Georgina Nelson Phd Thesis
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The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
The Un-Design and Design of Insulin: Structural Evolution
THE UN-DESIGN AND DESIGN OF INSULIN: STRUCTURAL EVOLUTION WITH APPLICATION TO THERAPEUTIC DESIGN By NISCHAY K. REGE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Biochemistry Dissertation Advisor: Dr. Michael A. Weiss CASE WESTERN RESERVE UNIVERSITY August, 2018 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Nischay K. Rege candidate for the degree of Doctor of Philosophy*. Committee Chair Paul Carey Committee Member Michael Weiss Committee Member Faramarz Ismail-Beigi Committee Member George Dubyak Date of Defense: June 26th, 2018 *We also certify that written approval has been obtained for any proprietary material contained therein. Dedication This thesis is dedicated to my mother, Dipti, whose constant love and faith have never failed, to my father, Kiran, who taught me of the virtue of curiosity, and to my wife, Shipra, whose kindness and companionship have given me enough strength for eight lifetimes. i Table of Contents Dedication ..................................................................................................................................... i Table of Contents ......................................................................................................................... ii List of Tables ............................................................................................................................... v List of Figures ........................................................................................................................... -
Hallyu at a Crossroads: the Clash of Korea's Soft Power Success and China's Hard Power Threat in Light of Terminal High
Asian International Studies Review Vol. 18 No.1 (June 2017): 153-169 153 Received March 15, 2017 Revised May 10, 2017 Accepted May 20, 2017 Hallyu at a Crossroads: The Clash of Korea’s Soft Power Success and China’s Hard Power Threat in Light of Terminal High Altitude Area Defense (THAAD) System Deployment HANNAH JUN* The past two decades have witnessed the remarkable success of Hallyu, or the Korean Wave, with Korea welcoming a large influx of foreign visitors and benefiting from massive consumption of products ranging from Korean television and film, K-pop and lifestyle products. A more recent announcement by CJ E&M points to an even more aggressive plan for regional ubiquity, as encapsulated by Hallyu 4.0. Simultaneously, we have already felt some of the effect of policy changes in China – a core Hallyu market – as a response to Korea’s plan to deploy a Terminal High Altitude Area Defense (THAAD) system. In this sense, we see the stirrings of a clash between Korean soft power and Chinese hard power, and are uncertain who will emerge on top. This paper examines the broad success of Hallyu from key theoretical perspectives, while addressing linkages between Korean corporations and cultural power/influence that have led to an announcement such as Hallyu 4.0. This paper also highlights the recent tensions between Korea and China, specifically with respect to THAAD deployment, and outlines potential implications for businesses and policymakers through preliminary scenarios. Keywords: Nuclear Taboo, Nuclear Arms, Deterrence, Norms, Proliferation, Just War * Assistant Professor, Ewha Womans University, Seoul, South Korea; E-mail: [email protected]; DOI: 10.16934/isr.18.1.201706.153 Downloaded from Brill.com09/28/2021 03:33:20PM via free access 154 Hallyu at a Crossroads I. -
Creative Industries in South Korea: the Korean Wave
CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE Author: Nicoleta Stefanÿ Valean Tutor: Francesc Xavier Molina Morales DEGREE IN BUSINESS ADMINISTRATION AE1049 - FINAL PROJECT WORK ACADEMIC YEAR: 2016/2017 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE TABLE OF CONTENTS INTRODUCTION 3 1. CREATIVE INDUSTRY 5 1.1. Definition. 5 1.2. Origin. 5 2. SOUTH KOREA 6 2.1. The history of Korea. 6 2.2. Hallyu: The Korean Wave 9 2.3. Aspects related to Hallyu 13 2.3.1. Industry Policy 14 2.3.2. Hallyu’s Kdramas approach 15 2.3.3. Hallyu and National Prestige 16 2.3.4. Market Segmentation 18 3. KOREAN POPULAR CULTURE 20 3.1. Korean television and Kpop 20 3.2. The Big Three: SM, YG and JYP 24 3.2.1. SM Entertainment 25 3.2.2. YG Entertainment 28 3.2.3 JYP Entertainment 29 3.2.4. Trainee system 31 4. CONCLUSION 33 5. REFERENCES 34 6. WEBGRAPHY 36 2 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE INTRODUCTION We live in a globalized world, surrounded by the effects of globalization in our daily life. Nowadays we have access to information about so many different cultures, countries, economies, different organizations, and so on. Thanks to the Internet, we have access to a whole new world in just a click. This is the main characteristic of the actual global situation. Personally, I am always amazed of this fact, being able to “travel" with just a click, being able to communicate with someone on the other side of the world, being able to know exactly what is happening, for example, in Australia while being in Spain, and more. -
112 Dance with Me 112 Peaches & Cream 213 Groupie Luv 311
112 DANCE WITH ME 112 PEACHES & CREAM 213 GROUPIE LUV 311 ALL MIXED UP 311 AMBER 311 BEAUTIFUL DISASTER 311 BEYOND THE GRAY SKY 311 CHAMPAGNE 311 CREATURES (FOR A WHILE) 311 DON'T STAY HOME 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 311 PURPOSE ? & THE MYSTERIANS 96 TEARS 1 PLUS 1 CHERRY BOMB 10 M POP MUZIK 10 YEARS WASTELAND 10,000 MANIACS BECAUSE THE NIGHT 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 FT. SEAN PAUL NA NA NA NA 112 FT. SHYNE IT'S OVER NOW (RADIO EDIT) 12 VOLT SEX HOOK IT UP 1TYM WITHOUT YOU 2 IN A ROOM WIGGLE IT 2 LIVE CREW DAISY DUKES (NO SCHOOL PLAY) 2 LIVE CREW DIRTY NURSERY RHYMES (NO SCHOOL PLAY) 2 LIVE CREW FACE DOWN *** UP (NO SCHOOL PLAY) 2 LIVE CREW ME SO HORNY (NO SCHOOL PLAY) 2 LIVE CREW WE WANT SOME ***** (NO SCHOOL PLAY) 2 PAC 16 ON DEATH ROW 2 PAC 2 OF AMERIKAZ MOST WANTED 2 PAC ALL EYEZ ON ME 2 PAC AND, STILL I LOVE YOU 2 PAC AS THE WORLD TURNS 2 PAC BRENDA'S GOT A BABY 2 PAC CALIFORNIA LOVE (EXTENDED MIX) 2 PAC CALIFORNIA LOVE (NINETY EIGHT) 2 PAC CALIFORNIA LOVE (ORIGINAL VERSION) 2 PAC CAN'T C ME 2 PAC CHANGED MAN 2 PAC CONFESSIONS 2 PAC DEAR MAMA 2 PAC DEATH AROUND THE CORNER 2 PAC DESICATION 2 PAC DO FOR LOVE 2 PAC DON'T GET IT TWISTED 2 PAC GHETTO GOSPEL 2 PAC GHOST 2 PAC GOOD LIFE 2 PAC GOT MY MIND MADE UP 2 PAC HATE THE GAME 2 PAC HEARTZ OF MEN 2 PAC HIT EM UP FT. -
BRAND VS BAND Global Marketing Analysis on Two K-Pop Groups, NCT and BTS
THESIS - BACHELOR'S DEGREE PROGRAMME SOCIAL SCIENCES, BUSINESS AND ADMINISTRATION BRAND VS BAND Global Marketing Analysis on Two K-pop Groups, NCT and BTS A u t h o r / s : Petra Jääskeläinen SAVONIA UNIVERSITY OF APPLIED SCIENCES THESIS Abstract Field of Study Social Sciences, Business and Administration Degree Programme Degree Programme in Business Administration, International Business Author(s) Petra Jääskeläinen Title of Thesis Brand VS Brand: Global Marketing Analysis on Two K-pop Groups, NCT and BTS Date 09.12.2019 Pages/Appendices 40 Supervisor Virpi Oksanen Client Organization /Partners - Abstract K-pop as a music industry has gained a lot of attention in 2019 in the U.S. and globally. K-pop has experi- enced two decades of expansion from South-Korea to global markets, becoming one of the leading music industries in the world. The purpose of this thesis was to study the marketing activities of two case compa- nies, SM Entertainment and BigHit Entertainment, and two of their boy music groups, NCT and BTS respec- tively. The focus of this thesis was to showcase the groups’ promotional activities in the U.S. and to study the usage of marketing mix. The thesis is compiled of an empirical study of the K-pop industry and its international activities in the U.S., organized into 3 sections explaining different time periods and the market changes internationally. The mar- keting strategies of the case companies were explained to describe the key concepts the businesses focus on, and the 4Ps of the marketing mix were analyzed in the two groups of BTS and NCT. -
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·1 N~~hirts Parade Streets 1 -n 30~ · Pre-Ganie ,Pep 'Rally Forgetting all inhibitions, Macollege students may don pajumas "legally" next Thursday evening, Oct. 6 for the Calendar staging the 30th yearly pajama parade and snake dance. Oct. I, Presldcnr'e R<"copUon The and open bouae ror rrH hmen. vo.L. xxxv McPherson Colle-ge, event is held before the night of the first home footb.all Oct. 6, Pajama ·parade and McPheTson, Kansas, Sept. 29, 1950 No. 3 game, and ls,J:.UnJn copperation with snake d"a nce, 7 : SO p. m. the City police force " > and thE college cheerleaders. Oct. 6, Football- Baker, hei-c.-- 'Spec' B.eceiv£s_ Oct. 7. Kllae Ha11 opeo bouae. Classes Dismiss Today Cheerleader elections tor 1960· Oct. 10, Model UN. Second ACP parade a re Deny Ann Murrey, Ann Carpenter. Marlin Walter, and Honor Rating For Pi~nic At Kanopolis Dob Wiison. The game Friday, Thi!! a ft ernoon. J.""rlday. September 29 . the Recreatio Oct. 6 Is ag'atost Baker Unlver· The Spectator. Macollcs;e'& nal Councll la fJponaorlng the"" tlru all school picnic of 11 1ly or Unldwln. Kansas. weekly publlc11tlon. received a 11 ec the year at Kanopoll1 Dam. School wtll be dlsmlesed Sludent.s agsemblJng ror the ond olace honor rating t om the at noon. with the group meeting In rront or 11arade wl11 meet .at the Junior Atu1oclated Colleglale Pren tor Shurp Hall to leavo a.t ono o'clock. The actlvlUe!J or the afternoon wUI High School building on EHt Euc the second 1eme11ter of !9'40-'&0. -
K-Pop – What’S in a Name?
K-pop – What’s in a Name? ACADEMIC ARTICLE: ROUNDTABLE Ed. Dr. Candace Epps-Robertson Assistant Professor of English and Comparative Literature, University of North Carolina at Chapel Hill (United States) Ed. Katie Hulme Physicist by day, (amateur) poet by night (United States) Introduction What is a “Roundtable”? A rhizome consists of a multitude of interconnected nodes — and while those nodes might have more that connects than divides them, individual nodes don’t always agree. Learning means being in conversation with one another. Our perspectives are often shaped by our immediate networks and personal experiences, and it never hurts to take a step back and invite some voices to the table — especially those we might not otherwise hear, and those that bring wisdom, experience, and specialized knowledge into the conversation. “ ” 양극화 세상에서 가장 추한 꽃 “Polarization, the ugliest flower in the world” (Agust D, 2020) We have all witnessed heated and emotionally charged debates ignited by particular topics, fueled by the anonymity and speed afforded by social media. Discussions can quickly become polarized, and when polarization begins to play, discourse often begins to falter. Slowing down, taking time to pause, engaging with the ideas of others, and listening are essential to growth and creating new knowledge. The most famous roundtable is probably that of the legendary King Arthur, who insisted that his knights sit at a roundtable because such a table has no head — thus no designated leader. The purpose of a roundtable is to invite individuals into a space where the notion of “us” and “them” is temporarily dispelled, and each voice is given an equal platform to articulate itself. -
© Copyright 2014 Solee Irene Shin
© Copyright 2014 Solee Irene Shin Making East Asian Consumers: Market Formation and Evolution of Demand in Japan, South Korea, Taiwan, and China Solee Irene Shin A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee Gary G. Hamilton, Chair Daniel Chirot Yong-Chool Ha Becky Pettit Program Authorized to Offer Degree: Sociology University of Washington Abstract Making East Asian Consumers: Formation and Evolution of Demand in Japan, South Korea, Taiwan, and China Solee Irene Shin Chair of the Supervisory Committee: Professor Gary G. Hamilton Department of Sociology This dissertation examines the rise of organized retailing in East Asia. It pays attention to the roles of market makers as intermediary market players who act between the producers and consumers, especially in the contexts of national retail organization and expansion activities of multinational retailers. Theoretically, the dissertation combines the national business systems literature with a market power perspective to examine the contexts in which different national economies organize their retail sectors and incorporate retail innovations. Empirically, it asks what roles the domestic and global retailers played in building contemporary consumer markets in Japan, Korea, and Taiwan, and mainland China. It also asks, to what extent the development of consumer markets in Asia and the activities of multinational retailers have brought convergence or continued divergence between the different national markets, retail structures, and cultures of consumption. To answer these questions, the dissertation first pays attention to the links between national and global firms and retail markets, and second, to the links between national firms and products, and lastly, how the structure of global and regional production and national cultures of consumption are mediated by a set of intermediaries. -
Gd&T Tolerance Stack up Analysis
Gd Continue For G-Dragon's eponymous EP, see Kwon Ji Yong. The merger is being considered for the merger of the South Korean singer, rapper and producer Pattern below (Korean name). See the templates for discussion to help reach consensus. It's a Korean name; Kwon's last name. G-DragonG-Dragon on Infinite Challenge Yeongdong Expressway Song Festival 2015BornKwon Ji-yong (1988-08-18) August 18, 1988 (age 32)Seoul, South KoreaOther namesGDOccupationRappersingersongwriterrecord producerentrepreneurfashion designerNet worthUS$40 million[1]Musical careerGenresHip hopK-popdance-popR&BtrapInstrumentsVocalsYears active1994– presentLabelsYGAssociated actsBig BangYG FamilyGD & TOPGD X TaeyangKorean nameHangul권지용Hanja權志⿓Revised RomanizationGwon Ji-yongMcCune–ReischauerKwŏn Chiyong Websiteygbigbang.com/gdragonSignature Kwon Ji-yong (Korean: 권지용; born August 18, 1988),[2] also known by his stage name G-Dragon, is a South Korean rapper, singer-songwriter, record producer, entrepreneur and fashion designer, dubbed as the 'King of K-Pop'. G-Dragon trained for six years, from the age of twelve, on the South Korean entertainment label YG Entertainment, before debuting in 2006 as the leader of the hip-hop boy band Big Bang, which became one of the best-selling boy bands in the world. His first solo album, Heartbreaker, and his title track of the same name, released in 2009, were commercially successful, becoming the top-selling album of the Korean soloist at the time and earning him album of the year at the Mnet Asian Music Awards 2009. G-Dragon collaborated with Big Bang Bandmate T.O.P to release the album GD and TOP in 2010. His first EP, One of a Kind (2012), received critical acclaim and three singles: One of a Kind, Crayon and That XX. -
Quarterly FOLLOWS PAGE 42 CONGRATULATIONS
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) 1111... 11111111 IIiIiiIIiiJ iilJlr nlni[iiIIiIi.Illnni[I[niii #BXNCCVR * * * * ** * * * * * * * * * * * * ** 3 -DIGIT 908 #90807GEE374EM002 # * BLBD 872 A06 B0114 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOMEv ENTERTAINMENT FEBRUARY 8, 2003 DVD Enjoys Big Role Indie Pub Catalogs Are In Black History Month Hot Investment Ticket BY JILL KIPNIS music -related promo- BY BRIAN GARRITY and GAIL MITCHELL tions are also planned for NEW YORK- Indepen- LOS ANGELES -A the month, which hon- dent publishing catalogs wealth of new DVD titles ors the contributions of have seen their market Y i i value more than double in just in time for this year's The key video title this the past decade, and at celebration of Black His- Black History Month is the least three companies tory Month. Audio titles film adaptation of Alice now hope to take advan- are less evident than in Walker's The Color Purple, tage of that trend. But past years, but several which will be released Feb. with the music industry 18 as a double -disc DVD financially strained by ($27.95) from Warner slumping CD sales, many Home Video (WHV). The large publishers and other 1985 film, which is the potential acquirers of story of an African -Ameri- such assets are experienc- cati _irl _rowiu: up in 11íe ing sticker shock when rural South in the early Lorrie Morgan, Billy Ray Cyrus, Collin Raye, Chely Wright, and Bryan White. -
Korean Wave: Discourse Analysis on Korean Popular Culture in US and UK Digital Newspapers
MA Thesis Arts and Culture Specialization in Creative Industries Korean Wave: Discourse Analysis on Korean Popular Culture in US and UK Digital Newspapers Kwon, Eun Jee -September 2017- Supervisor: Dr. Tom Sintobin Table of Contents I. Introduction 1. General Description ………………………………………………………….….1 2. Existing Research…………………………………………………………….….4 3. Research Question………………………………………………………….……9 4. Database…………………………………………………………………………9 5. Methodology……………………………………………………………………11 II. How do news media outlets portray K-pop in United States? 1. Emerging music that has US origins ………..……………………………...……18 2. K-pop stars: National Hero………..……………………………………….….…23 3. Man-made catchy song………..…………..……………………………….….…26 4. Political representation………..…………..……………………………….….…37 5. Music that brings Money………..…………..……………………………….…..44 III. How do news media outlets portray K-pop in United Kingdom? 1. Music made by Global mindsets…..……………………………………….…..50 2. K-pop stars: Artistic Innovators…..………………………………………..…..58 3. Sensational performance…..………………………………………………..….64 4. Political Propaganda…..…………………………………………………....….68 5. Music that brings Soft Power …..…………………………………….…...…...71 IV. Conclusion ACKNOWLEDGEMENTS I would like to thank my family and Dr. Sintobin for supporting my study. I give thanks to Jesse, Taein, Austin and Brianna for their support and the moments we have shared together. I am thankful for those who participated for my interview. Finally, I would like to appreciate Radboud University and the Orange Tulip Scholarship for the opportunity to broaden my horizons in Netherlands. I. Introduction Korean pop artist, Psy's Gangnam style is one of the most beloved videos on YouTube with its views now reaching to almost 2.9 billion counts. In 2014 after two years of Psy’s official album release, YouTube had to upgrade their counts to 64-bit integer for the first time, because its counter capacity could not handle the exponentially growing figure for watching Psy’s viral music video.