ tives are taken into consideration when· snare drum, cymbal. glockenspiel, 'trings, Movcmenl til. Four.voiced Fugue. (Ke)' Center: A.) and organ. ever it seems to aid in cJarfica tion. The High wintb and hitth strings are pitted edition used is B. Schou . Consecutive Exoosilion I - m,,,. 1·21 (Kev Centers: A. C. A, C. A). again" each other In canonic versions measure numbers are given for each Epl50de 1 - mm. 21 ·31 (Key Cenlen: A. Csharp. E). of themcs in the fi rst movement. movement or section. EXp05ition tt - 0110. 52-'44 (Key emlers: C, G, A). Epi50de II - mm. 45.fiO (Key Centcrs: B·nat. A·nat. E). Exposition ttl - mm. 61·77 (Key Centers: D. F, C. G). Coda - mm. 711-93 (Key Cenler: A).

SONATA I. 1937 SONATA 11I. 1940 Movement I. Sonata.allegro Form. (Key Center: E-Oat.) Thili entire Sonara ir. hased on Gennan folk songs found In Franz Boehm', Jntroduction - Mm. 1·52 (Key Centers: E-Oat, G) . All deutsc1les Uederbuch. folk ~nml (rom the 12th throu';' 17th centuries. (rhese Exposition - rom. 55· I!! (Key Centers: E-llal. C.sharp). illnn may abo be found in Hindemith's Craft of Musicnl Compositltm, Vol. n.) Theme I - mm. 53·87 (Key Center: E.n.t). T heme II - mm. 88·133 (Key Center: C .• h.rp). Movement J The folk tune "Ach Gott, Wem sol1 ichs' klagen" (0 Lord, to Codetta (Bddg<) - mm. 1M-164 (Key Center: B.nat). whom shOUld I complain) is set in the pedal part (mm. 1·28). Above this, three Development - Mm. 165·270 (Key Centers: B·Oat, A, F·sharp, B. E). Indudes themes arc counterpointed. A two-fold analysill will be given, showin~ the juxta­ motivct from the first theme of the Introduction. pmition of the rolk tune with the superimposed thematic material. The complete Bridge - mm. 271 ·288 (modulatory: indudrs motives ~mbting those in the tune ill thrn repl!3tt'd in the soprano "nice. (Key Center: A·Oat). third section or the Inttoduction). Recapitulation - mm. 289·575 (Key Center: E·Dat). First sctlinc - PhraM! I of the folk tune - mm. 1·6. Theme 1 - mm. 289·M5. A - mm. 1·4. Theme II - mm. S64·!75. D -mm, 5·8. Interlude - mm. 8·9; leading back to theme A - mm. 9·15. The remainder of this Sonata could be considered as three separate movements Plmrle II or the folk tune - mm. 6·15. or as one movement with three large section, or possibly as Introduction. Varia­ Phrase III of the folk tune - mm. 13·15. tions. :md Rondo. C - mm. 14· 19 (Key Cenler: E·D.. ). Phrase IV of the rolk tunt! - mm. 16·20. Movement II (Section I, Movement ll). Two.part Fonn. Phrase V of the folk tune - mm. 21·24. (Key Cenler: E.) B - mm. 19·25 : one· measure extension to A. A - mm. 25·28, A - mm. 1·16 (Key Centers: E, B). A, - mm. 17·84 (Key Center: E). Second setting mm. 29·49; entire rolk tune is set in Ihe soprano voice (Key Center: D).

Movement III (Section lI, Movement 11). Movement 11 . This movement is based on the rolk tune " Wach aur. mein Pbantasie. frei. Variations. (l'he repetitive element is a four-note pedal motive Hort" (Awake. my treasure): the rolk tune is set "cn taille" (in the tenor regis· which is slated once at the outset of Variations I·IV and several times as an ter). Again, sulHidiary material is sliperimpmrd. (Re}' Cenler: A.) ostinato during variation V. The motive rcappcan a (ourth lower in each suc­ ceeding variation. Each variation rontains many transient tonalities: the more A - mm. 1·5. important ones are liatc..'tI .) Phra.se I of Ihe folk lune - mm. 3·4. Phrase II of the folk tune - mm. 5·7. Vni:Hion J - mm. 1·8 (Key Centers: B·nat-, B). B - mm. 5·G. Variation n - mm. 9-15 (Key Ceolen: F-, B). A - mm. G·7. Variation HI - mm. 15·24 (Key Centen: Ct, A) . Phrase: III of the folk tune - mm. 8·11. Variation IV - mm. 24·54 (Key Centers: G·, B·nal). C - mm. 8·12. Va riation" - 10m. 35-52 (Key Cenlen: B·flat, D·). Phrase IV of the folk tune - mm. 12·17 (last nole held a~ pedal point). A - mm. 15·14 • • - T onality due to motive Codett3 - mm. 1-4 ·17.

OtwaW G. D, M. A. tok. Erie col ..... RAGATZ 'alnetvUle, Ohio DAVID N. JOHNSON Profetsor of Organ • l.clta" INDIANA UNIVDSITY ...... david Arizona Slale University Tempe 85281 Guilmant Organ School gooding Trinity Episcopal Cathedral Founcfecl 1199. b, Dr. Wlm.m c. Corl Thor...... Phoenix 85003 DR. GEORGE MARKEY. F. A. G. 0 •• DIRECTOR Cl.v"and i, OhJo 1157 Lexington Ave. New York, New York 1000l 212-472-9185

FEBRUARY, 1971 23 Movement Ill. This movement is based on the folk tune "So wUnsch ich ihr" Part III: A - mm. 74·96 - contrapuntal treatment of theme and fragmenU of (I bid her then). The tune ill set in the pedal part, with CDunt.erpoinu above on theme. Fanfare·like closing sect inn hased on this theme {Key Center: C·"harp). the manuals. (Key Center: A· £1at.)

Introduction: Mo\'cment n. Consists of antiphonal writing for organ and orchC3tnl. Certain A - mm. 1-8. themes are :alloted to orchestr:a or org:lO. (Key Centers: n ·nat, D·£1at. C .) Phr.asc I of the folk tune - nlnI. j · 14. A - mm. 8·14. A - orchestra alone - mo.. t ·9. Phrase II of the folic. tune - nun. 15·22. n - organ - mm. 9· 17 - while A continu[5 in orchestra. B - mm. 15·20. n - organ alone - mm. 17·26. A - mm. 2O·.n ; :lCU as an interlude. A - orchestra alone - mm. 26·33. Phrase I of the folk. tune - mm. 27·M. n - organ alone - mm. SS·35: abbreviated. Phrase II of the foiL:. lune mm. 3541. A ~ orchesLT:a alone - mill . 55·58: abbreviated. C mm. 27 ...... B - organ alone - mm. S8·.r; 9 - more extended and harmonized: later joined Phrase III of the folk tune - mm. 42-49. by orchestra. D -mm.4H9. A - orchestra - mm. 59·6S; wilh organ pedal. Phrase IV of the foIL:. tune - mm. 49·56. C - organ alone - mm. 61'·79; might be construed 3S a codeua or perhaps 0.5 B - mm. 49·54. a 5hort organ cadenza. A - mm. 54·6!. D - orchestra alone - min. 79·84 (Key Center: F). D - mm. 61 ·62. o - repeated in organ alonc - mm, 84·89 (Key Center: D). D - orchestra alone - 10m. 89·94 (Key Centers: D. A). D - repeated in o1lf.ln alone - mm. 94·98 (Key Centers: F, C). CONCERTO I. 192B Extension of the D matcrial - mm. 98 ·110; organ and orchcstra in altern:ation. honzerl Jiir Orgt!llmrl Karnmerarclfester Organ Cadenza - mm. 110·ICri ; incllldt."5 C and 0 themes, Movement l. Modiricd Sonata·allegro Form. (Key Center: A .) A and 0 - mm. lC"' · I92 - organ and orc1I(!.'Iitra. (Orchestra treat, Theme A Exposition: A - mm. 1·21 - Orchestra (Key Center ~ A). and organ Theme D.) A - mm. 21 ·38 - Organ (Key Center: A). B - mm. 38,54 - Orxan; sccond phrase of Theme A continued in Orchatta. B - mm. 54·f)" - rlnrinet; theme Jaler frngmented in bass clarinet. Mm'elUent In. Cnllwneltn in Trimb nnd Tilla llilonlelli. (Key Center: E·nat.) A - mm. 65·67 - (Rather lh:m serving as a rodctta, this might be constrllrd at initialing developmenL) Canlonetta - mm. 1·55: orJr-ln: ~aled three timl."!! wilh differeOi hannonilations, Development - mm. 67· 110 the second and third times in nbhre\lialed fonn (Key Centers: E·nal, C, £·nat). mm. 67·86 - organ prrscnu new thematic material later used by winds, while Ritornello - mm. 33·65: orchcSlr.l (Key Centers: £·£1at, E). solo winds develop imitatively the second phrase of Theme A, 3.nd later the head CanlOneUa - mm. ft4·I07: organ: includes invenion and also imitation of theme. of Theme A. Ritomello - mm. 107· 175: orchestrn: at m. 120 organ introduces Canz:onella mm. 87·95 - pedal point in the winds; organ part develops motivically th~ theme. together with a bass line, hoth in augmentation_ This is basically the two­ rhythmic pattcrn set forth in Theme A. voiced framework of the oriJ;inal. Orchestra continues Ritornello. At m. 155. organ mm. 95·110 - orgnn re·introduces Theme B (Key Cenler: D) while the second states Canzonetta theme again. phrase of Theme A is trcated in winds and bliUSC."i. Coda - mm. 176·181 : organ: imitath'e treatment of Canzonetla theme. Recapitulation - mm. 111 ·118 - Organ plays Theme A in an abbreviated fonn (Key Center: 1\). Movement IV. Phantasy on I'en; erenlor Spirilus. Theme :and six variations. (Key Center: B·£1at.) Coda - TnTn . 119.147 - modification of Theme A; pedal point in high winds. mm. 1·5 - oqr.ln: first phrasc of hymn in fanfare·like manner. darinets. horn. trumpet. low strings, and contra·bassoon: chromatic passage in mm. 4·8 - orchestra: f:mf:are·like Theme A is introduced. canon at the firth between bassoons and trombones. mm. 8·11 - organ; second phra..~ of hymn. mm. 10·14 - orchestra: Theme A re·stated (Key Center: A·£1at). Movement II. Tlm.'c-part Fonn (in the texture of an organ nlo). (Key Center: mm. 14·18 - organ: third phrasc of hymn. A .) mm. 18·20 - orchcstra; Theme A. mm. 20-23 - organ; fourth phrasc of hymn while orchestra continue3 into First l'art: A - mm. 1·11 - organ alone; canon at Ihe augmented octave at a Variation I. distance of one measure. Canon circles 10 n partial repeat at m. 8. Descending pedal scale p3SS3.ge used. as an DStinato. Variation I - nltn. 23·85. Orchl.'Stra introduces opening phrase of hymn in rnpid figtlfl.'5 (Kcy Center: n·nal). At m. 52. original theme of hymn heilrd in 3.ugmen. Second Part: A. - mm. 12·16 - canon nl the minor sixth between nute and oboe tation in organ pedal part (Key Center: Eonat). 0.1 a distance of two and one· fourth measures. Organ Freely Imitative on sub· Variation II - mm. 84· 102. Organ has theme derived From hymn in strict canon sidiary material. while theme is plUCked wflly by 'cellos and bas5Cs (Key Center: n). Variation UI - mm. 103·122. The theme is carried by two horns. Mutcd 'ceHos mm, 17·22 - theme in clarinet; organ continues subsidiary material. and a trumpel play a mnon derived from the theme. The French Ren3.issance folk song L '''omme arme (in n s;lightly altered form) is given to tuba and glocken· mm. 22,27 - canon between trumpet and trombone at the minor sixth at the spiel (Key Cenler: C·sharp). distance of one and one·haU measures. Ollr-ln Cadenza - mm. 126·167. V:arialion IV - mm. 168·208. The theme is in the trumpet·like stops of the organ. Third Part! A - mm. 27·S5 - organ - canon at the octave at the distance of Variation V - mm. 208-260. Sub!lidiary material precedes and later accompanies one beat: canon at the augmented octa\'e in the clarinet and bass c1arinet. at the theme, which is stated by muted horns and three soft trombones Cat m. 222) (Key distance of one measure with organ. Center: n·£1:at). Extension of A Variation VI - mm. 261 ·300. The theme is divided between organ :and orchestr.a. The last phrase is repeated with modulations to extend into a finale (Key Center: 111m . 3$·44 - organ alone: extension or Theme A. F~ly imitative. (Key Center: B.nat). A.)

!'t(o\'ement 111 . T""o'part Form. (Key Cenler: C.)

Part I: A - mm. 1-49 - fugal, imitatin. Introduced first by trumpet, then clarinet (Key Center. C). A - mm. <19·75 - organ introduces new motives (Key Cenler: C) . A - mm. 75 ·97 - fanfare-Jike statement of hod of Themc A in winds and bras.ses. Piccolo continues. Organ has new subsidiary malerial (Key Center: A). B - mm. 97·165 - introduced by organ. Imitative. Fragmenled in winds (Key Centers: G, G·sh:up). C - mm. 165·180 - homophonic texture. Introduced by the org::m. Head of Theme A Slated in winds and brass (Key Centers: E. A).

Part II: A, B, C - mm. 181·S19 - all themes re·med in contrapuntal texture; Theme A predominates from mm. 181 -253: Theme n From mm. 253·296, and Theme C from mm. 297·319.

Coda - mm. S20·~77 - reiteration of a modified Theme A introouced by organ: Themes Band C re·used. (Key Centers: D.nal. C.)

This mo\·ement might be construed as a modif1cd Sonata·Fonn. in which PnTt I (mm. I- ISO) w:u the Exposition. the first division of Part II (mm. 181 ·319) the D~velopmenl , and the second dh'ision (Coda) of Pari It (mm. !20·!\77) an abo breviated ReC3pitul3.tion.

CONCERTO II. 1962 irian Braquet. 16, hat recenlly be.n ap­ George Mana, ha. (Kupled the appoint. Conurto lor Organ and Orch eJ,r" painted arganill aJ &.'hl.h.... Lutfleran ment of conductor and mullcal director of Church. Beaumont, T... a.. A high KhODI a new Boch Fe.ti"ol '0 b. held Augu.t 3 Movement I. Three·part Form. (Key Center: C.sharp.) juniDr. he I. an aUfltandlng MUsil':; .tud.nt. arwt "', 1971 in Killarney, Ireland. Mr. Can having aHained .up.riar raling. In the O'Connell, SftCretary of Ihe Bach Felll.,al Part I: A - mm. 1·14 - 'cellos and basses. Organ has pedal point t: throughout TFMC Jr. f ••,ival •• and criJi!;". drd. rating. committee, announced that a patron'. Ibl A - mm, 14·27 - organ states opening theme. In Ihe National Piano Guild Audi';an •. He already cantain. .upparters 'or th. 'e.II'Ial A - mm. 27..<10 - Theme A treated in winds. Organ states subsidiary material. rKllntl, wan 2nd place in the Tuett $tu­ from bath side. of the Atlantic,. and he 1. d.n' AHiliate HnTar plano conte.t h.ld In hoping that the initial two.oay f ••tival con I'art II: B - mm. 4045 - organ states a new imitative theme which is related Au.lin, Te .. a •. He .'udi., piano and organ b. dev.laped Into a week.long fe.'I'lD1 In to the opening of Theme A (Key Centers: D. C). with Hugh E. ThamplDn, private hacher and coming yea .... Mr. Mana. i. on Ih. foculty A - mm. 45·58 - Theme A in strings. treated imitatively between organ and arganiat-chair diredOf of W•• tmlnlter P,.~ of Th. Catholic University of Am.rica. Wa.h· slrings (mm. 50·58) (Key Center: q. byterlan Church, Beaumont. Bethleh.m Lu· ington, D.C., and I. the form.r director of A - mm. 58·68 - inversion of head of theme in horns; canonic treatment of theran Church'. Mu,ic facllitie. Include a music: of Ihe National Pr•• byterkln Chutch th~me between organ and trumpet (Key Center. B-flal). 23-rank mechanical-adlan organ In.talled In Woshinglon. He has already invited some B - mm. 68·74 - re·stated by organ; accompanied by ostinato rhythmic figures In 1964 by aHa Hafmonn. Mrs. Mary laid. of Ireland's most dlstlnSiulshed soJoi." to in brass (Key Center: B), win Waadtand it chair director. participate in the f•• li'lal.

24 THE DIAPASON r.. Anreles I'uad... Robert Calvert, baritone. Margaret Evans pro­ N};WS OF CHAPTERS Schlasobcnl 1Dat', hoW the Austrians say FeJia: Natividad; Fmchliche Weihnachkn! ,idcd the organ accompaniment. it, and thaI's what Jane: Skinner Hardester Joyeau: Noel! or Buon Natale! It had to bI a Mary C. Hamy AND ORGAN GROUPS and. her EI CamiftO College Chorale ICrved up aHlTY Christmu Dec. 14 at puadeu's West­ to the Chapter Deamber 7 wben we met at mintkr Presbyterian Cburc:h with Harold iUcluoood Ak ... Fint United Methodist Church, Inslcwood, Lloyd aDd the Key,tone Kops lUumimns tile Our chapter celebrated the Christm.. lelUOn A very intcn:.ting panel of seve",i defJ'Y for the annual Christmas party. Schlasoben? " silver" .creen and the inimitable Gaylord with a trip to Colcmial Williamsburg, Virginia. and orpnut-diuc.ton provided (ood for Why - its Whipped Creme! Carter at the "borseshoe" under-scorias thc Dilfercnl sroups chose their own favorite .pob thought at the Jan. meeti". or the Akron Ricllard W. Slater action after whettinr the appetite with some ror dinner. We then IUKmbled at Ihe Wren Chapkr AGO. The ducunion centend arouDd ,ood old-fuhioncd carol sinling and a .ea. Chapel Oft the campUl of William and MafT "New DirectioN in Church Music." Eaclt lonal medley indudin, " Violent Nisht,U " Hey CoU ... e. where JIlInCS 5, Darling pve a recital member of the ~nel Iet!med to feel that eor-­ You BJUIlbino in Gr" "God Relt Ye Mcny on the newty resta red 18th cenlury Enslish pantle worship need. to be made more me.­ Metmpolitaa New jcncy Blue," "Kon Tiki de Noel" t wins a r;l1t 01 oraan, an amu.ing one-manu31 imtnsment. wnt to the laity, We cannot throw out the The United Metbodist Chllrch of South Itopt}, and UBWltehude'. ChrUtma. Tree Laler, we eojoyed mora music on harpsichord traditional but. .. church musicianl, we may ()n,n,c was bact for the December naectilll Variatio"." (bi,bly onwncntcd). and two recorden. A rcttplion W1U held in have to become IJ)Of'e crulh·c in our role. The of the Metropolitan New Jeney when Mr_ Richard W. Sh ter OIiC of the restored homes, "The Robert service may be varied by the use of diUerent Clinord Webh presented It "Do You Remem­ Carter House", which hll' a history dating illltn:lmenb and Iheuased Jay participation. ber Ni,ht" fcaturins the sOllnd. 01 orsan back 10 1746. Many famous names of Ihe An eUort must be made to reach e.ach alJ1!: music not lenerally heard on reab.1 prognlms PitLlbUflh co10aial period had .ome assocUation with it, level at lOme point in the won hip experience. today. Thc "surprise" endin, of the prosram The Christmas mHcins or the PittsburJh ehher as ocx:upants or luosts. Mr. and Mn. Closer communication bctw"n the dulY and leatured Bocllmann', "Suile Gothique" in a Chapter AGO WAS held on Oe<:ember 28 a' Donald J. Gonualcs BOW reside there. )dr. directors in the planning 0( • well orsanized lour-hand piano rendition! Mr. Gerald Burt the Shadyside JlreJbyterian ChIlwa. Ti,e fol­ Gonzales is Colonial Williamsburg vice presi­ wonhip service, bued on tbe traditional and lUIuted Mr. Webh with this interesting and lowing program of Christmas mwic was pt'r. dent for public relations. yet employing new techniquet in ill pn':Ienta. sood amnlement. Following the mUJical pro­ formed by the Shadyside choir under the di­ Ethel Baan tion, may be a partial .olution 10 our prob. IJ'1Im, memben of the Chapter enjoyed a rEction of RUS5C!1I Wichmann: In Tern Pax by kat. Refreshments and le1lowthip loUowcd the Cbri,hna. party with a "Chi~ A"ction" Gerald FI-nli. Sequence of Carob by Philip Williamsport diKuuiOft. addin, much merriment. Thus it w;u a. "2-C" HaUey, and Canbta for Chri.tma. by John Mn. Frank Garner and William Bailey led Wilma Maortin cvcnin, - thc charisma ol Clifford Webh and G.rdner. The music: w;u acconlpanied by a the Chapter in an antbem.rc:1dins session held Chrittmas comllining to make a memorable chamber orchestra and urgan. Soloists wcrc at Fint Bapth l Church, WiUianuport, Novem­ Ccntn1 Arizon:a e'·enin,. Mal'Flrct Rou, .oprano; Alice LonS Walker, ber 20. The Central ArizonA Chapter Mid il. lut nL... U:_ "an Nnt ntnUt-l opf'lUlni Walter Knopll, tenor; and Cum A. Wala. mcetinl of 1970 on November 29 at the rl------.....:.....:.....:.....:~::...... :~ Trinity Episcopal Cathedral, Phoenr.. The cvenln, began with a beautiful prqnun of early American s:acrcd mwic presented by Dr. David N. lOOnson, A.A.G .O .• orp.nuC-c:hoir- muter with the eathedl1lll choir and ,ues! Uutmmenb.lisll. Followin, the concert was the annual clergy dhmer with over 100 in attendance. nle featured speaker of the cve- ninS, the Rt. Rev. Mllr. Robert J . Donohoe, Pulor of St. Asncs Catholic Church, Phoenix, hi,hlilbtcd the mutic evcnts ol his recellt trip to Europe. Marjorie Haas Clernand "A «Iimpse of Study Abroad" was s iven Ian. .s at Fint En,Jish Lutheran Church. Cleveland HeiShu, where chapter memben john Christian, Andrea Toth Haines and Wi!­ Uam TlMcr dlJc:uslled their expcricnca .tudy­ ing with Andre Marclul, Je.:.n Lanslaia:, Wai­ ter Kraft, Michael Schneider. Anton Itemer and Guatav Leonhardt. Wilma Sali.hury

DaUu The Dallas Chapter AGO held their dinner meetin, December H at tbe home of Captain John Beck. A pro,ram of lhe1.tre OllJan music was presented by Robert Cobb on Captain Beck'. rea:ntly installed Wurlitur pipe CKlIan. Robert Cobb is diftctor of the Dallas North Academy of Muaic. He has .erved many Dallas churches a, orxOlniu, includin« Tyler Street Methodist, St. Amlrew', Prnhyterian and Park Citiel Blptut. Dllrnthy Peoples

Durha", The DurlaaUi Cruallter hekl a Christmas pany at the home of Doreen Masor. Kath­ erine Onnston, Eliaabeth Klitz and Belell JeDner, membefl of The Triangle ReCorder Society, provided" l.roglOUII of madriplt and arob. Gcorge Ri'chic and Cynthia Crittenden k:d memben in the unsillS tar carob from The Odord Book of Caml. and Carol. fDr Choin, also fmlll Oxford Unh'enity I'ress. Doreen MaRor

lndbnapolis FoUowinr a dinner lI.nd Lauinl:lS lnC'Ctilig of the Indianapolis Chapter AGO on Tuesday, December 15, membcn and friends attended a service of meditations and carols on the Advent and NOIti"icy of Christ presenled by the Christ Chureh Cathedr.. 1 choir, David Koehrin,. organis t-cboinnaster. The senrice wu htld III All S:ainU' EpiKOpal Chureh. Arline Waul

Lanculer Th~ annual Advent Lunchelln of the Lan· ca.ler (Penna.) Chapter AGO was held on Dec. 5 at St. James Episcopli Church. Defore and after the meal, lIIemben were invited If! _I take adv;anlagc of an old·fa.hinned " white elephant" table featuring .«;ond-hand Inulic {contnllUted by membcn} for the laking, as well QJ to view II display of recital lind church Prosrouns of iaterest. The lOCAl was (ollowed by an imprompeu dila!uiOQ of the O'1l:anUI', workin« condition. and announcerrtcnl of the Handel Choir .1 Baltimore's Mrniah verform­ ance 011 Dec. G, partiallr tPCHlIMed by Ihe Chapter. Rchecca S. HatritcH1

Lawrence-Baldwin The November Ilrt'8r;1m COlllllted of a Icctu~emOi ll tr;lted by Marie-Claire Alain Oft the perfonn IICC practice of 17th-cenlury French oraap muaic. concerts, musicals, or Tbe Decemher l'IU,raln "'liS an ,\ GO­ The big sound has come SPOnlOred Community Servk e IIf Xine Leuons to the campus of Southern ceremonies, the only organ and Carob, in which ei, h. local choin and to think about is a Conn: nine readen from , .. riow ""'""' nf community Connecti cut State College. life participated. From the people who have J. Bunker Clark When the music department at Southern decided to buy been making the world's. CentnJ New jcrlC')' finest orchestral instruments The Dccembu meetin! of the Central Ne¥.' a new organ, one instrument lenq Chapter AGO was held in lhe chapel since 1875. of Peddie School. Hi.btslown. N.J. on Dec. 7. answered all their require· exclusive Electronic Pipes. A combined orpn recital was givell by Dorothy Ashton, Allaabcll CO!t Us. and POIul ments. The Conn Custom. Whether you're looking Scheid piayinS works i.y Stlwerbr. Barber, This magnificent installation for an instrument to star in Conn Organ Stout. Stanley, Bach, and Alail!. Afterwards, a film entitled "Orpn" W1U shown by Mr. is complete with Conn's your school's music program, 616 Enterprise Drive, 04k Brook,III.60521 Sc:beid. Dean Nickel prD\'ided refreshments. Annahell Coutts

FEBRUARY, 1971 ~ CLASSIFIED ADVERTISEMENTS

POSl'rJON WANTED MISCELLANEOUS 'f'ANTED- MISCELLANEOUs FOR SALE

POsmON WANTED ORGANIST· SERVICE MEN - DO YOU LACK SHOP WANTED - WURLITZER HORSESHOE FOR SALE - !-MANUAL, 27·RANK PEL­ choir mrcclor lecks full·timc poiletoft In I~ce~ We .pecialize in lealht'r ,,'On, rec:ever_ console, Iwo-manual, with pedal clavier. De· dler orpn. dated 1914, new Schanb aUlsole Protestant church. Ovn' 10 yean e:c~ricnce ins pnt'umatia, pouches. actionl. enllravinlJl, .in: .lyle 210, "F", or "H" . Please .bte 1952 . Pun::hascr 10 n:movc by April 1, 1971. with youth and adult choin. Exccllcnt reler· etc. Write R. M. Minium &. Son, BOJ[ 293, condition. amount or cable, t'I C. Charles J. Bids taken until March 15, 1971. Intlrument ances. Wm. C. Whitley, Apt. 5 - Pinehurst Lewubul"ll, Pa, 17837. Hatter, 2914 Glen Oaks Dr., Wichita, Kan­ lIlay be i.rwprt:tcd by IIppoin t me~ t with Mr. Homes, Tarbom, N.C. 27886. 919/823.2970. sas 67216. Phone 316/rl83-3301 eveninp. Gatewood Brown. Chairman, Board 01 Trustees. POSmON WANTED ORGANIST- S PER R H A K E HARPSICHORDS ANn at Fint Baptist Chun:h, 12th &; Chestnut, choir director. Prden north/ northw,,! Chi. clavichords. ElICt'lIent, deDt'ndablc, beautiful. WANTED - DUO·ART Rl:.""RODUCING Bowlinll G~n , Ky. 42101. For .peeific:.tinll pipe orpn. Also piano & nrpn mlh or all typa. ItM KIf·;addre.td . tamped ennlope 10 church. n~ area or IUrburb:.. BM dqrce. majon rio R~rt S. Taylor, 871D Garfir.ld St., Bc:thcsda , Gr.r.Itt'Jn, 1211 Saula ClaD, ,\lamt"d:r. , Calif. anu/ otp.n-c:hurch music. 6 yean e"IJCricnee Md. 2003-1 . 7-RANK din-clor of mllsie, 3 as nrganue. Addra.s 0-2, 94501. FOR SALE HINNERS chu~ ripe orpn. New kathen, new Rei'nt'r TIIB DIAPASON. WANTED- MlSCELI.ANEOUS WANTED _ USED MOLLER PIPE OR­ ma!net •. This ripe organ is rlayinl' Ilart. are POsmON WANTED QUALIFIED ganl. Reply with comrlcte sJ)«ificalion, opus, like new. COl1lOle rellnished. Vuit this o",an, nrg,m man with over 12 Yc:ln expcrirnee in WANTED EXPERIENCED ORGAN f.o.b. cash price. Address 11-8, THE D,APASON. play it in our buildinlf. A bargain at only rrbuildinll. installation. and Irrvkinll ,edt. a me-no Tuoin!r and Kn'lee - mu.t be capahle $1 950.00. Ted Marks, 29'32 N.B. Uniun Ave., pcrm:mt'nt pntilion with rTHable linn. Addres. :lind willinl fo do top quartv work - t'lectm. WANTED - USED PIPE ORGAN. IN­ Pn'nland, Ore. 97212. pneumatic and lracker. Rt'ply JIlivinll details "-t, Tllr. D .... PA5(1N. clude .pedJM:.:!ilioru condition and price. of upericnce and waKft rcnuirTd. All ffplie. Prefer two or three.manual "hGncshoc" atyIe FOR SALE - NEW ORGAN l'IPF.s, 51~ in Itrictnt confidence. uct'Uent opportunity console. Addras B-5. Tile DtAPA5oN. .pnucd metal, Mbnures, Seharffs. Cymbcb, MISCELl.ANEOUS tor ri[llht man. Cunnin_llI'm P;De O",'n• • Octaves, etc., p';Omptly avaibble. E"ccllcnt Inc., P.O. Box 231, PMt William., Ohio WANTED _ WIOKS FUGA DE· workmanship. Wrlle 10: E:(perlJ: nn Orpn 451EPt. 3-RANK. "TIlE HARPSICHORD", INTERNATION­ IlUe organ (or home inrtallation. Also want l'ipt'J. Grebr6der Kis 53 Bonn Deuel, West al quarterly lor In,,'us of rarly keyboard in­ Howard Wonder Scat. Located in Eatt. Ad· Cermany. l1rumcnu and mUlic. Articles, inkrviewt, WANTED EXPERIENCED ORGAN d~ B-3, THe DtAPASON'. phofosnplu ,D.Dd iIIu.tratioll! by IlItby'l fnrc· IUrn. Shop - "encral comtrwctinn: conIDIa, FOR SALE TWO.MANUAL CONSOLE; mott artul.. $8 pcor annum. Irall"i. 3 sell IWd) tbadcs .t: t'nKincsj 2 rcclilil:n; "nil' dtnl.l, c:aseWftrlll, etc. - tnllClller and dectrl!_ WANTED ORGAN HARP WITH chord", Bo)l: 432:3·0, Oenvrr, Coin. 8020-1 . rneumatic. Rt'ply lIi"jttJ( details of experience melodia 8', flute d'lImour 4'. di:apuon 8'; metal ban and action, preft'n.bly WuriitlCr. make o(it'r on any II r all. P.O. 8ln 72128. and WillCS requirfll. All replies in stridcsi abo o~cst!'31 oboe 6" to 10'" wind Fred HARPSICHORD - COMPU:TELY NEW ctHtfidt'liCIC. Exttllent opportunity ror right Hennes, 61G 6th St., Racine, Wis. 53400. Dallas, Texas 75222. dcsillO six feet long with either 11111' , two , or man. Cunninlh,m Pipe Orxans, Inc., P.O. three .eu 01 strinp. Kiu fmln $175; also Ro:( 233, Port William, Ohio 451EPt. SELL OR TRADE - MOLLER 3/11 DE­ completed instrumcnlJ:. Clavichonl kit {rom WANTED - SIX-RANK CHEST. Abo 3. I""c theatre "fRans. Seven percussiun plus $100. Write (or IreI' brochure. Zuckennann n.nk mixture and blodt nutc 2'. Braylon Stark, live extra Qnb !lnd ehcsu. I'elrr Francis, .f09 Granier, Granville, Ohio oI3I)?..J. HlU'plichonh, Inc.. Department D, 115 WAf..'TED - PIPE ORGAN BUSINEt.S IN 1024 North Atlantic: An., Daytona Beach, U.S. nr Canada. consider invcstmeRI or Christopher Street, New York, N.Y. 10014. Win Fla. 32'(U8. IllIrclaate . (nlcrested in doins new tnac" FOR SAI.E organt. MaUl' yt'an C:J:pericnce all rhues orpn HARPSICHORDS AND PEDAL HARPSI­ work. F. C. Drews, R.D. 1 Box 527, Sinne FOR SALE - ALLEN 2.MANUAL, 32- chords - the idul instruments fur ol'FlnislJ RitlRe, N.Y. 12484. FOR SALE - TWO.MANUAL, 2O-RANK l,ed.,.1 AGO, model WT orsan. Excelit'nt condi­ individuals, and Kllool •. For brochure tend 251 Maller orpn, built in 20's, rt'baih 1951, elec· tion. New Gyro .puker .ystem. Guar.IRtcc. fo S. Sabathil It. Son Ltd., Dept. D. 10&1 Ho. tro-pneumatic pclion. Currently in usc. pur­ Best Qf(er over $2700. C. G. Smith, 4206 mer, Vancouver, B.C., Canada. WANTED - HISTORICAL DATA ON chaser to remuv~ . Best oUe-r. COlllllct Donald Sunningdale, N.E., Albuquerque, N.M. 87110. ArnUall autl Duo·Arl pla)'er pipe orpn. and G. Moe, Roanoke CoUt'lIe, Salt'III. Va. ~" 15 3 . FINE HARPSICHORDS, CLAVICHORDS rolls itt<:l"dilil dIe Conccnola. Also want ."u., Phone 703/389.2351. FOR SALE - KINETIC BLOWER. 5 oriKinal pipework and components for above. made in divene conlisurations and dis"",itions. "II. .inille rlt:lSC, 7,,"" pressure. $80, you Write, phone, visit shop. E. O. Wilt, R3, A. H. Rebson, 6309 McPitll'non. St. Louu, Mo. FOR SALE - ALLEN ELECTRONIC OR­ .hip. 213/397·3424. Tim J ohnson, 12918 Gil­ Three Riven. Mich. 49093. 616/24-1-5128. "'130. pn, orillinal cost $13,000, two manual, 35 man: Ave., Lot Afll eles, Cali(. 9006(j. speakinll 'IOPl, 15 couplen, 17 pistons, 32. HARPSICHORDS, CLAVICIIORDS WANTED - MUSIC ROLLS FOR AUS· note pedal. In perfect condition. I'ricc n~­ USED PIPE ORGANS FOR SALE BY Magnificent tone I: handsome appearance at tin, Wdte, Skinner, AlCCJlian, Duo-Art and IIOwble. Sealinll capacity o( church 500. Wrilc chun:ht'S where we are installing new Mbller reasonable cost. Maurice de Anllrli. Box 100, £Stry I.ipc organ playen. J. V. Macartney, to Calvary UCC, Centre Ave . and Oley SI ., I}rpm. Write Eugene E. Ponle. 16.5 Lakewood R. D. :# I, PenMbul"!". p", 18073. -W6 Havmord Avt' _, NlUbcrth, PI.. 19072. ReadiDl. Penna. 19001. Rnad, Walnul Creek. Calir. 9-1598. ------OUR 1971 CATALOGUE ILLUSTRATING A COMPLETE LINE OF ORGAN SUPPLIES, PIPES Wffi'I'E, SON COMPANY, INC. & TOOLS IS NOW AVAILABLE. SI'ECIAUSTS IN THE MANUFACfUIIE OF Send $1.00 for your copy of this complete manual. The deposit is deductible from the first purchase of $10.00 or more made during 1971. DURST & CO., INC. ORGAN LEATHERS P . o. B O X 1 1 65 M • E RI E, PENNA. Sample. on ICequetil - Ithone LIbert, 2 .. 7550 " THE LARGEST AND MOST COMPLETE ORGAN SUPPLY HOUSE IN NORTH AMERICA" 222 Summer Streett Boetont Mnesndltlecue 02210

CHESTER A. RAYMOND, INC. PIPE ORGAN BUILDERS McMANIS Rebuilding, Maintenance and Addltlans KANSAS CITY, KANSAS P.O. Box 55 Princeton, N.J. 08540 66104 Phone: 609-924-0935

LOUIS F. MOHR & COMPANY ORGAN HANSEN E. H. HOLLOWAY G. F. ADAMS MAINTENANCE ORGANS Organ Builders, Inc. 2899 Valmtine Ave. CORPORA nON Constructors New York 58, N. Y. Builders of Tdcphone SEdgwick 5-5628 & 204 West Houston Street Rebuildors of Traclcer and Electro-pneumatic £mef'Kt'ncy Senia: Yorl, Contncls New Yark, New York 10014 Harps - Chimes _ Blowers QUALITY slider chest organs. Expert Overhaulins PIPE ORGANS Telephone ORegon 5-6160 ".A" O"a" Pr."6n1 M.j,dai"6d M~rJ1IJ INDIANAPOLIS, INDIANA Bd'6r MlU i~" QUINCY, ILLINOIS 62301 Tel. 637-2029 P. O. Box 20254

WENDHACK ORGANS CA NN ARSA Classic Imparts, Inc. O RGANS Felix Schoenstein AIKIN ASSOCIA TES BOX 144 CLOSTER, N. J. 1300 T,.ee IN C. & Sons Pipe Organ Builders "'"e D,.,,,. NEW SELECTIVE (201) 761-7231 Me'houl'lte, FlorIda 3293$ ORGANS REBUILDING P~.ft. ]05 77]·1225 HOLLIDAYSBURG, PA. 11848 SAN FRANCISCO, CAUF. Tunins .. Moinlnonce - Rebulkllng

26 THE DIAPASON , CLASSIFIED ADVERTISEMENTS

clo"m_ adverti.I,., r1If •• ~ p., ward, $.20; minimum dtarse, $2.50; bax numbH. additionol $1.00. Repll., to benc numben .houlcl b .....t c/. Th. Diapason, 434 S. Waba.h Avenue, Chico,o, III. 60605

FOR SALE FOR SAt£ FOil SA/.£ FOil SALE

FOR SALE - CHIMES: MAAS ROWE FOR SALE - HAMMOND ORGAN, A- POR SALE - MOLLER ORGAN, ABOUT FOR SALE - MISC. PIPES. S RANKS 21-nol(', l~" diameter tubes. $80. De.gan 15· 100, late model, complete with pipe organ 1929, 18 voices, II Jtopa on gt., .5 couplen. l().in. wind; Rbi. Morton 8' concert OUle nole, ." diameter, electric action, 'land, ~. perruaionJ and Leslie tone cabinet. Consuls SW. 7 stops, 2 couplen. Ped. 5 .IOpi. 2 $100. Link of' diapason $8.5. Austin .., Viol Maas·Rowl! Vibrac::hime, 25·nol(', with amplifier, of 49·001e aluminum bar harp. 37' note slodum­ couplers. Combination action in console. Con­ d'orcheslft $75. 3 nmb Estey 508 in. wind; speaker, keybnanl, rdini.hcd case, $200. Moas­ .piet and ordu:~tr.a Jx.1I.. 3?·nole xylo­ .ole while with mahogany trim, 15 yean old, 8' dar.abdla $90. 4' flute d 'amour $50, RnwlC Vihr,u:hord bellt, 44·nole, keyboard, am­ phone, hMs dMlm, snare, caslaneU, tambourine, but like new. Orpn in wry good condi. 8' vox humana.unique $80. AU pipc!l sood plifier, $325. Wuriitzer, Jodlllc pipe OrpA, two­ ""'DOd block. liftn, hom, whude. etc., pownm lion. Must be out by last wed! in June condition. Bill HoUnu, P.O. Bax 305, South manU:ll, 3'ranlt, with blower $US. R. Babr, by V, hp. Spencer Orpbto (15- wind). Semi­ 1911. Aiking $5,000 or best oUer. Fint Pns­ Vinebnd, N.J. D83OO. 609/691-6183 . 1000 ConH1osa Road, D.139. Rosemont, PennA. portable. Cost $10,000. lacrificc $5500. Perf. byterian ChUM, Box 381, Cranbury, N.J. I!)(IID. 215/LA-S-S9fO ('veninp. condo R~rt McLean, 1700 Butler St., wlon, 08l12. Phone 609/395.()891. FOR SALE - KIMBALl. THEATRE OR· Pa. 18042. Phone 215/258-9013. san plU1l! slockenspiel $200; xylophone $200; FOR SALE 3·MANUAL, 9-RANK FOR SALE - HARPSICHORDS AND near complete toy counter $ISO: 4·rank ullil Kimball conlOle and rt:lay, 12'note pcd31 FOR SALE - IIUTCHlNS·VOTEY OR­ clavichords made by J. C. Neupt'rt and S. chest $225. Gotdried pipc::s: (,.inch wind, 8 h. oollrdon. 12-note ~I contra bass, both wilh pn, 3·manwl tike new Welte console. Stops: Sabathil & Son Ltd. Finest quality, (ully salidonal & 8 It. cC'ieste $125: 97 note dul· chau. Resenmirs, 3·R chat, trunolos and sre.at.lO, 1'ftl1.15, choir-9. p.-d.a.I.12. Oth"r frUaranteed. Larscst selecUon available from dana $17.5: n'nDle viol d'orchestn $1.5. • hades. Three.manual, I6-R Wurlitnr conaole. .p«iflcaUons on requat. PIe;ue call 617/2+f. our showrooms. Fi.,utei,., N,.w Av.oriUbl, • Mon:h. 121 BelDCiIt Rd., \kollmnft, N.Y. 11110 . :\00 rday. Relay has lOme damage Robert S148 .her .5 :30 p.m. or write He~rt Crocker, Free Catalog. J . W. Alfen. 500 Cltnway, Janney, 136 Willi. Av". Minrola, N.Y. 1I~1. 137 Auburndale A~., West Newton, MIUS. Bnslol, Va. 24201, 703/669.a396. FOR SALE - THREE·MANUAL KIM· Call 51G/146-OO6!1 aft!'r 9:30 p.m. 02165. FOR SALE - WURLITZER PIZZICATO ball stopkey console, $200.00. Two·manual Reu· ben Midmer consol", $12.5.00. Two·manual Estcy FOR SALE - 2·MANUAL AND PEDAL FOR SALE - :1·RANK. I·MANUAL ~Iay complete with cables and tenninal board 110 c;a5e, Wicks FUlCtta. diapason, Dute, duldana, self· rudy to wire in; Wurlil~er marimba (r'om New ned organ with blower, $50.00. Light Moller orpn, 1926, 12 ranb. Same re· scale utey pedal bourdon, 3O-nolCl, $llXJ.OO. Irathering done: new htower and rectirlCr. ~. contained, :1 It. x 6 ft. x !i h.·1inches. Waln'u York Hippodrnmll", .wilch stacks, tnmolm and Blo"'en and moton. Write Cannana Orw;.N, livery alter Jan. I, 1971. Jenlsalem EvanFlical case, oedlent condition, free deli ... ery Mid· console bench. G~lrse Alkn, I H.5 G~en . LUlhcran Church, 4605 Belair RNld, Baltimnre, West ana, $600. Gkn M. Smith Jr., 4OIl5 mount RO:\d, Haddnnrill"ld. N.J. 0lI033. fUJI Inc., HoIIKla,.,bullJ, Po.. 166&8. Md. 21206. 301/485-5150. Southwat Blvd., Tutu. Okla. 1-tlO1. 918/ -428.&>66. ,","3203. FOR SALE - AEOLIAN·SKINNER FOUR· FOR SALE - MOLLER TIlEATRE COM· FOR SALE - USED FOURTEEN.RANK manual console, 1945 vinta,e, including rc. pOllen". 3 Gottfried reeds, 2 strings, 3 flutes, ALLEN ,3..MANUAL RMW THEATRE orpn. Excellent condition. Trnded in lor new mote combination machines. AU working whcn diapaSC)n. Deapn chimel, [)eagan combina· organ with piano used by famnus anist whn instrument TCquiring difreftnl an:hhf'Ctural dbmantled. Stamped, Iclf·addrused enVclOIH: tion/harp·slock·bells. Spencer !i HP hlower. iI wi!lin. to lote $3,000. For immediate sale. layout for new bundinA'. Contact Wic.b Organ for detaib. Fred Buch, IS91 W. Main SI .• Chicago (Mt. Prolpcct) 912/255.1142. Can be Ken at Victor Pianm It Organs, 300 Company, 1100 Fifth Stftel, Hishland, lili. Ellhral3, I'.,. 17522. N.W• .54- St., Miami, Fla. 33121. 305/151- anil G2249. THEATRE PIPE ORGAN RE·INSTALLED 7502. FOR S,\LE - SET OF 25 BRASS TUBU· in home. Tcn nnu, W. W. Kimball Co., Chi· LARGE SELECTION OF TWO I: THREE Iar chimet. EIt'Ctnr: .triking action wilh c.anoP)· cago 1925. Good rondit~n - $1600. Vinant FOR SALE - NEW 3-MANUAL TIlEATRE manual restdenee .nd church oTSans, pipe: or lind k\:Yboanf. Beach manufactu~. Askins Downer. 331 Main Street, BinshamC illn. New organ COJllOle unfinished oak, with pedals el«lronic, AGO conNIII'S. Write Newpon Or­ $315.00. Write Paul rOl)'crchill, 489 Dorothy York IS905. and bench, double bolster. $900.00. W. L. pNl, 15!13D Monm... ia Ave., Newport Beach, Avenue, Johmlnwn, 1'3.. J59OG. R.eic:helt, 2&43 Line Lexington Rd., Hatfield, Calif. !l2660. FOR SALE - HARPSICHORDS, CLAVI· Pa. 19440. FIRST SATURDI\Y OF EACH MONTH - chords by Neupert, world', finelt, oldest maker. FOR SALE - SEVERAL FINE REED 10 to of: Sale: I'iprs pion, Estey tuneable Catalop on rrqucst. Marnamusic, Sharon, FOR SALE - 2.MANUAL, 10·RANK orpns and mclodcom. Expertly rcconditiooed. harp, blo""en, mitc., etC. Parke residence, Conn. 06069. EstCf No. 2S63. complete, cufftntly in usc, Reedt, ~voiord and tufted. Alto repbcelnents. South a: Col'COni SIS., earliMe, Mass. 0114t. Stepbeft E. Drr:w. Orpnist, Pan Boulevard The Lillk. Orpn Shop, C. H. Glln,unger, Bolt Presbyterian Church, 4101 Pan &ulevard, 276, Williamsville, Vt. 053G2. FOR SALE - HINNERS PIPE ORGAN. FOR SALE - 3·MANUAL MOLLER CON· One.manual, in woning condition. Best oUer. Oakland, Calif. 9-4002. MJle, 1958. tbi. with I'ilcher arpn, came hum St. Paul's Lutheran Church. ContOict Edw. FOR SALE _ METAL ORGAN I'II'ES. Fint class workmanship. Helmut Hempel Or. Chapd, Searriu Collese, NlUhville. Separately Kleindienst, 98 Harwinton Ave., TerryvUle, FOR SALE - MAaR &: COLTON or all. Bill Price Buick, UUflin,ton, N.C. 21215. Conn. 06186. theatre pipe otpn. Horseshoe console, 2·man- gan I'ipcs, 4144 Wat 50th St., Cleveland, Ohio. 11311, 5·r.ank, chimes, belb, xylophone, toy +UH. FOR SALE - NEW AND USED PIPE MOVING SALE - MANY RANKS OF counter. Marked and ta~ .",hen disma.tkd. bk»wen, lIew and low prawft pipes, wmc high prusun:. Send Exc:dIent condition. Pric:t: Muced to $2500.00. FOR SALE - COLE Ie WOODBURY, orgam, used swhcha. SASE lor list. CenlUfT Pipe: Organ Co., 318 No Irltrn, phon!!; only 319/ofM-4362. S. E. 1B92, 2·manual tracktr, 18 ntonb. TOIpe, ph.lIOI, Write: Fnnk J. Wasner Sr., Wagner Orpn l\ndenl)n Blvd., Gene,.;t, III. 601:H. Peten, 119 N. Maple, Monticello, lao 52310. etc., on request. Addnss M·3, THE DtAPASON. Co., 6910 Wise Ave., 51. Louis, Mo. 63139.

RUFFATTI RODGERS PIPE ORGANS ORGANS PADUA. ITALY fROM TIl! EUROPES LARGEST AND fiNEST WORlDS LARGEST IUILD8 IUILDER Of MODERN PIPE ORGANS Of ~ MANUAl ORGANS REPRESENTED IN CALIFORNIA BY RODGERS ORGAN STUDIOS 1 B3 Golden Gate Ave. San Francisco 861·1891 'K~INC. MANUFACTURERS or QUALITY ORGAN COMPONENTS •••••••••• • ·ORGANERIA ESPAAOLA" (Madrid) DELAWARE Th. Int.m.tton.1 Socl.ty af O"an I&Illd.n l250-odd m.mlMn) at thl, 19" Coh9r.ss .,ot. e this artian manufacturer on. of the world's fln b.,'. Top quality, .ny action type , .. OIRGAN COMPANY, INC. • quired, men' competltl.... pflclnt. aad camp.,atl.,.ly .., .Iy d.n.... ry. S.nd UI your specs, and • I•• v, m.iI. a lid. D. WhUIh9, R.PftI"n'atl". (A.6 .0 ., MIt S. Grand An" Los Aft 911" toOI7 0 1 progressive company with traditional Ideal. designing and building custom pipe organ. ••••••••••••••••• 252 FILLMORE AVE. TONAWANDA, N. Y. BERKSHIRE ORGAN COMI'ANY aooKS ON 68 So. Boulevard. West Springfield. Ma,sochuselb ORGAN & ORGAN BUILDING D. S. WENTZ, INC. Member: Inter national Sudety of Org:.n Builden EARLY KEYBOARD MUSIC Pipe Organs t Just Published J.K.F. FISCHER. Saemlliche Werke CREATIVE ORGAN IUILDING fOR ARTISTIC MUSICAL RESULTS CHAMBONNIERES: OeUYres compl.'e. P. o. Box 222 Send for cato!aguH. Worth. III. 60482 BROUDE BROTHERS LTD. Greenwood Organ Company 56 W.st 45th St. WA S!oS34 GI8-0534 CHARlonE. NOR'" CAROLINA 28205 New York, N. Y. 10036 ~ 17HREf OENERATIONS Of ORGAN BUILDINO" r::-- 00 IT VOURSELf ,IPE ORGAN KITS • Reid Organ Co. ORGAN SERVICE· J.E. lee, Jr. CUllom spec:ifd.tlonl for dwrch or reslduc_, compl.t. ar parts, full In. STEINER P.O. 363 KNOXVIUE. T~NN£SSEE 37901 ,t.,.dlOftI by .st.bll,hed Of,.n bulld.n. "x ORGANS, INC. (401) 24103167 BDX 2061 COlKIT MFG. Co. P.O. lax 112 1138 GIIlYln Place Tuning - Maint.nanc. - R.bulldlng HII.r Stlltlon, luffalo, N.Y. 14223 Louisville, Kentucky 40203 Sonia Clara. California mJ Track..- • Dfnoct Electric Iii Can,uhan',

FEBRUARY. 1971 27 LI.1:1a,," CO',.cez-'C :M'a,.,a,gen 'e.1l'C

ARIIOuncing

European ArtiBts SeaBon 1971·72

ANTON HEILLER Aug. I·Nov. 12

NITA AKIN FLOR PEETERS Oct. & Nov.

LIONEL ROGG Oct. 10·Nov. 10

THE DURUFLES Oct. 15·Dec. 1

PIET KEE Late Jan. & Feb. ROBERT ANDERSON PETER HURFORD April

GILLIAN WEIR Throughout Scason

First American Tour GUY BOVET. from Geneva April

ROBERT BAKER GERRE HANCOCK DONALD McDONALD

DAVID CRAIGHEAD CLYDE HOLLOWAY MARILYN MASON LADDTHOMAS

CATHARINE CROZIER WILMA JENSEN FREDERICK SWANN JOHN WEAVER

~'-

" -".~. "" . - ..;.=.' .•, ~ -\ .." ~ RAY FERGUSON JOAN LIPPINCOTT WILLIAM TEAGUE WILLIAM WHITEHEAD

BOX 272 CANAAN, CONNECTICUT 06018 203-824-7877