Volume 46, Number 12 (December 1928) James Francis Cooke
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Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1928 Volume 46, Number 12 (December 1928) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 46, Number 12 (December 1928)." , (1928). https://digitalcommons.gardner-webb.edu/etude/47 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PRICE 25 CENTS December i928 32.00 A YEAR THE ETUDE DECEMBER 1928 Page 893 I DO NOT CARE TO ▼ YetE thTHINK of singing as a com¬ wplete art, an entity in itself. And so I Berkey SING ALONE am called a soloist. BY Yet to me the gift of the human &<jAY voice, divine as it is, is not sufficient unto itself. In grand opera, flute or piano trill cadenzas with the coloratura; the full orchestra thunders the chords of a chorus. Opera stars do not sing alone. If accompaniment is important in opera, it is absolutely SOPRANO vital in concert work. Here the singer must rely entirely on METROPOLITAN OPERA one instrument—the piano. And only when the tone of the COMPANY piano harmonizes completely with the singer’s voice do you ★ have that “sweetest strain” the poet described—“a song in which the singer has been lost”. I realized this during my concert tours on the Continent. But it was not until after my arrival in America that I found the piano which possesses this sympathetic quality in the highest degree. This piano is the Knabe. When first I heard it, I was startled, so humanly eloquent was it. In its warm, rich tone, I seemed to hear myself singing. And soon I was singing. But I did not sing alone. The voice of the Knabe rose with my own and blended into it. My solo was a duet—and RADIO or recorded music at the turn our duet was a solo. of a switch... SYMPHION through an entirely new principle converts the Since then the Knabe has been my closest musical com¬ ordinary 60-cycle AC house current to panion. It sings with me in my home in Vienna. Each Fall 3,000,000 cycles . This makes possi¬ when I return to New York, a wireless from my steamer ble the use of the 201A tube with its far makes sure that the Knabe will be waiting to welcome me to wider range of frequencies and excludes my hotel apartment. The Knabe is with me on the stage of heterodyning and hum . Result: the Metropolitan Opera House, and on the concert platform. every tone is reproduced—as it is played. And whatever I sing, the Knabe seems to sense the emotion in my heart, and to express that emotion with a delicacy that defines every subtle shade of feeling. Because the Knabe is so responsive to my moods, it has become even more to me than the perfect accompanist. It has become an inspiration, ever urging me to sing my best. Like Madame Jeritza, you want a piano that can mirror your moods in music—that can echo your every emotion. Hear ruw iaJotU of.yi/iuAui the Knabe—the humanly sympathetic quality of its tone. Then you will know why Madame Jeritza chose it—and why Ponselle, Martinelli, and many others have chosen it, too. true of the Symphion playing recorded music or music over the air. NEW music instrument, the Why it is the official piano of the Metropolitan Opera Com¬ BALKITE SYMPHION, plays both Ask your dealer to play Schubert’s Unfinished Symphony for pany, and the artistic medium of those world-famous pian¬ you—its purity of melodic form requires perfect fidelity in re¬ ists, Rosenthal and Orloff. Why it is the ideal piano for broadcasted and recorded music production; you will find that the Symphion gives this perfect your home. tonally complete, with the long- fidelity. Music over the air will be played in the same tonally A 10% down payment places the Knabe in your home—you have complete manner. years to pay the balance. Prices from $875 to $2,500. sought overtones and subnotes. Period models from $1,500. Your dealer will be glad to demonstrate the Symphion. Fansteel Both the phonograph and the radio have captured the general Products Company, Inc., North Chicago, Illinois. Wm. Knabe & Co. public. But there has always been a special public—musicians New York Baltimore and music connoisseurs—who have not been satisfied. Their attitude has been that reproduced music leaves out cer¬ tain notes in the upper and lower register, and esthetically im¬ portant overtones. This is the attitude of extreme fastidiousness. Yet this attitude has constituted a challenge to radio and its marvelous achievement. The Balkite Symphion meets this challenge. It is radio for the musician and the music connoisseur. It is tonally complete, and with the long-sought subnotes and overtones. The same thing is Jdiancr Photo by Setzer, Vienna Official Piano of the Metropolitan Opera Company SANTA CLAUS CHICAGO jggig IS COMING! Outstanding Vocal and Instrumental Novelties Memory (Vocal).C. W. Cadman 9i CINCINNATI £E#^Sgg Adoration (Four Hands).F. Borowski 9; Will you kindly help me with March of the Classes (Four Hands).. .M. L. Preston 9! my Christmas burden ? Half a A Song to the Stars.R. Kinder 9‘ DETROIT million deserving poor — men, Berceuse (Violin and Piano).J. Donaih <t Dwell in My Heart (Vocal).H.N. Wansborough 9 women and children — will look FRpTHINGHAM^g to the Salvation Army this Christ¬ Delightful Pieces for Junior Etude Readers mas for a little Yuletide cheer! Robin Sings a Song.M. Bilbro 9 Imagine their disappointment and Time Flies..W. P. Hero 9 misery if it is not forthcoming! Pride of the Regiment (Four Hands) .0. C. Crammond 9 A Sleighride Party.. Dutton 9 Flower Waltz.H. P. Hopkins 9 TOWSLEY“giII Christmas Bells (Rhythmic Orch.).A, Seidel 9 Kindly mail your check “Etude” readers, who desire to locate articles nuh without delay to lished in previous issues of "The Etude’’ are Seed to consult the Reader’s Guide which is to he found in most public libraries. Copies of previous issues may be supplied Commander when not out of print, at the regular price—is oents. ' EVANGELINE BOOTH The Salvation Army 120 West 14th Street, New York City DECEMBER 1928 Page 897 THE etude THE ETUDE Page 896 DECEMBER 1928 <5he 'Musical Home ‘Reading ‘Cable Anything and everything, as long as it is © The Etude Music magazine Instructive and Interesting Conducted by A. S. Garbett Twelve Months heard these appealing songs? of You will find Oliver Music Company Beethoven's Weaker Side Real Musical Delight songs a welcome addition to your pro- filled. There are few more regrettable So much has been written of Beethove grams. The; imagination and color of The countless letters of unrestrained enthusiasm for of late that it is refreshing to dlP _mto EaUI episodes than that of the publishers’ rivalry these poems by Oliver Murray Edwards Bekker’s recently published life of the reat for the great Mass which Beethoven prom¬ the new Etude assures us that in no way can the have been finely translated into music composer and discover that along with his ised, almost simultaneously, to six firms, music lover get more pleasure and profit than from a by Dr. William Berwald, internationally only to hand it over to a seventh in the end. many virtues he had his little weaknesses, regular subscription to The Etude Music Magazine. known as a composer. chiefly with regard to money matters. _ The request for monetary support, couched Every singer and vocal teacher should “Beethoven’s conduct in money matters, in the most moving terms and sent to Lon¬ hear and have Love’s 'Wildwood, Trail says this frank admirer of the great genius, don from his deathbed, is a conscious mis¬ Only Two Dollars for Twelve Splendid Issues "was one of the weak spots in his charac¬ representation of the state of affairs; even and a number of other Oliver Music ter and cannot be presented in a favorable the fact that it was prompted-by love of Company songs. light. Like many another man of genius his nephew cannot excuse it.1 aThe Music Gift Supreme!” See copies at your local dealer...or whose predominating interest lies in the “Signs of a fine magnanimity are not realm of ideas, he overestimated the value write us for thematics. lacking, however, as some mitigation of of money. He would never prostitute his A GLANCE AT THE COVERS FOR 1928 IS A PORTENT OF this darker side of Beethoven’s character. art to pecuniary needs, but he was often THE TWELVE SUPERB ISSUES THAT WILL APPEAR IN Love’s Wildwood Trail _ A proof of his inherent generosity is found 1929 unscrupulous to a degree which cannot be in his support of Carl’s mother when she explained away. “He not infrequently broke his word, fell on evil days, despite all the wrongs she Some of the Feature Articles Which Will Appear struck a bargain and then withdrew on had done him and the quite righteous de¬ receiving other offers; he took payment in testation he felt for her ..